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The Ethical Carnivore: My Year Killing to Eat
Book
We should all know exactly where our meat comes from. But what if you took this modern day maxim to...
Debating Darwin
Robert J. Richards and Michael Ruse
Book
Charles Darwin is easily the most famous scientist of the modern age, and his theory of evolution is...
Ryan Hill (152 KP) rated Kong: Skull Island (2017) in Movies
Jun 26, 2019
"is that a monkey?"
There are very few things that I respect more than a movie that is unafraid to embrace its own stupidity. Kong: Skull Island has thinly written characters, extreme tonal dissonance, bad dialogue, and a complete and utter disregard for the talents of Oscar-winning actress Brie Larson, but it’s absolutely glorious in its brazen spectacle. Its thin characters and tonal dissonance don’t matter as much because it thoroughly commits to its premise, and it seems like the movie is one ridiculous–but hilarious–visual gag after another. The bad dialogue is all part of the fun. It’s not trying to be something it’s not, and that’s something I appreciate in any movie, especially a nostalgia-laced B-movie blockbuster about a giant ape.
Some might draw connections to the time era explored or the interplay between man and nature, but the movie succeeds at its main goal: entertain the hell out of the audience. Actors like Tom Hiddleston and Brie Larson are (pretty) pieces of cardboard in this, but seasoned vets like Samuel L. Jackson and John C. Reilly thoroughly understand what it is they’re being asked to do. They both ham it up big time, with Vogt-Roberts’s visual flourishes adding to their performances in beautiful ways throughout. They both give pitch perfect performances that are 100% appropriate for their roles, and Reilly in particular becomes the heart and soul of the story. As an actor, the best response to a movie like this is to embrace the ridiculous, and Jackson and Reilly certainly do.
However, the ridiculous can sometimes move aside to reveal a visually stunning movie with a large heart. The production design is gorgeous, and the classic shot–a character whose back is turned to us, staring up in awe and fear at Kong–is breathtaking. The movie itself has that type of reaction to its own character, to its own force of nature, looking up in wonder and childish glee as Kong destroys another piece of its surroundings. This is big, bold, and confident filmmaking, precisely because the movie understands what it’s not.
Some might draw connections to the time era explored or the interplay between man and nature, but the movie succeeds at its main goal: entertain the hell out of the audience. Actors like Tom Hiddleston and Brie Larson are (pretty) pieces of cardboard in this, but seasoned vets like Samuel L. Jackson and John C. Reilly thoroughly understand what it is they’re being asked to do. They both ham it up big time, with Vogt-Roberts’s visual flourishes adding to their performances in beautiful ways throughout. They both give pitch perfect performances that are 100% appropriate for their roles, and Reilly in particular becomes the heart and soul of the story. As an actor, the best response to a movie like this is to embrace the ridiculous, and Jackson and Reilly certainly do.
However, the ridiculous can sometimes move aside to reveal a visually stunning movie with a large heart. The production design is gorgeous, and the classic shot–a character whose back is turned to us, staring up in awe and fear at Kong–is breathtaking. The movie itself has that type of reaction to its own character, to its own force of nature, looking up in wonder and childish glee as Kong destroys another piece of its surroundings. This is big, bold, and confident filmmaking, precisely because the movie understands what it’s not.
Sleep Orbit: Relaxing 3D Sound
Health & Fitness and Music
App
A unique 3D sound concept helps you sleep that you can't find anywhere else. Mix and match as many...
Whispers of the Wild - Premium
Travel and Education
App
"I think this is the most exciting App of its kind" - Wildlife Australia Magazine "Having Whispers...
Cooked
Book
In Cooked, Michael Pollan explores the previously uncharted territory of his own kitchen. Here, he...
Hazel (2934 KP) rated The Cellar in Books
Nov 20, 2022
This is a dark, disturbing and violent psychological thriller that pulls no punches and is highly descriptive which may be a bit much for some; I admit that I winced and drew breath a few times but kept going as I was gripped and already highly invested in the story.
The characters are excellent and feel real. Marcus Gove is a despicable person; I can't even bring myself to call him a human being he is that bad, he is a sad, twisted and demented individual who has absolutely no moral compass or redeeming qualities whatsoever - an absolutely brilliant character and one you love to hate.
Lucy is a young woman who is generally content apart from being in an unfulfilling relationship and her mum being diagnosed with cancer but things get a whole lot worse when she comes into the crosshairs of Marcus Gove and her world turns into the most horrendous nightmare.
Ray Lewis is the detective tasked with finding Lucy; not so easy when there are few clues and even less evidence and whilst he may be unfit, unhealthy and thought of as a dinosaur, he goes about his business in a methodical way with some much-needed humour.
Told from the points of view of each of the main characters and at a really good pace, this is a book that has you wanting to put down at times due to the graphic nature of what is being written and not put it down due to the gripping nature of the story ... not put it down won out with me.
This is the first book by John Nicholl I have read before and it certainly won't be the last especially if they are as addictive and compelling as this has been and I therefore have no hesitation in recommending it to others who love a gritty and dark thriller who don't mind graphic and disturbing details that have you wincing as you read.
Many thanks to Boldwood Books and NetGalley for enabling me to read and share my thoughts of The Cellar.
The characters are excellent and feel real. Marcus Gove is a despicable person; I can't even bring myself to call him a human being he is that bad, he is a sad, twisted and demented individual who has absolutely no moral compass or redeeming qualities whatsoever - an absolutely brilliant character and one you love to hate.
Lucy is a young woman who is generally content apart from being in an unfulfilling relationship and her mum being diagnosed with cancer but things get a whole lot worse when she comes into the crosshairs of Marcus Gove and her world turns into the most horrendous nightmare.
Ray Lewis is the detective tasked with finding Lucy; not so easy when there are few clues and even less evidence and whilst he may be unfit, unhealthy and thought of as a dinosaur, he goes about his business in a methodical way with some much-needed humour.
Told from the points of view of each of the main characters and at a really good pace, this is a book that has you wanting to put down at times due to the graphic nature of what is being written and not put it down due to the gripping nature of the story ... not put it down won out with me.
This is the first book by John Nicholl I have read before and it certainly won't be the last especially if they are as addictive and compelling as this has been and I therefore have no hesitation in recommending it to others who love a gritty and dark thriller who don't mind graphic and disturbing details that have you wincing as you read.
Many thanks to Boldwood Books and NetGalley for enabling me to read and share my thoughts of The Cellar.
This is what I would call a slow burn - it never really ignites fully and sometimes fizzles to the point it almost goes out but, generally, it just stays at a solid gas mark 3 for the most part.
Seven members of a nature group come together for a Boxing Day gathering to watch a murmuration within a nature reserve. Seems like a fairly innocuous and harmless way to spend a day and evening usually spent eating leftovers and vegging in front of the television and it is, until a shot rings out and one of their party is dead.
Each of the remaining six have secrets they don't want made common knowledge and therefore each have a motive for murder. None of the characters have many redeeming features if I'm honest and it wouldn't have made any difference to me who was the victim as I didn't particularly like any of them.
What follows is infighting which results in the group splitting up (never a good idea - have they never watched a horror film!) and suspicions falling on one person, then another, then another ... well, you get the idea. More shots are heard, people are separated further, injuries happen, more separation and more infighting and, all the while, the secrets they want to stay hidden gradually come to light.
What I enjoyed about this book was the sense of claustrophobia and isolation that was well captured and, as seems to be the norm with Nell's books, the inclusion of a character who is deaf added something a bit different.
What I didn't like about it was there was too much time spent describing stuff that didn't really seem to add to the story and this resulted in it dragging - hence the slow burn.
I have read a few of Nell's other books and this does seem to be a pattern with her stories but there have been plenty of people who have absolutely raved about this book so please, please don't judge it from my review alone.
Remember, if we all liked the same things, it would be a very, very boring world indeed!
Thanks go to Avon Books UK and NetGalley for my copy in return for an honest, unbiased and unedited review.
Seven members of a nature group come together for a Boxing Day gathering to watch a murmuration within a nature reserve. Seems like a fairly innocuous and harmless way to spend a day and evening usually spent eating leftovers and vegging in front of the television and it is, until a shot rings out and one of their party is dead.
Each of the remaining six have secrets they don't want made common knowledge and therefore each have a motive for murder. None of the characters have many redeeming features if I'm honest and it wouldn't have made any difference to me who was the victim as I didn't particularly like any of them.
What follows is infighting which results in the group splitting up (never a good idea - have they never watched a horror film!) and suspicions falling on one person, then another, then another ... well, you get the idea. More shots are heard, people are separated further, injuries happen, more separation and more infighting and, all the while, the secrets they want to stay hidden gradually come to light.
What I enjoyed about this book was the sense of claustrophobia and isolation that was well captured and, as seems to be the norm with Nell's books, the inclusion of a character who is deaf added something a bit different.
What I didn't like about it was there was too much time spent describing stuff that didn't really seem to add to the story and this resulted in it dragging - hence the slow burn.
I have read a few of Nell's other books and this does seem to be a pattern with her stories but there have been plenty of people who have absolutely raved about this book so please, please don't judge it from my review alone.
Remember, if we all liked the same things, it would be a very, very boring world indeed!
Thanks go to Avon Books UK and NetGalley for my copy in return for an honest, unbiased and unedited review.
Suswatibasu (1703 KP) rated Sing, Unburied, Sing in Books
Oct 3, 2017
A Toni Morrison novel updated for modern times
This is no doubt a modern day version of reading a Toni Morrison novel. From the magical realism aspect to social issues affecting African Americans, this novel is both haunting and almost poetic.
The story follows a family on their way to a prison, in which the children's white father is due to be released. The teenage boy and his three year old sister are mostly dependent on one another as well as their grandparents Pop and Mam. The mother Leonie is absent, and rather aloof in their upbringing, forcing her son, Jojo to bring up his kid sister. In between are disturbing stories featured in flashbacks and ghostly apparitions, The novel explores interracial relationships, police brutality and even post traumatic stress disorder to a degree.
While it can seem haphazard, going back and forth in time, and random narratives appearing throughout, it leaves the reader with a sense of unease and despair at the violent nature of society. A truly intriguing read.
The story follows a family on their way to a prison, in which the children's white father is due to be released. The teenage boy and his three year old sister are mostly dependent on one another as well as their grandparents Pop and Mam. The mother Leonie is absent, and rather aloof in their upbringing, forcing her son, Jojo to bring up his kid sister. In between are disturbing stories featured in flashbacks and ghostly apparitions, The novel explores interracial relationships, police brutality and even post traumatic stress disorder to a degree.
While it can seem haphazard, going back and forth in time, and random narratives appearing throughout, it leaves the reader with a sense of unease and despair at the violent nature of society. A truly intriguing read.
Suswatibasu (1703 KP) rated The Accusation: Forbidden Stories from Inside North Korea in Books
Nov 15, 2017 (Updated Nov 15, 2017)
Unflinching tales from North Korea
The Accusation shines a light on the dark half of the Korean peninsula with stories that are as readable as they are important. Written by a North Korean dissident still living in the country, the book is extremely unique - the manuscript having been smuggled out of the country by a fleeing relative.
Bandi, (not his real name) focuses on the period between 1989 and 1995 when Kim il-Sung and Kim Jong-il were in power. Seven short stories, each pointing an accusing finger at the ruling regime, shine a light on North Korea's truly fathomless darkness. While most of the stories are fictional, they are based on real events, but names have been changed to protect identities. It is almost Orwellian in nature, it's unbelievable that there is a place in the world where 1984 is a reality.
The seven stories aptly convey the hardships and constant trauma that people face in a country cut off from the rest of the world. Written with deep emotion and elegance. A sensational read.
Bandi, (not his real name) focuses on the period between 1989 and 1995 when Kim il-Sung and Kim Jong-il were in power. Seven short stories, each pointing an accusing finger at the ruling regime, shine a light on North Korea's truly fathomless darkness. While most of the stories are fictional, they are based on real events, but names have been changed to protect identities. It is almost Orwellian in nature, it's unbelievable that there is a place in the world where 1984 is a reality.
The seven stories aptly convey the hardships and constant trauma that people face in a country cut off from the rest of the world. Written with deep emotion and elegance. A sensational read.