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Alice's Universe: The Discovery of a New Cosmos - Twice
Book
Professor Alice Sutton, a self-taught physicist, grew up in the Appalachian foothills of southern...
science fiction fantasy bookbuzz
Dancing the Loom
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Carol Craig invites you into this richly crafted tale of sisterhood, magic and romance. A...
fantasy
Lyndsey Gollogly (2893 KP) rated The Passengers in Books
Apr 10, 2024
69 of 220
Kindle
The Passengers
By John Marrs
⭐️⭐️⭐️⭐️
You’re riding in your self-driving car when suddenly the doors lock, the route changes and you have lost all control. Then, a mysterious voice tells you, “You are going to die.”
Just as self-driving cars become the trusted, safer norm, eight people find themselves in this terrifying situation, including a faded TV star, a pregnant young woman, an abused wife fleeing her husband, an undocumented immigrant, a husband and wife, and a suicidal man.
From cameras hidden in their cars, their panic is broadcast to millions of people around the world. But the public will show their true colors when they are asked, "Which of these people should we save?...And who should we kill first?"
Another brilliant book from John Marrs. This author seriously has me worried about using technology. This was so intense and so frightening. It showed human nature at its worst. There is always someone watching and waiting to bring the truth out in people could you sit and choose who would live or die? I’m not sure I could.
Kindle
The Passengers
By John Marrs
⭐️⭐️⭐️⭐️
You’re riding in your self-driving car when suddenly the doors lock, the route changes and you have lost all control. Then, a mysterious voice tells you, “You are going to die.”
Just as self-driving cars become the trusted, safer norm, eight people find themselves in this terrifying situation, including a faded TV star, a pregnant young woman, an abused wife fleeing her husband, an undocumented immigrant, a husband and wife, and a suicidal man.
From cameras hidden in their cars, their panic is broadcast to millions of people around the world. But the public will show their true colors when they are asked, "Which of these people should we save?...And who should we kill first?"
Another brilliant book from John Marrs. This author seriously has me worried about using technology. This was so intense and so frightening. It showed human nature at its worst. There is always someone watching and waiting to bring the truth out in people could you sit and choose who would live or die? I’m not sure I could.
Lyndsey Gollogly (2893 KP) rated The Salt Grows Heavy in Books
May 12, 2024
94 of 220
Book
The Salt Grows Heavy
By Cassandra Khaw
⭐️⭐️⭐️
After the murder of her husband and the fall of his empire, a mermaid and her plague doctor companion escape into the wilderness. Deep in the woods, they stumble across a village where children hunt each other for sport, sacrificing one of their own at the behest of three surgeons they call "the saints." These saints play god with their magic, harvesting the best bits of the children for themselves and piecing the sacrifices back together again.
To save the children from their fates, the plague doctor must confront their past, and the mermaid must embrace the darkest parts of her true nature.
This was certainly not the story I’m used to reading when it comes to mermaids. This was fully of gore and dark meanings. Some parts are hard to read and not for the context but it’s like a full dictionary has been thrown in and it really put me off. Overall it’s a deeply dark fairytale of mermaids and death. For a small book it packs a punch in places.
Book
The Salt Grows Heavy
By Cassandra Khaw
⭐️⭐️⭐️
After the murder of her husband and the fall of his empire, a mermaid and her plague doctor companion escape into the wilderness. Deep in the woods, they stumble across a village where children hunt each other for sport, sacrificing one of their own at the behest of three surgeons they call "the saints." These saints play god with their magic, harvesting the best bits of the children for themselves and piecing the sacrifices back together again.
To save the children from their fates, the plague doctor must confront their past, and the mermaid must embrace the darkest parts of her true nature.
This was certainly not the story I’m used to reading when it comes to mermaids. This was fully of gore and dark meanings. Some parts are hard to read and not for the context but it’s like a full dictionary has been thrown in and it really put me off. Overall it’s a deeply dark fairytale of mermaids and death. For a small book it packs a punch in places.
ClareR (5841 KP) rated Light Over Liskeard in Books
Jan 31, 2024
I should have felt sad when the inevitable happened at the end of this book, but I really didn’t.
Q, the main character in Light Over Liskeard, has been preparing for this event from the first page. He knows that the collapse of society will happen, just not when.
Q is a man who has never had to do anything for himself, but in order to prepare, he learns how to build, grow and work with others with the help of his very capable neighbours.
It’s a fascinating landscape, mixing the familiarity of Cornwall with the unfamiliar wildlife: lynxes, aurochs, wolves and more. I loved the sound of them all. Whilst it’s sad that no one really sees them (because they all live in their convenient, encapsulated, electronic worlds), the lack of visitors is probably why the wildlife thrives.
This is full of observations on: modern life and how it’s not as great as it’s cracked up to be; the beauty of nature; and the importance of relationships and human connection. And ultimately what I read Louis de Bernières for: his fascinating, quirky characters. I loved them all!
Q, the main character in Light Over Liskeard, has been preparing for this event from the first page. He knows that the collapse of society will happen, just not when.
Q is a man who has never had to do anything for himself, but in order to prepare, he learns how to build, grow and work with others with the help of his very capable neighbours.
It’s a fascinating landscape, mixing the familiarity of Cornwall with the unfamiliar wildlife: lynxes, aurochs, wolves and more. I loved the sound of them all. Whilst it’s sad that no one really sees them (because they all live in their convenient, encapsulated, electronic worlds), the lack of visitors is probably why the wildlife thrives.
This is full of observations on: modern life and how it’s not as great as it’s cracked up to be; the beauty of nature; and the importance of relationships and human connection. And ultimately what I read Louis de Bernières for: his fascinating, quirky characters. I loved them all!
Enlightenment
10.0
Rate It
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Thomas and Grace are fellow worshippers at the Baptist chapel in the small Essex town of Aldleigh....
Movie Metropolis (309 KP) rated Pompeii (2014) in Movies
Jun 11, 2019
The disaster movie has always been a genre guaranteed to create incredible box-office returns. If you look at Roland Emmerich’s impressive blockbuster hit 2012, which grossed over $750million, it is clear that destroying well-known landmarks = bums on seats.
However since 2012‘s 2009 release the genre has fallen into a dormant state. Nevertheless, four years later Paul W.S. Anderson attempts to reawaken this box-office behemoth with his take on the tragic true events at Pompeii, but does the film succeed in its task?
Partially is the short answer. Anderson’s first film since 2012’s disaster Resident Evil: Retribution is as cheesy as a Dairylea triangle, but it also has some stunning special effects to give it some life.
Game of Thrones’ Kit Harington stars as Milo, a slave captured by the Romans after they wiped out his entire family. He is taken to a gloriously recreated Pompeii and immediately sets his sights on the very beautiful Lady Cassia, played by a rather dull Emily Browning, who just so happens to be the daughter of the city ruler, Severus. I’m sure you can guess the plot…
What ensues is a cheesy mess of terrible acting and stilted dialogue that jars with the period nature of the film. Only the knowing of what is to come from Mt Vesuvius, which is beautifully rendered in CGI, stops the film from grinding to a halt.
Kiefer Sutherland dons a downright ridiculous English accent for the role of Senator Corvus, the chief antagonist in the film. He is on business in Pompeii to see if trade can be established and investment can be agreed with the great city of Rome – though this plot point gets lost along the way.
Another issue is the true story which Pompeii is based on. The great tale of tragedy and mother nature showing her ruthless side is one we all know – but all we really want to see is the mountain going boom. Unfortunately we must wait whilst Anderson tries his best to make us care about the characters with their sickly back-stories, for which he fails in breathtaking fashion.
Finally after nearly an hour of what feels like a poor-mans Gladiator we are treat to a stunning spectacle, as Mt Vesuvius explodes in rip-roaring style. As the mountain blows and the fireballs rage Anderson once again tries to get us interested in the paper-thin story, thankfully not pushing too hard this time, and he lets the special effects take over.
Historical accuracy is, surprisingly, very good. According to the director, Pompeii was faithfully recreated for the film with aerial shots of the city as it stands today topped up with CGI to show the thriving metropolis we see in the film.
Unfortunately, scientific accuracy takes a back-seat for the sake of high drama, which is the case with many films of this nature. The iconic pyroclastic flow, attributed to killing the majority of Pompeii’s inhabitants due to its huge speed and massive temperatures is slowed right down to ensure the film can last another ten minutes or so – though this is perhaps to be expected.
Overall, Paul W.S. Anderson has created a film which certainly looks the part, but is lacking in so many other areas. Kiefer Sutherland’s villain is completely upstaged by the constant shots of the volcano, which are almost pantomime like in their ‘it’s behind you’ staging, and the rest of the cast are wooden and not particularly likeable.
However, what it lacks in story and acting finesse it makes up in the beautiful special effects and engaging cinematography. It’s worth a watch just to see Pompeii get obliterated – which is probably not a very nice thing to say at all.
https://moviemetropolis.net/2014/05/03/pompeii-3d-review/
However since 2012‘s 2009 release the genre has fallen into a dormant state. Nevertheless, four years later Paul W.S. Anderson attempts to reawaken this box-office behemoth with his take on the tragic true events at Pompeii, but does the film succeed in its task?
Partially is the short answer. Anderson’s first film since 2012’s disaster Resident Evil: Retribution is as cheesy as a Dairylea triangle, but it also has some stunning special effects to give it some life.
Game of Thrones’ Kit Harington stars as Milo, a slave captured by the Romans after they wiped out his entire family. He is taken to a gloriously recreated Pompeii and immediately sets his sights on the very beautiful Lady Cassia, played by a rather dull Emily Browning, who just so happens to be the daughter of the city ruler, Severus. I’m sure you can guess the plot…
What ensues is a cheesy mess of terrible acting and stilted dialogue that jars with the period nature of the film. Only the knowing of what is to come from Mt Vesuvius, which is beautifully rendered in CGI, stops the film from grinding to a halt.
Kiefer Sutherland dons a downright ridiculous English accent for the role of Senator Corvus, the chief antagonist in the film. He is on business in Pompeii to see if trade can be established and investment can be agreed with the great city of Rome – though this plot point gets lost along the way.
Another issue is the true story which Pompeii is based on. The great tale of tragedy and mother nature showing her ruthless side is one we all know – but all we really want to see is the mountain going boom. Unfortunately we must wait whilst Anderson tries his best to make us care about the characters with their sickly back-stories, for which he fails in breathtaking fashion.
Finally after nearly an hour of what feels like a poor-mans Gladiator we are treat to a stunning spectacle, as Mt Vesuvius explodes in rip-roaring style. As the mountain blows and the fireballs rage Anderson once again tries to get us interested in the paper-thin story, thankfully not pushing too hard this time, and he lets the special effects take over.
Historical accuracy is, surprisingly, very good. According to the director, Pompeii was faithfully recreated for the film with aerial shots of the city as it stands today topped up with CGI to show the thriving metropolis we see in the film.
Unfortunately, scientific accuracy takes a back-seat for the sake of high drama, which is the case with many films of this nature. The iconic pyroclastic flow, attributed to killing the majority of Pompeii’s inhabitants due to its huge speed and massive temperatures is slowed right down to ensure the film can last another ten minutes or so – though this is perhaps to be expected.
Overall, Paul W.S. Anderson has created a film which certainly looks the part, but is lacking in so many other areas. Kiefer Sutherland’s villain is completely upstaged by the constant shots of the volcano, which are almost pantomime like in their ‘it’s behind you’ staging, and the rest of the cast are wooden and not particularly likeable.
However, what it lacks in story and acting finesse it makes up in the beautiful special effects and engaging cinematography. It’s worth a watch just to see Pompeii get obliterated – which is probably not a very nice thing to say at all.
https://moviemetropolis.net/2014/05/03/pompeii-3d-review/
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