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Gareth von Kallenbach (971 KP) rated Godzilla (2014) in Movies
Jun 19, 2019
Adapting a cultural film icon that is held sacred by a nation and legions of fans is a daunting task. Roland Emerich attempted to do so, and created a film widely panned that ended his run of blockbuster hits.
Gareth Edwards is the latest director bold enough to bring the legendary Godzilla to the screen and has done so with cutting edge visual effects and 3D.
When Joe Brody (Bryan Cranston), becomes unsettled about some unusual tremors around the Japanese nuclear plant he works at, little does he know that the pending accident and tragedy will have long-term consequences.
Flash forward 15 years and his son Ford (Aaron Taylor Johnson), is an ordinance disposal expert in the military who is returning to his San Francisco home after a deployment to see his wife and young son.
No sooner does Ford get home than he is summed to Japan to retrieve his father who has been arrested for venturing into a restricted area located by his former residence and place of work.
Joe is convinced that a massive cover up is place behind the disaster that left him a widow and turned his life upside down.
When the mysterious tremors return, Joe is vindicated and learns that a massive threat is responsible for what has previously transpired, but this is nothing compared to the damage that is unleashed when the creature escapes.
In a race against time, Ford, the Navy, and a team of scientists attempt to prevent massive destruction and loss of life from an enemy they are not prepared for and do not understand.
While the film does have some great visuals, it unfolds in a very plodding manner and the action sequences are few and far between until the end and even that is for the most part anti-climatic.
The dialogue in the film is filled with groans and unintentionally laughable moments that really make it difficult for the characters to really connect with one another and the audience and as such it is very hard to really care what happens to them.
Another big surprise was how little screen time the title characters actually appears in the film. I spent much of the film wondering how such a larger than life character could be reduced to a supporting part in a film that bears his name.
It has been reported that Japanese audiences have not been thrilled with the new film stating that the creature looked “fat “and “slow”. I would not go that far as from a visually standpoint, the film obtained nothing but high marks from me.
However, I had to ask if we really needed to have this film made. We have had so many giant creature movies in recent years including “King Kong”, “Colverfield”, and “Pacific Rim”; one has to wonder what new material there is to show an audience.
While it is not as bad as I expected, it is pretty much a guilty pleasure that you can enjoy in parts and then quickly forget as this film is not likely to enhance the legendary status of Godzilla.
http://sknr.net/2014/05/14/godzilla/
Gareth Edwards is the latest director bold enough to bring the legendary Godzilla to the screen and has done so with cutting edge visual effects and 3D.
When Joe Brody (Bryan Cranston), becomes unsettled about some unusual tremors around the Japanese nuclear plant he works at, little does he know that the pending accident and tragedy will have long-term consequences.
Flash forward 15 years and his son Ford (Aaron Taylor Johnson), is an ordinance disposal expert in the military who is returning to his San Francisco home after a deployment to see his wife and young son.
No sooner does Ford get home than he is summed to Japan to retrieve his father who has been arrested for venturing into a restricted area located by his former residence and place of work.
Joe is convinced that a massive cover up is place behind the disaster that left him a widow and turned his life upside down.
When the mysterious tremors return, Joe is vindicated and learns that a massive threat is responsible for what has previously transpired, but this is nothing compared to the damage that is unleashed when the creature escapes.
In a race against time, Ford, the Navy, and a team of scientists attempt to prevent massive destruction and loss of life from an enemy they are not prepared for and do not understand.
While the film does have some great visuals, it unfolds in a very plodding manner and the action sequences are few and far between until the end and even that is for the most part anti-climatic.
The dialogue in the film is filled with groans and unintentionally laughable moments that really make it difficult for the characters to really connect with one another and the audience and as such it is very hard to really care what happens to them.
Another big surprise was how little screen time the title characters actually appears in the film. I spent much of the film wondering how such a larger than life character could be reduced to a supporting part in a film that bears his name.
It has been reported that Japanese audiences have not been thrilled with the new film stating that the creature looked “fat “and “slow”. I would not go that far as from a visually standpoint, the film obtained nothing but high marks from me.
However, I had to ask if we really needed to have this film made. We have had so many giant creature movies in recent years including “King Kong”, “Colverfield”, and “Pacific Rim”; one has to wonder what new material there is to show an audience.
While it is not as bad as I expected, it is pretty much a guilty pleasure that you can enjoy in parts and then quickly forget as this film is not likely to enhance the legendary status of Godzilla.
http://sknr.net/2014/05/14/godzilla/
Gareth von Kallenbach (971 KP) rated Midway (2019) in Movies
Nov 7, 2019
The events of December 7th 1941 left an indelible mark on the psyche of America and became a date that truly has lived in infamy. Though historians, authors, and filmmakers have attempted to analyze the events during and leading to the attack on Pearl Harbor; there is still a great deal of interest about the attack and the aftermath.
While Pearl Harbor was for many the opening shots of the U.S. entry into World War II; some would say that the stage was set earlier when the United States attempted to curtail what they saw as an aggressive and Imperialistic Japan by placing restrictions on their vital resources such as oil and the tonnage of their Navy.
In the new film “Midway” we are given a glimpse into this when four years before the attack, when Edwin Layton (Patrick Wilson) meets with Admiral Nagumo (Jun Kunimura) who lets him know that hardline factions in his government have been buoyed by their invasion of China and will do what is needed to make sure the vital oil that is supplied by the U.S. remains constant.
Flash forward to the day of the attack and Layton who has warned that an attack was possible at Pearl Harbor is seeing his worst predictions come true. In the aftermath he is assigned to Admiral Nimitz (Woody Harrelson); who has been given the thankless task of taking charge of what is left of the Pacific Fleet and finding a way to stop the Japanese fleet.
The U.S. finds themselves outnumbered, outgunned, and waging war with ships and planes that are inferior to the Japanese but they must find a way to overcome the great obstacles before them and defeat a relentless enemy.
Layton and a team of code breakers are convinced the Japanese intend to attack the island of Midway and go all in to set a trap with the goal of destroying the enemy carriers so the U.S. can gain an aerial advantage in the Pacific.
With a strong cast which features Luke Evans, Dennis Quaid, Mandy Moore, Aaron Eckhart, Nick Jonas and a fine supporting cast, Director Roland Emmerich has given audiences a gripping war movie that despite the impressive visual effects; never loses site of the fact that this is a story of real people who found themselves in pivotal moments of history.
The film also shows how the Japanese commanders had differing views of the Americans they fought. Some considered them to lack braveness while others admired their tenacity and were grateful that they had what they saw as inferior and outdated planes to attack them in.
The film also does a great job showing the Doolittle Raid and how what from a military standpoint caused minor damage yet was a huge psychological boost as Japan believed they were immune from attack yet the American forces found a way to bomb Tokyo by the impossible task of using land based bombers off a carrier.
The film is a great mix of human drama that shows not only the terrible toll of war but how a group of extraordinary individuals gave their all.
While Pearl Harbor was for many the opening shots of the U.S. entry into World War II; some would say that the stage was set earlier when the United States attempted to curtail what they saw as an aggressive and Imperialistic Japan by placing restrictions on their vital resources such as oil and the tonnage of their Navy.
In the new film “Midway” we are given a glimpse into this when four years before the attack, when Edwin Layton (Patrick Wilson) meets with Admiral Nagumo (Jun Kunimura) who lets him know that hardline factions in his government have been buoyed by their invasion of China and will do what is needed to make sure the vital oil that is supplied by the U.S. remains constant.
Flash forward to the day of the attack and Layton who has warned that an attack was possible at Pearl Harbor is seeing his worst predictions come true. In the aftermath he is assigned to Admiral Nimitz (Woody Harrelson); who has been given the thankless task of taking charge of what is left of the Pacific Fleet and finding a way to stop the Japanese fleet.
The U.S. finds themselves outnumbered, outgunned, and waging war with ships and planes that are inferior to the Japanese but they must find a way to overcome the great obstacles before them and defeat a relentless enemy.
Layton and a team of code breakers are convinced the Japanese intend to attack the island of Midway and go all in to set a trap with the goal of destroying the enemy carriers so the U.S. can gain an aerial advantage in the Pacific.
With a strong cast which features Luke Evans, Dennis Quaid, Mandy Moore, Aaron Eckhart, Nick Jonas and a fine supporting cast, Director Roland Emmerich has given audiences a gripping war movie that despite the impressive visual effects; never loses site of the fact that this is a story of real people who found themselves in pivotal moments of history.
The film also shows how the Japanese commanders had differing views of the Americans they fought. Some considered them to lack braveness while others admired their tenacity and were grateful that they had what they saw as inferior and outdated planes to attack them in.
The film also does a great job showing the Doolittle Raid and how what from a military standpoint caused minor damage yet was a huge psychological boost as Japan believed they were immune from attack yet the American forces found a way to bomb Tokyo by the impossible task of using land based bombers off a carrier.
The film is a great mix of human drama that shows not only the terrible toll of war but how a group of extraordinary individuals gave their all.
BankofMarquis (1832 KP) rated Greyhound (2020) in Movies
Mar 11, 2021
Hanks Does It Again
Tom Hanks interest in the men who fought in WWII is well known. From his starring role as Capt. Miller is what is (arguably) the definitive film about D-Day, SAVING PRIVATE RYAN, to his Executive Producing role in, arguably, the best mini-series ever produced about WWII, BAND OF BROTHERS, Hanks has brought a face to the nameless heroes who fought in the middle of the last century.
Add his latest film GREYHOUND, to the list of films that brings a face to a heretofore unknown (at least to me) group of heroes.
Based on the book THE GOOD SHEPHERD by C.S. Forester and adapted for the screen by Hanks himself, GREYHOUND tells the story of a Commander of a U.S. Navy escort ship, helping cargo ships cross the Atlantic Ocean - an Ocean filled with enemy submarines.
Hanks, of course, plays Commander Ernest Krause, Captain of the USS Keeling, code named “Greyhound”, who is on his first mission. As one might imagine, Hanks imbues Krause with a common decency and you inherently trust Krause’s instincts as he makes split second decision after split second decision. What surprised me about Hanks in this role is his “steely resolve” in dealing with the problems. You can see his brain working as he makes pragmatic decision after pragmatic decision - sometimes not the most “human” decisions - but the right decisions after all.
This is both the strength and the problem with this film - Hanks’ character is NEVER wrong, so after awhile, the tension on the Bridge with Capt. Krause being questioned on his decisions, is never really there.
But, that is a “nit” in this film for Director Aaron Schneider has constructed a taunt and tight thriller that is non-stop action from start to finish. He wisely decided to keep the film at a tight 90 minutes and keep the action flying (versus putting in a couple of “character building scenes” that could have stretched the runtime). He does shoehorn in a flashback scene between Krause and his lady love (played by Elisabeth Shue), a scene that is not really needed, but besides this he focuses his attention on the Greyhound and it’s mission and this is a smart move that the film benefits from.
Director Schneider relies, heavily, on the Special F/X recreating the Atlantic sea battles and, for the most part, it succeeds. BUT…from time-to-time I felt like I was watching a video game - and not a film. The F/X (at times) was just not feature film quality that drew me away from the emotion and the action on the screen.
With the Global Pandemic, this film’s theatrical release was cancelled and it was put on Apple TV+(where you can find it today), so I can forgive the lower F/X results…but just a little.
All-in-all a fun thrill ride, with a terrific central performance, in a film that shows an aspect of WWII I had not previously scene portrayed on film before.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Add his latest film GREYHOUND, to the list of films that brings a face to a heretofore unknown (at least to me) group of heroes.
Based on the book THE GOOD SHEPHERD by C.S. Forester and adapted for the screen by Hanks himself, GREYHOUND tells the story of a Commander of a U.S. Navy escort ship, helping cargo ships cross the Atlantic Ocean - an Ocean filled with enemy submarines.
Hanks, of course, plays Commander Ernest Krause, Captain of the USS Keeling, code named “Greyhound”, who is on his first mission. As one might imagine, Hanks imbues Krause with a common decency and you inherently trust Krause’s instincts as he makes split second decision after split second decision. What surprised me about Hanks in this role is his “steely resolve” in dealing with the problems. You can see his brain working as he makes pragmatic decision after pragmatic decision - sometimes not the most “human” decisions - but the right decisions after all.
This is both the strength and the problem with this film - Hanks’ character is NEVER wrong, so after awhile, the tension on the Bridge with Capt. Krause being questioned on his decisions, is never really there.
But, that is a “nit” in this film for Director Aaron Schneider has constructed a taunt and tight thriller that is non-stop action from start to finish. He wisely decided to keep the film at a tight 90 minutes and keep the action flying (versus putting in a couple of “character building scenes” that could have stretched the runtime). He does shoehorn in a flashback scene between Krause and his lady love (played by Elisabeth Shue), a scene that is not really needed, but besides this he focuses his attention on the Greyhound and it’s mission and this is a smart move that the film benefits from.
Director Schneider relies, heavily, on the Special F/X recreating the Atlantic sea battles and, for the most part, it succeeds. BUT…from time-to-time I felt like I was watching a video game - and not a film. The F/X (at times) was just not feature film quality that drew me away from the emotion and the action on the screen.
With the Global Pandemic, this film’s theatrical release was cancelled and it was put on Apple TV+(where you can find it today), so I can forgive the lower F/X results…but just a little.
All-in-all a fun thrill ride, with a terrific central performance, in a film that shows an aspect of WWII I had not previously scene portrayed on film before.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Acanthea Grimscythe (300 KP) rated Something's Alive on the Titanic in Books
May 16, 2018
Something's Alive on the Titanic has a bit of a split story line, with one part of the book taking place in 1975, and the other part taking place in 1995. Written by the late Robert Serling, who is, in fact, Rod Serling's older brother, Something's Alive on the Titanic plays off of the idea that Dr. Robert Ballard was not the first one to discover the final resting place of the Titanic. Instead, a team led by John Hawke, at the behest of code-breaker Derek Montague, departs on an expedition to retrieve treasure from the Titanic's watery grave after Montague discovers that a shipment from a smuggling ring under the guise of a salvage company by the name of Sovereign Metals.
A true product of its time, and remaining faithful to the time-period in which the story is set, one of the few things of note to make in regards to its characters is the absolute lack of a strong female presence. The two women that are present, especially Chaney in the 1975 portion of the book, are Mary Sue-esque and, without a doubt, sexualized. Another note to be made comes in the form of the male characters: they are portrayed as stereotypical, stubborn men that, despite being superstitious, are also skeptics. This manner of male character is more prominent in the second part of the book than the first.
The plot, on the other hand, was pretty stellar. In 1975, the expedition lacks the proper equipment to dive down into the depths of the Atlantic and explore the ship for extended periods of time. They make the most of what they do have, however. Intent on claiming the lost treasure, most of John Hawke's crew show little regard for the fact that they are desecrating a grave: greed is, after all, the heart of all evil. While the Atlantic Ocean treats the crew well, the Titanic is anything but forgiving: the decrepit ship plays host to more than the relics of the souls that once stood upon its deck. Whatever that thing is, it doesn't play nicely. In 1995, the US Navy gathers a crew to find out what exactly happened in 1975, and to complete the earlier expedition's salvage mission.
Given the presence of a female in a heavily male dominated field, it goes without saying that there's a bit of teasing and a bit of romance. That subplot is fairly minor and serves mostly to remind readers of a certain character's penchant for being a total asshole and little more. There is also sex, briefly, but I'll leave that to someone else.
Serling's knowledge of the Titanic is actually pretty accurate, down to the fact that the fourth funnel on the ship was a fake, there was a shortage of lifeboats, and most of the lifeboats were dropped before they were filled.
It isn't very often that a book really draws me in, but that could be attributed to the fact that I no longer read as I used to. Serling's prose kept me on the edge of my seat and at times, it even raised my heart rate a little. Rather than paint us an entire picture of the supernatural phenomena that takes place, he begins with little bits and pieces, crumbs if you will, until finally, you begin to question the sanity of the characters involved, whilst simultaneously hoping for the best.
A true product of its time, and remaining faithful to the time-period in which the story is set, one of the few things of note to make in regards to its characters is the absolute lack of a strong female presence. The two women that are present, especially Chaney in the 1975 portion of the book, are Mary Sue-esque and, without a doubt, sexualized. Another note to be made comes in the form of the male characters: they are portrayed as stereotypical, stubborn men that, despite being superstitious, are also skeptics. This manner of male character is more prominent in the second part of the book than the first.
The plot, on the other hand, was pretty stellar. In 1975, the expedition lacks the proper equipment to dive down into the depths of the Atlantic and explore the ship for extended periods of time. They make the most of what they do have, however. Intent on claiming the lost treasure, most of John Hawke's crew show little regard for the fact that they are desecrating a grave: greed is, after all, the heart of all evil. While the Atlantic Ocean treats the crew well, the Titanic is anything but forgiving: the decrepit ship plays host to more than the relics of the souls that once stood upon its deck. Whatever that thing is, it doesn't play nicely. In 1995, the US Navy gathers a crew to find out what exactly happened in 1975, and to complete the earlier expedition's salvage mission.
Given the presence of a female in a heavily male dominated field, it goes without saying that there's a bit of teasing and a bit of romance. That subplot is fairly minor and serves mostly to remind readers of a certain character's penchant for being a total asshole and little more. There is also sex, briefly, but I'll leave that to someone else.
Serling's knowledge of the Titanic is actually pretty accurate, down to the fact that the fourth funnel on the ship was a fake, there was a shortage of lifeboats, and most of the lifeboats were dropped before they were filled.
It isn't very often that a book really draws me in, but that could be attributed to the fact that I no longer read as I used to. Serling's prose kept me on the edge of my seat and at times, it even raised my heart rate a little. Rather than paint us an entire picture of the supernatural phenomena that takes place, he begins with little bits and pieces, crumbs if you will, until finally, you begin to question the sanity of the characters involved, whilst simultaneously hoping for the best.
Gareth von Kallenbach (971 KP) rated American Sniper (2015) in Movies
Aug 6, 2019
Every once in a while a movie just sneaks up on me. A movie that comes out of nowhere to be one of the best that I have seen in a long while. This is how American Sniper hit me. I had seen previews, and thought that it might end up being a decent flick, but I did not expect it to grab a hold of me and teach me something about myself as well.
American Sniper sees Bradley Cooper as Chris Kyle in his second movie with “American” in the title (see 2013’s American Hustle). Most of us know the story of Chris Kyle, but for those that don’t here’s a quick rundown. Chris Kyle is the most lethal sniper in American history with 160 confirmed kills as a Navy SEAL, and another 95 probable kills. He served four tours, and wrote a book about his life. This film is based on that book. It tells the story of how he was influenced by his father, joined the military, and then went on to serve four tours while trying to balance his life at home with his wife and children. Acting as the true Sheepdog to all in his life, American Sniper looks at the struggle Kyle went through, and tells the story with passion and respect.
Cooper did a fantastic job portraying Texas-native Kyle. He was almost unrecognizable onscreen, as he put in 8 months of prep to get ready for this role, including a 4-hour a day training regime, and another two with a vocal coach. It was even said that some of Kyle’s brothers-in-arms who helped train Cooper and serve as consultants on the movie could feel his presence through Cooper at the end of training and all throughout filming. Sienna Miller was a great compliment to Cooper’s performance as Taya Kyle, Chris’ wife and the mother of his children. And not surprisingly, Clint Eastwood knocked it out of the park in this go at the Director’s chair. This is his best movie in years, though one would hope so with Chris Kyle’s father threatening to unleash hell if the memory of his son was disrespected with the film.
Mr. Kyle’s passing was a tragic event for those that knew him, and even those that did not know him. I think he may rest well knowing that this film, adapted from his own auto-biography, was handled beautifully with such passion and respect. If I have one issue with the film, it was the rapidity at which things progressed. So many different events packed into 15 minute segments with time just seemed to be rushing like a river, and glossing over parts of the story that could really have used some more build up or exploring. But such is the case when adapting a movie from a book. Though I am sure that movie-goers would not have minded lengthy the movie a bit, even with a run-time of 132 minutes.
If you see one movie this month, let it be American Sniper. If you have not heard of Chris Kyle, or his story, go see American Sniper. Hopefully, the Legend will live on through the lives he touched, and saved.
American Sniper sees Bradley Cooper as Chris Kyle in his second movie with “American” in the title (see 2013’s American Hustle). Most of us know the story of Chris Kyle, but for those that don’t here’s a quick rundown. Chris Kyle is the most lethal sniper in American history with 160 confirmed kills as a Navy SEAL, and another 95 probable kills. He served four tours, and wrote a book about his life. This film is based on that book. It tells the story of how he was influenced by his father, joined the military, and then went on to serve four tours while trying to balance his life at home with his wife and children. Acting as the true Sheepdog to all in his life, American Sniper looks at the struggle Kyle went through, and tells the story with passion and respect.
Cooper did a fantastic job portraying Texas-native Kyle. He was almost unrecognizable onscreen, as he put in 8 months of prep to get ready for this role, including a 4-hour a day training regime, and another two with a vocal coach. It was even said that some of Kyle’s brothers-in-arms who helped train Cooper and serve as consultants on the movie could feel his presence through Cooper at the end of training and all throughout filming. Sienna Miller was a great compliment to Cooper’s performance as Taya Kyle, Chris’ wife and the mother of his children. And not surprisingly, Clint Eastwood knocked it out of the park in this go at the Director’s chair. This is his best movie in years, though one would hope so with Chris Kyle’s father threatening to unleash hell if the memory of his son was disrespected with the film.
Mr. Kyle’s passing was a tragic event for those that knew him, and even those that did not know him. I think he may rest well knowing that this film, adapted from his own auto-biography, was handled beautifully with such passion and respect. If I have one issue with the film, it was the rapidity at which things progressed. So many different events packed into 15 minute segments with time just seemed to be rushing like a river, and glossing over parts of the story that could really have used some more build up or exploring. But such is the case when adapting a movie from a book. Though I am sure that movie-goers would not have minded lengthy the movie a bit, even with a run-time of 132 minutes.
If you see one movie this month, let it be American Sniper. If you have not heard of Chris Kyle, or his story, go see American Sniper. Hopefully, the Legend will live on through the lives he touched, and saved.
Louise (64 KP) rated Whisper to Me in Books
Jul 2, 2018
***This review may contain spoilers***
I won this book in a Goodreads giveaway, which let me tell you I was so pleased, I mean who doesn’t like free books?
First off, I need to mention how beautiful the cover is, the colours are amazing (I am a fan of pinks and purples) and the summer evening with fairground in the background just makes you feel like this is going be an epic summer read with loads of fluffyness…..How wrong was I! This book is DARK!
This book is told as a massive email, 535 pages long! I feel sorry for the guy she is writing to.
The story follows Cassie, she is writing an email to this boy that she met over the summer and tries to explain the reasons behind her actions and to hopefully win him back. The seaside resort that Cassie lives in always brings tourists and Teens looking for summer work, for the past couple of years there have been prostitutes/escorts that go missing but no evidence is left so the killer is at large.In Cassie’s favourite spot at the beach she finds a human foot washed up, after the shock of this discovery she starts hearing a voice inside her head, she is convinced it’s one of the prostitutes and starts investigating and taking matters into her own hands. Along the way she meets this guy and they start hanging out, but she is unable to reveal her secret.
I am going to start off by saying that I didn’t enjoy this book and there are several reasons. I hate having to write negative reviews as this author has taken a lot of time to write this and make a success of it but there were too many flaws for my liking.
First off the book is way to long for a contemporary, it could have easily been 200 pages less,there was a lot of waffle.
I didn’t like the characters!The father suffered from PTSD after being in the Navy SEALS, but to me he felt abusive and really harsh and scary, he was so protective of Cassie and would have these sudden outbursts that I actually feared for her. Cassie was really timid, a bit of a pushover. The guy she has a romance with (you never find out his name) is boring and dull.
HA HA, that brings me on to the romance. It was awful, it was awkward but not in a good way,in a cringe OMG why you doing this way. There was no spark, no angst..nada.
It uses *****for the swear words and that got really tedious in the end and sometimes I didn’t even know what swear word to use,you can fill in the blanks yourself.
Moving on to the things I liked, I enjoyed the focus on the mental health aspect, Cassie is diagnosed with some type of Schizophrenia and she has two different forms of treatment, she has a psychiatrist who just wants to pump drugs in her to solve the problem and then she has cognitive behavioural therapy and you can tell the difference between the good therapist and the bad one. I have read quite a few books about mental health like Depression, Bi-polar and anxiety but none with hearing voices so it was interesting to read something different.
The writing was good it was told in different formats and had some sarcasm and was definitely easy to read.
The ending, I was so damn disappointed with the ending! nothing got resolved, I literally felt I had been robbed. It was like Lake got bored and finished the story early and didn’t tie the ends.
I originally gave this book a 2.5 stars but after reflecting on this I have lowered it to 1.5-2 stars and one of those stars is for the cover.
I won this book in a Goodreads giveaway, which let me tell you I was so pleased, I mean who doesn’t like free books?
First off, I need to mention how beautiful the cover is, the colours are amazing (I am a fan of pinks and purples) and the summer evening with fairground in the background just makes you feel like this is going be an epic summer read with loads of fluffyness…..How wrong was I! This book is DARK!
This book is told as a massive email, 535 pages long! I feel sorry for the guy she is writing to.
The story follows Cassie, she is writing an email to this boy that she met over the summer and tries to explain the reasons behind her actions and to hopefully win him back. The seaside resort that Cassie lives in always brings tourists and Teens looking for summer work, for the past couple of years there have been prostitutes/escorts that go missing but no evidence is left so the killer is at large.In Cassie’s favourite spot at the beach she finds a human foot washed up, after the shock of this discovery she starts hearing a voice inside her head, she is convinced it’s one of the prostitutes and starts investigating and taking matters into her own hands. Along the way she meets this guy and they start hanging out, but she is unable to reveal her secret.
I am going to start off by saying that I didn’t enjoy this book and there are several reasons. I hate having to write negative reviews as this author has taken a lot of time to write this and make a success of it but there were too many flaws for my liking.
First off the book is way to long for a contemporary, it could have easily been 200 pages less,there was a lot of waffle.
I didn’t like the characters!The father suffered from PTSD after being in the Navy SEALS, but to me he felt abusive and really harsh and scary, he was so protective of Cassie and would have these sudden outbursts that I actually feared for her. Cassie was really timid, a bit of a pushover. The guy she has a romance with (you never find out his name) is boring and dull.
HA HA, that brings me on to the romance. It was awful, it was awkward but not in a good way,in a cringe OMG why you doing this way. There was no spark, no angst..nada.
It uses *****for the swear words and that got really tedious in the end and sometimes I didn’t even know what swear word to use,you can fill in the blanks yourself.
Moving on to the things I liked, I enjoyed the focus on the mental health aspect, Cassie is diagnosed with some type of Schizophrenia and she has two different forms of treatment, she has a psychiatrist who just wants to pump drugs in her to solve the problem and then she has cognitive behavioural therapy and you can tell the difference between the good therapist and the bad one. I have read quite a few books about mental health like Depression, Bi-polar and anxiety but none with hearing voices so it was interesting to read something different.
The writing was good it was told in different formats and had some sarcasm and was definitely easy to read.
The ending, I was so damn disappointed with the ending! nothing got resolved, I literally felt I had been robbed. It was like Lake got bored and finished the story early and didn’t tie the ends.
I originally gave this book a 2.5 stars but after reflecting on this I have lowered it to 1.5-2 stars and one of those stars is for the cover.
Gareth von Kallenbach (971 KP) rated Jurassic World (2015) in Movies
Jun 19, 2019
After several years of starts and stops as Universal attempted to find the right script to relaunch their Dinosaur franchise, “Jurassic World” has arrived.
The film picks up years after the events of the first film and does not reference the events of the 2nd or third film in the series as the focus is on the fact that the park has now become a fully functioning and popular resort destination.
Monorails, rides, petting zoos, hotels, restaurants, and of course, gift shops now dominate the island and keep the revenue going. The resort is under the watchful eye of Claire (Bruce Dallas Howard), who is an ultra-organized workaholic who reportedly brought an itinerary on a first date.
Claire is always finding a way to keep the cash flowing as the park has a very high overhead and as such, is always looking at new ways to attract fans as new attractions bring in more money.
Claire is in the midst of pitching their latest idea to investors, a genetically modified and created Dinosaur dubbed the “Indominous Rex” when her two nephews arrive.
The boys are taking a break from the cold climate of home as well as the fact that their parents are splitting up and see the trip as a way for their parents to get them out of the way by dumping them on their indifferent Aunt who assigns an assistant to watch them.
Naturally things do not go as planned as the new Dinosaur decides to bust up the fun and escapes from its enclosure and wreaks havoc on the humans and dinosaurs in the park.
Ex-Navy Raptor wrangler Owen (Chris Pratt) is requested to evaluate the situation and he sees the Indominous as a creature that kills for fun and is more intelligent than her creators thought, and with thousands of guests lining the park, this could be a disaster in the making. Not wanting to hurt their corporate image and investment, Claire and a scheming company exec named Hoskins (Vincent D’Onfrio); devise a series of plans to stop their new creation which only tend to exacerbate the situation.
With few options left, Owen and his pack muster their resources to locate and stop the most dangerous creature ever created before it can do even more damage to the guests and park.
The film is a spectacle of 3D CGI and there are plenty of great visuals and action sequences that underscore just how fat CGI technology has come since the first film. The creatures are simply amazing to see and the action is more intense and violent then some people may be expecting.
Director Colin Trevorrow directing only his second film and his first with any real budget has made sure the film never stops trying to wow the audience with plenty of sharp visuals and action and aside from a few pacing issues now and then, the film moves along well. The film does suffer at times from a fairly linear story and actors who at times are pretty much along for the ride and to be props for their CGI co-stars but Pratt and Howard do solid work as does Irrfan Khan and D’Onfrio.
The film uses elements of a script that was discarded when Universal was planning a new film, but it has been woven into the story in an intriguing way that does setup the next film in the series well and does offer up some very intriguing possibilities for future chapters.
For now, “Jurassic World” is a welcome return to the franchise, one that for me is the first true sequel to the original as I enjoyed it more than the two films that followed.
http://sknr.net/2015/06/12/jurassic-world/
The film picks up years after the events of the first film and does not reference the events of the 2nd or third film in the series as the focus is on the fact that the park has now become a fully functioning and popular resort destination.
Monorails, rides, petting zoos, hotels, restaurants, and of course, gift shops now dominate the island and keep the revenue going. The resort is under the watchful eye of Claire (Bruce Dallas Howard), who is an ultra-organized workaholic who reportedly brought an itinerary on a first date.
Claire is always finding a way to keep the cash flowing as the park has a very high overhead and as such, is always looking at new ways to attract fans as new attractions bring in more money.
Claire is in the midst of pitching their latest idea to investors, a genetically modified and created Dinosaur dubbed the “Indominous Rex” when her two nephews arrive.
The boys are taking a break from the cold climate of home as well as the fact that their parents are splitting up and see the trip as a way for their parents to get them out of the way by dumping them on their indifferent Aunt who assigns an assistant to watch them.
Naturally things do not go as planned as the new Dinosaur decides to bust up the fun and escapes from its enclosure and wreaks havoc on the humans and dinosaurs in the park.
Ex-Navy Raptor wrangler Owen (Chris Pratt) is requested to evaluate the situation and he sees the Indominous as a creature that kills for fun and is more intelligent than her creators thought, and with thousands of guests lining the park, this could be a disaster in the making. Not wanting to hurt their corporate image and investment, Claire and a scheming company exec named Hoskins (Vincent D’Onfrio); devise a series of plans to stop their new creation which only tend to exacerbate the situation.
With few options left, Owen and his pack muster their resources to locate and stop the most dangerous creature ever created before it can do even more damage to the guests and park.
The film is a spectacle of 3D CGI and there are plenty of great visuals and action sequences that underscore just how fat CGI technology has come since the first film. The creatures are simply amazing to see and the action is more intense and violent then some people may be expecting.
Director Colin Trevorrow directing only his second film and his first with any real budget has made sure the film never stops trying to wow the audience with plenty of sharp visuals and action and aside from a few pacing issues now and then, the film moves along well. The film does suffer at times from a fairly linear story and actors who at times are pretty much along for the ride and to be props for their CGI co-stars but Pratt and Howard do solid work as does Irrfan Khan and D’Onfrio.
The film uses elements of a script that was discarded when Universal was planning a new film, but it has been woven into the story in an intriguing way that does setup the next film in the series well and does offer up some very intriguing possibilities for future chapters.
For now, “Jurassic World” is a welcome return to the franchise, one that for me is the first true sequel to the original as I enjoyed it more than the two films that followed.
http://sknr.net/2015/06/12/jurassic-world/
BookwormMama14 (18 KP) rated Anchor in the Storm (Waves of Freedom, #2) in Books
Jan 2, 2019
Nothing can stand in Lillian Avery's way. But after the pain of the past, will she ever be able to open her heart to love again?
"When I decide to do something, I do it."
Anchor in the Storm
Page 209
About the Book
When Lillian Avery accepts a job as a pharmacist in Boston, she does not know the danger she will soon be facing. Lillian has worked hard to be independent so she does not have to rely on anything or anyone. Putting her trust in her own strength. Arch Vandenberg, a junior officer in the US Navy, a high-society man, is trying to keep from being the man he used to be, while attempting to secure his Naval career. Used to closing off her heart for self protection, will Arch be able to earn Lillian's trust? Lillian has noticed unusual prescriptions passing through the drugstore where she works. Could they be linked to the groggy, drunk-like, sailors aboard Arch's ship? Will they be able to find the connection before it's too late? How far can they push the limits before they are caught? Lillian and Arch both learn that they must lean on God. And come to their own understanding that He provides strength in their weaknesses.
"His oath, His covenant, His blood,
Support me in the whelming flood.
When all around my soul gives way,
He then is all my Hope and Stay."
My Hope is Built
Edward Mote & William Bradbury
My Thoughts
Sarah Sundin has done it again! Anchor in the Storm has hit my top reads list of 2016 without question! From the gorgeous cover to the heartfelt acknowledgements(Oh! And a sneak peek at the third book), this book had me spellbound! I could not get this book out of my head (still can't)! Every plot twist every clue burrowed deep into my mind and took root. Thus, leading to multiple nights of reading long past the time I should have been asleep. I also LOVE long books, because it allows me more time with the characters that I have grown to love. At 393 pages this is one of the longer books in my collection, but it is worth every page. Please keep in mind that this is a WWII setting, and there are a few grisly details, but not an overwhelming amount. It is heartbreaking to learn about the methods in which PTSD was dealt with during this time. I am thankful that the medical field has progressed in this area. After getting acquainted with Arch and Lillian in Through Waters Deep, I was excited to read their story. And Sarah Sundin blew my expectations out of the water. I love how Sarah incorporates faith and scripture. Very encouraging and applicable to our lives. Even though my life does not mirror Lillian or Arch's fears and struggles, the truth that we need to lean on God to be our anchor in the storm rings true. And that God can create something beautiful in spite of horrible circumstances. Lillian's determination was very encouraging. She let nothing stop her (which is even more significant when you meet her). They have both been hurt in the past which makes it extremely difficult to open up to each other and others. But when that moment finally comes, it is beautiful! While the main characters in this book are different than in the first, I would not recommend reading these out of order. First of all, you would be cheating yourself out of an absolutely brilliant book in Through Waters Deep. Secondly, there are characters that reappear within the pages of this book, and in order to better understand them, you need to read the books in order.
My Rating
★★★★★ - You have bewitched me, body and soul.
I received a free copy of Anchor in the Storm from Revell Reads in exchange for my honest review. All opinions expressed are mine alone.
"When I decide to do something, I do it."
Anchor in the Storm
Page 209
About the Book
When Lillian Avery accepts a job as a pharmacist in Boston, she does not know the danger she will soon be facing. Lillian has worked hard to be independent so she does not have to rely on anything or anyone. Putting her trust in her own strength. Arch Vandenberg, a junior officer in the US Navy, a high-society man, is trying to keep from being the man he used to be, while attempting to secure his Naval career. Used to closing off her heart for self protection, will Arch be able to earn Lillian's trust? Lillian has noticed unusual prescriptions passing through the drugstore where she works. Could they be linked to the groggy, drunk-like, sailors aboard Arch's ship? Will they be able to find the connection before it's too late? How far can they push the limits before they are caught? Lillian and Arch both learn that they must lean on God. And come to their own understanding that He provides strength in their weaknesses.
"His oath, His covenant, His blood,
Support me in the whelming flood.
When all around my soul gives way,
He then is all my Hope and Stay."
My Hope is Built
Edward Mote & William Bradbury
My Thoughts
Sarah Sundin has done it again! Anchor in the Storm has hit my top reads list of 2016 without question! From the gorgeous cover to the heartfelt acknowledgements(Oh! And a sneak peek at the third book), this book had me spellbound! I could not get this book out of my head (still can't)! Every plot twist every clue burrowed deep into my mind and took root. Thus, leading to multiple nights of reading long past the time I should have been asleep. I also LOVE long books, because it allows me more time with the characters that I have grown to love. At 393 pages this is one of the longer books in my collection, but it is worth every page. Please keep in mind that this is a WWII setting, and there are a few grisly details, but not an overwhelming amount. It is heartbreaking to learn about the methods in which PTSD was dealt with during this time. I am thankful that the medical field has progressed in this area. After getting acquainted with Arch and Lillian in Through Waters Deep, I was excited to read their story. And Sarah Sundin blew my expectations out of the water. I love how Sarah incorporates faith and scripture. Very encouraging and applicable to our lives. Even though my life does not mirror Lillian or Arch's fears and struggles, the truth that we need to lean on God to be our anchor in the storm rings true. And that God can create something beautiful in spite of horrible circumstances. Lillian's determination was very encouraging. She let nothing stop her (which is even more significant when you meet her). They have both been hurt in the past which makes it extremely difficult to open up to each other and others. But when that moment finally comes, it is beautiful! While the main characters in this book are different than in the first, I would not recommend reading these out of order. First of all, you would be cheating yourself out of an absolutely brilliant book in Through Waters Deep. Secondly, there are characters that reappear within the pages of this book, and in order to better understand them, you need to read the books in order.
My Rating
★★★★★ - You have bewitched me, body and soul.
I received a free copy of Anchor in the Storm from Revell Reads in exchange for my honest review. All opinions expressed are mine alone.
BankofMarquis (1832 KP) rated Mister Roberts (1955) in Movies
Apr 10, 2020
Well Acted
A staple of Old Hollywood under the Studio System was to adapt to the film Broadway shows that were a big hit. One such hit was the 1948 WWII play MISTER ROBERTS starring Henry Fonda (who would win a Tony Award for his performance).
In 1955, Paramount Studios mounted a film production of MISTER ROBERTS starring Fonda, James Cagney (in his last film role for Paramount - who he had been under contract to for 25 years), William Powell (in his last film role) and a young "up-and-comer" by the name of Jack Lemon.
Set in the waning days of World War II aboard a "cargo vessel", MISTER ROBERTS tells the tale of...well...Mister Roberts, the cargo officer who is keeping the ship afloat - serving as a buffer between the crew and the tyrannical Captain. Roberts longs for one thing - to join the war on a battleship, but the Captain knows his success is dependent on Roberts.
Paramount considered Fonda too old for the role, so they sought out younger stars like Marlon Brando and William Holden, but Director John Ford insisted on Fonda - and a wise choice it was. Fonda's easy-going natural personality - tinged with anger and regret - is perfectly suited for this role. He is just as at home joking around with the sailors as he is going mano-a-mano with the Captain. Also perfectly cast is the great James Cagney as the Captain who is only concerned about 1 thing - how he is perceived by the higher ups in the Navy. The conflict between Cagney and Fonda is dynamite and it is worth the price of admission just to watch these 2 Hollywood heavyweights go at it.
Jack Lemon won his first Oscar (as Best Supporting Actor) for portraying Mr. Roberts bunkmate, Ensign Pulver. It is a perfect match of character and actor and you can see where the greatness that is Jack Lemon (an under-rated actor) stems from. The surprise to me at this viewing was the strong work of William Powell (THE THIN MAN movie series) as Doc, the best friend of Mr. Roberts aboard the ship. He has an ease and rapport with Fonda and when Fonda, Powell and Lemon share the screen together the film sparkles.
And that's the best part - and the worst part - of this great film. It looks like a filmed stage play. Veteran Director John Ford looks like he was "mailing it in" on this one, in that he would just put his camera in one stationary position and let his actors play the scenes like they were in a play. This is either laziness - or genius - at the hands of Ford (I would argue probably a little of each). He was wise enough to know he had some incredible talent (Fonda, Cagney, Powell and Lemon) - and a strong script by Frank S. Nugent and Joshua Logan (based on the stage play by Logan and Thomas Hagen...based on Hagen's book), so he stayed out of the way as much as possible.
Consequently, the first part of this film is a bit talky and stagey looking and drags just a bit, but once the film catches it's steam - and these 4 stars light up the screen - this film is well worth watching.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
P.S.: I caught Mister Roberts on the great cable channel TURNER CLASSIC MOVIES - but (as far as I can tell) it's not scheduled to be re-run there anytime soon (and is not streamable on the Watch TCM app), so you'll need to rent it at all the "normal" places (YouTube, GoogePLay, iTunes and Vudu)
In 1955, Paramount Studios mounted a film production of MISTER ROBERTS starring Fonda, James Cagney (in his last film role for Paramount - who he had been under contract to for 25 years), William Powell (in his last film role) and a young "up-and-comer" by the name of Jack Lemon.
Set in the waning days of World War II aboard a "cargo vessel", MISTER ROBERTS tells the tale of...well...Mister Roberts, the cargo officer who is keeping the ship afloat - serving as a buffer between the crew and the tyrannical Captain. Roberts longs for one thing - to join the war on a battleship, but the Captain knows his success is dependent on Roberts.
Paramount considered Fonda too old for the role, so they sought out younger stars like Marlon Brando and William Holden, but Director John Ford insisted on Fonda - and a wise choice it was. Fonda's easy-going natural personality - tinged with anger and regret - is perfectly suited for this role. He is just as at home joking around with the sailors as he is going mano-a-mano with the Captain. Also perfectly cast is the great James Cagney as the Captain who is only concerned about 1 thing - how he is perceived by the higher ups in the Navy. The conflict between Cagney and Fonda is dynamite and it is worth the price of admission just to watch these 2 Hollywood heavyweights go at it.
Jack Lemon won his first Oscar (as Best Supporting Actor) for portraying Mr. Roberts bunkmate, Ensign Pulver. It is a perfect match of character and actor and you can see where the greatness that is Jack Lemon (an under-rated actor) stems from. The surprise to me at this viewing was the strong work of William Powell (THE THIN MAN movie series) as Doc, the best friend of Mr. Roberts aboard the ship. He has an ease and rapport with Fonda and when Fonda, Powell and Lemon share the screen together the film sparkles.
And that's the best part - and the worst part - of this great film. It looks like a filmed stage play. Veteran Director John Ford looks like he was "mailing it in" on this one, in that he would just put his camera in one stationary position and let his actors play the scenes like they were in a play. This is either laziness - or genius - at the hands of Ford (I would argue probably a little of each). He was wise enough to know he had some incredible talent (Fonda, Cagney, Powell and Lemon) - and a strong script by Frank S. Nugent and Joshua Logan (based on the stage play by Logan and Thomas Hagen...based on Hagen's book), so he stayed out of the way as much as possible.
Consequently, the first part of this film is a bit talky and stagey looking and drags just a bit, but once the film catches it's steam - and these 4 stars light up the screen - this film is well worth watching.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
P.S.: I caught Mister Roberts on the great cable channel TURNER CLASSIC MOVIES - but (as far as I can tell) it's not scheduled to be re-run there anytime soon (and is not streamable on the Watch TCM app), so you'll need to rent it at all the "normal" places (YouTube, GoogePLay, iTunes and Vudu)
Connor Sheffield (293 KP) rated Blackbeard in TV
May 28, 2017
Good cast (1 more)
Decent for a TV miniseries/movie
Not entirely accurate (2 more)
The characters and boats are far too clean
TV effects (or lack of) might spoil some scenes
Somewhat entertaining
So I was on the search for some more Pirate movies at my local DVD stores, in hopes of finding something with the effects of Pirates of the Caribbean, but a more serious plot like that of the Black Sails series. Something that feels more like how the golden age of piracy would seem, not quite as quirky and humorous as the Disney films, although I cannot fault them for they are some of my favourite movies. It was on my search, that I came across this, and my initial thoughts were that whilst it looked cheap, it could be an entertaining film. As it turns out, I discovered this was a TV miniseries, merged into roughly a 162 minute film.
It has some charm, I can say that much for it. The cast are decent with very few famous names, and the acting itself isn't dreadful. However, there seems to be some lacking in the actual filming and editing of the episodes/feature. It has a decent plot which involves a hunt for treasure, a hunt for justice and slight revenge, which makes the viewing, feel like a pirate experience should be, but there still seems to lack the proper visuals to complete the experience.
If you take a look at Pirates of the Caribbean, one aspect that makes those films so darn good is the visuals. The pirates are dirty, rotting teeth, golden teeth, dirty fingernails, and their ships are battle worn with scars in the woodwork and again, the dirt from barnicles, and land. The ships in this feature on the other hand, are the cleanest ships you'll see in a pirate themed show or movie, and they look as if they were freshly made straight from the ship builder themselves. There doesn't appear to be any barnicles clung onto them, nor are there any battle scars, even after you witness a battle in the beginning of the film. The pirates themselves are also clean, all with white teeth as though they visited a dentist and brushed their teeth with colgate or the next best brand. There's not a single sign of scurvy which was popular among pirates during the golden age, and I didn't really spot any scars from battles apart from the obvious ones where you witness a member of Blackbeards crew have part of his leg removed due to injury (you don't see the gruesome imagery, as it's 12 rated series). Other than that though, there no facial scars, no sign to tell us that Blackbeard has fought enough battles and lived through them to become reknowned as a devil instead of a man. We only see what appears to be a couple of weeks of him as a Captain, and yet he claims to already be known as the scurge of the seas, which is highly unlikely given that we only see him battle one ship and spend the rest of his time hunting treasure, never running across another opposing ship until the finale, which sees Blackbeard battle against a crew of Royal Navy soldiers led by Lieutenant Robert Maynard.
Whilst the plot had me intrigued for the most part, I can't say that this is a film I would 'Highly' recommend, but if you fancy watching a pirate movie, this could be somewhat sufficient until you find something else, despite some of the deaths in battle seeming very staged, as sometimes I would notice a sword being shoved theatrically into someones armpit, only for the victim of the blade to fall lifeless to the floor, some holding onto the blade as though left in their body, others being retrieved from the 'corpse' with no visible blood on the blade.
With very historical accuracy's, mostly about the legend of Captain Kidd, hiding treasure, and the title's that Blackbeard earned, before his life was taken by that of Robert Maynard, the location of his death, and some other less important factors, were dramatized for the series alone and should not be taken as historically accurate.
It's a decent film, but it's just not quite what I was hoping for, and certainly not as great as it could have been.
It has some charm, I can say that much for it. The cast are decent with very few famous names, and the acting itself isn't dreadful. However, there seems to be some lacking in the actual filming and editing of the episodes/feature. It has a decent plot which involves a hunt for treasure, a hunt for justice and slight revenge, which makes the viewing, feel like a pirate experience should be, but there still seems to lack the proper visuals to complete the experience.
If you take a look at Pirates of the Caribbean, one aspect that makes those films so darn good is the visuals. The pirates are dirty, rotting teeth, golden teeth, dirty fingernails, and their ships are battle worn with scars in the woodwork and again, the dirt from barnicles, and land. The ships in this feature on the other hand, are the cleanest ships you'll see in a pirate themed show or movie, and they look as if they were freshly made straight from the ship builder themselves. There doesn't appear to be any barnicles clung onto them, nor are there any battle scars, even after you witness a battle in the beginning of the film. The pirates themselves are also clean, all with white teeth as though they visited a dentist and brushed their teeth with colgate or the next best brand. There's not a single sign of scurvy which was popular among pirates during the golden age, and I didn't really spot any scars from battles apart from the obvious ones where you witness a member of Blackbeards crew have part of his leg removed due to injury (you don't see the gruesome imagery, as it's 12 rated series). Other than that though, there no facial scars, no sign to tell us that Blackbeard has fought enough battles and lived through them to become reknowned as a devil instead of a man. We only see what appears to be a couple of weeks of him as a Captain, and yet he claims to already be known as the scurge of the seas, which is highly unlikely given that we only see him battle one ship and spend the rest of his time hunting treasure, never running across another opposing ship until the finale, which sees Blackbeard battle against a crew of Royal Navy soldiers led by Lieutenant Robert Maynard.
Whilst the plot had me intrigued for the most part, I can't say that this is a film I would 'Highly' recommend, but if you fancy watching a pirate movie, this could be somewhat sufficient until you find something else, despite some of the deaths in battle seeming very staged, as sometimes I would notice a sword being shoved theatrically into someones armpit, only for the victim of the blade to fall lifeless to the floor, some holding onto the blade as though left in their body, others being retrieved from the 'corpse' with no visible blood on the blade.
With very historical accuracy's, mostly about the legend of Captain Kidd, hiding treasure, and the title's that Blackbeard earned, before his life was taken by that of Robert Maynard, the location of his death, and some other less important factors, were dramatized for the series alone and should not be taken as historically accurate.
It's a decent film, but it's just not quite what I was hoping for, and certainly not as great as it could have been.