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Mark @ Carstairs Considers (2200 KP) rated Knot in My Backyard in Books

Feb 5, 2020

Murder Hits Close to Home

Martha Rose’s neighborhood in the San Fernando Valley of Southern California used to be peaceful and quiet until a local private school built a baseball stadium in the open space that used to boarder her street. She and her neighbors have tried to fight it, even after it was built, but no one is willing to listen to them. While out for a walk one morning, Martha finds the dead body of Dax Martin, the school’s baseball couch. The police begin to quickly focus on her neighbor Ed Pappas, who had a fight with the victim recently, but Martha doesn’t believe he is guilty. Can she prove it?

Quilting doesn’t play as big a part of this mystery as it did the first in the series, but it is still an active part of Martha’s life, as are her quilting friends. It’s hard to complain since this book is filled with a strong mystery. Martha strikes out early, which only adds to her drive to solve things, and makes the solution more satisfying for us when she does. Some of Martha’s attitude and actions early on were a little frustrating for me, but it made me appreciate the character growth we saw in her later in the book. The rest of the cast are great, and I enjoyed spending time with them, returning characters and new characters alike. When I read the first book in the series, I found some needless political comments off putting, but they were absent in this book. The plot does bring up a few political issues as a natural part of the plot, but they are kept in the background here – the book never stops to peach and they only come up very briefly. As a Los Angeles resident, I enjoyed seeing places I know pop up in this book, especially a few key scenes that took place near where I played ultimate Frisbee for years. Overall, this is a fun second mystery that will please cozy mystery readers.

Kudos

Lenard (726 KP) created a post

Jan 12, 2020

Final Oscar Nomination Predictions
This has been a weird year where it seems like you cannot base the BP noms on an equitable studio split or traditional metrics. I do not think there will be 10 and there is a good chance that only 8 will get nominated again, but I have no idea which film will be snubbed so here are the predictions for 2020.

BEST PICTURE
1917 (Universal)
Ford v Ferrari (Fox)
The Irishman (Netflix)
Jojo Rabbit (Fox Searchlight)
Joker (Warner Bros)
Little Women (Columbia)
Marriage Story (Netflix)
Once Upon a Time in Hollywood (Columbia)
Parasite (Neon)

BEST DIRECTOR
Bong Joon-ho, Parasite
Sam Mendes, 1917
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time in Hollywood
Taika Waititi, Jojo Rabbit

BEST ACTOR
Antonio Banderas, Pain & Glory
Leonardo DiCaprio, Once Upon a Time in Hollywood
Adam Driver, Marriage Story
Taron Egerton, Rocketman
Joaquin Phoenix, Joker

BEST ACTRESS
Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Lupita Nyongo, Us (here is where preferential balloting is good)
Charlize Theron, Bombshell
Renee Zellweger, Judy

BEST SUPPORTING ACTOR
Jamie Foxx, Just Mercy
Tom Hanks, A Beautiful Day in the Neighborhood (His speech solidified his nom)
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood

BEST SUPPORTING ACTRESS
Laura Dern, Marriage Story
Jennifer Lopez, Hustlers
Florence Pugh, Little Women
Margot Robbie, Bombshell
Zhao Shuzhen, The Farewell (my longshot, but ScarJo is not respected in Hollywood)

BEST ORIGINAL SCREENPLAY
Noah Baumbach, Marriage Story
Rian Johnson, Knives Out
Bong Joon-ho & Han Jin-won, Parasite
Josh Safdie & Benny Safdie, Uncut Gems
Quentin Tarantino, Once Upon a Time in Hollywood
People talk about a lack of female direction nomination, but screenplay is just as void.

BEST ADAPTED SCREENPLAY
Greta Gerwig, Little Women
Anthony McCarten, The Two Popes
Todd Phillips & Scott Silver, Joker
Taika Waititi, Jojo Rabbit
Steven Zaillian, The Irishman
I wish there was room for Lorene Scafaria.

Kudos Comment

Gareth von Kallenbach (980 KP) rated Barbershop: The Next Cut (2016) in Movies

Aug 6, 2019

I had reservations about the new Barbershop when I discovered that it was in production and set for release. My concern was that much like the Friday franchise, it would leave a bad taste in my mouth due to stale jokes, recycled plots, and characters I couldn’t get too invested in. I was wrong in my outlook for the film. Barbershop: The Next Cut surpasses the previous films of the series in its humor, fresh jokes, new characters and social relevance.
There are some aspects of the film that mirror past plotlines, but that is not a problem or concern this go-around. Life and history are cyclical and it is demonstrated through the way that Barbershop takes on urban violence and the communities that suffer through it. The film itself will have audiences laughing and gasping for air due to the imaginative and creative comedy, however, it will also cause its audiences to think deeply about the issues being presented. When we see the violence of the Southside of Chicago via the news or social media, it seems so distant. This film sucks us in to thinking about the circumstances the people of this community face daily. It doesn’t pull punches or present the information from one singular source and perspective. They are concerned with creating a dialogue about what is taking place in communities much like the one represented in their neighborhood. You see heart. You see connections between people. You see individuals that want to make a change by improving the lives of their neighbors and friends. You see humanity with all of its flaws and potential. This film is a poignant love letter to communities in need of healing.

It is also an examination of how to heal and mend gaping wounds. Barbershop: The Next Cut establishes a connection with its audience to start a dialogue and potentially move forward with action.