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Mel Rodriguez recommended GoodFellas (1990) in Movies (curated)

 
GoodFellas (1990)
GoodFellas (1990)
1990 | Crime, Drama, Thriller

"I grew up in kind of a rough neighborhood and there was kind of this whole gangster thing, too. I think that’s the opening line: “As far back as I can remember I always wanted to be a gangster.” And I think there was a part of me that felt the same way. I just loved Robert De Niro’s work, all those guys really. Man, the acting, and everything about that movie — almost flawless film. And I’ve loved all of Scorsese’s films. Just his working relationship with Robert De Niro, from Mean Streets on; there are so many movies that I love with the two of them. I feel like everything kind of comes together in Goodfellas in some way. Goodfellas has kind of got it all. That was probably one of my favorite films as a kid, so I carried a picture of Goodfellas in my wallet. With De Niro and Pesci and Liotta, it was like, you know, the trinity [laughing]. I mean, really, Goodfellas was kind of like my Star Wars [laughing]. Really just the pacing of that film, everything, just how realistic. And at times it’s just jarring how violent it is. And hilarious too. It’s f—ing hilarious. I mean, I know it’s not funny that you would wrap a telephone cord around a guy’s neck. That’s not funny at all! The whole situation is terrible! But I think on some level, really, you kind of care for these guys and I think that’s what Scorsese is able to do in his films, is make these guys so human that we are able to somehow relate to them and, on some level, even kind of root for them, even though some of the stuff they do is just really despicable. I mean, the stuff that Joe Pesci does is just awful and I don’t think you really necessarily root for him; he’s kind of a hot head. The thing is, obviously, I know these things are bad. I do know how life can go one way or another, and that it’s not all just black and white, and there are many different situations and twists and turns in life. I feel these things sometimes and say, “Oh wow, I knew a guy like that. And I knew a guy like that.” And so I am very into gangster movies just because I feel, in some ways, I don’t think I have the heart for it, honestly. I’d have a nervous breakdown as a gangster. I’d be a very nervous gangster. I’d be the gangster that pops a lot of Klonopin."

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Friday (1995)
Friday (1995)
1995 | Comedy
9
8.7 (3 Ratings)
Movie Rating
Comedy That Still Holds Up
Can you believe that 2018 was the first time that I ever watched Friday in its unrated entirety? I had seen bits and pieces on USA, but I always felt like I was missing something in the translation. I get it now. The plot: After Craig (Ice Cube) gets fired on his day off, he suddenly finds himself helping his pothead friend Smokey (Chris Tucker) earn enough money selling weed to pay off Big Worm (Faizon Love).

Acting: 10

Beginning: 8

Characters: 10
The first scene introduces Deebo (Tiny Lister) a viable villain around which the story revolves. The entire neighborhood fears and hates Deebo and it doesn’t take long at all to figure out why. He helps keep the conflict serious, but not too serious.

But we all know who makes this movie: Smokey. There isn’t one scene where I didn’t find myself laughing at something stupid he did or said. He thinks he’s the man, but it’s probably just the weed boosting his confidence. His delivery is flawless. My favorite line: “What the fuck you stealing boxes for? What, you trying to build a clubhouse? Man, I know you ain’t go out like that!” Classic. I almost died laughing when he was crying in the truck. Smokey represents a cast of characters that are all unique and hilarious in their own way.

Cinematography/Visuals: 8

Conflict: 10
Between Smokey trying to get enough money to pay Worm and everyone trying to steer clear of Deebo, there is enough here to keep the story moving. There are shootouts, heists gone wrong, hood fights, a number of things worthy to entertain. For a comedy, I was actually impressed by the amount of action interwoven in the story.

Genre: 8
Friday ranks up there with some of the best comedies I’ve seen, second-tier worthy at the very least. Its job is to make you laugh and entertain and it does that very well. I also love that you don’t have to overthink the comedy, it’s just there in the dialogue and in the events that unfold.

Memorability: 10
Who do you know that can’t quote at least one line from Friday? I still knew lines even when I hadn’t seen it all the way through. The dialogue has a way of sticking to you long after you’ve watched the movie. I give a lot of that credit to Chris Tucker’s ability to deliver with perfect comedic timing.

Pace: 5

Plot: 6

Resolution: 10

Overall: 85
While Friday is a movie that takes awhile to get to the meat of the plot, I appreciate how hilarious it was, but also appreciate the more serious moments. It’s not just good, but surprisingly so. A movie I’ll still be watching for years to come.
  
IB
India Black (Madam of Espionage, #1)
6
6.0 (1 Ratings)
Book Rating
<b>3.5 stars</b>

<b>India Black</b> is a well-written and entertaining read, featuring a no-nonsense, street-wise, and book-smart whore-turned-madam who is the namesake of the book. While I do like India and her voice, there was something about her that felt off, and after thinking about it I've come to realize that I really don't know her that well. I find that odd because the book is told first-person. Even though this is the first in the series and some authors may not want to divulge everything about a character, I think there needed to be more tidbits about India. What's her history? How did she grow up? Was she groomed to be a whore? Etc., etc., etc. Besides, French is the secretive one, we don't need two mysterious characters in one book. As for the attraction between India and French promised on the back of the book, well, it wasn't there. Now there's the promise for that in the future, but there weren't enough scenes with the two of them together for anything to actually happen except some minor discussions about the issue(s) at hand, some bantering, and a decent amount of bickering -- though luckily not too much of the latter to annoy.

The plot is fine, but there's really nothing new to distinguish it from others in Victorian mysteries. Actually, the book doesn't feature any mystery what-so-ever and it's more of a chase to retrieve top secret government documents; I've heard the term caper thrown around and that sounds about right for this book. After a while I felt like I was in <b>Groundhog Day</b> -- same scenarios popped up under different circumstances, but all with the same outcome, which became tiring. The historical facts would have been better served had they been more smoothly incorporated into the story rather than dropped in big chunky lumps that often bored me (and I <i>like</i> history). The atmosphere of the book was fairly well-done, though it seemed a bit too polished and clean, so a little more grit would have given it some needed realism. The main character is a madam who can't possibly live in best neighborhood, and no matter how well-mannered, groomed, or intelligent she may be, she has to live in a tough place.

While I do have those minor issues about the book, the question is, <i>"Would I read the next book in the series?"</i> Yes, I believe so, because overall, I did enjoy this foray into India Black's world and it has the makings of a very interesting series.