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Phillip McSween (751 KP) rated Friday (1995) in Movies
Feb 12, 2019
Comedy That Still Holds Up
Can you believe that 2018 was the first time that I ever watched Friday in its unrated entirety? I had seen bits and pieces on USA, but I always felt like I was missing something in the translation. I get it now. The plot: After Craig (Ice Cube) gets fired on his day off, he suddenly finds himself helping his pothead friend Smokey (Chris Tucker) earn enough money selling weed to pay off Big Worm (Faizon Love).
Acting: 10
Beginning: 8
Characters: 10
The first scene introduces Deebo (Tiny Lister) a viable villain around which the story revolves. The entire neighborhood fears and hates Deebo and it doesn’t take long at all to figure out why. He helps keep the conflict serious, but not too serious.
But we all know who makes this movie: Smokey. There isn’t one scene where I didn’t find myself laughing at something stupid he did or said. He thinks he’s the man, but it’s probably just the weed boosting his confidence. His delivery is flawless. My favorite line: “What the fuck you stealing boxes for? What, you trying to build a clubhouse? Man, I know you ain’t go out like that!” Classic. I almost died laughing when he was crying in the truck. Smokey represents a cast of characters that are all unique and hilarious in their own way.
Cinematography/Visuals: 8
Conflict: 10
Between Smokey trying to get enough money to pay Worm and everyone trying to steer clear of Deebo, there is enough here to keep the story moving. There are shootouts, heists gone wrong, hood fights, a number of things worthy to entertain. For a comedy, I was actually impressed by the amount of action interwoven in the story.
Genre: 8
Friday ranks up there with some of the best comedies I’ve seen, second-tier worthy at the very least. Its job is to make you laugh and entertain and it does that very well. I also love that you don’t have to overthink the comedy, it’s just there in the dialogue and in the events that unfold.
Memorability: 10
Who do you know that can’t quote at least one line from Friday? I still knew lines even when I hadn’t seen it all the way through. The dialogue has a way of sticking to you long after you’ve watched the movie. I give a lot of that credit to Chris Tucker’s ability to deliver with perfect comedic timing.
Pace: 5
Plot: 6
Resolution: 10
Overall: 85
While Friday is a movie that takes awhile to get to the meat of the plot, I appreciate how hilarious it was, but also appreciate the more serious moments. It’s not just good, but surprisingly so. A movie I’ll still be watching for years to come.
Acting: 10
Beginning: 8
Characters: 10
The first scene introduces Deebo (Tiny Lister) a viable villain around which the story revolves. The entire neighborhood fears and hates Deebo and it doesn’t take long at all to figure out why. He helps keep the conflict serious, but not too serious.
But we all know who makes this movie: Smokey. There isn’t one scene where I didn’t find myself laughing at something stupid he did or said. He thinks he’s the man, but it’s probably just the weed boosting his confidence. His delivery is flawless. My favorite line: “What the fuck you stealing boxes for? What, you trying to build a clubhouse? Man, I know you ain’t go out like that!” Classic. I almost died laughing when he was crying in the truck. Smokey represents a cast of characters that are all unique and hilarious in their own way.
Cinematography/Visuals: 8
Conflict: 10
Between Smokey trying to get enough money to pay Worm and everyone trying to steer clear of Deebo, there is enough here to keep the story moving. There are shootouts, heists gone wrong, hood fights, a number of things worthy to entertain. For a comedy, I was actually impressed by the amount of action interwoven in the story.
Genre: 8
Friday ranks up there with some of the best comedies I’ve seen, second-tier worthy at the very least. Its job is to make you laugh and entertain and it does that very well. I also love that you don’t have to overthink the comedy, it’s just there in the dialogue and in the events that unfold.
Memorability: 10
Who do you know that can’t quote at least one line from Friday? I still knew lines even when I hadn’t seen it all the way through. The dialogue has a way of sticking to you long after you’ve watched the movie. I give a lot of that credit to Chris Tucker’s ability to deliver with perfect comedic timing.
Pace: 5
Plot: 6
Resolution: 10
Overall: 85
While Friday is a movie that takes awhile to get to the meat of the plot, I appreciate how hilarious it was, but also appreciate the more serious moments. It’s not just good, but surprisingly so. A movie I’ll still be watching for years to come.
graveyardgremlin (7194 KP) rated India Black (Madam of Espionage, #1) in Books
Feb 15, 2019
<b>3.5 stars</b>
<b>India Black</b> is a well-written and entertaining read, featuring a no-nonsense, street-wise, and book-smart whore-turned-madam who is the namesake of the book. While I do like India and her voice, there was something about her that felt off, and after thinking about it I've come to realize that I really don't know her that well. I find that odd because the book is told first-person. Even though this is the first in the series and some authors may not want to divulge everything about a character, I think there needed to be more tidbits about India. What's her history? How did she grow up? Was she groomed to be a whore? Etc., etc., etc. Besides, French is the secretive one, we don't need two mysterious characters in one book. As for the attraction between India and French promised on the back of the book, well, it wasn't there. Now there's the promise for that in the future, but there weren't enough scenes with the two of them together for anything to actually happen except some minor discussions about the issue(s) at hand, some bantering, and a decent amount of bickering -- though luckily not too much of the latter to annoy.
The plot is fine, but there's really nothing new to distinguish it from others in Victorian mysteries. Actually, the book doesn't feature any mystery what-so-ever and it's more of a chase to retrieve top secret government documents; I've heard the term caper thrown around and that sounds about right for this book. After a while I felt like I was in <b>Groundhog Day</b> -- same scenarios popped up under different circumstances, but all with the same outcome, which became tiring. The historical facts would have been better served had they been more smoothly incorporated into the story rather than dropped in big chunky lumps that often bored me (and I <i>like</i> history). The atmosphere of the book was fairly well-done, though it seemed a bit too polished and clean, so a little more grit would have given it some needed realism. The main character is a madam who can't possibly live in best neighborhood, and no matter how well-mannered, groomed, or intelligent she may be, she has to live in a tough place.
While I do have those minor issues about the book, the question is, <i>"Would I read the next book in the series?"</i> Yes, I believe so, because overall, I did enjoy this foray into India Black's world and it has the makings of a very interesting series.
<b>India Black</b> is a well-written and entertaining read, featuring a no-nonsense, street-wise, and book-smart whore-turned-madam who is the namesake of the book. While I do like India and her voice, there was something about her that felt off, and after thinking about it I've come to realize that I really don't know her that well. I find that odd because the book is told first-person. Even though this is the first in the series and some authors may not want to divulge everything about a character, I think there needed to be more tidbits about India. What's her history? How did she grow up? Was she groomed to be a whore? Etc., etc., etc. Besides, French is the secretive one, we don't need two mysterious characters in one book. As for the attraction between India and French promised on the back of the book, well, it wasn't there. Now there's the promise for that in the future, but there weren't enough scenes with the two of them together for anything to actually happen except some minor discussions about the issue(s) at hand, some bantering, and a decent amount of bickering -- though luckily not too much of the latter to annoy.
The plot is fine, but there's really nothing new to distinguish it from others in Victorian mysteries. Actually, the book doesn't feature any mystery what-so-ever and it's more of a chase to retrieve top secret government documents; I've heard the term caper thrown around and that sounds about right for this book. After a while I felt like I was in <b>Groundhog Day</b> -- same scenarios popped up under different circumstances, but all with the same outcome, which became tiring. The historical facts would have been better served had they been more smoothly incorporated into the story rather than dropped in big chunky lumps that often bored me (and I <i>like</i> history). The atmosphere of the book was fairly well-done, though it seemed a bit too polished and clean, so a little more grit would have given it some needed realism. The main character is a madam who can't possibly live in best neighborhood, and no matter how well-mannered, groomed, or intelligent she may be, she has to live in a tough place.
While I do have those minor issues about the book, the question is, <i>"Would I read the next book in the series?"</i> Yes, I believe so, because overall, I did enjoy this foray into India Black's world and it has the makings of a very interesting series.
Andy K (10821 KP) rated Dragged Across Concrete (2019) in Movies
May 5, 2019
What a thrill ride!
So to say director S. Craig Zahler is one of my favorites working today is an understatement. I was a HUGE fan of his first two films, Bone Tomahawk and Brawl in Cell Block 99 (read my reviews on both on Smashbomb) so I was really looking forward to this one. Of course the film did not play at a cinema local to me, so I had to wait until Blu Ray to give it a watch and I was enthralled.
Two cops on suspension for using excessive force against a drug dealing hoodlum leave very different lives off the job. One is prone to violence living in a bad neighborhood desperate for better for his wife and child and the other just wants to marry the girl of his dreams and is now worried she will no longer have him.
Out of desperation, the men decide to participate in a criminal enterprise to better their own personal situations and end up inside something much bigger. The decisions they make within the context of the second act of the film will have profound repercussions throughout the remainder of their lives.The two cops do what they have to do to try and make their lives better and help their families through hard times.
I don't want to sound like a movie snob here, but after viewing the film I checked out the MANY 1 star reviews this film received on IMDb and was not surprised. I am not making fun of the modern movie going public at all. I enjoy explosions and superheroes as much as anyone; however, for some time I have strived to find the different, unusual, deeper film where its heroes don't wear spandex and everything is not just black and white. Those films have their place.
This film was kind of "Tarantino-esque" in the way the story was told, the way the characters conversed with each other and even the fact that the characters were multilayered and very interesting. There were also several stories going on simultaneously at the beginning and didn't combine until well into the film. One could argue the 2 hour and 40 minute film "dragged" (no pun intended) at times or had unnecessary scenes, but no one complained when Marge Gunderson had lunch with Mike Yanagita, so that didn't bother me here.
Both of Zahler's previous films were violent and had that one squeamish scene you could hardly believe happened as did this film.
I can safely say this movie isn't for everyone and its slow pace will turn off some modern moviegoers who expect non stop action. Having said that, I still highly recommend this movie and would love to know your opinion once watching it.
Two cops on suspension for using excessive force against a drug dealing hoodlum leave very different lives off the job. One is prone to violence living in a bad neighborhood desperate for better for his wife and child and the other just wants to marry the girl of his dreams and is now worried she will no longer have him.
Out of desperation, the men decide to participate in a criminal enterprise to better their own personal situations and end up inside something much bigger. The decisions they make within the context of the second act of the film will have profound repercussions throughout the remainder of their lives.The two cops do what they have to do to try and make their lives better and help their families through hard times.
I don't want to sound like a movie snob here, but after viewing the film I checked out the MANY 1 star reviews this film received on IMDb and was not surprised. I am not making fun of the modern movie going public at all. I enjoy explosions and superheroes as much as anyone; however, for some time I have strived to find the different, unusual, deeper film where its heroes don't wear spandex and everything is not just black and white. Those films have their place.
This film was kind of "Tarantino-esque" in the way the story was told, the way the characters conversed with each other and even the fact that the characters were multilayered and very interesting. There were also several stories going on simultaneously at the beginning and didn't combine until well into the film. One could argue the 2 hour and 40 minute film "dragged" (no pun intended) at times or had unnecessary scenes, but no one complained when Marge Gunderson had lunch with Mike Yanagita, so that didn't bother me here.
Both of Zahler's previous films were violent and had that one squeamish scene you could hardly believe happened as did this film.
I can safely say this movie isn't for everyone and its slow pace will turn off some modern moviegoers who expect non stop action. Having said that, I still highly recommend this movie and would love to know your opinion once watching it.
Ryan Hill (152 KP) rated Spider-Man: Homecoming (2017) in Movies
May 11, 2019
"if you are nothing without the suit then you shouldn't have it."
A John Hughes-esque coming-of-age movie, disguised as a friendly neighborhood adventure from the MCU; Spider-Man: Homecoming is more about growing up, and less about saving the world.
Tom Holland is great as Spider-man. His Spidey is different, and in a way, refreshing. I like how the origin story is skipped, and instead, we dive head into the day-to-day adventures of a semi-awkward, fifteen-year-old. I'm more interested in the growth of Peter Parker, than the development of Holland's Spider-Man Spidey-Powers. I'm still undecided about the way Spidey looks in his costume. To me, he looks more like a CGI goofnut, than an Avenger. But, how many kids get to have Jennifer Connelly on standby, whenever they need a helpful voice?
Homecoming might not feel and act like your typical MCU movie, but it does prove we still need Tony Stark, Happy Hogan and Pepper Potts in our lives. I smiled with all the screen time Happy has. He's truly an underrated character in the MCU. Plus, Tony plays the "cool uncle" spot-on.
One of the biggest criticisms with the MCU people have is the boring villain. Not in this case. Michael Keaton plays reverse-Batman, and his character actually has depth, an interesting storyline and a surprise twist. Bookem Woodbine plays a fun henchman, and all movies benefit from the presence of Donald Glover. The bad guys are not a snore nor a bore at this Homecoming Dance with the Devil.
I hope I wasn't the only one laughing at the casting of Tony Revolori as Flash the Bully. He's about as intimidating as a can of ravioli. Zendaya is way underused, but she shines in her scenes. I wish Ned was my best friend, but the poor fella will probably be typecast for life. However, he's a hilarious guy. How can you not like him?
Did you think I forgot about Aunt May? Of course not! Marisa Tomei is smokin' and brings honest energy to her supporting role.
The final boss battle is fun. So are the scenes on a ferry and a national monument. There's action, and there's a lot of growing up for Peter Parker and his friends. I'm not MCU fatigued after watching, but I do have a sudden urge to revisit Pretty in Pink.
Tom Holland is great as Spider-man. His Spidey is different, and in a way, refreshing. I like how the origin story is skipped, and instead, we dive head into the day-to-day adventures of a semi-awkward, fifteen-year-old. I'm more interested in the growth of Peter Parker, than the development of Holland's Spider-Man Spidey-Powers. I'm still undecided about the way Spidey looks in his costume. To me, he looks more like a CGI goofnut, than an Avenger. But, how many kids get to have Jennifer Connelly on standby, whenever they need a helpful voice?
Homecoming might not feel and act like your typical MCU movie, but it does prove we still need Tony Stark, Happy Hogan and Pepper Potts in our lives. I smiled with all the screen time Happy has. He's truly an underrated character in the MCU. Plus, Tony plays the "cool uncle" spot-on.
One of the biggest criticisms with the MCU people have is the boring villain. Not in this case. Michael Keaton plays reverse-Batman, and his character actually has depth, an interesting storyline and a surprise twist. Bookem Woodbine plays a fun henchman, and all movies benefit from the presence of Donald Glover. The bad guys are not a snore nor a bore at this Homecoming Dance with the Devil.
I hope I wasn't the only one laughing at the casting of Tony Revolori as Flash the Bully. He's about as intimidating as a can of ravioli. Zendaya is way underused, but she shines in her scenes. I wish Ned was my best friend, but the poor fella will probably be typecast for life. However, he's a hilarious guy. How can you not like him?
Did you think I forgot about Aunt May? Of course not! Marisa Tomei is smokin' and brings honest energy to her supporting role.
The final boss battle is fun. So are the scenes on a ferry and a national monument. There's action, and there's a lot of growing up for Peter Parker and his friends. I'm not MCU fatigued after watching, but I do have a sudden urge to revisit Pretty in Pink.
Phillip McSween (751 KP) rated Swinging Safari (2019) in Movies
Oct 29, 2019
Whomp Whomp...
I was strongly hoping I had found a hidden gem in Swinging Safari. Not so much…Taking place in 70’s Australia, it follows the lives of three neighborhood families and how their lives swing out of control when they get a little too close.
Acting: 10
Beginning: 3
Characters: 5
There are some instances in movies where the characters alone are enough to carry the movie (see Everybody Wants Some!!). Not so much here. Outside of the two main characters, the rest of the cast was pretty unlovable. Their lack of redeeming qualities made it hard for me to root for anything good to happen to any of them. Typically when the characters suck, the rest of the movie isn’t far behind. Unless of course it’s an action movie…
Cinematography/Visuals: 10
I have no idea what 1970’s Australia looks like but I feel like I was right in the heart of it here. The way this movie captures certain scenes is pure magic and, in some case, extremely original. One scene in particular features all the adults inside playing games and drinking while the kids are outside doing daredevil stunts for a makeshift film. It’s hilarious watching the adults argue while the kids are trying to put out a fire…a fire they purposefully set upon one of the kids. Extremely well done.
Conflict: 5
It’s not that there wasn’t conflict here. It’s just that I didn’t really care enough about it for it to be substantial. Again, conflict against characters you don’t care about is tough for me to enjoy. I was looking for more, something more meaningful.
Entertainment Value: 5
The fun factor of this movie is few and far between. It has its moments, but overall, it feels very average. Dead Horse: Drab characters really put a damper on this movie as a whole.
Memorability: 6
I can honestly say that there are a couple of unique scenes that I’ve never seen before in any other movie. I don’t want to ruin things by diving too much into the dynamics, but there are some flashes of greatness here that I really appreciated. As a whole, the movie was more forgettable than anything.
Pace: 6
Plot: 1
Resolution: 10
I have to say, despite its flaws, this movie has one of my favorite endings of film. Without spoiling anything, we’ll just say it definitely goes out with a bang. It’s a glimpse of what the movie could have been as a whole.
Overall: 61
Swinging Safari sadly strikes out for me. Despite an endearing relationship between the two young characters and a few beautiful shots and setpieces, the movie has glaring holes that can’t be plugged up. I will have to look for my gem elsewhere.
Acting: 10
Beginning: 3
Characters: 5
There are some instances in movies where the characters alone are enough to carry the movie (see Everybody Wants Some!!). Not so much here. Outside of the two main characters, the rest of the cast was pretty unlovable. Their lack of redeeming qualities made it hard for me to root for anything good to happen to any of them. Typically when the characters suck, the rest of the movie isn’t far behind. Unless of course it’s an action movie…
Cinematography/Visuals: 10
I have no idea what 1970’s Australia looks like but I feel like I was right in the heart of it here. The way this movie captures certain scenes is pure magic and, in some case, extremely original. One scene in particular features all the adults inside playing games and drinking while the kids are outside doing daredevil stunts for a makeshift film. It’s hilarious watching the adults argue while the kids are trying to put out a fire…a fire they purposefully set upon one of the kids. Extremely well done.
Conflict: 5
It’s not that there wasn’t conflict here. It’s just that I didn’t really care enough about it for it to be substantial. Again, conflict against characters you don’t care about is tough for me to enjoy. I was looking for more, something more meaningful.
Entertainment Value: 5
The fun factor of this movie is few and far between. It has its moments, but overall, it feels very average. Dead Horse: Drab characters really put a damper on this movie as a whole.
Memorability: 6
I can honestly say that there are a couple of unique scenes that I’ve never seen before in any other movie. I don’t want to ruin things by diving too much into the dynamics, but there are some flashes of greatness here that I really appreciated. As a whole, the movie was more forgettable than anything.
Pace: 6
Plot: 1
Resolution: 10
I have to say, despite its flaws, this movie has one of my favorite endings of film. Without spoiling anything, we’ll just say it definitely goes out with a bang. It’s a glimpse of what the movie could have been as a whole.
Overall: 61
Swinging Safari sadly strikes out for me. Despite an endearing relationship between the two young characters and a few beautiful shots and setpieces, the movie has glaring holes that can’t be plugged up. I will have to look for my gem elsewhere.