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Hazel (1853 KP) rated What We Left Behind in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Gretchen and Toni are high school sweethearts who believe they will be together forever, but will they cope being apart at different universities? Toni is off to Harvard and Gretchen to New York where they plan to meet up every weekend however things get in the way, and not just coursework.
The main theme of<i> What We Left Behind</i> is sexual orientation and gender. Both Gretchen and Toni are attracted to girls, however Toni identifies as genderqueer. Throughout school, this never bothered Gretchen, though when Toni begins feeling a connection with a group of transgender students, Gretchen begins to question her position in Toni’s life.
Unlike Talley’s previous novel <i>Lies We Tell Ourselves</i>, which deals with ethnic minorities and homosexuality during a time when it was seen as completely unacceptable, <i>What We Left Behind</i> is set in the present day where peoples’ sexual preferences are accepted in society – mostly. What Talley is attempting to prove with this novel is that everyone, regardless of gender, can experience love, and that long distance relationships can be difficult for everyone. Most importantly this story expresses how difficult it is to understand trans sexuality, genderqueer, gender nonconforming etc. There are characters that are horrified by the idea, comfortable with it, or, like Gretchen, confused about how it effects themselves and their relationship. And then there is Toni. Toni is probably the most confused of all: who is s/he really?
Talley tries to make the reader experience the difficulties the main characters face with the use, or lack of pronouns. For someone who identifies as neither he nor she, Toni has a very hard time trying to find a label Toni feels comfortable with.
I did not enjoy <i>What We Left Behind</i> as much as <i>Lies We Tell Ourselves</i>, not because it was not good – it was – but I am not that into romance novels. After a while the story began to feel boring and repetitive, particularly in terms of Gretchen and Toni’s relationship. It is, however, worth a read. There are not many novels that focus on transgender issues, especially in such a positive way. Therefore I am sure this young adult novel is going to interest a large amount of readers.
Gretchen and Toni are high school sweethearts who believe they will be together forever, but will they cope being apart at different universities? Toni is off to Harvard and Gretchen to New York where they plan to meet up every weekend however things get in the way, and not just coursework.
The main theme of<i> What We Left Behind</i> is sexual orientation and gender. Both Gretchen and Toni are attracted to girls, however Toni identifies as genderqueer. Throughout school, this never bothered Gretchen, though when Toni begins feeling a connection with a group of transgender students, Gretchen begins to question her position in Toni’s life.
Unlike Talley’s previous novel <i>Lies We Tell Ourselves</i>, which deals with ethnic minorities and homosexuality during a time when it was seen as completely unacceptable, <i>What We Left Behind</i> is set in the present day where peoples’ sexual preferences are accepted in society – mostly. What Talley is attempting to prove with this novel is that everyone, regardless of gender, can experience love, and that long distance relationships can be difficult for everyone. Most importantly this story expresses how difficult it is to understand trans sexuality, genderqueer, gender nonconforming etc. There are characters that are horrified by the idea, comfortable with it, or, like Gretchen, confused about how it effects themselves and their relationship. And then there is Toni. Toni is probably the most confused of all: who is s/he really?
Talley tries to make the reader experience the difficulties the main characters face with the use, or lack of pronouns. For someone who identifies as neither he nor she, Toni has a very hard time trying to find a label Toni feels comfortable with.
I did not enjoy <i>What We Left Behind</i> as much as <i>Lies We Tell Ourselves</i>, not because it was not good – it was – but I am not that into romance novels. After a while the story began to feel boring and repetitive, particularly in terms of Gretchen and Toni’s relationship. It is, however, worth a read. There are not many novels that focus on transgender issues, especially in such a positive way. Therefore I am sure this young adult novel is going to interest a large amount of readers.
YA female Top Gun ... in space
*** Disclosure - I received a free advance copy of this book from NetGalley in exchange for an honest review ***
Sanderson's new series is a foray into proper sci-fi, but written for the Young Adult market (which should not be read as a bad thing, just something of a warning that for once any white middle-aged men might have to put some effort into thinking about how the main character might feel. Similar to his super-hero Steelheart series (also outwith his Cosmere univers), the story follows a young person who has had a hard life, has a dream to be something and has put every effort into learning the knowledge needed to achieve that, and just need a little luck to go their way. Sadly, Spensa is the daughter of renowned "coward" Chaser, a fighter pilot who fled the thick of battle against The Krell (a mysterious alien race who regularly attack the surface of the planet that has become the human race's last stand) and was shot down for his desertion. Spensa has to battle against all the odds to get a place on the flight training scheme and work hard to stay there.
The action sequences are decent and regularly spaced throughout the book, both in the simulator training scenes and the actual battle sequences.
The plot itself is fairly typical, and more or less the plot of the Hot Shots film, but in space. There was a tremendous amount of mystery surrounding aspects of the world the human race come to inhabit, and their alien attackers, which was rather clumsily all blurted out in a nonsense bit of exposition in the final 3 pages or so.
As with a lot of sci-fi, Sanderson gets quite bogged down in the made-up science and technology that might exist in the future and this, alongside some of the dialogue, was a little too geeky for my tastes (the use of Jerkface as an insult was cringeworthy the first time but is then used throughout the book).
All in all, a well told sci-fi tale that could easily be picked up by the YA audience but likewise should appeal to older sci-fi readers as well.
Sanderson's new series is a foray into proper sci-fi, but written for the Young Adult market (which should not be read as a bad thing, just something of a warning that for once any white middle-aged men might have to put some effort into thinking about how the main character might feel. Similar to his super-hero Steelheart series (also outwith his Cosmere univers), the story follows a young person who has had a hard life, has a dream to be something and has put every effort into learning the knowledge needed to achieve that, and just need a little luck to go their way. Sadly, Spensa is the daughter of renowned "coward" Chaser, a fighter pilot who fled the thick of battle against The Krell (a mysterious alien race who regularly attack the surface of the planet that has become the human race's last stand) and was shot down for his desertion. Spensa has to battle against all the odds to get a place on the flight training scheme and work hard to stay there.
The action sequences are decent and regularly spaced throughout the book, both in the simulator training scenes and the actual battle sequences.
The plot itself is fairly typical, and more or less the plot of the Hot Shots film, but in space. There was a tremendous amount of mystery surrounding aspects of the world the human race come to inhabit, and their alien attackers, which was rather clumsily all blurted out in a nonsense bit of exposition in the final 3 pages or so.
As with a lot of sci-fi, Sanderson gets quite bogged down in the made-up science and technology that might exist in the future and this, alongside some of the dialogue, was a little too geeky for my tastes (the use of Jerkface as an insult was cringeworthy the first time but is then used throughout the book).
All in all, a well told sci-fi tale that could easily be picked up by the YA audience but likewise should appeal to older sci-fi readers as well.
Gareth von Kallenbach (980 KP) rated Sisters (2015) in Movies
Jun 19, 2019
Life for sisters Maura (Amy Poehler), and Kate (Tina Fey) has not worked out the way they had planned. Maura is a nurse who lives in Atlanta and two years after her divorce is busy doing do-good projects and learning to make cheese in her spare time.,
Kate is a single mom who cannot hold a job and has recently been kicked out of the place she was living in. When their parents inform Maura that they are selling their childhood home, Maura helps Kate travel to Orlando in an effort to convince their parents to change their minds.
Seeing that the deal is pretty much done and that their parents are now in a condo, Maura and Kate opt to spend their time in their old home, and do whatever they can to discourage the prospective new buyers from following through on the purchase.
Kate has always been the wilder of the bunch and decides that Maura needs to let loose for once. As such they opt to recreate a party from their teens with as many of their former classmates as they can gather.
Naturally as anyone who has ever seen a house comedy knows, this is a disaster in the making as everything from drunken party games to a drug mishap and sex accidents follow.
It is different to hear Poehler and Fey use R-rated language as they have kept much of their career to the wink and a nod style of adult humor that their pioneered on Saturday Night Live but once you get used to it, it does not seem overly forced.
The two have a real chemistry and there are many funny scenes in the film, the biggest issue is the transition and setups can be a bit slow and at times awkward. This is to be expected from people who started in sketch comedy and neither of the two had a hand in writing the film as well.
Ike Barinholtz does great supporting work as a love interest and his “accident” is one of the funniest and most cringe worthy moments in film comedy.
If you can handle the slow parts and need some good laughs, then you will want to check out “Sisters’ as it is mindless and raunchy fun.
http://sknr.net/2015/12/18/sisters/
Kate is a single mom who cannot hold a job and has recently been kicked out of the place she was living in. When their parents inform Maura that they are selling their childhood home, Maura helps Kate travel to Orlando in an effort to convince their parents to change their minds.
Seeing that the deal is pretty much done and that their parents are now in a condo, Maura and Kate opt to spend their time in their old home, and do whatever they can to discourage the prospective new buyers from following through on the purchase.
Kate has always been the wilder of the bunch and decides that Maura needs to let loose for once. As such they opt to recreate a party from their teens with as many of their former classmates as they can gather.
Naturally as anyone who has ever seen a house comedy knows, this is a disaster in the making as everything from drunken party games to a drug mishap and sex accidents follow.
It is different to hear Poehler and Fey use R-rated language as they have kept much of their career to the wink and a nod style of adult humor that their pioneered on Saturday Night Live but once you get used to it, it does not seem overly forced.
The two have a real chemistry and there are many funny scenes in the film, the biggest issue is the transition and setups can be a bit slow and at times awkward. This is to be expected from people who started in sketch comedy and neither of the two had a hand in writing the film as well.
Ike Barinholtz does great supporting work as a love interest and his “accident” is one of the funniest and most cringe worthy moments in film comedy.
If you can handle the slow parts and need some good laughs, then you will want to check out “Sisters’ as it is mindless and raunchy fun.
http://sknr.net/2015/12/18/sisters/
BookwormMama14 (18 KP) rated The Selection in Books
Jan 2, 2019
Set many years into the future The US has undergone drastic change. Under the rule of a monarchy once again. Prince Maxon, only child and heir to the throne, is ready to find his future queen. In a lottery type draw, one young lady (between the ages of 16 and 20) from each province is selected as candidates for the throne, and for Maxon's heart. Among them is America Singer. A Five in the caste system (There are eight total). Although her becoming a part of the selection was an accident, of sorts...Will she be able to forget her past and embrace her future? There are 35 girls, and only 1 prince. Who will emerge as Queen?
It has been a long while since I have been so engrossed in a book that I couldn't put it down to go to sleep. I finally had to, as my eyes wouldn't stay open any longer, with only two chapters remaining! I kept having dreams about the book! I finished it as soon as I woke up this morning and am now anxiously awaiting to check out The Elite from the library. Since this is a book about a prince finding a wife, you can expect to have romance with a mild dystopian flair. Although I personally think the emotions are slightly intense for a YA book, it is still clean and decent. Prince Maxon is an honorable man. Parents, please use your own discretion. Kiera Cass has done a fabulous job imagining a new world of castes, monarchy, fashion, rebellion and love. (It's like The Bachelor, but way better!) Please be advised that these books do not stand alone. And once you finish The Selection you are going to want to start The Elite immediately (so do what I didn't do and place a hold on BOTH)! This book ends well, but definitely leaves you wanting more. I have also heard that The Selection is being made into a movie. Although all I could find out was that it is in pre-production. I am thoroughly enjoying this series, but I know that it won't be to everyone's taste. Keep in mind that it is a Young Adult novel and is written for that level. Happy reading! And may the odds be ever in your favor....wait....
It has been a long while since I have been so engrossed in a book that I couldn't put it down to go to sleep. I finally had to, as my eyes wouldn't stay open any longer, with only two chapters remaining! I kept having dreams about the book! I finished it as soon as I woke up this morning and am now anxiously awaiting to check out The Elite from the library. Since this is a book about a prince finding a wife, you can expect to have romance with a mild dystopian flair. Although I personally think the emotions are slightly intense for a YA book, it is still clean and decent. Prince Maxon is an honorable man. Parents, please use your own discretion. Kiera Cass has done a fabulous job imagining a new world of castes, monarchy, fashion, rebellion and love. (It's like The Bachelor, but way better!) Please be advised that these books do not stand alone. And once you finish The Selection you are going to want to start The Elite immediately (so do what I didn't do and place a hold on BOTH)! This book ends well, but definitely leaves you wanting more. I have also heard that The Selection is being made into a movie. Although all I could find out was that it is in pre-production. I am thoroughly enjoying this series, but I know that it won't be to everyone's taste. Keep in mind that it is a Young Adult novel and is written for that level. Happy reading! And may the odds be ever in your favor....wait....
Hazel (1853 KP) rated Oh Yeah, Audrey! in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Fans of Audrey Hepburn are bound to love Tucker Shaw’s latest contemporary young adult novel <i>Oh Yeah, Audrey!</i> especially if they admire her as much as sixteen year old Gemma Beasley does. The novel takes place over a time period of twenty-six hours beginning at 5:00am outside <i>Tiffany’s</i> in New York. Through Tumblr Gemma has “met” other Audrey fanatics and has arranged a get together in honour of the twentieth anniversary of the legendary star’s death.
It helps to have watched the film <i>Breakfast at Tiffany’s</i> (I haven’t) or at least have read the book (I have), as the narrative is full of quotes and references to Holly Golightly and scenes from the film. At first it appears no one else will turn up to the meeting but eventually they do and their exciting day gets off to an enjoyable start. Although they have a strict itinerary planned out it is soon forgotten as other options arise. By asking themselves: “what would Holly do?” they end up doing a lot of things they have never done before.
It all seems too good to be true when a rich good-looking guy asks Gemma out for dinner. She accepts despite it meaning she will be ditching her friends but she promises to meet up with them later. However, Gemma soon finds herself out of her depth and feels like she has ruined the evening not just for herself, but for her friends as well.
Initially readers may expect <i>Oh Yeah, Audrey!</i> to be a very girly book but it actually has a strong message behind it. The whole time that Gemma is asking herself “what would Holly do?” she is not discovering the person she is and what she really wants. <i>Breakfast at Tiffany’s</i> may have made running away from home and living independently look like a glamorous adventure, but Gemma discovers that Holly Golightly was most likely a very lonely character.
I enjoyed this book much more than I was expecting to. It is a quick easy read that is very funny and entertaining but also moving at the end. Those who have not yet read/seen <i>Breakfast at Tiffany’s</i> will definitely be thinking about doing so after reading <i>Oh Yeah, Audrey!</i>
Fans of Audrey Hepburn are bound to love Tucker Shaw’s latest contemporary young adult novel <i>Oh Yeah, Audrey!</i> especially if they admire her as much as sixteen year old Gemma Beasley does. The novel takes place over a time period of twenty-six hours beginning at 5:00am outside <i>Tiffany’s</i> in New York. Through Tumblr Gemma has “met” other Audrey fanatics and has arranged a get together in honour of the twentieth anniversary of the legendary star’s death.
It helps to have watched the film <i>Breakfast at Tiffany’s</i> (I haven’t) or at least have read the book (I have), as the narrative is full of quotes and references to Holly Golightly and scenes from the film. At first it appears no one else will turn up to the meeting but eventually they do and their exciting day gets off to an enjoyable start. Although they have a strict itinerary planned out it is soon forgotten as other options arise. By asking themselves: “what would Holly do?” they end up doing a lot of things they have never done before.
It all seems too good to be true when a rich good-looking guy asks Gemma out for dinner. She accepts despite it meaning she will be ditching her friends but she promises to meet up with them later. However, Gemma soon finds herself out of her depth and feels like she has ruined the evening not just for herself, but for her friends as well.
Initially readers may expect <i>Oh Yeah, Audrey!</i> to be a very girly book but it actually has a strong message behind it. The whole time that Gemma is asking herself “what would Holly do?” she is not discovering the person she is and what she really wants. <i>Breakfast at Tiffany’s</i> may have made running away from home and living independently look like a glamorous adventure, but Gemma discovers that Holly Golightly was most likely a very lonely character.
I enjoyed this book much more than I was expecting to. It is a quick easy read that is very funny and entertaining but also moving at the end. Those who have not yet read/seen <i>Breakfast at Tiffany’s</i> will definitely be thinking about doing so after reading <i>Oh Yeah, Audrey!</i>
Phil Leader (619 KP) rated The Taking (Afterlife #2) in Books
Nov 26, 2019
After her actions at the end of the first book in the series - Fledgling - the human-turned-angel Aurora has drawn the unwelcome attention of Separus, one of the most powerful of the demons. He covets her power and is determined to capture her and turn her to the side of darkness.
Aware of this Archangel Michael, leader of the angels, assigns her and her friends to be further trained by Zacharias, a rather bad tempered 'earthbound' angel who is an expert in fighting and weapons. As their - at times brutal - training takes place the demons are plotting to capture the three angel friends by using the ultimate bait for Aurora - Ethan. Aurora will need to make a choice, and not an easy one.
The Taking continues more-or-less where Fledgling left off although there is a distinct change of tone. Whereas in the first book Aurora, Cindy and Ben are out and about in the world saving innocents, here they are in training for very much of the time. In other hands this might be a disappointment, but Cope has an eye for telling the interesting bits of stories and not labouring the mundane. It also helps that the training is somewhat unusual, as is the teacher. As the major new character Zacharias is very well drawn, suitably grumpy and terse at being given 'humans' to train, as he sees it.
When conflict with the demons arises Cope again shows the flair for describing fight scenes from the first book and these, as would be expected, are far more intense battles with much more at stake. These are not serene angels gently guiding their human charges through life. These are kick-ass super heroes who are not afraid to put themselves in the way of extreme danger for what they believe is right.
Aurora must also confront her feelings for both Ethan, her human love, and Ben her angel friend. Both relationships are forbidden and this just complicates things further. I suspect that this aspect of the books would appeal more to female young adult readers but they are well written even if you will probably be shouting at the book telling Aurora not to be so silly at points.
Overall a second strong showing in this series and very recommended. If the angel/demon theme doesn't sound like your cup of tea then just give it a go. You will be pleasantly surprised
Aware of this Archangel Michael, leader of the angels, assigns her and her friends to be further trained by Zacharias, a rather bad tempered 'earthbound' angel who is an expert in fighting and weapons. As their - at times brutal - training takes place the demons are plotting to capture the three angel friends by using the ultimate bait for Aurora - Ethan. Aurora will need to make a choice, and not an easy one.
The Taking continues more-or-less where Fledgling left off although there is a distinct change of tone. Whereas in the first book Aurora, Cindy and Ben are out and about in the world saving innocents, here they are in training for very much of the time. In other hands this might be a disappointment, but Cope has an eye for telling the interesting bits of stories and not labouring the mundane. It also helps that the training is somewhat unusual, as is the teacher. As the major new character Zacharias is very well drawn, suitably grumpy and terse at being given 'humans' to train, as he sees it.
When conflict with the demons arises Cope again shows the flair for describing fight scenes from the first book and these, as would be expected, are far more intense battles with much more at stake. These are not serene angels gently guiding their human charges through life. These are kick-ass super heroes who are not afraid to put themselves in the way of extreme danger for what they believe is right.
Aurora must also confront her feelings for both Ethan, her human love, and Ben her angel friend. Both relationships are forbidden and this just complicates things further. I suspect that this aspect of the books would appeal more to female young adult readers but they are well written even if you will probably be shouting at the book telling Aurora not to be so silly at points.
Overall a second strong showing in this series and very recommended. If the angel/demon theme doesn't sound like your cup of tea then just give it a go. You will be pleasantly surprised
Lee (2222 KP) rated The Personal History of David Copperfield (2019) in Movies
Jan 26, 2020
Based on the famous and beloved novel by Charles Dickens, Armando Iannucci (Veep, The Thick of It, The Death of Stalin) brings us this fresh new take on David Copperfield. And it’s like no other Dickens adaptation you’ve ever seen before.
Dev Patel stars as Copperfield, the star and narrator of the story which charts his personal rise from rags to riches during Victorian England. We begin though with Copperfield as an adult, recounting his life story to a small theatre audience as he steps into a painted backdrop behind him on stage, transporting him, and us, to the location of his birth. He enters the family home and continues to narrate from within the scene as his mother struggles with labour. It’s just one of a variety of wonderfully inventive storytelling devices that the movie employs throughout.
While the chaos of childbirth plays out, the first in a long line of star-studded supporting characters arrives, David’s eccentric Aunt Betsey (Tilda Swinton), and we immediately get a glimpse of the kind of humour Iannucci has brought to the story as she sets about upsetting Peggotty, the family housekeeper, and declares that the baby will definitely be a girl.
From there, the storyline is fast paced, weaving between locations as David grows up - from an overturned boat house in Yarmouth, to the chaos of London and the difficulties of working in a bottle factory, and on to the Kent countryside. Along the way we meet yet more big names, including Peter Capaldi, Ben Whishaw, Hugh Laurie, Paul Whitehouse and Benedict Wong. Not to mention countless other recognisable faces.
The Personal History of David Copperfield is a real mixing pot of beautiful visuals, quirky humour and larger than life characters. Realism has been ditched in order to deliver a whimsical tale that is accessible to all ages. Unfortunately though, it just didn’t work for me. Aside from the opening scenes, and the occasional moment later on, the humour didn’t land at all. In fact, I got more laughs from the incredible movie Parasite that I saw just the night before seeing this.
Dev Patel, always impressive and enjoyable in everything he does, is charming as David Copperfield and is definitely the standout. Benedict Wong and Hugh Laurie were both enjoyable, but I felt the others all suffered from a script that just wasn’t strong enough. A beautifully shot movie, bold and bright and vibrant, but instantly forgettable.
Dev Patel stars as Copperfield, the star and narrator of the story which charts his personal rise from rags to riches during Victorian England. We begin though with Copperfield as an adult, recounting his life story to a small theatre audience as he steps into a painted backdrop behind him on stage, transporting him, and us, to the location of his birth. He enters the family home and continues to narrate from within the scene as his mother struggles with labour. It’s just one of a variety of wonderfully inventive storytelling devices that the movie employs throughout.
While the chaos of childbirth plays out, the first in a long line of star-studded supporting characters arrives, David’s eccentric Aunt Betsey (Tilda Swinton), and we immediately get a glimpse of the kind of humour Iannucci has brought to the story as she sets about upsetting Peggotty, the family housekeeper, and declares that the baby will definitely be a girl.
From there, the storyline is fast paced, weaving between locations as David grows up - from an overturned boat house in Yarmouth, to the chaos of London and the difficulties of working in a bottle factory, and on to the Kent countryside. Along the way we meet yet more big names, including Peter Capaldi, Ben Whishaw, Hugh Laurie, Paul Whitehouse and Benedict Wong. Not to mention countless other recognisable faces.
The Personal History of David Copperfield is a real mixing pot of beautiful visuals, quirky humour and larger than life characters. Realism has been ditched in order to deliver a whimsical tale that is accessible to all ages. Unfortunately though, it just didn’t work for me. Aside from the opening scenes, and the occasional moment later on, the humour didn’t land at all. In fact, I got more laughs from the incredible movie Parasite that I saw just the night before seeing this.
Dev Patel, always impressive and enjoyable in everything he does, is charming as David Copperfield and is definitely the standout. Benedict Wong and Hugh Laurie were both enjoyable, but I felt the others all suffered from a script that just wasn’t strong enough. A beautifully shot movie, bold and bright and vibrant, but instantly forgettable.
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8.2
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