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Heather Cranmer (2721 KP) rated The Quiet You Carry in Books
Mar 23, 2019
A Great Read!
I'm a fan of young adult contemporary fiction when it deals with serious issues. When I read the synopsis for The Quiet You Carry by Nikki Barthelmess, I knew it was a book that I needed to read. Luckily, it didn't disappoint!
I found the plot of The Quiet You Carry to be very interesting indeed. I've always found books that deal with the foster system to be intriguing. I won't rehash the synopsis since the actual book synopsis does a good job explaining what the book is about. I found the plot to be very believable and extremely realistic. I didn't find any plot holes, and I was not left hanging. I didn't think there were any plot twists, but with this kind of book, it didn't need any plot twists to be good. I like the way The Quiet You Carry showed what I imagine life would be like for a teen in foster care trying to balance a new school, a budding romantic relationship, friendships, school, and the turmoil of what had happened. It's a lot for a young person to have to shoulder.
The characters in The Quiet You Carry were all realistic sounding and fleshed out perfectly. My heart went out to Victoria. What her father put her through was horrible, and then how he acted as if it were her fault. I hated that her stepmom chose to believe Victoria's father about the abuse. I know this actually goes on, and that's what makes it worse. I loved how she was willing to put everything on the line to protect her younger stepsister. I didn't agree with all of Victoria's choices, and I wish she would have done some things differently, but I realized she's supposed to be a 17 year old girl. I felt bad for Connie, the foster mom, as well. She was only following state rules, but the foster kids thought she was too strict. I think she got a lot of hate, and I always thought she was a good person from the beginning. I actually really liked Connie. Victoria's friends, Kale and Christina, were also really well written. I loved how they wanted to protect Victoria and how much they really cared for her.
The pacing was a bit shaky in some parts during the beginning of the book. However, the shakiness didn't last long, and before I knew it, I was totally immersed in Victoria's journey. I devoured this book, and I couldn't wait to see where Victoria's story would take her.
Trigger warnings for The Quiet You Carry include incest, sexual abuse, violence, domestic abuse, attempted suicide, and drug and alcohol references.
All in all, The Quiet You Carry is a great read. It started out a bit shaky, but it takes off before you know it. The plot and cast of characters were written so well that it was hard to put this one down! I would definitely recommend The Quiet You Carry by Nikki Barthelmess to everyone aged 14+. You will not be disappointed.
I found the plot of The Quiet You Carry to be very interesting indeed. I've always found books that deal with the foster system to be intriguing. I won't rehash the synopsis since the actual book synopsis does a good job explaining what the book is about. I found the plot to be very believable and extremely realistic. I didn't find any plot holes, and I was not left hanging. I didn't think there were any plot twists, but with this kind of book, it didn't need any plot twists to be good. I like the way The Quiet You Carry showed what I imagine life would be like for a teen in foster care trying to balance a new school, a budding romantic relationship, friendships, school, and the turmoil of what had happened. It's a lot for a young person to have to shoulder.
The characters in The Quiet You Carry were all realistic sounding and fleshed out perfectly. My heart went out to Victoria. What her father put her through was horrible, and then how he acted as if it were her fault. I hated that her stepmom chose to believe Victoria's father about the abuse. I know this actually goes on, and that's what makes it worse. I loved how she was willing to put everything on the line to protect her younger stepsister. I didn't agree with all of Victoria's choices, and I wish she would have done some things differently, but I realized she's supposed to be a 17 year old girl. I felt bad for Connie, the foster mom, as well. She was only following state rules, but the foster kids thought she was too strict. I think she got a lot of hate, and I always thought she was a good person from the beginning. I actually really liked Connie. Victoria's friends, Kale and Christina, were also really well written. I loved how they wanted to protect Victoria and how much they really cared for her.
The pacing was a bit shaky in some parts during the beginning of the book. However, the shakiness didn't last long, and before I knew it, I was totally immersed in Victoria's journey. I devoured this book, and I couldn't wait to see where Victoria's story would take her.
Trigger warnings for The Quiet You Carry include incest, sexual abuse, violence, domestic abuse, attempted suicide, and drug and alcohol references.
All in all, The Quiet You Carry is a great read. It started out a bit shaky, but it takes off before you know it. The plot and cast of characters were written so well that it was hard to put this one down! I would definitely recommend The Quiet You Carry by Nikki Barthelmess to everyone aged 14+. You will not be disappointed.
Heather Cranmer (2721 KP) rated The Answers Are In The Forest (The Answers Series Book One) in Books
May 6, 2019
An Interesting Mystery Horror
I'm a big fan of ghost stories and haunted houses, so when I heard about The Answers Are In The Forest by Katie Kaleski, I knew it was a book I had to read. Luckily, it was a good read.
I went into The Answers Are In The Forest thinking this would be more of a haunted house/ghost story, and while there are ghosts, it's not a spooky ghost story. This is more of a horror mystery than a ghost story. Local children ranging in age from 8 through 15 have been murdered. They use dead rabbits as vessels for their spirits to talk to Gabby, the main character. Gabby feels compelled to solve the mystery of who the killer is. However, this puts Gabby in grave danger. I will say that the plot has been done before in other books, but The Answers Are In The Forest still makes for an interesting read. I didn't predict who the actual killer was at all. Even those I thought were guilty turned out to be innocent. Sometimes the plot felt a bit confusing, but I was able to figure it out easily enough after reading a bit more. There is a bit of a cliff hangar at the end of the book, but this is to be expected as it's part of a new series. For those that aren't big into series, I think this book could do alright as a standalone.
All the characters felt like real life people. There were times when Gabby felt a bit spoiled, but she is a teen, and we've all had moments like that. I did admire her tenacity to find out what happened to the murdered children no matter the danger to herself. I found Gabby's mom to be annoying. This wasn't because she was written poorly, but I just didn't like how uninterested she was in what was going on with Gabby especially when Gabby ended up in the hospital. Gabby's mom started out being somewhat caring, but she seemed to just become uninterested as the book progressed. My favorite character was Rusck. I just loved how caring and loyal Rusck seemed to be. I also admired his determination.
The pacing for The Answers Are In The Forest was done well for the most part. There were a few times that it did go too quickly, and I found myself wondering what had just happened. However, it would slow down to a good pace quickly enough, and I was able to enjoy reading it again.
Trigger warnings include profanity, violence (sometimes fairly graphic), and murder (both children, adult, and animal).
Overall, The Answers Are In The Forest is an interesting read although the plot has been done before. The characters are interesting enough and the plot flows well for the most part. I would recommend The Answers Are In The Forest by Katie Kaleski to those aged 15+. I will definitely be reading the next book in the series!
--
(A special thank you to YA Bound Book Tours for providing me with an eBook of The Answers Are In The Forest by Katie Kaleski in exchance for an honest and unbiased review.)
I went into The Answers Are In The Forest thinking this would be more of a haunted house/ghost story, and while there are ghosts, it's not a spooky ghost story. This is more of a horror mystery than a ghost story. Local children ranging in age from 8 through 15 have been murdered. They use dead rabbits as vessels for their spirits to talk to Gabby, the main character. Gabby feels compelled to solve the mystery of who the killer is. However, this puts Gabby in grave danger. I will say that the plot has been done before in other books, but The Answers Are In The Forest still makes for an interesting read. I didn't predict who the actual killer was at all. Even those I thought were guilty turned out to be innocent. Sometimes the plot felt a bit confusing, but I was able to figure it out easily enough after reading a bit more. There is a bit of a cliff hangar at the end of the book, but this is to be expected as it's part of a new series. For those that aren't big into series, I think this book could do alright as a standalone.
All the characters felt like real life people. There were times when Gabby felt a bit spoiled, but she is a teen, and we've all had moments like that. I did admire her tenacity to find out what happened to the murdered children no matter the danger to herself. I found Gabby's mom to be annoying. This wasn't because she was written poorly, but I just didn't like how uninterested she was in what was going on with Gabby especially when Gabby ended up in the hospital. Gabby's mom started out being somewhat caring, but she seemed to just become uninterested as the book progressed. My favorite character was Rusck. I just loved how caring and loyal Rusck seemed to be. I also admired his determination.
The pacing for The Answers Are In The Forest was done well for the most part. There were a few times that it did go too quickly, and I found myself wondering what had just happened. However, it would slow down to a good pace quickly enough, and I was able to enjoy reading it again.
Trigger warnings include profanity, violence (sometimes fairly graphic), and murder (both children, adult, and animal).
Overall, The Answers Are In The Forest is an interesting read although the plot has been done before. The characters are interesting enough and the plot flows well for the most part. I would recommend The Answers Are In The Forest by Katie Kaleski to those aged 15+. I will definitely be reading the next book in the series!
--
(A special thank you to YA Bound Book Tours for providing me with an eBook of The Answers Are In The Forest by Katie Kaleski in exchance for an honest and unbiased review.)
Mattia Gagliardi (14 KP) rated Love, Death & Robots in TV
Jun 4, 2019
Outstanding animation (2 more)
Some of the shorts are amazing
I wish there would be more products like this
Other shorts where very dull and boring (3 more)
Sometimes it's style over substance
Too edgy in some parts
Some of the shorts look like commercial for videogame
Uff this is gonna be though to review
"Love Death & Robot" is an anthology of adult animated shorts. It features 18 shorts of different lenght with the common theme being the sci-fi.
The problem of reviewing a product like this is that the episodes are all so different to each other and the quality is too vary.
On a technical point of view, every shorts are amazing. The animation feels great in every style it is portrayed, either 2D or 3D. The quality of the shots, the models and basically every visual elements are simply gorgeous.
However that doesn't mean that the short themselves are by default good. The ones that are super realistic, like "Beyond the Aquila Rift" and "Lucky 13", just make you wonder why they didn't used real actors instead. This two in particular doesn't really benefit for being animated. For comparison, "Ice Age" uses real actors and the CG is contained in the special effects and it works perfectly. Oh and "Lucky 13" is just plain bad on top of that.
Then there are the shorts with amazing visual styles but with quite dull story. "The Witness" is the one that comes to mind using clever use of compositing (the implementation of CG elements in a realistic environment) and having a nice character design with excellent animation. However it feels pretentious because it doesn't say anything really interesting and it focus more on sexual visual rather than a story, with a nonsensical twist nevertheless. Style over substance.
Other shorts instead feels like watching a cinematic for a videogame, pilot for different series or University students showreel. This doesn't mean they are bad but it just feels a bit underwhelming.
However when a short is good, it's really good! The one that are always left me with a smile on my face and with an overall excitement, eager to see what was coming next or more works from these studios. "Three Robots" is definitely one of my favourite short thanks to the amazing visuals, clever dialogues and an interesting lore.
My main criticism that involves mostly all the shorts is the supposed maturity, especially in the use of sex and violence.. I am not against the use of them by any means. However using them just for the sake of it doesn't make your product automatically mature. It just felt edgy, the equivalent of a goth teenagers that watch gory movies just because "uuhhh so taboo".
I know that animation is still perceived as a product for children and I am always happy to see new ones that wants to focus on a more mature audience. I don't think though that you can do it with just the use of swear words, sex and violence without any substance in it.
I want to see more actually mature animations, with compelling stories and amazing styles, using animation as a media and not as a genre.
The problem of reviewing a product like this is that the episodes are all so different to each other and the quality is too vary.
On a technical point of view, every shorts are amazing. The animation feels great in every style it is portrayed, either 2D or 3D. The quality of the shots, the models and basically every visual elements are simply gorgeous.
However that doesn't mean that the short themselves are by default good. The ones that are super realistic, like "Beyond the Aquila Rift" and "Lucky 13", just make you wonder why they didn't used real actors instead. This two in particular doesn't really benefit for being animated. For comparison, "Ice Age" uses real actors and the CG is contained in the special effects and it works perfectly. Oh and "Lucky 13" is just plain bad on top of that.
Then there are the shorts with amazing visual styles but with quite dull story. "The Witness" is the one that comes to mind using clever use of compositing (the implementation of CG elements in a realistic environment) and having a nice character design with excellent animation. However it feels pretentious because it doesn't say anything really interesting and it focus more on sexual visual rather than a story, with a nonsensical twist nevertheless. Style over substance.
Other shorts instead feels like watching a cinematic for a videogame, pilot for different series or University students showreel. This doesn't mean they are bad but it just feels a bit underwhelming.
However when a short is good, it's really good! The one that are always left me with a smile on my face and with an overall excitement, eager to see what was coming next or more works from these studios. "Three Robots" is definitely one of my favourite short thanks to the amazing visuals, clever dialogues and an interesting lore.
My main criticism that involves mostly all the shorts is the supposed maturity, especially in the use of sex and violence.. I am not against the use of them by any means. However using them just for the sake of it doesn't make your product automatically mature. It just felt edgy, the equivalent of a goth teenagers that watch gory movies just because "uuhhh so taboo".
I know that animation is still perceived as a product for children and I am always happy to see new ones that wants to focus on a more mature audience. I don't think though that you can do it with just the use of swear words, sex and violence without any substance in it.
I want to see more actually mature animations, with compelling stories and amazing styles, using animation as a media and not as a genre.
Hazel (1853 KP) rated The Treatment in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
You have to help me. We’re not being reformed. We’re being brainwashed. </i>When sixteen-year-old Drew Finch receives this note from a strange woman on the street claiming to be her brother’s psychologist, she does not know how to react. But when a speeding car hits the doctor immediately after, Drew begins to think something portentous is afoot. In <i>The Treatment</i> by C. L. Taylor, the Residential Reform Academy in Northumberland is achieving great things, turning antisocial teenagers into model citizens. Mason, Drew’s brother, has been expelled from three different schools and has been sent to the academy as a last resort, however, Drew now suspects that Mason is in trouble.
In a slightly dystopian setting, Drew, a usually quiet girl, easily gets herself admitted to the academy by punching the school bully. With the intention of helping Mason escape, Drew calmly arrives at the Academy, not realising how much danger she is placing herself in. She soon discovers that this would not be a transitory admission and, unless she escapes, she will become like all the other narcotised students.
Trying to remain fastidious whilst avoiding garrulous roommates and staff, Drew desperately tries to concoct an escape plan, however, she may be too late. The more she learns about the Residential Reform Academy, the more she discovers about the evil intentions behind it. How can she break out of the prison-like building and seek help when the government is deeply involved with the whole sordid procedure?
C. L. Taylor devises an exciting scenario that will appeal to fans of Cecelia Ahern’s <i>Flawed</i> and Kazuo Ishiguro’s <i>Never Let Me Go</i>. A thriller that needs a hero in the unlikely form of a teenage girl, <i>The Treatment</i> is a stimulating story about those without a public voice overthrowing the immoral experiments of the dastards in power.
A <i>One Flew Over the Cuckoo’s Nest</i> for teenagers, this book deals with themes of mental health, oppression and the misuse of authority. Told from the perspective of a girl who has been bullied most of her life and coming from a dysfunctional family, there is a lot for the reader to connect with. Although it does not allay the growing fears of governmental conspiracies, The Treatment ends with the positive message that by standing up to those who do you wrong has its rewards, not only for yourself but for those in similar situations too.
<i>The Treatment</i> is a very enjoyable book that pulls the reader into the story, causing them to question how they would handle a similar situation. Would they be as brave as Drew and her new friends, or would they be doomed to a fate of mindless obedience? Compelling from beginning to end, C. L. Taylor’s latest novel is a refreshing break from the over-the-top science fiction dystopian novels, preferring to tackle futuristic ideas that are much closer to home. This is a book that can be fully recommended to the Young Adult community.
You have to help me. We’re not being reformed. We’re being brainwashed. </i>When sixteen-year-old Drew Finch receives this note from a strange woman on the street claiming to be her brother’s psychologist, she does not know how to react. But when a speeding car hits the doctor immediately after, Drew begins to think something portentous is afoot. In <i>The Treatment</i> by C. L. Taylor, the Residential Reform Academy in Northumberland is achieving great things, turning antisocial teenagers into model citizens. Mason, Drew’s brother, has been expelled from three different schools and has been sent to the academy as a last resort, however, Drew now suspects that Mason is in trouble.
In a slightly dystopian setting, Drew, a usually quiet girl, easily gets herself admitted to the academy by punching the school bully. With the intention of helping Mason escape, Drew calmly arrives at the Academy, not realising how much danger she is placing herself in. She soon discovers that this would not be a transitory admission and, unless she escapes, she will become like all the other narcotised students.
Trying to remain fastidious whilst avoiding garrulous roommates and staff, Drew desperately tries to concoct an escape plan, however, she may be too late. The more she learns about the Residential Reform Academy, the more she discovers about the evil intentions behind it. How can she break out of the prison-like building and seek help when the government is deeply involved with the whole sordid procedure?
C. L. Taylor devises an exciting scenario that will appeal to fans of Cecelia Ahern’s <i>Flawed</i> and Kazuo Ishiguro’s <i>Never Let Me Go</i>. A thriller that needs a hero in the unlikely form of a teenage girl, <i>The Treatment</i> is a stimulating story about those without a public voice overthrowing the immoral experiments of the dastards in power.
A <i>One Flew Over the Cuckoo’s Nest</i> for teenagers, this book deals with themes of mental health, oppression and the misuse of authority. Told from the perspective of a girl who has been bullied most of her life and coming from a dysfunctional family, there is a lot for the reader to connect with. Although it does not allay the growing fears of governmental conspiracies, The Treatment ends with the positive message that by standing up to those who do you wrong has its rewards, not only for yourself but for those in similar situations too.
<i>The Treatment</i> is a very enjoyable book that pulls the reader into the story, causing them to question how they would handle a similar situation. Would they be as brave as Drew and her new friends, or would they be doomed to a fate of mindless obedience? Compelling from beginning to end, C. L. Taylor’s latest novel is a refreshing break from the over-the-top science fiction dystopian novels, preferring to tackle futuristic ideas that are much closer to home. This is a book that can be fully recommended to the Young Adult community.
Hazel (1853 KP) rated Broken Realms (The Chronicles of Mara Lantern, #1) in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>Broken Realms</i> is a brilliant science fiction novel and first installment of <i>The Chronicles of Mara Lantern</i> by D. W. Moneypenny. Set in present day Oregon it deals with metaphysical ideas and bizarre creatures – a very intriguing read.
Mara Lantern is a young adult who has left school to work in a gadget repair shop where her amazing natural talent for restoring machinery is put to good use. At the commencement of the book she is being driven to the airport by her New Age obsessed mother in order to fly out to San Francisco to visit her father. Once the plane is airborne it is clear there is something terribly wrong. Bright blue light flashes throughout the aircraft and the passengers around Mara appear to be distorting: growing fangs and snouts, and changing eye colour. What is even stranger is a redheaded boy is running down the aisle closely pursued by a clone of Mara.
In an attempt at an emergency landing, the plane crashes into the Columbia River – a crash impossible to survive – however everyone does. All the passengers and crew are pulled out of the river unharmed; all except Mara who is strangely found unconscious on the pavement with a head wound.
Detective Daniel Bohannon is assigned to the case investigating the cause of the crash, but when some of the survivors start displaying super-human or animalistic traits it becomes clear this was no ordinary situation.
Whilst the investigation continues, Mara begins to deal with what she saw on the plane. With the help of a fellow survivor, Ping, and the redheaded boy, Sam (who claims he is her brother) she begins to learn that her world, her life and human existence in general is not all she believed it to be.
Although <i>Broken Realms</i> is accurately described as a science fiction and fantasy novel there were times, particularly during the police investigations, that it also felt a little like a crime thriller. There is nothing particularly bad about that but to begin with it was as though there were two different genres competing with each other depending on which character point of view was being read.
What helped to make this book so great were the excellent writing skills of D. W. Moneypenny. It was written so clearly that vivid images came to mind whilst reading. The pace of the narrative was fairly quick and at no point did it ever stop being exciting.
Another good thing (admittedly others may not see it as such) was that there were no romantic attachments between any of the characters to detract from the main storyline. This meant the novel was completely focused on the plot without any unnecessary interruptions.
<i>Broken Realms</i> is a highly recommended book for science fiction and fantasy lovers. It does, however, leave the reader wanting to know what is going to happen next. So now the wait for the next book in <i>The Chronicles of Mara Lantern</i> begins.
<i>Broken Realms</i> is a brilliant science fiction novel and first installment of <i>The Chronicles of Mara Lantern</i> by D. W. Moneypenny. Set in present day Oregon it deals with metaphysical ideas and bizarre creatures – a very intriguing read.
Mara Lantern is a young adult who has left school to work in a gadget repair shop where her amazing natural talent for restoring machinery is put to good use. At the commencement of the book she is being driven to the airport by her New Age obsessed mother in order to fly out to San Francisco to visit her father. Once the plane is airborne it is clear there is something terribly wrong. Bright blue light flashes throughout the aircraft and the passengers around Mara appear to be distorting: growing fangs and snouts, and changing eye colour. What is even stranger is a redheaded boy is running down the aisle closely pursued by a clone of Mara.
In an attempt at an emergency landing, the plane crashes into the Columbia River – a crash impossible to survive – however everyone does. All the passengers and crew are pulled out of the river unharmed; all except Mara who is strangely found unconscious on the pavement with a head wound.
Detective Daniel Bohannon is assigned to the case investigating the cause of the crash, but when some of the survivors start displaying super-human or animalistic traits it becomes clear this was no ordinary situation.
Whilst the investigation continues, Mara begins to deal with what she saw on the plane. With the help of a fellow survivor, Ping, and the redheaded boy, Sam (who claims he is her brother) she begins to learn that her world, her life and human existence in general is not all she believed it to be.
Although <i>Broken Realms</i> is accurately described as a science fiction and fantasy novel there were times, particularly during the police investigations, that it also felt a little like a crime thriller. There is nothing particularly bad about that but to begin with it was as though there were two different genres competing with each other depending on which character point of view was being read.
What helped to make this book so great were the excellent writing skills of D. W. Moneypenny. It was written so clearly that vivid images came to mind whilst reading. The pace of the narrative was fairly quick and at no point did it ever stop being exciting.
Another good thing (admittedly others may not see it as such) was that there were no romantic attachments between any of the characters to detract from the main storyline. This meant the novel was completely focused on the plot without any unnecessary interruptions.
<i>Broken Realms</i> is a highly recommended book for science fiction and fantasy lovers. It does, however, leave the reader wanting to know what is going to happen next. So now the wait for the next book in <i>The Chronicles of Mara Lantern</i> begins.
If you are looking for a refreshing Young-Adult read, with college unlike any other - this is the perfect book for you. I'd Tell You I Love You, But Then I'd Have to Kill You is the first book from the Gallagher Girl series, where we meet girls that go to a school for spies, and nobody except them, knows it.
The Gallagher Academy is a typical all-girls-school, except, instead of normal subjects, they learn advanced martial arts and chemical warfare studies, they have exams where they need to spy, or go unnoticed, or steal.
We meet Cammie Morgan, who happens to be the headmistress's daughter, and when she goes on a mission and gets noticed by a boy - everything changes and her life is suddenly everything but normal. She knows how to kill a man in seven different ways, and she can speak fourteen languages, but when a cute boy comes and says hi - she is definitely not trained for that. What's worst - he thinks she's just an ordinary girl, and she is falling in love with him.
Sure, she can tap his phone, hack into his computer, and track him through town without his ever being the wiser - but can she have a relationship with a regular boy who can never know the truth about her? Cammie may be an elite spy-in-training, but in her sophomore year, she's beginning her most dangerous mission - falling in love.
I loved the writing style, and I loved something new and refreshing - it is a plot that I haven't read before, and I really enjoyed it. Sometimes when it felt a bit childish, I would remember I am not thirteen anymore, but even now at twenty-one, I got lost into this silly world of spy girls and the drama and love life of Cammie.
I liked Cammie - she is the type of girl that you would love to have as a friend, because she always makes you giggle with her silly comments. I also liked how brave and honest she was - not always honest though… Sometimes, she was too whiney for her own good, and making little things out of nothing, but then again, all teens kind of do that all the time, so it's acceptable.
I loved her friends - they were such a team, and always covering their backs. I loved how, even despite all their differences, they manages to fit right in and have their own impact to the group friendship.
Overall, quite an enjoyable read and I would definitely recommend it to you guys, if you love anything YA, or fantasy, or spy girls, or college related. I enjoyed this book, and I wish I read it way sooner. I can't wait to read the rest of the series as well.
Thank you to my friend and author, Michael Kott, that send me this book after recommending it to me, as Ally Carter is one of his favourite authors, and he enjoyed this book as well. Check out his book Piasa - it is amazing!
The Gallagher Academy is a typical all-girls-school, except, instead of normal subjects, they learn advanced martial arts and chemical warfare studies, they have exams where they need to spy, or go unnoticed, or steal.
We meet Cammie Morgan, who happens to be the headmistress's daughter, and when she goes on a mission and gets noticed by a boy - everything changes and her life is suddenly everything but normal. She knows how to kill a man in seven different ways, and she can speak fourteen languages, but when a cute boy comes and says hi - she is definitely not trained for that. What's worst - he thinks she's just an ordinary girl, and she is falling in love with him.
Sure, she can tap his phone, hack into his computer, and track him through town without his ever being the wiser - but can she have a relationship with a regular boy who can never know the truth about her? Cammie may be an elite spy-in-training, but in her sophomore year, she's beginning her most dangerous mission - falling in love.
I loved the writing style, and I loved something new and refreshing - it is a plot that I haven't read before, and I really enjoyed it. Sometimes when it felt a bit childish, I would remember I am not thirteen anymore, but even now at twenty-one, I got lost into this silly world of spy girls and the drama and love life of Cammie.
I liked Cammie - she is the type of girl that you would love to have as a friend, because she always makes you giggle with her silly comments. I also liked how brave and honest she was - not always honest though… Sometimes, she was too whiney for her own good, and making little things out of nothing, but then again, all teens kind of do that all the time, so it's acceptable.
I loved her friends - they were such a team, and always covering their backs. I loved how, even despite all their differences, they manages to fit right in and have their own impact to the group friendship.
Overall, quite an enjoyable read and I would definitely recommend it to you guys, if you love anything YA, or fantasy, or spy girls, or college related. I enjoyed this book, and I wish I read it way sooner. I can't wait to read the rest of the series as well.
Thank you to my friend and author, Michael Kott, that send me this book after recommending it to me, as Ally Carter is one of his favourite authors, and he enjoyed this book as well. Check out his book Piasa - it is amazing!
Hazel (1853 KP) rated Cuckoo Song in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Frances Hardinge’s <i>Cuckoo Song</i> is a historical, horror story for children. Six years have past since the end of the First World War, a war in which the Crescent family lost their eldest child. Eleven-year-old Theresa Crescent “Triss” lives with her parents and nine year old sister, Penelope “Pen” in the fictional town of Ellchester, England. Since losing Sebastian, Triss has become a very frail child and so it is no surprise to her parents that she develops an awful fever after falling into a millpond. The question, though, is how she came to be in the pond to begin with and why Pen is so scared of her?
Things become even more mystifying when Triss sees dolls start to move, finds leaves on her pillow, and is constantly ravenously hungry. Her parents begin to consider that Triss is suffering from some form of mental illness, however, Pen, the bad-tempered child, is adamant that that is not the case. She claims that Triss is a fake.
The horrible realization is that perhaps Triss is not Triss at all. This discovery leads the tale into paranormal territory with the introduction of unique new creatures: Besiders.
Cuckoo Song is not just an entertaining, fantastical story; it also deals with themes of family and personal emotion. Piers and Celeste Crescent are examples of parents whose behaviour and response to the death of a child impact on their remaining children. Triss becomes a child they want to protect and save leaving Pen to become an attention-seeking troublemaker.
As the story progresses, Triss and Pen’s relationship develops, or rather Pen and Not-Triss’, into something more recognizable and sisterly. Through their strength and newfound love for each other, they fight to get the happy ending they deserve. And through it all Triss discovers that just because someone calls you a monster, it does not mean that you are a monster.
The 1920’s setting did not feel quite accurate. At times it felt as though the story could have been set today. This, however, was not a major issue as, apart from Sebastian’s death during WW1, the time period was not a key aspect of the plot.
Initially the children, particularly Pen, were written in a way that made them seem older than Hardinge intended them to be, although by the end it is clear that they are fairly young. This is shown in the way that Pen begins to become attached to, and slightly more dependent, on Triss.
It is difficult to say who the target audience of <i>Cuckoo Song</i> is. The protagonist is eleven but the writing may be a little difficult for some children, on the other hand it cannot exactly be classed as Young Adult fiction since the characters are not even in their teens.
Overall, <i>Cuckoo Song</i> is an exciting, fast paced, fairy tale-like story with original characters. It is not scary and is fun to read; there is nothing to stop older readers from enjoying it too!
Frances Hardinge’s <i>Cuckoo Song</i> is a historical, horror story for children. Six years have past since the end of the First World War, a war in which the Crescent family lost their eldest child. Eleven-year-old Theresa Crescent “Triss” lives with her parents and nine year old sister, Penelope “Pen” in the fictional town of Ellchester, England. Since losing Sebastian, Triss has become a very frail child and so it is no surprise to her parents that she develops an awful fever after falling into a millpond. The question, though, is how she came to be in the pond to begin with and why Pen is so scared of her?
Things become even more mystifying when Triss sees dolls start to move, finds leaves on her pillow, and is constantly ravenously hungry. Her parents begin to consider that Triss is suffering from some form of mental illness, however, Pen, the bad-tempered child, is adamant that that is not the case. She claims that Triss is a fake.
The horrible realization is that perhaps Triss is not Triss at all. This discovery leads the tale into paranormal territory with the introduction of unique new creatures: Besiders.
Cuckoo Song is not just an entertaining, fantastical story; it also deals with themes of family and personal emotion. Piers and Celeste Crescent are examples of parents whose behaviour and response to the death of a child impact on their remaining children. Triss becomes a child they want to protect and save leaving Pen to become an attention-seeking troublemaker.
As the story progresses, Triss and Pen’s relationship develops, or rather Pen and Not-Triss’, into something more recognizable and sisterly. Through their strength and newfound love for each other, they fight to get the happy ending they deserve. And through it all Triss discovers that just because someone calls you a monster, it does not mean that you are a monster.
The 1920’s setting did not feel quite accurate. At times it felt as though the story could have been set today. This, however, was not a major issue as, apart from Sebastian’s death during WW1, the time period was not a key aspect of the plot.
Initially the children, particularly Pen, were written in a way that made them seem older than Hardinge intended them to be, although by the end it is clear that they are fairly young. This is shown in the way that Pen begins to become attached to, and slightly more dependent, on Triss.
It is difficult to say who the target audience of <i>Cuckoo Song</i> is. The protagonist is eleven but the writing may be a little difficult for some children, on the other hand it cannot exactly be classed as Young Adult fiction since the characters are not even in their teens.
Overall, <i>Cuckoo Song</i> is an exciting, fast paced, fairy tale-like story with original characters. It is not scary and is fun to read; there is nothing to stop older readers from enjoying it too!
Hazel (1853 KP) rated The Crown (The Selection, #5) in Books
Dec 17, 2018
3.5 stars
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review </i>
So here it is, the latest (final?) book of <i>The Selection</i> series by popular young adult author Kiera Cass. <i>The Crown</i> continues from the exact place that the previous book, <i>The Heir</i>, left off, with Queen America having suffered a heart attack, and Eadlyn’s twin brother running off to France after secretly marrying. Regardless of the personal troubles, the royal family must keep on running the country of Illéa, however this means that great responsibilities are now resting on teenage Eadlyn’s shoulders.
Readers will already know that the wife, or in this instance husband, of the heir of the throne is chosen through a selection process. Thirty-five suitors were randomly selected from thousands of applicants to try and win the princess’ heart. The boys have been narrowed down to six, but Eadlyn has more pressing issues to worry about. Naturally she is concerned about her mother’s health and sad about being separated from her twin, but the biggest thing on her mind is being named regent whilst her father stays by his wife’s bedside. Eadlyn must temporarily rule like a queen, which is easier said than done.
There is less focus on the selection process in <i>The Crown</i> than there was in the first three novels – where America was eventually selected to become Prince Maxon’s bride. Primarily this is because Eadlyn’s heart is not in it. She does not love any of the elite – the top contestants – and it is only for public appearances that she continues with the game. What Kiera Cass emphasizes in this novel is that being a princess is not all parties and money and power. Instead it is hard work, physically and emotionally exhausting, and almost impossible to be your own person. Initially Eadlyn was viewed as a cold-hearted, spoilt child, but her new responsibilities open her eyes to the ways of the world, revealing her better nature to the people of Illéa.
Unfortunately it needs to be said that <i>The Crown</i> does not quite live up to the rest of the books in the series. The idea of a selection process feels old and over done, and Eadlyn’s personality does not quite work for a romance novel. The conclusion of the book appeared to happen a bit too suddenly, and also rather conveniently. What should have resulted in protest or at least disappointment for a few of the characters became something that was easily accepted instead. Not entirely realistic.
On the other hand, the ending is what most readers will have wished for, myself included, so must not complain too much. It is great to be reunited with the lovely characters, particularly the thoughtful and kind selected suitors, and Eadlyn’s sweet younger brothers. They are the types of people you would feel blessed to know in real life. All in all, <i>The Crown</i> is likely to put a smile on your face.
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review </i>
So here it is, the latest (final?) book of <i>The Selection</i> series by popular young adult author Kiera Cass. <i>The Crown</i> continues from the exact place that the previous book, <i>The Heir</i>, left off, with Queen America having suffered a heart attack, and Eadlyn’s twin brother running off to France after secretly marrying. Regardless of the personal troubles, the royal family must keep on running the country of Illéa, however this means that great responsibilities are now resting on teenage Eadlyn’s shoulders.
Readers will already know that the wife, or in this instance husband, of the heir of the throne is chosen through a selection process. Thirty-five suitors were randomly selected from thousands of applicants to try and win the princess’ heart. The boys have been narrowed down to six, but Eadlyn has more pressing issues to worry about. Naturally she is concerned about her mother’s health and sad about being separated from her twin, but the biggest thing on her mind is being named regent whilst her father stays by his wife’s bedside. Eadlyn must temporarily rule like a queen, which is easier said than done.
There is less focus on the selection process in <i>The Crown</i> than there was in the first three novels – where America was eventually selected to become Prince Maxon’s bride. Primarily this is because Eadlyn’s heart is not in it. She does not love any of the elite – the top contestants – and it is only for public appearances that she continues with the game. What Kiera Cass emphasizes in this novel is that being a princess is not all parties and money and power. Instead it is hard work, physically and emotionally exhausting, and almost impossible to be your own person. Initially Eadlyn was viewed as a cold-hearted, spoilt child, but her new responsibilities open her eyes to the ways of the world, revealing her better nature to the people of Illéa.
Unfortunately it needs to be said that <i>The Crown</i> does not quite live up to the rest of the books in the series. The idea of a selection process feels old and over done, and Eadlyn’s personality does not quite work for a romance novel. The conclusion of the book appeared to happen a bit too suddenly, and also rather conveniently. What should have resulted in protest or at least disappointment for a few of the characters became something that was easily accepted instead. Not entirely realistic.
On the other hand, the ending is what most readers will have wished for, myself included, so must not complain too much. It is great to be reunited with the lovely characters, particularly the thoughtful and kind selected suitors, and Eadlyn’s sweet younger brothers. They are the types of people you would feel blessed to know in real life. All in all, <i>The Crown</i> is likely to put a smile on your face.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Before she was the Queen of Hearts she was just a girl who wanted to fall in love. </i>When Marissa Meyer finished writing <i>The Lunar Chronicles</i>, a series of books loosely based on fairytales, everyone wondered what she would do next. Continuing along the lines of using famous stories, Meyer has devoted an entire novel to Lewis Carroll’s <i>Alice’s Adventures in Wonderland</i>. With thousands of references to the original tale, and a couple of other works too, Heartless is perfect for fans of Carroll’s salient characters.
Unlike most retellings, Meyer has focused on events prior to Alice’s accidental discovery of Wonderland. The resulting novel is essentially a theory as to how the characters turned out the way they did in the original story published in 1865. Drawing attention to the predestined Queen of Hearts, a young woman named Catherine, readers discover a reason for her development into an infamous villain.
Lady Catherine Pinkerton is completely unlike the character she is fated to be. She is a kind, thoughtful girl whose greatest wish is to open her own bakery. Unfortunately, this dream is just that, a dream. With the asinine King of Hearts resolved to marry her, there is little Cath can do to avoid her royal future. At first it may appear odd that Cath is so against marrying the ruler of Hearts, but she soon makes it clear she would much rather marry for love. So, when the court joker, Jest – a similar character to the legendary Hatter – catches her eye, Catherine becomes determined to control her own future.
<i>Heartless</i> is a humorous, yet romantic, young adult novel, full of both well-known and new characters. Set in a world with morals similar to the Victorian era, it works extremely well as a prequel to <i>Alice’s Adventures in Wonderland</i>. Catherine is an admirable, feministic character who readers will struggle to believe will become such a notorious Queen. What could possibly happen to vastly alter her personality? Similarly, what is it that makes the Hatter go mad, and who is Jest? Being a character unique to this novel, there is a foreboding sense that this joker, and his poetry reciting raven – cue Edgar Allan Poe references – suffer a horrible demise.
Unlike Marissa Meyer’s previous books where the fairytales were not so obvious, the storyline in <i>Heartless</i> perfectly joins up with Lewis Carroll’s imagination. With references to mock turtles, the Jabberwock and other minor characters, there is so much to discover in Meyer’s interpretation of Wonderland – it even clears up a couple of scenarios from the original tale that may have bamboozled readers initially.
Admittedly, <i>Heartless</i> takes a little while to get going, but once it has, it is difficult to put down. Fans of Marissa Meyer may be disappointed that she did not stick to her futuristic storytelling, however all Alice enthusiasts will fall in love with this book – and probably with Jest as well. Overall, <i>Heartless</i> is a delightful book that reignites our inner childish imagination.
Before she was the Queen of Hearts she was just a girl who wanted to fall in love. </i>When Marissa Meyer finished writing <i>The Lunar Chronicles</i>, a series of books loosely based on fairytales, everyone wondered what she would do next. Continuing along the lines of using famous stories, Meyer has devoted an entire novel to Lewis Carroll’s <i>Alice’s Adventures in Wonderland</i>. With thousands of references to the original tale, and a couple of other works too, Heartless is perfect for fans of Carroll’s salient characters.
Unlike most retellings, Meyer has focused on events prior to Alice’s accidental discovery of Wonderland. The resulting novel is essentially a theory as to how the characters turned out the way they did in the original story published in 1865. Drawing attention to the predestined Queen of Hearts, a young woman named Catherine, readers discover a reason for her development into an infamous villain.
Lady Catherine Pinkerton is completely unlike the character she is fated to be. She is a kind, thoughtful girl whose greatest wish is to open her own bakery. Unfortunately, this dream is just that, a dream. With the asinine King of Hearts resolved to marry her, there is little Cath can do to avoid her royal future. At first it may appear odd that Cath is so against marrying the ruler of Hearts, but she soon makes it clear she would much rather marry for love. So, when the court joker, Jest – a similar character to the legendary Hatter – catches her eye, Catherine becomes determined to control her own future.
<i>Heartless</i> is a humorous, yet romantic, young adult novel, full of both well-known and new characters. Set in a world with morals similar to the Victorian era, it works extremely well as a prequel to <i>Alice’s Adventures in Wonderland</i>. Catherine is an admirable, feministic character who readers will struggle to believe will become such a notorious Queen. What could possibly happen to vastly alter her personality? Similarly, what is it that makes the Hatter go mad, and who is Jest? Being a character unique to this novel, there is a foreboding sense that this joker, and his poetry reciting raven – cue Edgar Allan Poe references – suffer a horrible demise.
Unlike Marissa Meyer’s previous books where the fairytales were not so obvious, the storyline in <i>Heartless</i> perfectly joins up with Lewis Carroll’s imagination. With references to mock turtles, the Jabberwock and other minor characters, there is so much to discover in Meyer’s interpretation of Wonderland – it even clears up a couple of scenarios from the original tale that may have bamboozled readers initially.
Admittedly, <i>Heartless</i> takes a little while to get going, but once it has, it is difficult to put down. Fans of Marissa Meyer may be disappointed that she did not stick to her futuristic storytelling, however all Alice enthusiasts will fall in love with this book – and probably with Jest as well. Overall, <i>Heartless</i> is a delightful book that reignites our inner childish imagination.
Lucy Buglass (45 KP) rated Marriage Story (2019) in Movies
Nov 7, 2019
Divorce has been depicted many times onscreen, as it’s one of those difficult realities about adult relationships. There’s still a lot of stigma around the breakdown of a marriage, but Marriage Story deals with the topic in a very raw and unique way.
The film follows Nicole (Scarlett Johansson) and Charlie (Adam Driver) as they’re going through the turbulent divorce period. The couple share a young son Henry, who naturally causes complications for the two when it comes to custodial agreements.
Marriage Story opens with two gorgeous monologues about what the two characters love about each other, both of which are enough to make you cry a mere few minutes into the film. This contrasts very well with the present day, where they’re both struggling to make their marriage work.
It would have been very easy for Noah Baumbach to encourage the audience to pick sides, leaving them to subconsciously ‘root’ for either party to do well in the scenario. But remarkably that’s not the case, as it’s a very unbiased film that lays everything out on the table for us to see. Each messy, complicated detail is shown to us, and we end up sympathising with both.
One thing I really enjoyed about Marriage Story is the way Baumbach criticises some of the ridiculousness associated with divorce, especially when it comes to legal battles. Nicole reluctantly turns to ruthless lawyer Nora Fanshaw (Laura Dern), who is honest about the lies that have to be told in order to get through this.
Dern’s performance is hilarious but also highlights some of the inequalities and utterly baffling scenarios that happen when picking up a legal case. I wasn’t aware of any of them so it was quite a shock.
Watching the film is excruciating in places, but that’s a compliment on how raw and honest it is. It seems wrong for Charlie and Nicole to have to say and do certain things, all dictated by their respective lawyers. A clean break just isn’t possible when a child is involved.
It becomes even more complicated for the couple when Nicole decides to move back to Los Angeles, 2,789 miles away from New York City where she and Charlie used to reside. This creates a very literal distance between them, and causes problems with the battle for custody and Henry’s wellbeing.
Whilst there are many scenes which will reduce you to tears, Marriage Story has some comedic elements to lighten the mood, especially when it comes to Nicole’s family and how they react to the news of the divorce.
The two central performances in Marriage Story really are exceptional, and you become invested in the lives of people you don’t even know. One dramatic scene between Charlie and Nicole in particular had me openly sobbing, as it was full of contempt instead of love. Many of us can react to that exchange in a failing relationship, and it hurts.
If you want a very honest look at what it’s like to go through a divorce, then Marriage Story is just that. This isn’t the kind of film that sugarcoats anything and instead takes its audience on an emotional rollercoaster from start to finish.
The film follows Nicole (Scarlett Johansson) and Charlie (Adam Driver) as they’re going through the turbulent divorce period. The couple share a young son Henry, who naturally causes complications for the two when it comes to custodial agreements.
Marriage Story opens with two gorgeous monologues about what the two characters love about each other, both of which are enough to make you cry a mere few minutes into the film. This contrasts very well with the present day, where they’re both struggling to make their marriage work.
It would have been very easy for Noah Baumbach to encourage the audience to pick sides, leaving them to subconsciously ‘root’ for either party to do well in the scenario. But remarkably that’s not the case, as it’s a very unbiased film that lays everything out on the table for us to see. Each messy, complicated detail is shown to us, and we end up sympathising with both.
One thing I really enjoyed about Marriage Story is the way Baumbach criticises some of the ridiculousness associated with divorce, especially when it comes to legal battles. Nicole reluctantly turns to ruthless lawyer Nora Fanshaw (Laura Dern), who is honest about the lies that have to be told in order to get through this.
Dern’s performance is hilarious but also highlights some of the inequalities and utterly baffling scenarios that happen when picking up a legal case. I wasn’t aware of any of them so it was quite a shock.
Watching the film is excruciating in places, but that’s a compliment on how raw and honest it is. It seems wrong for Charlie and Nicole to have to say and do certain things, all dictated by their respective lawyers. A clean break just isn’t possible when a child is involved.
It becomes even more complicated for the couple when Nicole decides to move back to Los Angeles, 2,789 miles away from New York City where she and Charlie used to reside. This creates a very literal distance between them, and causes problems with the battle for custody and Henry’s wellbeing.
Whilst there are many scenes which will reduce you to tears, Marriage Story has some comedic elements to lighten the mood, especially when it comes to Nicole’s family and how they react to the news of the divorce.
The two central performances in Marriage Story really are exceptional, and you become invested in the lives of people you don’t even know. One dramatic scene between Charlie and Nicole in particular had me openly sobbing, as it was full of contempt instead of love. Many of us can react to that exchange in a failing relationship, and it hurts.
If you want a very honest look at what it’s like to go through a divorce, then Marriage Story is just that. This isn’t the kind of film that sugarcoats anything and instead takes its audience on an emotional rollercoaster from start to finish.