Search
Search results
Hazel (1853 KP) rated Cuckoo Song in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Frances Hardinge’s <i>Cuckoo Song</i> is a historical, horror story for children. Six years have past since the end of the First World War, a war in which the Crescent family lost their eldest child. Eleven-year-old Theresa Crescent “Triss” lives with her parents and nine year old sister, Penelope “Pen” in the fictional town of Ellchester, England. Since losing Sebastian, Triss has become a very frail child and so it is no surprise to her parents that she develops an awful fever after falling into a millpond. The question, though, is how she came to be in the pond to begin with and why Pen is so scared of her?
Things become even more mystifying when Triss sees dolls start to move, finds leaves on her pillow, and is constantly ravenously hungry. Her parents begin to consider that Triss is suffering from some form of mental illness, however, Pen, the bad-tempered child, is adamant that that is not the case. She claims that Triss is a fake.
The horrible realization is that perhaps Triss is not Triss at all. This discovery leads the tale into paranormal territory with the introduction of unique new creatures: Besiders.
Cuckoo Song is not just an entertaining, fantastical story; it also deals with themes of family and personal emotion. Piers and Celeste Crescent are examples of parents whose behaviour and response to the death of a child impact on their remaining children. Triss becomes a child they want to protect and save leaving Pen to become an attention-seeking troublemaker.
As the story progresses, Triss and Pen’s relationship develops, or rather Pen and Not-Triss’, into something more recognizable and sisterly. Through their strength and newfound love for each other, they fight to get the happy ending they deserve. And through it all Triss discovers that just because someone calls you a monster, it does not mean that you are a monster.
The 1920’s setting did not feel quite accurate. At times it felt as though the story could have been set today. This, however, was not a major issue as, apart from Sebastian’s death during WW1, the time period was not a key aspect of the plot.
Initially the children, particularly Pen, were written in a way that made them seem older than Hardinge intended them to be, although by the end it is clear that they are fairly young. This is shown in the way that Pen begins to become attached to, and slightly more dependent, on Triss.
It is difficult to say who the target audience of <i>Cuckoo Song</i> is. The protagonist is eleven but the writing may be a little difficult for some children, on the other hand it cannot exactly be classed as Young Adult fiction since the characters are not even in their teens.
Overall, <i>Cuckoo Song</i> is an exciting, fast paced, fairy tale-like story with original characters. It is not scary and is fun to read; there is nothing to stop older readers from enjoying it too!
Frances Hardinge’s <i>Cuckoo Song</i> is a historical, horror story for children. Six years have past since the end of the First World War, a war in which the Crescent family lost their eldest child. Eleven-year-old Theresa Crescent “Triss” lives with her parents and nine year old sister, Penelope “Pen” in the fictional town of Ellchester, England. Since losing Sebastian, Triss has become a very frail child and so it is no surprise to her parents that she develops an awful fever after falling into a millpond. The question, though, is how she came to be in the pond to begin with and why Pen is so scared of her?
Things become even more mystifying when Triss sees dolls start to move, finds leaves on her pillow, and is constantly ravenously hungry. Her parents begin to consider that Triss is suffering from some form of mental illness, however, Pen, the bad-tempered child, is adamant that that is not the case. She claims that Triss is a fake.
The horrible realization is that perhaps Triss is not Triss at all. This discovery leads the tale into paranormal territory with the introduction of unique new creatures: Besiders.
Cuckoo Song is not just an entertaining, fantastical story; it also deals with themes of family and personal emotion. Piers and Celeste Crescent are examples of parents whose behaviour and response to the death of a child impact on their remaining children. Triss becomes a child they want to protect and save leaving Pen to become an attention-seeking troublemaker.
As the story progresses, Triss and Pen’s relationship develops, or rather Pen and Not-Triss’, into something more recognizable and sisterly. Through their strength and newfound love for each other, they fight to get the happy ending they deserve. And through it all Triss discovers that just because someone calls you a monster, it does not mean that you are a monster.
The 1920’s setting did not feel quite accurate. At times it felt as though the story could have been set today. This, however, was not a major issue as, apart from Sebastian’s death during WW1, the time period was not a key aspect of the plot.
Initially the children, particularly Pen, were written in a way that made them seem older than Hardinge intended them to be, although by the end it is clear that they are fairly young. This is shown in the way that Pen begins to become attached to, and slightly more dependent, on Triss.
It is difficult to say who the target audience of <i>Cuckoo Song</i> is. The protagonist is eleven but the writing may be a little difficult for some children, on the other hand it cannot exactly be classed as Young Adult fiction since the characters are not even in their teens.
Overall, <i>Cuckoo Song</i> is an exciting, fast paced, fairy tale-like story with original characters. It is not scary and is fun to read; there is nothing to stop older readers from enjoying it too!
Hazel (1853 KP) rated The Crown (The Selection, #5) in Books
Dec 17, 2018
3.5 stars
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review </i>
So here it is, the latest (final?) book of <i>The Selection</i> series by popular young adult author Kiera Cass. <i>The Crown</i> continues from the exact place that the previous book, <i>The Heir</i>, left off, with Queen America having suffered a heart attack, and Eadlyn’s twin brother running off to France after secretly marrying. Regardless of the personal troubles, the royal family must keep on running the country of Illéa, however this means that great responsibilities are now resting on teenage Eadlyn’s shoulders.
Readers will already know that the wife, or in this instance husband, of the heir of the throne is chosen through a selection process. Thirty-five suitors were randomly selected from thousands of applicants to try and win the princess’ heart. The boys have been narrowed down to six, but Eadlyn has more pressing issues to worry about. Naturally she is concerned about her mother’s health and sad about being separated from her twin, but the biggest thing on her mind is being named regent whilst her father stays by his wife’s bedside. Eadlyn must temporarily rule like a queen, which is easier said than done.
There is less focus on the selection process in <i>The Crown</i> than there was in the first three novels – where America was eventually selected to become Prince Maxon’s bride. Primarily this is because Eadlyn’s heart is not in it. She does not love any of the elite – the top contestants – and it is only for public appearances that she continues with the game. What Kiera Cass emphasizes in this novel is that being a princess is not all parties and money and power. Instead it is hard work, physically and emotionally exhausting, and almost impossible to be your own person. Initially Eadlyn was viewed as a cold-hearted, spoilt child, but her new responsibilities open her eyes to the ways of the world, revealing her better nature to the people of Illéa.
Unfortunately it needs to be said that <i>The Crown</i> does not quite live up to the rest of the books in the series. The idea of a selection process feels old and over done, and Eadlyn’s personality does not quite work for a romance novel. The conclusion of the book appeared to happen a bit too suddenly, and also rather conveniently. What should have resulted in protest or at least disappointment for a few of the characters became something that was easily accepted instead. Not entirely realistic.
On the other hand, the ending is what most readers will have wished for, myself included, so must not complain too much. It is great to be reunited with the lovely characters, particularly the thoughtful and kind selected suitors, and Eadlyn’s sweet younger brothers. They are the types of people you would feel blessed to know in real life. All in all, <i>The Crown</i> is likely to put a smile on your face.
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review </i>
So here it is, the latest (final?) book of <i>The Selection</i> series by popular young adult author Kiera Cass. <i>The Crown</i> continues from the exact place that the previous book, <i>The Heir</i>, left off, with Queen America having suffered a heart attack, and Eadlyn’s twin brother running off to France after secretly marrying. Regardless of the personal troubles, the royal family must keep on running the country of Illéa, however this means that great responsibilities are now resting on teenage Eadlyn’s shoulders.
Readers will already know that the wife, or in this instance husband, of the heir of the throne is chosen through a selection process. Thirty-five suitors were randomly selected from thousands of applicants to try and win the princess’ heart. The boys have been narrowed down to six, but Eadlyn has more pressing issues to worry about. Naturally she is concerned about her mother’s health and sad about being separated from her twin, but the biggest thing on her mind is being named regent whilst her father stays by his wife’s bedside. Eadlyn must temporarily rule like a queen, which is easier said than done.
There is less focus on the selection process in <i>The Crown</i> than there was in the first three novels – where America was eventually selected to become Prince Maxon’s bride. Primarily this is because Eadlyn’s heart is not in it. She does not love any of the elite – the top contestants – and it is only for public appearances that she continues with the game. What Kiera Cass emphasizes in this novel is that being a princess is not all parties and money and power. Instead it is hard work, physically and emotionally exhausting, and almost impossible to be your own person. Initially Eadlyn was viewed as a cold-hearted, spoilt child, but her new responsibilities open her eyes to the ways of the world, revealing her better nature to the people of Illéa.
Unfortunately it needs to be said that <i>The Crown</i> does not quite live up to the rest of the books in the series. The idea of a selection process feels old and over done, and Eadlyn’s personality does not quite work for a romance novel. The conclusion of the book appeared to happen a bit too suddenly, and also rather conveniently. What should have resulted in protest or at least disappointment for a few of the characters became something that was easily accepted instead. Not entirely realistic.
On the other hand, the ending is what most readers will have wished for, myself included, so must not complain too much. It is great to be reunited with the lovely characters, particularly the thoughtful and kind selected suitors, and Eadlyn’s sweet younger brothers. They are the types of people you would feel blessed to know in real life. All in all, <i>The Crown</i> is likely to put a smile on your face.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Before she was the Queen of Hearts she was just a girl who wanted to fall in love. </i>When Marissa Meyer finished writing <i>The Lunar Chronicles</i>, a series of books loosely based on fairytales, everyone wondered what she would do next. Continuing along the lines of using famous stories, Meyer has devoted an entire novel to Lewis Carroll’s <i>Alice’s Adventures in Wonderland</i>. With thousands of references to the original tale, and a couple of other works too, Heartless is perfect for fans of Carroll’s salient characters.
Unlike most retellings, Meyer has focused on events prior to Alice’s accidental discovery of Wonderland. The resulting novel is essentially a theory as to how the characters turned out the way they did in the original story published in 1865. Drawing attention to the predestined Queen of Hearts, a young woman named Catherine, readers discover a reason for her development into an infamous villain.
Lady Catherine Pinkerton is completely unlike the character she is fated to be. She is a kind, thoughtful girl whose greatest wish is to open her own bakery. Unfortunately, this dream is just that, a dream. With the asinine King of Hearts resolved to marry her, there is little Cath can do to avoid her royal future. At first it may appear odd that Cath is so against marrying the ruler of Hearts, but she soon makes it clear she would much rather marry for love. So, when the court joker, Jest – a similar character to the legendary Hatter – catches her eye, Catherine becomes determined to control her own future.
<i>Heartless</i> is a humorous, yet romantic, young adult novel, full of both well-known and new characters. Set in a world with morals similar to the Victorian era, it works extremely well as a prequel to <i>Alice’s Adventures in Wonderland</i>. Catherine is an admirable, feministic character who readers will struggle to believe will become such a notorious Queen. What could possibly happen to vastly alter her personality? Similarly, what is it that makes the Hatter go mad, and who is Jest? Being a character unique to this novel, there is a foreboding sense that this joker, and his poetry reciting raven – cue Edgar Allan Poe references – suffer a horrible demise.
Unlike Marissa Meyer’s previous books where the fairytales were not so obvious, the storyline in <i>Heartless</i> perfectly joins up with Lewis Carroll’s imagination. With references to mock turtles, the Jabberwock and other minor characters, there is so much to discover in Meyer’s interpretation of Wonderland – it even clears up a couple of scenarios from the original tale that may have bamboozled readers initially.
Admittedly, <i>Heartless</i> takes a little while to get going, but once it has, it is difficult to put down. Fans of Marissa Meyer may be disappointed that she did not stick to her futuristic storytelling, however all Alice enthusiasts will fall in love with this book – and probably with Jest as well. Overall, <i>Heartless</i> is a delightful book that reignites our inner childish imagination.
Before she was the Queen of Hearts she was just a girl who wanted to fall in love. </i>When Marissa Meyer finished writing <i>The Lunar Chronicles</i>, a series of books loosely based on fairytales, everyone wondered what she would do next. Continuing along the lines of using famous stories, Meyer has devoted an entire novel to Lewis Carroll’s <i>Alice’s Adventures in Wonderland</i>. With thousands of references to the original tale, and a couple of other works too, Heartless is perfect for fans of Carroll’s salient characters.
Unlike most retellings, Meyer has focused on events prior to Alice’s accidental discovery of Wonderland. The resulting novel is essentially a theory as to how the characters turned out the way they did in the original story published in 1865. Drawing attention to the predestined Queen of Hearts, a young woman named Catherine, readers discover a reason for her development into an infamous villain.
Lady Catherine Pinkerton is completely unlike the character she is fated to be. She is a kind, thoughtful girl whose greatest wish is to open her own bakery. Unfortunately, this dream is just that, a dream. With the asinine King of Hearts resolved to marry her, there is little Cath can do to avoid her royal future. At first it may appear odd that Cath is so against marrying the ruler of Hearts, but she soon makes it clear she would much rather marry for love. So, when the court joker, Jest – a similar character to the legendary Hatter – catches her eye, Catherine becomes determined to control her own future.
<i>Heartless</i> is a humorous, yet romantic, young adult novel, full of both well-known and new characters. Set in a world with morals similar to the Victorian era, it works extremely well as a prequel to <i>Alice’s Adventures in Wonderland</i>. Catherine is an admirable, feministic character who readers will struggle to believe will become such a notorious Queen. What could possibly happen to vastly alter her personality? Similarly, what is it that makes the Hatter go mad, and who is Jest? Being a character unique to this novel, there is a foreboding sense that this joker, and his poetry reciting raven – cue Edgar Allan Poe references – suffer a horrible demise.
Unlike Marissa Meyer’s previous books where the fairytales were not so obvious, the storyline in <i>Heartless</i> perfectly joins up with Lewis Carroll’s imagination. With references to mock turtles, the Jabberwock and other minor characters, there is so much to discover in Meyer’s interpretation of Wonderland – it even clears up a couple of scenarios from the original tale that may have bamboozled readers initially.
Admittedly, <i>Heartless</i> takes a little while to get going, but once it has, it is difficult to put down. Fans of Marissa Meyer may be disappointed that she did not stick to her futuristic storytelling, however all Alice enthusiasts will fall in love with this book – and probably with Jest as well. Overall, <i>Heartless</i> is a delightful book that reignites our inner childish imagination.
Lucy Buglass (45 KP) rated Marriage Story (2019) in Movies
Nov 7, 2019
Divorce has been depicted many times onscreen, as it’s one of those difficult realities about adult relationships. There’s still a lot of stigma around the breakdown of a marriage, but Marriage Story deals with the topic in a very raw and unique way.
The film follows Nicole (Scarlett Johansson) and Charlie (Adam Driver) as they’re going through the turbulent divorce period. The couple share a young son Henry, who naturally causes complications for the two when it comes to custodial agreements.
Marriage Story opens with two gorgeous monologues about what the two characters love about each other, both of which are enough to make you cry a mere few minutes into the film. This contrasts very well with the present day, where they’re both struggling to make their marriage work.
It would have been very easy for Noah Baumbach to encourage the audience to pick sides, leaving them to subconsciously ‘root’ for either party to do well in the scenario. But remarkably that’s not the case, as it’s a very unbiased film that lays everything out on the table for us to see. Each messy, complicated detail is shown to us, and we end up sympathising with both.
One thing I really enjoyed about Marriage Story is the way Baumbach criticises some of the ridiculousness associated with divorce, especially when it comes to legal battles. Nicole reluctantly turns to ruthless lawyer Nora Fanshaw (Laura Dern), who is honest about the lies that have to be told in order to get through this.
Dern’s performance is hilarious but also highlights some of the inequalities and utterly baffling scenarios that happen when picking up a legal case. I wasn’t aware of any of them so it was quite a shock.
Watching the film is excruciating in places, but that’s a compliment on how raw and honest it is. It seems wrong for Charlie and Nicole to have to say and do certain things, all dictated by their respective lawyers. A clean break just isn’t possible when a child is involved.
It becomes even more complicated for the couple when Nicole decides to move back to Los Angeles, 2,789 miles away from New York City where she and Charlie used to reside. This creates a very literal distance between them, and causes problems with the battle for custody and Henry’s wellbeing.
Whilst there are many scenes which will reduce you to tears, Marriage Story has some comedic elements to lighten the mood, especially when it comes to Nicole’s family and how they react to the news of the divorce.
The two central performances in Marriage Story really are exceptional, and you become invested in the lives of people you don’t even know. One dramatic scene between Charlie and Nicole in particular had me openly sobbing, as it was full of contempt instead of love. Many of us can react to that exchange in a failing relationship, and it hurts.
If you want a very honest look at what it’s like to go through a divorce, then Marriage Story is just that. This isn’t the kind of film that sugarcoats anything and instead takes its audience on an emotional rollercoaster from start to finish.
The film follows Nicole (Scarlett Johansson) and Charlie (Adam Driver) as they’re going through the turbulent divorce period. The couple share a young son Henry, who naturally causes complications for the two when it comes to custodial agreements.
Marriage Story opens with two gorgeous monologues about what the two characters love about each other, both of which are enough to make you cry a mere few minutes into the film. This contrasts very well with the present day, where they’re both struggling to make their marriage work.
It would have been very easy for Noah Baumbach to encourage the audience to pick sides, leaving them to subconsciously ‘root’ for either party to do well in the scenario. But remarkably that’s not the case, as it’s a very unbiased film that lays everything out on the table for us to see. Each messy, complicated detail is shown to us, and we end up sympathising with both.
One thing I really enjoyed about Marriage Story is the way Baumbach criticises some of the ridiculousness associated with divorce, especially when it comes to legal battles. Nicole reluctantly turns to ruthless lawyer Nora Fanshaw (Laura Dern), who is honest about the lies that have to be told in order to get through this.
Dern’s performance is hilarious but also highlights some of the inequalities and utterly baffling scenarios that happen when picking up a legal case. I wasn’t aware of any of them so it was quite a shock.
Watching the film is excruciating in places, but that’s a compliment on how raw and honest it is. It seems wrong for Charlie and Nicole to have to say and do certain things, all dictated by their respective lawyers. A clean break just isn’t possible when a child is involved.
It becomes even more complicated for the couple when Nicole decides to move back to Los Angeles, 2,789 miles away from New York City where she and Charlie used to reside. This creates a very literal distance between them, and causes problems with the battle for custody and Henry’s wellbeing.
Whilst there are many scenes which will reduce you to tears, Marriage Story has some comedic elements to lighten the mood, especially when it comes to Nicole’s family and how they react to the news of the divorce.
The two central performances in Marriage Story really are exceptional, and you become invested in the lives of people you don’t even know. One dramatic scene between Charlie and Nicole in particular had me openly sobbing, as it was full of contempt instead of love. Many of us can react to that exchange in a failing relationship, and it hurts.
If you want a very honest look at what it’s like to go through a divorce, then Marriage Story is just that. This isn’t the kind of film that sugarcoats anything and instead takes its audience on an emotional rollercoaster from start to finish.
Emma @ The Movies (1786 KP) rated My Spy (2019) in Movies
Apr 4, 2020
Eleven months after first being slated for release we finally got My Spy in the cinema. With its predecessors like Playing With Fire, The Pacifier and The Game Plan leaving a very mixed tough guy/kid's movie playing field I wasn't expecting great things.
JJ has stepped over the line one too many times and now he's relegated to surveillance with Bobbi, the agency tech wizard. Their mission is to stay put and watch the wife and child of a man who was connected to the case.
When they get to their stakeout position the last thing they expect is to be made by the very person they're watching. Sophie may only be 9 but she's no fool and she's about to use her new found leverage to her benefit.
I absolutely loved this, it was looking a little rough at the start but I genuinely enjoyed myself once it hit its stride.
But it was a 12A? Honestly astounded to see that pop up at the beginning, I would have assumed it would be a PG, but that extra allowance gave the film a bit more colour.
This comedy felt perfect for Dave Bautista, I don't think I've seen him in a role that really felt suited to him, I like his humour but even the lovable Drax was always a bit off. Everest in Hotel Artemis was probably the best until I saw this. I love that he got a chance to do a mix of drama and comedy all in one film.
His pairing with Kristen Schaal as Bobbi was such fun. Their completely different approaches coupled with her to-the-point attitude make for a great team. Bobbi's adoration and desire to do more fieldwork is played off incredibly well.
I'm not usually a fan of child actors, it can seem forced and unnatural, but Chloe Coleman as Sophie is savage and I love it. Her standing up to JJ and her vulnerable side comes over so well, I genuinely enjoyed her acting and her comic timing, I can't wait to see her in more things.
The only actor I would query is Ken Jeong, he's funny and I find him generally amusing in most things he does but in this A) he wasn't entirely believable in the role and B) his humour was a step apart from the rest of the script, his parts in particular weren't in scenes designed for humour. It was the only part of the film that made me pause as I watched it, but it wasn't a massively negative impact on the whole.
We get some great settings and amazing action style sequences, the ones with both Bautista and Coleman had some real heart and humour. The whole storyline where he teaches her how to spy is amusing and well done.
I really did enjoy My Spy, that 12A totally helped it from being like those before it, the script could be aimed more at adults and the humour could cover both adult and children's amusement, it's a great stress-free film and I would absolutely watch it again.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/04/my-spy-movie-review.html
JJ has stepped over the line one too many times and now he's relegated to surveillance with Bobbi, the agency tech wizard. Their mission is to stay put and watch the wife and child of a man who was connected to the case.
When they get to their stakeout position the last thing they expect is to be made by the very person they're watching. Sophie may only be 9 but she's no fool and she's about to use her new found leverage to her benefit.
I absolutely loved this, it was looking a little rough at the start but I genuinely enjoyed myself once it hit its stride.
But it was a 12A? Honestly astounded to see that pop up at the beginning, I would have assumed it would be a PG, but that extra allowance gave the film a bit more colour.
This comedy felt perfect for Dave Bautista, I don't think I've seen him in a role that really felt suited to him, I like his humour but even the lovable Drax was always a bit off. Everest in Hotel Artemis was probably the best until I saw this. I love that he got a chance to do a mix of drama and comedy all in one film.
His pairing with Kristen Schaal as Bobbi was such fun. Their completely different approaches coupled with her to-the-point attitude make for a great team. Bobbi's adoration and desire to do more fieldwork is played off incredibly well.
I'm not usually a fan of child actors, it can seem forced and unnatural, but Chloe Coleman as Sophie is savage and I love it. Her standing up to JJ and her vulnerable side comes over so well, I genuinely enjoyed her acting and her comic timing, I can't wait to see her in more things.
The only actor I would query is Ken Jeong, he's funny and I find him generally amusing in most things he does but in this A) he wasn't entirely believable in the role and B) his humour was a step apart from the rest of the script, his parts in particular weren't in scenes designed for humour. It was the only part of the film that made me pause as I watched it, but it wasn't a massively negative impact on the whole.
We get some great settings and amazing action style sequences, the ones with both Bautista and Coleman had some real heart and humour. The whole storyline where he teaches her how to spy is amusing and well done.
I really did enjoy My Spy, that 12A totally helped it from being like those before it, the script could be aimed more at adults and the humour could cover both adult and children's amusement, it's a great stress-free film and I would absolutely watch it again.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/04/my-spy-movie-review.html
Gareth von Kallenbach (980 KP) rated The LEGO Movie (2014) in Movies
Aug 6, 2019
Could The LEGO Movie just be considered one hour and a half long commercial for a children’s toy product? Absolutely. Does that make the movie any less entertaining? Nope! I grew up in the eighties. A time when toy manufacturers would make TV shows, mixing up entertainment with advertising in the tender minds of their youth demographic, and doing it well. We seem to be in a new age of that very same ethos of ultra-marketing, only now we have the internet to exacerbate the matter. That all said, The LEGO Movie is perhaps one of the cleverest, funniest, and perhaps most creative films I’ve seen in a long while. It’s enjoyable, fresh, and seems to celebrate with reckless abandon the joyous chaos of childhood play over the blind consumption of product.
The comforting, self-aware, almost self-deprecating tone that has found its way into the LEGO videogames that have been hitting the markets lately that defines The LEGO Movie. The film takes place in a world made of LEGOs, and the characters all have snap-on/snap-off hair and can merrily disassemble the world around them and build again from the ruins. And while it’s not filmed in stop-motion (which was more disappointing than I thought it would be), the characters have the pleasantly stiff and jerky movement that is the trademark to the style. It’s essentially a film with the rules of a young boy at play, just making it up as things progress.
Even the story felt like it was straight from a children’s book. An average, run-of-the-mill, Joe… well, Emmet (Chris Pratt) falls unsuspectingly into an adventure involving freedom fighters, superheroes, and villains in a very Matrix-esque plot. When he stumbles upon the legendary Piece of Resistance, the only force that can undo the Kragle, a mysterious weapon being used by Lord Business/President Business (Will Ferrell), Emmet begins his journey to fulfill the prophecy and become the best “master builder” in all the world. Along the way he is helped by a plethora of recognizable, and not so recognizable, characters including Batman (Will Arnett), Shaquille O’Neil (Himself), Vitruvious (Morgan Freeman) and Wyldstyle (Elizabeth Banks).
Most children’s films these days, especially in the CGI genre, tend to be lighting fast paced, basically overloading you with unfunny material hoping to distract your from how lame the movie really is. While The LEGO Movie is frantic, it feels like controlled chaos. It has a point. There is a direction where all this weird wild silliness is headed. And while The LEGO Movie would be fine were it just a frantic and clever child’s comedy, it additionally bothers to reach beyond its bounds and address its own artificiality in a plot twist that was way more clever, daring and meaningful than anything seen in most modern adult thrillers. But I don’t want to spoil that for you.
So here it is again, my “Would I buy it” test. Absolutely. The LEGO Movie is great fun and a joyous celebration of the chaos I recall as childhood.
The comforting, self-aware, almost self-deprecating tone that has found its way into the LEGO videogames that have been hitting the markets lately that defines The LEGO Movie. The film takes place in a world made of LEGOs, and the characters all have snap-on/snap-off hair and can merrily disassemble the world around them and build again from the ruins. And while it’s not filmed in stop-motion (which was more disappointing than I thought it would be), the characters have the pleasantly stiff and jerky movement that is the trademark to the style. It’s essentially a film with the rules of a young boy at play, just making it up as things progress.
Even the story felt like it was straight from a children’s book. An average, run-of-the-mill, Joe… well, Emmet (Chris Pratt) falls unsuspectingly into an adventure involving freedom fighters, superheroes, and villains in a very Matrix-esque plot. When he stumbles upon the legendary Piece of Resistance, the only force that can undo the Kragle, a mysterious weapon being used by Lord Business/President Business (Will Ferrell), Emmet begins his journey to fulfill the prophecy and become the best “master builder” in all the world. Along the way he is helped by a plethora of recognizable, and not so recognizable, characters including Batman (Will Arnett), Shaquille O’Neil (Himself), Vitruvious (Morgan Freeman) and Wyldstyle (Elizabeth Banks).
Most children’s films these days, especially in the CGI genre, tend to be lighting fast paced, basically overloading you with unfunny material hoping to distract your from how lame the movie really is. While The LEGO Movie is frantic, it feels like controlled chaos. It has a point. There is a direction where all this weird wild silliness is headed. And while The LEGO Movie would be fine were it just a frantic and clever child’s comedy, it additionally bothers to reach beyond its bounds and address its own artificiality in a plot twist that was way more clever, daring and meaningful than anything seen in most modern adult thrillers. But I don’t want to spoil that for you.
So here it is again, my “Would I buy it” test. Absolutely. The LEGO Movie is great fun and a joyous celebration of the chaos I recall as childhood.
Journey by Moonlight
Antal Szerb, Len Rix and Eoin Ryan
Book
A major classic of 1930s literature, Antal Szerb's Journey by Moonlight (Utas es Holdvilag) is the...
Erika (17789 KP) rated Shadow and Bone - Season 1 in TV
Jul 16, 2021
Shadow and Bone is based upon the popular Young Adult series, The Grisha Trilogy, which takes place in a steampunk-ish, Russian fantasy world at war. The story’s main character is Alina Starkov (Jessie Mei Li), an orphan who discovers she has some magical powers when she journeys into something called the Fold with her childhood friend Malyen, “Mal” (Archie Renaux), for short. The witches in this fantasy world are called Grisha and are trained to help with military operations for some king. The General of this witch army is Kirigan, played by Ben Barnes. There are also two other storylines, this group of kidnappers, and a Grisha that’s enslaved.
This series wasn’t really made for a general audience, it was made for the fans of the book trilogy. The series starts, and the watcher is immediately thrust into this fantasy world that doesn’t really make much sense with no prior knowledge. If you couldn’t tell from the series description, I wasn’t really into it. It took me two months to watch all eight of the episodes. I almost didn’t keep watching after the first two episodes, but my boss encouraged me to keep going.
The storyline is your standard YA novel, a girl who didn’t know her powers, some lame love triangle, and for some reason, the girl is the only one that can save the world. Nothing new to see here. My interest was only piqued by Barnes’ character Kirigan, and Barnes was the main reason I actually kept watching the show. The seventh episode, which features Kirigan’s backstory, was the most interesting.
The whole kidnapping crew storyline wasn’t really all that interesting. The leader, Kaz (Freddy Carter) is a kingpin-type character with an unexplained limp, or I missed the explanation. The crew also had an assassin-type character, Inej (Amita Suman), who might not really have been an assassin, again, missed that explanation. The best member of this crew was Jesper (Kit Young), who was the charmer, expert trick shooter, and the second most interesting character in the series.
The subplot with the whole kidnapping Alina thing was neither here nor there, I don’t even remember the characters’ names that were involved in this subplot. Maybe it meant something to the readers of the novels, or it’ll make sense in the next season, but it certainly didn’t mean anything to me. I think I fast-forwarded through those portions in the last episode.
I think I started liking it after the seventh episode, but two interesting episodes does not make an interesting series. It’s been about a week since I finished it, and I honestly had to look up all the characters’ names. I probably seem flippant about explaining the different plots, but it’s legitimately all I remember. This series also didn’t leave me with a hankering to read the book series, nor would I care to watch any further seasons. I’m sure if you’re a fan of the book series, you’d probably love this, but it was not for me.
This series wasn’t really made for a general audience, it was made for the fans of the book trilogy. The series starts, and the watcher is immediately thrust into this fantasy world that doesn’t really make much sense with no prior knowledge. If you couldn’t tell from the series description, I wasn’t really into it. It took me two months to watch all eight of the episodes. I almost didn’t keep watching after the first two episodes, but my boss encouraged me to keep going.
The storyline is your standard YA novel, a girl who didn’t know her powers, some lame love triangle, and for some reason, the girl is the only one that can save the world. Nothing new to see here. My interest was only piqued by Barnes’ character Kirigan, and Barnes was the main reason I actually kept watching the show. The seventh episode, which features Kirigan’s backstory, was the most interesting.
The whole kidnapping crew storyline wasn’t really all that interesting. The leader, Kaz (Freddy Carter) is a kingpin-type character with an unexplained limp, or I missed the explanation. The crew also had an assassin-type character, Inej (Amita Suman), who might not really have been an assassin, again, missed that explanation. The best member of this crew was Jesper (Kit Young), who was the charmer, expert trick shooter, and the second most interesting character in the series.
The subplot with the whole kidnapping Alina thing was neither here nor there, I don’t even remember the characters’ names that were involved in this subplot. Maybe it meant something to the readers of the novels, or it’ll make sense in the next season, but it certainly didn’t mean anything to me. I think I fast-forwarded through those portions in the last episode.
I think I started liking it after the seventh episode, but two interesting episodes does not make an interesting series. It’s been about a week since I finished it, and I honestly had to look up all the characters’ names. I probably seem flippant about explaining the different plots, but it’s legitimately all I remember. This series also didn’t leave me with a hankering to read the book series, nor would I care to watch any further seasons. I’m sure if you’re a fan of the book series, you’d probably love this, but it was not for me.
BankofMarquis (1832 KP) rated Shazam! (2019) in Movies
Sep 1, 2019
Entertaining Enough
In the battle of DC vs Marvel in the Cinematic world, the prevailing theory is that DC is "righting the ship" with back-to-back decent films - AQUAMAN and SHAZAM. And...after viewing both of these films, I will agree that they are moving the ship in the correct direction, but they have a long, long way to go before they can say they have "righted" this ship.
SHAZAM is a fun. light, comedic-ish film that will appeal to kids and tweens and will be considered "not bad" by older teens and adults - and that is an improvement for a DC comic book film.
Asher Angel stars as Billy Batson, a troubled teenager with family/parental issues (is there any other kind in these types of films?) who is given the power of SHAZAM by a mysterious wizard (the always dependable Djimon Hounsou), when he says the magical word SHAZAM he is instantly changed into the SuperHero SHAZAM. The Superhero part of this character is played by Zachary Levi (TV's CHUCK) and that is the first problem for me with this film, I didn't feel that these 2 actors connected much to form the illusion of 1 person. Asher is all "broody and moody" - you know, the way an adult would direct a teenage actor to perform as a troubled teen - while Levi, who is having some fun, looks like he is trying just a bit too hard to showcase his "inner teenager" while wrapped inside a body hugging, muscle enhancing costume.
Billy Batson is sent to a foster home full of a "It's A Small World" group of troubled youth that have - despite their differences - formed into a family. Want to bet that Billy figures out that "family" does not mean his mother and father who abandoned him but rather those around you that love and care for you?
All of the kids in this "family" are well played, as are the "father and mother" figures. Standouts are Faithe Herman as smart-as-a-whip/cute-as-a-button Darla and, especially, Jack Dylan Grazer (hypochondriac Eddie in IT: CHAPTER 1) as the lad who becomes Billy's best friend. He is just as fun and charismatic as he was in IT. To be honest, I think I wanted more of a movie about this group of people than the typical "Super Hero/Super Villain" film.
However, I can forgive this film for focusing on the Hero/Villain dynamic for Mark Strong (SHERLOCK) is wonderfully villainous as the bad guy with daddy issues of his own and "that guy" actor John Glover is in it all too briefly as his dad.
Director David F. Sandberg (ANNABELLE: CREATION) does a nice job of keeping the action going at a fast enough pace to keep things entertaining - albeit in a way that was rather pedestrian and "nothing new". But he aims this film squarely at the older kid/younger tween audience and they will enjoy this very much, whilst the rest of us will not be bored as we accompany them.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
SHAZAM is a fun. light, comedic-ish film that will appeal to kids and tweens and will be considered "not bad" by older teens and adults - and that is an improvement for a DC comic book film.
Asher Angel stars as Billy Batson, a troubled teenager with family/parental issues (is there any other kind in these types of films?) who is given the power of SHAZAM by a mysterious wizard (the always dependable Djimon Hounsou), when he says the magical word SHAZAM he is instantly changed into the SuperHero SHAZAM. The Superhero part of this character is played by Zachary Levi (TV's CHUCK) and that is the first problem for me with this film, I didn't feel that these 2 actors connected much to form the illusion of 1 person. Asher is all "broody and moody" - you know, the way an adult would direct a teenage actor to perform as a troubled teen - while Levi, who is having some fun, looks like he is trying just a bit too hard to showcase his "inner teenager" while wrapped inside a body hugging, muscle enhancing costume.
Billy Batson is sent to a foster home full of a "It's A Small World" group of troubled youth that have - despite their differences - formed into a family. Want to bet that Billy figures out that "family" does not mean his mother and father who abandoned him but rather those around you that love and care for you?
All of the kids in this "family" are well played, as are the "father and mother" figures. Standouts are Faithe Herman as smart-as-a-whip/cute-as-a-button Darla and, especially, Jack Dylan Grazer (hypochondriac Eddie in IT: CHAPTER 1) as the lad who becomes Billy's best friend. He is just as fun and charismatic as he was in IT. To be honest, I think I wanted more of a movie about this group of people than the typical "Super Hero/Super Villain" film.
However, I can forgive this film for focusing on the Hero/Villain dynamic for Mark Strong (SHERLOCK) is wonderfully villainous as the bad guy with daddy issues of his own and "that guy" actor John Glover is in it all too briefly as his dad.
Director David F. Sandberg (ANNABELLE: CREATION) does a nice job of keeping the action going at a fast enough pace to keep things entertaining - albeit in a way that was rather pedestrian and "nothing new". But he aims this film squarely at the older kid/younger tween audience and they will enjoy this very much, whilst the rest of us will not be bored as we accompany them.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
AdGuard Pro - adblock and privacy protection
Utilities and Productivity
5.0
Rate It
App
Due to the enforcement of Apple's policy regarding blocking ads across the device, Adguard Pro had...