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Sarah (7800 KP) rated Toy Story (1995) in Movies
Jan 1, 2021
A masterpiece
Film #9 on the 100 Movies Bucket List: Toy Story
When Toy Story was first released in 1995, it was groundbreaking. The first ever fully computer animated film and the first released by Disney Pixar, this was also one of the first films I saw at the cinema as an 8 year old child. Admittedly at that age I was concentrating more on the colourful animated toys rather than appreciating the sheer wizardry on offer, but from repeated watches over the decades, I’ve come to fully recognise the sheer genius of this film.
Toy Story centres around the idea that toys are alive, a concept that most children would love to be true. It follows Woody, a cowboy voiced by Tom Hanks, who’s cushy existence as the top dog of Andy’s toys is disrupted by a new space ranger doll, Buzz Lightyear, voiced by Tim Allen. As Buzz soon becomes Andy’s favourite toy, Woody’s jealousy drives him to desperate measures that wind up with the pair of them becoming ‘lost toys’ and captives of evil neighbour Sid. And together with Buzz and Woody are a whole host of colourful and wacky toy characters, including Mr Potato Head (Don Rickles), Slinky Dog (Jim Varney), Etch-a Sketch and a bucketful of toy soldiers to name but a few of the childhood throwbacks on offer here.
Watching this back 25 years later, it’s hard to believe this film was released in the mid-90s. Whilst you can tell that more recent Disney Pixar releases have improved massively on the animation since Toy Story, the standard of the animation in this is hugely impressive. There are some studios that can’t master this level of detailed animation even now as we move into 2021. The feature and intricacies on show here is impressive, especially with the toy characters - you need to look no further than the scales on Rex (voiced memorably by Wallace Michael Shawn) as a shining example of this.
It isn’t just the animation that that makes Toy Story so brilliant though, it’s the entire package. It’s a heartwarming and often hilarious buddy story of sorts, with some strangely adult messages hidden in the childlike story (Buzz’s disillusionment at being a toy rather than a real space ranger is particularly poignant). As a child this made me believe my toys were alive, and as an adult I’m still hesitant about donating or throwing away old cuddly toys. It’s also full of what we’ve all come to know and love about Disney Pixar: a film suitable for kids but full of grown up innuendos and adult jokes that makes it appropriate for all ages. Alongside this it has a fantastic voice cast in household names Tom Hanks and Tim Allen, and of course brought us the first of many characters voiced by the unforgettable John Ratzenberger. And what further rounds this off is the catchy and touching original songs by Randy Newman. I doubt there are many people who haven’t heard “You’ve Got a Friend in Me”, a song that evokes such a warm and fuzzy feeling inside and is fully deserving of the ‘Best Original Song’ Oscar nomination.
Toy Story is undoubtedly a masterpiece in animation. Whilst it may not have aged incredibly well when comparing it with more recent releases, this is the film that first introduced us to the world of Disney Pixar and paved the way for all of those that have followed.
When Toy Story was first released in 1995, it was groundbreaking. The first ever fully computer animated film and the first released by Disney Pixar, this was also one of the first films I saw at the cinema as an 8 year old child. Admittedly at that age I was concentrating more on the colourful animated toys rather than appreciating the sheer wizardry on offer, but from repeated watches over the decades, I’ve come to fully recognise the sheer genius of this film.
Toy Story centres around the idea that toys are alive, a concept that most children would love to be true. It follows Woody, a cowboy voiced by Tom Hanks, who’s cushy existence as the top dog of Andy’s toys is disrupted by a new space ranger doll, Buzz Lightyear, voiced by Tim Allen. As Buzz soon becomes Andy’s favourite toy, Woody’s jealousy drives him to desperate measures that wind up with the pair of them becoming ‘lost toys’ and captives of evil neighbour Sid. And together with Buzz and Woody are a whole host of colourful and wacky toy characters, including Mr Potato Head (Don Rickles), Slinky Dog (Jim Varney), Etch-a Sketch and a bucketful of toy soldiers to name but a few of the childhood throwbacks on offer here.
Watching this back 25 years later, it’s hard to believe this film was released in the mid-90s. Whilst you can tell that more recent Disney Pixar releases have improved massively on the animation since Toy Story, the standard of the animation in this is hugely impressive. There are some studios that can’t master this level of detailed animation even now as we move into 2021. The feature and intricacies on show here is impressive, especially with the toy characters - you need to look no further than the scales on Rex (voiced memorably by Wallace Michael Shawn) as a shining example of this.
It isn’t just the animation that that makes Toy Story so brilliant though, it’s the entire package. It’s a heartwarming and often hilarious buddy story of sorts, with some strangely adult messages hidden in the childlike story (Buzz’s disillusionment at being a toy rather than a real space ranger is particularly poignant). As a child this made me believe my toys were alive, and as an adult I’m still hesitant about donating or throwing away old cuddly toys. It’s also full of what we’ve all come to know and love about Disney Pixar: a film suitable for kids but full of grown up innuendos and adult jokes that makes it appropriate for all ages. Alongside this it has a fantastic voice cast in household names Tom Hanks and Tim Allen, and of course brought us the first of many characters voiced by the unforgettable John Ratzenberger. And what further rounds this off is the catchy and touching original songs by Randy Newman. I doubt there are many people who haven’t heard “You’ve Got a Friend in Me”, a song that evokes such a warm and fuzzy feeling inside and is fully deserving of the ‘Best Original Song’ Oscar nomination.
Toy Story is undoubtedly a masterpiece in animation. Whilst it may not have aged incredibly well when comparing it with more recent releases, this is the film that first introduced us to the world of Disney Pixar and paved the way for all of those that have followed.
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Erika Kehlet (21 KP) rated The Queen of the Tearling in Books
Feb 19, 2018
I finished this audiobook a while ago and put off writing the review because I couldn't decide how I felt about it. I went back and forth between 2 and 3 stars for a while. There were several things about the story that really bothered me (making me feel like it only deserved 2 stars), but then there were times when I was interested enough to think that I would need to read book two to see what happens. When all was said and done, I did decide I might read the next book at some point, so three stars it is.
A note about setting
The book sounds like any other fantasy novel. This story actually takes place in a future where for some reason (we are never told exactly what happened), a group of people have fled America and moved to a new land (again, we don't know how there was a new land available for them to colonize...) leaving all technology and modern conveniences behind them.
What bothered me about the book
Is it young adult or not? Occasionally the language, violence, or other crudeness seemed inappropriate for all but the most mature of teens, but then Kelsea would act like a nineteen year old girl, she spent an awful lot of time obsessing over her plain appearance, how handsome each of her guards happened to be, etc..., so I could never really tell.
Where / when is it? We get bits and pieces mentioning "the crossing", but why? What happened? Is there still an America with technology somewhere? Where are the main characters now? If the Capital is New London, are they anywhere near old London? How is there magic? And who is this enemy, this evil Mort/Red Queen who seems to have an abundance of it? I can go on and on here, and the lack of details or explanation about this world they are living in is my biggest complaint.
What I liked about the book
Kelsea, when she could remember not to worry about her plain face or how greasy her hair looked, actually had a decent moral compass and wanted to do what was right for her new-found kingdom, not just what was easy or convenient for her. She was stubborn and idealistic, and I admired those traits in her. I even eventually grew to like some of her guards, the Mace and Pen in particular, as they finally learned to respect her and some of her ideas near the end of the story.
Will you like this book?
I wish I could say yes, but the best I can do is maybe. If you go into it knowing that you are not going to understand exactly where this world is, how it came about, or why, and that doesn't bother you, then you just might. I will give book two a try to see if there are more details forthcoming, but not right away.
A note about setting
The book sounds like any other fantasy novel. This story actually takes place in a future where for some reason (we are never told exactly what happened), a group of people have fled America and moved to a new land (again, we don't know how there was a new land available for them to colonize...) leaving all technology and modern conveniences behind them.
What bothered me about the book
Is it young adult or not? Occasionally the language, violence, or other crudeness seemed inappropriate for all but the most mature of teens, but then Kelsea would act like a nineteen year old girl, she spent an awful lot of time obsessing over her plain appearance, how handsome each of her guards happened to be, etc..., so I could never really tell.
Where / when is it? We get bits and pieces mentioning "the crossing", but why? What happened? Is there still an America with technology somewhere? Where are the main characters now? If the Capital is New London, are they anywhere near old London? How is there magic? And who is this enemy, this evil Mort/Red Queen who seems to have an abundance of it? I can go on and on here, and the lack of details or explanation about this world they are living in is my biggest complaint.
What I liked about the book
Kelsea, when she could remember not to worry about her plain face or how greasy her hair looked, actually had a decent moral compass and wanted to do what was right for her new-found kingdom, not just what was easy or convenient for her. She was stubborn and idealistic, and I admired those traits in her. I even eventually grew to like some of her guards, the Mace and Pen in particular, as they finally learned to respect her and some of her ideas near the end of the story.
Will you like this book?
I wish I could say yes, but the best I can do is maybe. If you go into it knowing that you are not going to understand exactly where this world is, how it came about, or why, and that doesn't bother you, then you just might. I will give book two a try to see if there are more details forthcoming, but not right away.
Hazel (1853 KP) rated Escape from Witchwood Hollow in Books
Dec 7, 2018
<i>This eBook was sent to me by the author in exchange for an honest review </i>
Jordan Elizabeth combines contemporary and historical fiction in this mystical young adult novel.<i> Escape From Witchwood Hollow</i> begins in October 2001 with teenage Honoria who has recently moved to the countryside in New York. Not only is it a huge contrast from the life she knew in the city, there is also a local legend that she becomes fascinated with: if you go into the woods a witch will capture you and never let you leave.
This story, however, is not only about Honoria. Back in 1850, Albertine moves from England to New York to be with her father. Ignoring the rumours about Witchwood Hollow, she ventures into the woods hoping that it will be a shortcut to her father’s farm. When she becomes hopelessly lost she begins to question the actuality of the tale of the witch.
As the two stories go on they begin to merge together as Honoria investigates deeper into the legend and Albertine begins to learn the truth. It also appears that the two girls are in some way connected.
Although <i>Escape From Witchwood Hollow</i> is primarily focused on the paranormal aspect of the story, it also deals with the way in which a teenage girl deals with drastic change. Albertine is motherless and living as a maid, however that is nothing compared to the grief Honoria is dealing with. Her parents were two of the victims in the collapse of the World Trade Centers. Not only has she got to come to terms with the loss, she has to cope with moving house, changing schools and making new friends.
The concept of <i>Escape From Witchwood Hollow</i> sounds exciting yet, at least for me, it was not as interesting to read. I far more enjoyed the chapters focused on Albertine rather than Honoria. Perhaps that is because it is easier to admire Albertine’s sense independence and determination, whereas Honoria appears to have a more depressed view of the world (although that is not surprising judging what she has been through).
Overall,<i> Escape From Witchwood Hollow</i> is a decent book to read when you are looking for something quick that will pass the time. It is fast paced and becomes gripping towards the end - particularly when you realize there are not many pages left and nothing has yet been resolved – before coming to a shocking conclusion.
Jordan Elizabeth combines contemporary and historical fiction in this mystical young adult novel.<i> Escape From Witchwood Hollow</i> begins in October 2001 with teenage Honoria who has recently moved to the countryside in New York. Not only is it a huge contrast from the life she knew in the city, there is also a local legend that she becomes fascinated with: if you go into the woods a witch will capture you and never let you leave.
This story, however, is not only about Honoria. Back in 1850, Albertine moves from England to New York to be with her father. Ignoring the rumours about Witchwood Hollow, she ventures into the woods hoping that it will be a shortcut to her father’s farm. When she becomes hopelessly lost she begins to question the actuality of the tale of the witch.
As the two stories go on they begin to merge together as Honoria investigates deeper into the legend and Albertine begins to learn the truth. It also appears that the two girls are in some way connected.
Although <i>Escape From Witchwood Hollow</i> is primarily focused on the paranormal aspect of the story, it also deals with the way in which a teenage girl deals with drastic change. Albertine is motherless and living as a maid, however that is nothing compared to the grief Honoria is dealing with. Her parents were two of the victims in the collapse of the World Trade Centers. Not only has she got to come to terms with the loss, she has to cope with moving house, changing schools and making new friends.
The concept of <i>Escape From Witchwood Hollow</i> sounds exciting yet, at least for me, it was not as interesting to read. I far more enjoyed the chapters focused on Albertine rather than Honoria. Perhaps that is because it is easier to admire Albertine’s sense independence and determination, whereas Honoria appears to have a more depressed view of the world (although that is not surprising judging what she has been through).
Overall,<i> Escape From Witchwood Hollow</i> is a decent book to read when you are looking for something quick that will pass the time. It is fast paced and becomes gripping towards the end - particularly when you realize there are not many pages left and nothing has yet been resolved – before coming to a shocking conclusion.
Night Reader Reviews (683 KP) rated From Blood and Ash (Blood and Ash #1) in Books
Jan 25, 2022
Surprisingly Good *Not The Teen Novel It Is Made Out To Be....Adult Content*
To start out with potential readers need to be aware that this book and in fact the entire series is apparently considered to be teen novels. In fact, I pulled it from the front shelf in the teen section of my local library. While as a teen reading explicit materials was not a problem for me and my parents were ok with it as well I do recognize the fact that there are many parents who would not appreciate their teens reading the kind of content this book contains. The fact that nowhere on the book's cover or on its GoodReads or Amazon profile does it state that this should be for mature readers only is concerning. When I say that this book is explicit I mean that there are quite a few "adult situations" that are described in detail in which that detail is not necessary to carry the plotline along even if the occurrence of the situation does. You have been warned...
Moving on
So the only reason why I read this book is that the third book in the series "The Crown of Guilded Bones" was ranked very high on GoodReads. In fact, I believe it actually ranked in the 2021 books of the year. Anyway, the third book sounded great so I went back and started the series from the beginning.
This book follows the life of Poppy AKA The Maden. Being named the Maiden is supposed to be a huge honor but it comes with a lot of strict rules that make it feel more like a punishment than anything else. Unsurprisingly Poppy comes to find that the world she lives in is not at all what she thinks it to be and must face hard truths as she races to the capital of her land to be protected from the Atlantians but is that really what is happening?
This book offers a surprisingly unique look at some classic fantasy themes, characters, and creatures. There is very little that is as it seems and there are so many twists that it will make the reader pause to process the new direction the story moves in every few chapters. While it isn't exactly a short book this is almost guaranteed to be a quick read because you are not going to want to put it down.
Moving on
So the only reason why I read this book is that the third book in the series "The Crown of Guilded Bones" was ranked very high on GoodReads. In fact, I believe it actually ranked in the 2021 books of the year. Anyway, the third book sounded great so I went back and started the series from the beginning.
This book follows the life of Poppy AKA The Maden. Being named the Maiden is supposed to be a huge honor but it comes with a lot of strict rules that make it feel more like a punishment than anything else. Unsurprisingly Poppy comes to find that the world she lives in is not at all what she thinks it to be and must face hard truths as she races to the capital of her land to be protected from the Atlantians but is that really what is happening?
This book offers a surprisingly unique look at some classic fantasy themes, characters, and creatures. There is very little that is as it seems and there are so many twists that it will make the reader pause to process the new direction the story moves in every few chapters. While it isn't exactly a short book this is almost guaranteed to be a quick read because you are not going to want to put it down.
Hazel (1853 KP) rated Way Down Dark (The Australia Trilogy, #1) in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.
Way Down Dark</i> is the first in the <i>Australia</i> trilogy by J.P. Smythe, a brand new dystopian series for young adult readers. The world has been destroyed and humans boarded space ships in order to find somewhere to live, however, generations later the passengers aboard <i>Australia</i> have not found anywhere. The years have taken their toll on the ship, which is slowly falling to pieces, it’s inhabitants reduced to scavengers.
Recently orphaned Chan is living alone and trying to fend for herself as the Lows, an ever-increasing band of murderous thugs, wage war on everyone else. Nowhere is safe and quite often Chan finds herself in a situation where it is either kill or be killed. When Chan’s mother died her last instructions were to stay out of trouble, be selfish and don’t die. Chan on the other hand finds it extremely difficult to be selfish when she sees other people in life threatening situations. Thankfully she has Angela, a fifty something woman, looking out for her. But then Angela introduces Chan to a part of the ship no one has ever been to before, a part that challenges the truth behind the stories believed by everyone about the destruction of Earth. This new knowledge fuels Chan’s determination to save the lives of as many she can, thus finding herself in perilous situations.
Despite being set in the distant future, the characters at the beginning are living lives similar to those of the past – making clothes, shoes and weapons from scratch, picking fruit in the arboretum in order to eat. So although many dystopian novels involve some kind of enhanced technology, <i>Way Down Dark</i> does not, which separates it from other books of the same genre.
As well as Chan’s narrative, the novel also contains Angela’s stories of the past when Chan’s mother was young. These help to explain some of the situations the characters find themselves in now. It is also through Angela that Chan begins to discover the truth about the ship <i>Australia</i> and the lies they have been led to believe.
The main characters are very likable and display a range of personalities, each adding something different to the story. Chan is quick thinking, strong-willed and unselfish whereas, although Angela cares and protects, she keeps more to herself rather than jump into the fight in order to be a hero. Finally, Jonah, a young man who teams up with Chan and Angela, is a mix of Chan’s personalities with a religious streak, or what passes as religious on the <i>Australia</i>.
Although it is less futuristic than other popular young adult novels such as <i>Divergent</i> or <i>The Hunger Games</i>, readers are bound to enjoy <i>Way Down Dark</i> and its sequels. It is full of action, violence and survival told from the point of view of a teenage girl. <i>Way Down Dark</i> is a highly recommended, gripping novel, which promises to satisfy the needs of dystopian lovers.
Way Down Dark</i> is the first in the <i>Australia</i> trilogy by J.P. Smythe, a brand new dystopian series for young adult readers. The world has been destroyed and humans boarded space ships in order to find somewhere to live, however, generations later the passengers aboard <i>Australia</i> have not found anywhere. The years have taken their toll on the ship, which is slowly falling to pieces, it’s inhabitants reduced to scavengers.
Recently orphaned Chan is living alone and trying to fend for herself as the Lows, an ever-increasing band of murderous thugs, wage war on everyone else. Nowhere is safe and quite often Chan finds herself in a situation where it is either kill or be killed. When Chan’s mother died her last instructions were to stay out of trouble, be selfish and don’t die. Chan on the other hand finds it extremely difficult to be selfish when she sees other people in life threatening situations. Thankfully she has Angela, a fifty something woman, looking out for her. But then Angela introduces Chan to a part of the ship no one has ever been to before, a part that challenges the truth behind the stories believed by everyone about the destruction of Earth. This new knowledge fuels Chan’s determination to save the lives of as many she can, thus finding herself in perilous situations.
Despite being set in the distant future, the characters at the beginning are living lives similar to those of the past – making clothes, shoes and weapons from scratch, picking fruit in the arboretum in order to eat. So although many dystopian novels involve some kind of enhanced technology, <i>Way Down Dark</i> does not, which separates it from other books of the same genre.
As well as Chan’s narrative, the novel also contains Angela’s stories of the past when Chan’s mother was young. These help to explain some of the situations the characters find themselves in now. It is also through Angela that Chan begins to discover the truth about the ship <i>Australia</i> and the lies they have been led to believe.
The main characters are very likable and display a range of personalities, each adding something different to the story. Chan is quick thinking, strong-willed and unselfish whereas, although Angela cares and protects, she keeps more to herself rather than jump into the fight in order to be a hero. Finally, Jonah, a young man who teams up with Chan and Angela, is a mix of Chan’s personalities with a religious streak, or what passes as religious on the <i>Australia</i>.
Although it is less futuristic than other popular young adult novels such as <i>Divergent</i> or <i>The Hunger Games</i>, readers are bound to enjoy <i>Way Down Dark</i> and its sequels. It is full of action, violence and survival told from the point of view of a teenage girl. <i>Way Down Dark</i> is a highly recommended, gripping novel, which promises to satisfy the needs of dystopian lovers.
Gareth von Kallenbach (980 KP) rated The Maze Runner (2014) in Movies
Aug 6, 2019
Kids have one heck of an imagination, and “The Maze Runner” gives off the impression that is exactly where its plot came from. The film is an adaption of the first book in the young adult sci-fi series written by James Dashner.
In the film, the action starts right out of the gate with a boy in a cage being delivered up to a strange place. Upon his arrival, he encounters a group of boys, each of which arrived in the same way. The boys created a sort of primitive community in a beautiful green glade. Each boy is assigned a specific role in order to contribute to their survival. None of them are able to remember where they came from or their life before arriving.
The plot quickly begins to revolve around the boys who have been deemed maze runners. The glade in which the community resides is surrounded, or I should say enclosed, by a gigantic stone maze. The maze runners run through the maze trying to find out more about it in order to eventually escape. But, the maze is unsolvable because it changes shape each day and is too dangerous to stay in overnight.
The main protagonist Thomas (Dylan O’Brien) quickly interjects himself into the maze runner role, against the wishes of the community. But it isn’t long until he proves himself capable of the role when he becomes the first boy to kill what they call a “griever.” His arrival marks the beginning of new hope for the boys’ escape. At this point, one must wonder why none of the boys had ever killed a “griever” before the arrival of Thomas.
The “grievers” are cyborg spiders residing within the maze. They are the main threat keeping the boys confined to the glade, and they come off as an incredibly hokey aspect of the film. However, this may be really enjoyable for fans of corny science fiction.
I have not had a chance to read the series myself, but something tells me details were left out of the film which would have brought the quality of the plot up a level.
Unfortunately, the plot is poorly developed in crucial areas which could have made the film great, had they been further developed. For example, the creators of the strange place and the robotic spiders are not given much depth. The lack of detail in this area is what gives the execution of the plot a make-believe feel. Perhaps this part of the plot is purposefully left open to lay the ground work for the rest of the series to be made into film.
All criticism aside, what makes “The Maze Runner” enjoyable is that it stems from a unique idea. It takes the audience on a new adventure. However, I would hardly say the film aims to please a young adult audience. Its execution seems tailored for tweens. It lacks any real graphic violence, staying well within its PG rating.
I give “Maze Runner” 3 out of 5 stars.
In the film, the action starts right out of the gate with a boy in a cage being delivered up to a strange place. Upon his arrival, he encounters a group of boys, each of which arrived in the same way. The boys created a sort of primitive community in a beautiful green glade. Each boy is assigned a specific role in order to contribute to their survival. None of them are able to remember where they came from or their life before arriving.
The plot quickly begins to revolve around the boys who have been deemed maze runners. The glade in which the community resides is surrounded, or I should say enclosed, by a gigantic stone maze. The maze runners run through the maze trying to find out more about it in order to eventually escape. But, the maze is unsolvable because it changes shape each day and is too dangerous to stay in overnight.
The main protagonist Thomas (Dylan O’Brien) quickly interjects himself into the maze runner role, against the wishes of the community. But it isn’t long until he proves himself capable of the role when he becomes the first boy to kill what they call a “griever.” His arrival marks the beginning of new hope for the boys’ escape. At this point, one must wonder why none of the boys had ever killed a “griever” before the arrival of Thomas.
The “grievers” are cyborg spiders residing within the maze. They are the main threat keeping the boys confined to the glade, and they come off as an incredibly hokey aspect of the film. However, this may be really enjoyable for fans of corny science fiction.
I have not had a chance to read the series myself, but something tells me details were left out of the film which would have brought the quality of the plot up a level.
Unfortunately, the plot is poorly developed in crucial areas which could have made the film great, had they been further developed. For example, the creators of the strange place and the robotic spiders are not given much depth. The lack of detail in this area is what gives the execution of the plot a make-believe feel. Perhaps this part of the plot is purposefully left open to lay the ground work for the rest of the series to be made into film.
All criticism aside, what makes “The Maze Runner” enjoyable is that it stems from a unique idea. It takes the audience on a new adventure. However, I would hardly say the film aims to please a young adult audience. Its execution seems tailored for tweens. It lacks any real graphic violence, staying well within its PG rating.
I give “Maze Runner” 3 out of 5 stars.
Rachel King (13 KP) rated Extras (Uglies, #4) in Books
Feb 11, 2019
I enjoyed this book as an epilogue to the Ugly Trilogy. It resolved the one aspect that I thought was left hanging in Specials, the fate of the planet Earth itself in regards to how the current human race treated it, as opposed to how the Rusties were notorious for destroying it. I liked that I got to see how Tally and the other Cutters were viewed from an outsider with the viewpoint of Aya Fuse. In addition, the reputation economy that Aya lived in was unnervingly familiar to our own Western society of blogging, social networking, computer and television-centered lifestyles. Of the four books, I found this one the most enlightening and original, in the same genre as other dystopian literature. It seeks to reveal the truth through a piece of fiction, or as one character in the book proclaims, "I guess you sometimes have to lie to find the truth."
I did find the resolution that the Extras came up with regarding the protection of the wild to be a bit far-fetched and lacking detail and explanation - it takes much, much more to train for life in outer space than just floating around on zero-gravity attachments. The lightness with which this topic is approached in the novel does not do it justice by any means, but I had to remind myself that this is still a Young Adult novel. At the same time, this concept opens up a whole new plotline that Westerfeld could pursue in the Ugly series, should he want to, which I do appreciate.
I did find the resolution that the Extras came up with regarding the protection of the wild to be a bit far-fetched and lacking detail and explanation - it takes much, much more to train for life in outer space than just floating around on zero-gravity attachments. The lightness with which this topic is approached in the novel does not do it justice by any means, but I had to remind myself that this is still a Young Adult novel. At the same time, this concept opens up a whole new plotline that Westerfeld could pursue in the Ugly series, should he want to, which I do appreciate.
Gareth von Kallenbach (980 KP) rated Suicide Squad: Hell to Pay (2018) in Movies
Jun 19, 2019
The deadly, demented, and dangerous, and dysfunctional Task Force X has returned in “Suicide Squad: Hell to Pay”. The new animated film from Warner Bros Home Entertainment features the voice talents of Christian Slater, Vanessa Williams, Greg Grunberg, Tara Strong, and many others in an adult themed story which should delight fans of the series who thought the PG-13 approach of the live action film did not do the series the proper treatment they believed was due.
The worst of the worst have been recruited to recover a mysterious artifact and thanks to the explosives implanted in their heads; their control and compliance is expected.
Deadshoot, Harley Quinn, Copperhead, Captain Boomerang, Killer Frost, and others set out to complete their mission despite their usual issues with authority, the world, and each other. Naturally they are not unopposed as Captain Zoom, Banshee, and others stand in their way.
As the team fights others and amongst themselves, the body count piles up as this is not a kid’s movie and the blood and bullets fly frequently.
The animation and voice acting is first rate as you would expect from Warner Bros and the large cast works very well bringing their characters to life and infusing them with a complexity which is deeply engaging.
In another triumph for the studio, the movie delivers all that fans expect and more and let us hopes we will be seeing Task Force X again in the very near future.
http://sknr.net/2018/04/10/suicide-squad-hell-to-pay/
The worst of the worst have been recruited to recover a mysterious artifact and thanks to the explosives implanted in their heads; their control and compliance is expected.
Deadshoot, Harley Quinn, Copperhead, Captain Boomerang, Killer Frost, and others set out to complete their mission despite their usual issues with authority, the world, and each other. Naturally they are not unopposed as Captain Zoom, Banshee, and others stand in their way.
As the team fights others and amongst themselves, the body count piles up as this is not a kid’s movie and the blood and bullets fly frequently.
The animation and voice acting is first rate as you would expect from Warner Bros and the large cast works very well bringing their characters to life and infusing them with a complexity which is deeply engaging.
In another triumph for the studio, the movie delivers all that fans expect and more and let us hopes we will be seeing Task Force X again in the very near future.
http://sknr.net/2018/04/10/suicide-squad-hell-to-pay/
TT
The Truth Will Set You Free: Overcoming Emotional Blindness and Finding Your True Adult Self
Book
More than twenty years ago, a little-known Swiss psychoanalyst wrote a book that changed the way...