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Whatchareadin (174 KP) rated Better Than I Know Myself in Books
Apr 3, 2019
Did you ever have a friend who was more like family? For Regina Foster, Jewel Prescott, and Carmen Webb this is exactly true. Better Than I Know Myself starts in the late 70's when the girls are seniors in high school and making the decision on where to go to college. Three different girls from three very different backgrounds. Jewel, a former child star. Regina, the daughter of two college educated parents and little sister to older brothers who had all attended and graduated from college. And Carmen whose parents had left her at a young age.
The story progresses through their meeting in New York at Barnard and continues through their graduation. Regina and Jewel were already roommates when they met Carmen at the university library. They all got stuck in an elevator together and as they say, "The rest is history." They lived together through the early 80's as they grew into women and started to become independent.
The book covers twenty years of friendship and sisterhood and all the trials and tribulations that entails.
This book made me laugh out loud and brought a tear or two to my eyes. It also made me want to get together with my closest girlfriends. This is a book that you have to read until the end.
I listened to this book through the iPod and Overdrive. The audio was read by Lisa Renee Pitts.
The story progresses through their meeting in New York at Barnard and continues through their graduation. Regina and Jewel were already roommates when they met Carmen at the university library. They all got stuck in an elevator together and as they say, "The rest is history." They lived together through the early 80's as they grew into women and started to become independent.
The book covers twenty years of friendship and sisterhood and all the trials and tribulations that entails.
This book made me laugh out loud and brought a tear or two to my eyes. It also made me want to get together with my closest girlfriends. This is a book that you have to read until the end.
I listened to this book through the iPod and Overdrive. The audio was read by Lisa Renee Pitts.
It would be silly of me to repeat that this is an Asian version of Cinderella, since so many others do it. I am just annoyed that every story is compared to Cinderella considering rags to riches, marrying the prince is nothing new and Cinderella was certainly not the first of its kind. If you read the author's note, it says she was inspired by some Chinese students telling their native fairy tales.
All in all, I liked the novel. Xing Xing is crafty and clever unlike Cinderella who has a fairy godmother to do everything for her. No, Xing Xing takes care of not only herself but her father's second wife and half sister as well. You cannot really say the second wife is evil because she is only doing what any Chinese mother would do for her daughter in that day in age. To us, it may seem archaic and barbaric, but that is how it was back then.
Xing Xing is a strong heroine who does not just do the second wife's every whim. And when Xing Xing finally flat out defies her, it ultimately leads to Xing Xing's freedom and salvation.
I forgot how annoying yet efficient Napoli's style is. It seems so juvenile but is perfect for its purpose. I do not think the story would have been the same if it had been written any other way.
All in all, I liked the novel. Xing Xing is crafty and clever unlike Cinderella who has a fairy godmother to do everything for her. No, Xing Xing takes care of not only herself but her father's second wife and half sister as well. You cannot really say the second wife is evil because she is only doing what any Chinese mother would do for her daughter in that day in age. To us, it may seem archaic and barbaric, but that is how it was back then.
Xing Xing is a strong heroine who does not just do the second wife's every whim. And when Xing Xing finally flat out defies her, it ultimately leads to Xing Xing's freedom and salvation.
I forgot how annoying yet efficient Napoli's style is. It seems so juvenile but is perfect for its purpose. I do not think the story would have been the same if it had been written any other way.
Bong Mines Entertainment (15 KP) rated Cherry Chapstick - Single by Olivia Nelson in Music
Jun 18, 2019
Olivia Nelson is a 23-year-old singer-songwriter based in East London. Not too long ago, she released an attractive contemporary R&B tune, entitled, “Cherry Chapstick”, produced by Jayjay.
“Interaction, we all need that attraction. That holiday feeling, that wine in the evening like smooth R&B. Maybe, love’s what you need. Twenty-somethings, house party, conversations flowing. She’s finally noticed you. You gotta see this through, boy. ‘Cause when you look at her, you know he gets butterflies and all that. She could be the one. Better kiss her before she goes home.” – lyrics
‘Cherry Chapstick’ contains a relatable storyline, ear-welcoming vocals, and lush instrumentation flavored with contemporary R&B and neo-soul elements.
Also, the likable tune will be featured on Olivia Nelson’s upcoming EP, entitled, “Back To You”.
“‘Cherry Chapstick’ is a story about two people finding love at a party. It’s that exciting moment when they meet and the connection starts blossoming. It’s a feel-good story that people root for.” – Olivia Nelson
Olivia Nelson was raised on an eclectic diet of contemporary soul and Motown classics.
Her appreciation for vocal proficiency lead her to pursue singing from a young age. Now, she seeks collaborations with boundary-pushing writers and producers.
Also, her music has amassed over 17M streams online via Spotify, and her captivating live show solidifies her status as one of British R&B’s most exciting new talents.
https://www.bongminesentertainment.com/olivia-nelson-cherry-chapstick/
“Interaction, we all need that attraction. That holiday feeling, that wine in the evening like smooth R&B. Maybe, love’s what you need. Twenty-somethings, house party, conversations flowing. She’s finally noticed you. You gotta see this through, boy. ‘Cause when you look at her, you know he gets butterflies and all that. She could be the one. Better kiss her before she goes home.” – lyrics
‘Cherry Chapstick’ contains a relatable storyline, ear-welcoming vocals, and lush instrumentation flavored with contemporary R&B and neo-soul elements.
Also, the likable tune will be featured on Olivia Nelson’s upcoming EP, entitled, “Back To You”.
“‘Cherry Chapstick’ is a story about two people finding love at a party. It’s that exciting moment when they meet and the connection starts blossoming. It’s a feel-good story that people root for.” – Olivia Nelson
Olivia Nelson was raised on an eclectic diet of contemporary soul and Motown classics.
Her appreciation for vocal proficiency lead her to pursue singing from a young age. Now, she seeks collaborations with boundary-pushing writers and producers.
Also, her music has amassed over 17M streams online via Spotify, and her captivating live show solidifies her status as one of British R&B’s most exciting new talents.
https://www.bongminesentertainment.com/olivia-nelson-cherry-chapstick/
JT (287 KP) rated Midsommar (2019) in Movies
Mar 10, 2020
As the end credits rolled I sat back and contemplated what I had just witnessed – this was the most fucked up piece of cinema I’d seen in some time. Burdened by a horrific tragedy Dani (Florence Pugh) turns to boyfriend Christian (Jack Reynor) for support, who is unsure himself that their relationship can continue.
Joining a small group of friends they head off to Sweden to attend a mid-summer festival in the hope of rekindling their dying relationship.
The film is disturbing on almost every level and does take time to get going as the group is introduced to an idyllic community where not everything is as it seems. Director Ari Aster has made no illusions of his dislike for jump scares – and you won’t find too many here, well, maybe one. But this is a new age break-up film, not an out an out horror as many people might have expected.
But how do you turn a mild mannered community such as the Harga, into a sinister cult, justifying their ways via ritualistic events and ancient scripture – easy, you do it slowly. Aster builds the story well, introducing subtle clues to the foreboding which is inevitably coming. When it comes, it is a tour de force of shock value.
It’s a solid follow up for Aster whose feature length debut, Hereditary, split audiences – but there is no denying that he has upped his game significantly.
Joining a small group of friends they head off to Sweden to attend a mid-summer festival in the hope of rekindling their dying relationship.
The film is disturbing on almost every level and does take time to get going as the group is introduced to an idyllic community where not everything is as it seems. Director Ari Aster has made no illusions of his dislike for jump scares – and you won’t find too many here, well, maybe one. But this is a new age break-up film, not an out an out horror as many people might have expected.
But how do you turn a mild mannered community such as the Harga, into a sinister cult, justifying their ways via ritualistic events and ancient scripture – easy, you do it slowly. Aster builds the story well, introducing subtle clues to the foreboding which is inevitably coming. When it comes, it is a tour de force of shock value.
It’s a solid follow up for Aster whose feature length debut, Hereditary, split audiences – but there is no denying that he has upped his game significantly.
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