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When the World Tips Over

Jandy Nelson

9.0 (1 Ratings) Rate It

Book

An explosive new novel brimming with love, secrets, and enchantment The Fall siblings live in hot...

Lyndsey Gollogly (2893 KP) rated Recluse in Books

May 11, 2024

92 of 220
Book sirens arc
Recluse
By Gabriel Zavala
⭐️⭐️⭐️⭐️

HE'S WEAVING HIS WEB OF MURDER.

Lukas Retter is a recluse in the correctional city of East Haddam, Connecticut, washing cars and dreaming about taking back control of his life. He has been ever since The Safety First Act redefined criminal justice in America.
Meanwhile, the children of criminals are placed in psychiatric hospitals to be evaluated.
But when Lukas murders Rebecca Waylow, his girlfriend, he leaves her dismembered and strung-up on a web of bloody ropes and wires. And she won't be the last.
As Lukas recalls his sinister past and becomes the new nightmare of his correctional city, he transforms into the serial killer he was destined to become. He'll do whatever it takes to feel control, even if it means stringing a few people up in the process.

This was pretty brutal from start to finish. Not one of these characters have any redeeming qualities. This main character was taken from his home at a young age, accused of killing his father even though he watched his sister do it to then be put into a violent situation by the government.
It’s a tough read but actually really well written especially from such a young author who definitely has a long promising career ahead of him.

I received an advance review copy for free, and I am leaving this review voluntarily.

Kudos

Gareth von Kallenbach (980 KP) rated Mid90s (2018) in Movies

Jul 2, 2019

Mid90s (2018)

2018 | Comedy, Drama

7.1

(9 Ratings)

Movie Rating

It doesn’t take much to remember that Jonah Hill (writer and director) had already acted in one of the greatest coming-of-age movies at the age of 24. A cursory glance at Superbad shows it to be a hilarious and quotable movie. But a deeper look at the film reveals the true story. Two high school friends (Hill and Michael Cera) who realize they are drifting apart because of incoming adulthood and that they are powerless to stop it. Keeping that in mind, Hill was quoted during the production of Mid 90s as saying that coming-of-age films are cliché and what he really wanted was to make a skateboarding movie that avoided the 80s “cowabunga” tropes. The result of that focus is Mid 90s.

Sunny Suljic plays 13-year-old Stevie, a quiet and often confused boy looking to escape his bleak and abusive home life by connecting with a group of local skater kids. While Suljic absolutely steals the show with his superb acting, his (mostly no name) costars deserve massive kudos for this endeavor as well. Lucas Hedges (Manchester by the Sea, Three Billboards outside of Ebbing Missouri) plays Stevie’s abusive older brother Ian. Though he is quickly established in the opening shot as the antagonist, his character arc throughout the film is one of the greatest and you find yourself soon empathetic to his plight nearly as much as Stevie’s. The skater gang is comprised of Ray (Na-kel Smith), Fuckshit (Olan Prenatt), 4th Grade (Ryder McLaughlin) and Ruben (Gio Galicia). These four seem apathetically content to take Stevie under their wing after he begins hanging out at their skate shop. During this time they expose Stevie to a world of drinking, smoking, drugs and sex as well as a complex set of personalities that Stevie struggles to understand but tries desperately to emulate. This reverence begins to lead him down a path that worry not only his mother and brother, but also occasionally members of his new social group. The actors playing his newfound friends all bring a beautiful authenticity to their roles. They certainly aren’t playing “themselves”, but their personalities don’t feel concocted or forced.

The original score for the film was done by Trent Reznor and Atticus Ross as well as a selection of 1990s Hip Hop. And while the original music by Reznor and Ross accents the film perfectly, the 90s throwback songs struggle to do more than remind the viewer of the period and provide the sporadic nostalgia kick. In fact, most of the 90s nostalgia does little to add to the film. Thus, while the opportunity was there to give us a solid examination and social commentary on 1990s culture, Hill seems to fall short of that concept and instead uses the references as a gimmick to tie in smaller plot points.

In addition to the music, there are a few other elements that add to the hipster vintage nature of the film. It was shot entirely on 16mm and is presented in square 1:1 ratio. While this is certainly an unusual choice as more movies are shifted to wide screen formats and square televisions are no longer produced, it pushes the film closer towards the verité genre that is necessary to keep it within the indie style guide.

Mid 90s, along with Eighth Grade have positioned A24 studios in a fantastic place. They’ve demonstrated their willingness to get behind first time writer/directors and the results have been impressive to say the least. If they can remain on this type of pace I could see how the Academy would take notice come awards season.

So despite his view that they are cliché, Jonah Hill has once again created a poignant and powerful coming-of-age movie and he’s managed to wrap it into just enough skateboarding reality to give us the love letter he was hoping to produce. The film is not without its faults, but it’s not one you should miss.