"Kubrick has always been my keystone filmmaker. It was when I saw 2001 at age seven on opening weekend in New York that I first had my mind blown by a film. (And yes, I got to see the infamous nineteen minutes before they were cut!) I didn’t understand it, but I became obsessed with understanding it, dragging my poor dad back to it over and over. It changed my life . . . and I still have the Criterion laserdisc—my first Criterion purchase. The extras on the LD were—and still are—extraordinary, even if the picture quality has long been surpassed on Blu-ray. This film is why I’ve kept my rickety laserdisc player. (I’d love to see Criterion get ahold of 2001 again and what they could do with this greatest of all science-fiction films with modern 4K technology.) Paths of Glory was the second Kubrick film I saw, a couple of years later, when my dad took me to a revival house (I think it was the Carnegie Hall Cinema). He loved the film and its unflinching, humanist, antiwar stance, and it immediately became a huge touchstone for me. Its influence is all over my film A Midnight Clear, but I see it in other ways in almost everything I do. I was so excited when the Blu-ray was announced that I ordered two, so I could store one as a backup in case—God forbid—anything happened to my first copy and the disc went out of print."

"This was a difficult choice. I did want something that was a disco album and could have gone for The Bee Gees’ Saturday Night Fever - you don’t get much better than the songs on that particular album. But then I thought about Michael Jackson and what he did and how he changed things. Off The Wall is Quincy [Jones] at the height of his powers producing Michael Jackson as he is coming of age. Michael had the most amazing voice and a sense of rhythm that no-one had ever heard before. It’s really something. I listened to it about two or three months ago for the first time in quite a while and it is flawless. Off The Wall was the sound of [New York super-club] Studio 54. I was too young to go to Studio 54 when it first opened but I did go later when they reopened it briefly at the beginning of the eighties. I stood in the same room just imagining what it would have been like - it would have been a lot more fun in 1977. So, that album, which to me is a more interesting album than Thriller (although again another really great album), captured the spirit of a generation and moved dance music somewhere. This discussion could go on for hours if we had time, about what happened with disco and funk, bands like Chic and Sister Sledge who I’m obviously a huge fan of, but, for me, Off The Wall was the album that defined that period."