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Sarah (7799 KP) rated Rebecca (2020) in Movies
Nov 1, 2020
A dull adaptation
Rebecca is an adaptation of Daphne Du Maurier’s 1938 novel of the same name, following a young woman’s whirlwind romance and her battle to rid her new marriage and home of the shadow of her husband’s first wife.
Rebecca as a novel is a classic and a book I very much enjoyed, and whilst I’ve never seen the Hitchcock adaptation, it’s often referred to as a fairly legendary classic too. However I’m afraid to say the same cannot be said about this new version. The basic plot and story is present, although rather frustratingly the ending has been extended unnecessarily, but it has not been executed very well.
The trailer made this look quite sinister and spooky, which is quite right when the original novel is a gothic horror with aspects of a ghost story thrown in. However this film turns out to be nothing of the sort. It’s more of a romantic drama with a hint of thriller thrown in – the gothic horror ghost story is nowhere to be seen and neither is any form of intrigue or suspense. In fact I’d be so bold as to say this is just outright dull, and even the campy over the top sinister vibes from Kristin Scott Thomas’s housekeeper Mrs Danvers are laughable at best. The most interesting part of this was the opening scene with it’s sinister score but this just didn’t carry through to the rest of the film.
Sadly the cast don’t fare very well in this either. Lily James is a great actor, but her version of the new wife is too mousy and timid and you wonder what on earth Maxim ever sees in her. The character herself is very frustrating and irksome as she’s far too naïve and sweet. And Armie Hammer is miscast as Maxim De Winter himself. He looks the part, dashing and handsome, but he’s lacking in the intrigue, charm and secrecy that you’d expect this character to have. He’s also missing the age gap that is rather notable in the book.
The cinematography in this is rather concerning. The scenes in Monte Carlo are far too colourful and garish and they just look out of place, even more so for something that is meant to be a gothic horror. I’m unsure of why this has been done, other than to show a striking difference between Monte Carlo and Maxim’s Cornish home of Manderley. In fact what is most concerning about this film is why Ben Wheatley wanted to direct it. By far the biggest shock of this film was finding out Wheatley, of Kill List and Sightseers fame, had directed it. Wheatley is known for psychological dark (and often funny) thrillers and there is nothing of his style to be seen in this film at all. Which is a shame, as I think a little more of his dark style would’ve propelled this film into more than just a sub-par drama.
Overall this a very disappointing and long winded adaptation of a classic novel. Whilst there are a few decent scenes and a good, if not out of character, performance from Lily James, these are nowhere near enough to save this from being a bit of a bore.
Rebecca as a novel is a classic and a book I very much enjoyed, and whilst I’ve never seen the Hitchcock adaptation, it’s often referred to as a fairly legendary classic too. However I’m afraid to say the same cannot be said about this new version. The basic plot and story is present, although rather frustratingly the ending has been extended unnecessarily, but it has not been executed very well.
The trailer made this look quite sinister and spooky, which is quite right when the original novel is a gothic horror with aspects of a ghost story thrown in. However this film turns out to be nothing of the sort. It’s more of a romantic drama with a hint of thriller thrown in – the gothic horror ghost story is nowhere to be seen and neither is any form of intrigue or suspense. In fact I’d be so bold as to say this is just outright dull, and even the campy over the top sinister vibes from Kristin Scott Thomas’s housekeeper Mrs Danvers are laughable at best. The most interesting part of this was the opening scene with it’s sinister score but this just didn’t carry through to the rest of the film.
Sadly the cast don’t fare very well in this either. Lily James is a great actor, but her version of the new wife is too mousy and timid and you wonder what on earth Maxim ever sees in her. The character herself is very frustrating and irksome as she’s far too naïve and sweet. And Armie Hammer is miscast as Maxim De Winter himself. He looks the part, dashing and handsome, but he’s lacking in the intrigue, charm and secrecy that you’d expect this character to have. He’s also missing the age gap that is rather notable in the book.
The cinematography in this is rather concerning. The scenes in Monte Carlo are far too colourful and garish and they just look out of place, even more so for something that is meant to be a gothic horror. I’m unsure of why this has been done, other than to show a striking difference between Monte Carlo and Maxim’s Cornish home of Manderley. In fact what is most concerning about this film is why Ben Wheatley wanted to direct it. By far the biggest shock of this film was finding out Wheatley, of Kill List and Sightseers fame, had directed it. Wheatley is known for psychological dark (and often funny) thrillers and there is nothing of his style to be seen in this film at all. Which is a shame, as I think a little more of his dark style would’ve propelled this film into more than just a sub-par drama.
Overall this a very disappointing and long winded adaptation of a classic novel. Whilst there are a few decent scenes and a good, if not out of character, performance from Lily James, these are nowhere near enough to save this from being a bit of a bore.
Kristy H (1252 KP) rated One Last Stop in Books
Jun 3, 2021
A dazzling, heartfelt queer romance
August Landry moves to New York City, just another stop among many in her quest to prove that she's fine being alone. Everything she owns fits in five boxes, and she sleeps on an inflatable mattress. She belongs nowhere and needs no one. But NYC feels different to August: her diverse group of roommates, who adopt her immediately; her job at an all-night pancake diner; and the subway. Because the subway brings Jane: beautiful, enigmatic, leather jacket-clad Jane. Then August realizes something; Jane is always on the subway because she has to be. She's trapped and displaced in time from the 1970s. It seems as if August--and her new band of friends--may be the only one to save her. Can August believe in something, someone, enough to free Jane?
"Truth is, when you spend your whole life alone, it's incredibly appealing to move somewhere big enough to get lost in, where being alone looks like a choice."
I've put off writing this review because it's hard to see how I can do McQuiston's beautiful romance any justice. This book is such a romantic, sexy, and heartwarming read. August is an excellent character. She's spent most of her life in her uncle's shadow, working with her mother to try to solve his missing person's case. August eventually declared herself done--done searching, done with mysteries. But then this beautiful woman appears on the subway, and she offers the biggest mystery of all to August. Why is Jane stuck on the subway and how can August help?
"And she can't believe Jane had the nerve, the audacity, to become the one thing August can't resist: a mystery."
McQuiston gives us the most amazing, diverse queer novel one could ever wish for. August is bi and Jane basically every lesbian's dream. It's impossible not to fall in love with this gorgeous Asian subway vision. Even better, through Jane and other events, it's a tribute to those who came before our generation. Jane was a (incredibly sexy) activist / riot girl in the 1970s, yet is shocked that you can typically be openly gay on the subway now. She comes to everyone's defense there. She's amazing. As for August's roommates, they are beautiful and diverse, including trans and gay characters, with the lovely Myla taking care of the group. There are several drag queens given legitimate, true storylines. To say how meaningful this is to the queer community--it's hard to even explain. All of these characters--roommates Myla, her boyfriend, Niko, and Wes; neighbor Isaiah; coworkers Lucie and Winfield--are real and treated with care. They are funny, flawed, and create the most amazing found family ever.
"Jane doesn't age. She's magnetic and charming and gorgeous. She... kind of lives underground."
As for August and Jane, this is a romance for the ages. This book is swoony and sexy. It will make you laugh; it will make you cry. McQuiston has written a lesbian character for us lesbians to ogle for years to come, and a romance to stack all other romances against. It's funny and heartwarming. There's magic and mystery. There's pancakes. It's a beautiful ode to New York City, the subway, and falling in love. There's seriously nothing not to love.
So yes, I loved this book. I love McQuiston's way with words--the humor, the romance, the way she allows the queer community to have meaningful love stories in our world. This book is flowing with passion, with beauty, and magic. 4.5+ stars.
"Truth is, when you spend your whole life alone, it's incredibly appealing to move somewhere big enough to get lost in, where being alone looks like a choice."
I've put off writing this review because it's hard to see how I can do McQuiston's beautiful romance any justice. This book is such a romantic, sexy, and heartwarming read. August is an excellent character. She's spent most of her life in her uncle's shadow, working with her mother to try to solve his missing person's case. August eventually declared herself done--done searching, done with mysteries. But then this beautiful woman appears on the subway, and she offers the biggest mystery of all to August. Why is Jane stuck on the subway and how can August help?
"And she can't believe Jane had the nerve, the audacity, to become the one thing August can't resist: a mystery."
McQuiston gives us the most amazing, diverse queer novel one could ever wish for. August is bi and Jane basically every lesbian's dream. It's impossible not to fall in love with this gorgeous Asian subway vision. Even better, through Jane and other events, it's a tribute to those who came before our generation. Jane was a (incredibly sexy) activist / riot girl in the 1970s, yet is shocked that you can typically be openly gay on the subway now. She comes to everyone's defense there. She's amazing. As for August's roommates, they are beautiful and diverse, including trans and gay characters, with the lovely Myla taking care of the group. There are several drag queens given legitimate, true storylines. To say how meaningful this is to the queer community--it's hard to even explain. All of these characters--roommates Myla, her boyfriend, Niko, and Wes; neighbor Isaiah; coworkers Lucie and Winfield--are real and treated with care. They are funny, flawed, and create the most amazing found family ever.
"Jane doesn't age. She's magnetic and charming and gorgeous. She... kind of lives underground."
As for August and Jane, this is a romance for the ages. This book is swoony and sexy. It will make you laugh; it will make you cry. McQuiston has written a lesbian character for us lesbians to ogle for years to come, and a romance to stack all other romances against. It's funny and heartwarming. There's magic and mystery. There's pancakes. It's a beautiful ode to New York City, the subway, and falling in love. There's seriously nothing not to love.
So yes, I loved this book. I love McQuiston's way with words--the humor, the romance, the way she allows the queer community to have meaningful love stories in our world. This book is flowing with passion, with beauty, and magic. 4.5+ stars.
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graveyardgremlin (7194 KP) rated Dark Protector (Paladins of Darkness, #1) in Books
Feb 15, 2019
Dark Protector introduces an interesting new concept in the paranormal romance field. If there are other books that deal with something like a paladin and this sort of plot, I don't know about them and haven't ever come across anything similar.
Laurel and Devlin were nice characters but that was about it; there wasn't much depth to them or back story. I would have liked to know more about Devlin and how he came to be a paladin exactly (at least I don't think it was mentioned). I mean he was about three times Laurel's age, so he had to have lived some outside the paladin world. You don't just start fighting in diapers. What is the whole history of the paladins and how do they come back? Also, I'd love to know more about the Others, which I suspect is to come, but they sound so intriguing! Why do they cause chaos to the human world? Why are they on the other side? What are they like? Were they really humans long ago but were sent/punished/whatever to be on the other side?(My hypothesis) I hope Ms. Morgan answers these questions in the future!
I still can't help but feel that there was something missing (besides my before mentioned questions :P) - I'm not sure what it was, maybe because the whole book was an introduction to the paladins and the rest of the series, but I don't know. Or it could be the relationship itself, which wasn't quite believable - nice but not something I'll remember. Still, I will read more in the series, especially Trahern's and Cullen's books, and hope they progress nicely in the future.
3.5 stars
*note
Excuse me if I've missed things mentioned in the actual book but I had started it a couple months ago, couldn't concentrate on reading at all, and just picked it back up yesterday.
Laurel and Devlin were nice characters but that was about it; there wasn't much depth to them or back story. I would have liked to know more about Devlin and how he came to be a paladin exactly (at least I don't think it was mentioned). I mean he was about three times Laurel's age, so he had to have lived some outside the paladin world. You don't just start fighting in diapers. What is the whole history of the paladins and how do they come back? Also, I'd love to know more about the Others, which I suspect is to come, but they sound so intriguing! Why do they cause chaos to the human world? Why are they on the other side? What are they like? Were they really humans long ago but were sent/punished/whatever to be on the other side?(My hypothesis) I hope Ms. Morgan answers these questions in the future!
I still can't help but feel that there was something missing (besides my before mentioned questions :P) - I'm not sure what it was, maybe because the whole book was an introduction to the paladins and the rest of the series, but I don't know. Or it could be the relationship itself, which wasn't quite believable - nice but not something I'll remember. Still, I will read more in the series, especially Trahern's and Cullen's books, and hope they progress nicely in the future.
3.5 stars
*note
Excuse me if I've missed things mentioned in the actual book but I had started it a couple months ago, couldn't concentrate on reading at all, and just picked it back up yesterday.
Billie Wichkan (118 KP) rated A Single Source in Books
May 22, 2019
Veteran BBC reporter William Carver is in Cairo, bang in the middle of the Arab Spring. 'The only story in the world' according to his editor. But it isn't.
There's another story, more significant and potentially more dangerous, and if no one else is willing to tell it, then Carver will - whatever the consequences.
A Single Source tells two stories, which over a few tumultuous months come together to prove inextricably linked. There are the dramatic, world-changing events as protests spread across North Africa and the Middle East, led by a new generation of tech-savvy youngsters challenging the corrupt old order. And then there are two Eritrean brothers, desperate enough to risk everything to make their way across the continent to a better life in Europe.
The world is watching, but its attention span is increasingly short. Carver knows the story is a complex one and, in the age of Facebook, Twitter and rolling news, difficult stories are getting harder to tell. If everyone is a reporter, then who do you believe?
I have to say this book was a complete departure from the types of books I've been reading recently.
A Single Source is set in 2011 in a time that came to be known as the Arab Spring. Carver and his producer Patrick are in Cairos Tahrir Square to report on the January 25th uprising. There are three strands to the story the one set in Egypt, another revolving around the foreign office and the third set in Eritrea. Gradually these three strands are woven together..
A slow starter which I found very difficult to get into maybe because this is not my usual type of reading material.
This book is well written and descriptive and the author has done a lot of work and research.
Unfortunately just not my cup of tea but do recommend if political thrillers is what you like.
Many thanks to the publisher and Net Galley for the opportunity to review this book.
Review copied to Amazon UK but link not available yet.
There's another story, more significant and potentially more dangerous, and if no one else is willing to tell it, then Carver will - whatever the consequences.
A Single Source tells two stories, which over a few tumultuous months come together to prove inextricably linked. There are the dramatic, world-changing events as protests spread across North Africa and the Middle East, led by a new generation of tech-savvy youngsters challenging the corrupt old order. And then there are two Eritrean brothers, desperate enough to risk everything to make their way across the continent to a better life in Europe.
The world is watching, but its attention span is increasingly short. Carver knows the story is a complex one and, in the age of Facebook, Twitter and rolling news, difficult stories are getting harder to tell. If everyone is a reporter, then who do you believe?
I have to say this book was a complete departure from the types of books I've been reading recently.
A Single Source is set in 2011 in a time that came to be known as the Arab Spring. Carver and his producer Patrick are in Cairos Tahrir Square to report on the January 25th uprising. There are three strands to the story the one set in Egypt, another revolving around the foreign office and the third set in Eritrea. Gradually these three strands are woven together..
A slow starter which I found very difficult to get into maybe because this is not my usual type of reading material.
This book is well written and descriptive and the author has done a lot of work and research.
Unfortunately just not my cup of tea but do recommend if political thrillers is what you like.
Many thanks to the publisher and Net Galley for the opportunity to review this book.
Review copied to Amazon UK but link not available yet.
Peter_mark84 (59 KP) rated the PlayStation 4 version of Mafia III in Video Games
May 31, 2019
A Deep and complex protagonist. (3 more)
Nice combination of ideas from other sources worked into a fresh new title.
Amazing soundtrack that feels right for time and the game.
Interesting way to tell the story
Not enough side activities when put next to GTA, Watch Digs or Sleeping Dogs (2 more)
Slower pacing than other games in genre.
Sometimes but repeative
A Thrilling Crime Thriller
Still on progress!
I have been playing Mafia 3 for few hours so far. I do really like this game. Adds something to the genre and is missing from GTA or Sleeping Dogs. That is seeing someone go from War Hero to Crimeload.
So far I am just building the Crime Empire up. But from the moment I saw Lincoln I was drawn in by this character who seems to be falling into the darkness. Much like CJ from GTA San Andreas, Lincoln has a shady past, du to his up bringing. However unlike CJ who was a gang-banger. Lincoln has that Crime Syndicate sense of 'honour' and 'respect'. The characters he meets from good of Father James to Cassandra and the other allies are interesting to meet and get to know.
Game play is interesting, not totally original however combine mechanics from other games makes for a unique experience. The stealth had the best parts of Assassin's Creed being able to lure targets into ambushes. Having visual indicates that the law can see you helps also.
I just wish there was more to do away from the main story. GTA, Watch Dogs and Sleeping Dogs all offer a staggering amount of side quests and activities. Mafia 3 seems a bit more linear, which is sad as the characters and world are well developed and flushed out. Even the missions are interesting if a little samey in parts. Overall I am still playing through this and I am hoping for more twists and turns. The story has me roped in and in an age where there are loads of games out there with great stories. That is important
I have been playing Mafia 3 for few hours so far. I do really like this game. Adds something to the genre and is missing from GTA or Sleeping Dogs. That is seeing someone go from War Hero to Crimeload.
So far I am just building the Crime Empire up. But from the moment I saw Lincoln I was drawn in by this character who seems to be falling into the darkness. Much like CJ from GTA San Andreas, Lincoln has a shady past, du to his up bringing. However unlike CJ who was a gang-banger. Lincoln has that Crime Syndicate sense of 'honour' and 'respect'. The characters he meets from good of Father James to Cassandra and the other allies are interesting to meet and get to know.
Game play is interesting, not totally original however combine mechanics from other games makes for a unique experience. The stealth had the best parts of Assassin's Creed being able to lure targets into ambushes. Having visual indicates that the law can see you helps also.
I just wish there was more to do away from the main story. GTA, Watch Dogs and Sleeping Dogs all offer a staggering amount of side quests and activities. Mafia 3 seems a bit more linear, which is sad as the characters and world are well developed and flushed out. Even the missions are interesting if a little samey in parts. Overall I am still playing through this and I am hoping for more twists and turns. The story has me roped in and in an age where there are loads of games out there with great stories. That is important
Merissa (12330 KP) rated Hustle of the Gunman [Galaxia Pirates 4] (Galaxia Pirates #4) in Books
Mar 6, 2018
![Hustle of the Gunman [Galaxia Pirates 4] (Galaxia Pirates #4)](/uploads/profile_image/7ab/ec7f7982-bbbc-45f5-aac5-8d73cdf3e7ab.jpg?m=1522335045)
Hustle of the Gunman (Galaxia Pirates #4) by A.M. Halford
Hustle of the Gunman is the fourth book in the Galaxia Pirates series. In this instalment, we have the exact opposite of insta-love. Instead, Darrel has been in love with Toby for over eight years, but Toby wants nothing to do with him. Toby finally succeeds in pushing him away, only to have a change of heart and realise Darrel is who he wants after all. There are reasons for him pushing Darrel away, but nothing that is explained in too much detail. In fact, it is just skimmed over, which is a shame when it has impacted his life to such an extent. It is during a job that goes wrong that Toby realises exactly how much Darrel means to him, and is determined to show him, just so long as Darrel survives.
There were parts of this book that I loved - the longing from afar between both Toby and Darrel, and Toby's mastery of knives, for example. Unfortunately for me, it was never explained why he mastered them. What drew his interest to knives and swords, in this space age of laser guns etc? And although his upbringing was rough, why did it impact his life for so long?
This was well written, don't get me wrong. The pacing was smooth, and it was action-packed. There are moments of steam, as well as tenderness. The characters are familiar but I'm still learning new things about them with each book. I would recommend this book as I thoroughly enjoyed reading it. However, it just didn't 'push my buttons' like some of the other stories have.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
There were parts of this book that I loved - the longing from afar between both Toby and Darrel, and Toby's mastery of knives, for example. Unfortunately for me, it was never explained why he mastered them. What drew his interest to knives and swords, in this space age of laser guns etc? And although his upbringing was rough, why did it impact his life for so long?
This was well written, don't get me wrong. The pacing was smooth, and it was action-packed. There are moments of steam, as well as tenderness. The characters are familiar but I'm still learning new things about them with each book. I would recommend this book as I thoroughly enjoyed reading it. However, it just didn't 'push my buttons' like some of the other stories have.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Hazel (1853 KP) rated Stir of Shadows in Books
Jun 17, 2018
This ARC was provided by the publisher via NetGalley in exchange for an honest review
Here it is, book six in the never-ending Legend of Rhyme series by Jaime Lee Mann. Stir of Shadows takes readers back to the magical land of Coraira, reuniting everyone with the twins Asher and Ariana, the mermaid Teagan and all of their friends. Once again, the magical land is in trouble and all the characters are impacted in some way.
As with every book in this series, there are new characters introduced into the story – perhaps too many. And, of course, each individual has their own story to be told. The narrative is constantly switching between locations, often leaving the reader hanging with unresolved issues. Thankfully, the author separates these sections with short poems that sum up the general gist of the book as it progresses.
The Legend of Rhyme series feels overdone and the storyline in Stir of Shadows seemed to be snatching at straws, trying to piece something together. There are so many characters to keep track of, some who disappear for a while only to be reintroduced as if they had never been away.
There was no sense of danger or action in this instalment. Problems arose, only to be solved moments later. Unlike previous books where readers were overwhelmed with foreboding, the scenes were over and done within no time at all. The book, however, to give it its due, is fast-paced; I read it in less than two hours.
Perhaps it is not the storyline or authorship that is the problem, it could be my age. I am 26, whereas, Legend of Rhyme is targeted at people half that. There is little for an adult reader to latch onto and enjoy before it is snatched away by an easy solution.
Nonetheless, Jaime Lee Mann is great at ending her books on a cliffhanger. Stir of Shadows may not be anything to rave over, but I certainly want to know what happens next!
Here it is, book six in the never-ending Legend of Rhyme series by Jaime Lee Mann. Stir of Shadows takes readers back to the magical land of Coraira, reuniting everyone with the twins Asher and Ariana, the mermaid Teagan and all of their friends. Once again, the magical land is in trouble and all the characters are impacted in some way.
As with every book in this series, there are new characters introduced into the story – perhaps too many. And, of course, each individual has their own story to be told. The narrative is constantly switching between locations, often leaving the reader hanging with unresolved issues. Thankfully, the author separates these sections with short poems that sum up the general gist of the book as it progresses.
The Legend of Rhyme series feels overdone and the storyline in Stir of Shadows seemed to be snatching at straws, trying to piece something together. There are so many characters to keep track of, some who disappear for a while only to be reintroduced as if they had never been away.
There was no sense of danger or action in this instalment. Problems arose, only to be solved moments later. Unlike previous books where readers were overwhelmed with foreboding, the scenes were over and done within no time at all. The book, however, to give it its due, is fast-paced; I read it in less than two hours.
Perhaps it is not the storyline or authorship that is the problem, it could be my age. I am 26, whereas, Legend of Rhyme is targeted at people half that. There is little for an adult reader to latch onto and enjoy before it is snatched away by an easy solution.
Nonetheless, Jaime Lee Mann is great at ending her books on a cliffhanger. Stir of Shadows may not be anything to rave over, but I certainly want to know what happens next!