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Molly is involved in a train accident, but a note that her husband, police detective Daniel Sullivan, receives leads them to believe it might not have been an accident and Molly might have been the target. Meanwhile, Molly’s friend and neighbor Gus asks for help with a young girl who is experiencing horrible nightmares.

This series is always a great way to travel back to early 1900’s New York City, and this book is no exception. The plot starts out strongly, and the pace never lags. The characters are charming as always, and their continued growth is enjoyable to watch. I’ve been a fan since the first book, and this is another winner.

NOTE: I received an ARC in exchange for my honest review.

Read my full review at <a href="http://carstairsconsiders.blogspot.com/2015/03/book-review-edge-of-dreams-by-rhys.html">Carstairs Considers</a>.
  
Sleepy Hollow (1999)
Sleepy Hollow (1999)
1999 | Horror, Mystery, Romance
Sleepy Johnny
Contains spoilers, click to show
I like sleepy hollow dont get me wrong, its a good movie. But their are many problems with it.

Johnny depp in this movie, he seemed like he was tired, drunk, mysterious, and overall wired. Its always when him and tim burton collbrate.

The plot: police constable Ichabod Crane (Depp) sent from New York City to investigate a series of murders in the village of Sleepy Hollow by a mysterious Headless Horseman.

If you look on the back of the dvd cover it spoils that christohper walken is the headless horseman. His name is not at the beginning of the credits because of tim didnt want you to know he was in the film.

It has a great supporting cast : Christina Ricci, Michael Gambon, Jeffery Jones, Christopher Lee and Michael Gough.

I think overall sleepy hollow is a underrated horror jem directed by Tim Burton.
  
Stranger Than Paradise (1984)
Stranger Than Paradise (1984)
1984 | International, Comedy, Drama
9.0 (1 Ratings)
Movie Favorite

"I vividly remember first seeing Jim Jarmusch’s Stranger Than Paradise and being inspired by the spare craftsmanship of his cinematic style. I love the simplicity of his scenes and his dry sense of humor, but the best thing is the way he brings us in and out of edits. Each scene opens with a little bit of audio from the forthcoming scene while the shot remains black. He cuts to the action in progress, and with a primarily static frame that gives us the impression of a series of tableaux, the scene plays out before cutting—not fading—to black. The restraint of this structure is deceptively simple as it calms and amuses us, pulling us along through the story in an unfolding rhythm that parallels John Lurie’s perfect score. And of course the black-and-white landscapes of New York City are irresistible."

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