Search
Search results
Miami Airport (MIA) Flight Tracker Radar
Travel and Weather
App
Flight tracker premium. #1 airport app For Miami (MIA, FLL, PBI) plus every airport in the world...
Liar, Temptress, Soldier, Spy: Four Women Undercover in the Civil War
8.0
Rate It
Book
Karen Abbott, the New York Times bestselling author of Sin in the Second City and “pioneer of...
Renovations (By Design #6)
8.0
Rate It
Book
Governor Candace Reid has been in office for just over a month and things have only begun to get...
Lesbian Politics
LeftSideCut (3776 KP) rated Nightmare Alley (2021) in Movies
Feb 5, 2022
In short, Nightmare Alley is a sometimes plodding and bloated piece that gets by thanks to a hugely pleasing aesthetic, and a great cast.
Firstly, there is no reason for NA to be 150 minutes long. One could argue that it gives us more time with the many characters introduced, but it feels gratuitous. The first hour and a half has its moments for sure, but it sometimes feels a little direction-less before the last hour hits, and things kick off a bit. It's an issue that certainly impacts proceedings, and I feel it could have lost 30 minutes and been a tighter final product.
Thankfully, the assembled cast is stacked with royalty. Willem Dafoe and Toni Collette are two of my favourite working actors, so having them both involved is a treat. Bradley Cooper, Cate Blanchett, and Rooney Mara are great as the main leads, and the rest of the ensemble is rounded out by some fantastic character actors - Richard Jenkins, Ron Perlman, Mary Steenburgen, David Strathairn - good stuff all round.
The overall visual style is wonderfully Del Toro, from the gloomy and misty carnival sights pierced by neon lights, to the snowy city scape of Buffalo, New York. A lot of the cinematography is gorgeous as well, hats off to Dan Laustsen, and is truly bought to life by a beautifully haunting music score from Nathan Johnson.
All in all, Nightmare Alley ultimately suffers from its pacing, and feels like a slog here and there. However, there are enough positives to carry it over the finish line. I look forward to checking out the black and white version in the near future.
Firstly, there is no reason for NA to be 150 minutes long. One could argue that it gives us more time with the many characters introduced, but it feels gratuitous. The first hour and a half has its moments for sure, but it sometimes feels a little direction-less before the last hour hits, and things kick off a bit. It's an issue that certainly impacts proceedings, and I feel it could have lost 30 minutes and been a tighter final product.
Thankfully, the assembled cast is stacked with royalty. Willem Dafoe and Toni Collette are two of my favourite working actors, so having them both involved is a treat. Bradley Cooper, Cate Blanchett, and Rooney Mara are great as the main leads, and the rest of the ensemble is rounded out by some fantastic character actors - Richard Jenkins, Ron Perlman, Mary Steenburgen, David Strathairn - good stuff all round.
The overall visual style is wonderfully Del Toro, from the gloomy and misty carnival sights pierced by neon lights, to the snowy city scape of Buffalo, New York. A lot of the cinematography is gorgeous as well, hats off to Dan Laustsen, and is truly bought to life by a beautifully haunting music score from Nathan Johnson.
All in all, Nightmare Alley ultimately suffers from its pacing, and feels like a slog here and there. However, there are enough positives to carry it over the finish line. I look forward to checking out the black and white version in the near future.
Mark @ Carstairs Considers (2324 KP) rated The Turncoat's Widow in Books
Jan 20, 2022
Spies and Mystery During the Revolutionary War
It’s been six months since Rebecca Parcell lost her husband on a British prison ship, and the rumors in town that she is the one who turned him in to the British are only growing stronger. So when she gets an offer from General Washington, she is quick to listen. It seems that her husband was spying for whoever would pay him the most money, and Washington wants to know about his network, including the British spies he was going to identify. In order to help Washington, Rebecca travels to New York City with Daniel Alloway, a man she barely knows but who was on the ship with her late husband. Will they be able to find the network of spies in time to stop a plot?
This is definitely a shade darker than the cozies I typically read, but it is only just a shade darker. I was delighted to find a mystery set during the Revolutionary War, and the book does a great job of bringing that time period to life. The plot starts out well and only gets stronger as it goes. By the end, I was racing to find out what would happen next. I did find the romance between Rebecca and Daniel to be the weak point of the book, but that was minor. The characters, real and fictional, are strong, and using both Rebecca and Daniel to tell the story is a real asset. I’m glad I found this series, and I can’t wait to find out where the characters go next.
This is definitely a shade darker than the cozies I typically read, but it is only just a shade darker. I was delighted to find a mystery set during the Revolutionary War, and the book does a great job of bringing that time period to life. The plot starts out well and only gets stronger as it goes. By the end, I was racing to find out what would happen next. I did find the romance between Rebecca and Daniel to be the weak point of the book, but that was minor. The characters, real and fictional, are strong, and using both Rebecca and Daniel to tell the story is a real asset. I’m glad I found this series, and I can’t wait to find out where the characters go next.
Darren (1599 KP) rated Manhattan Night (Manhattan Nocturne) (2016) in Movies
Nov 7, 2019
Characters – Porter Wren is a well-respected journalist in New York, he has a comfortable job in his paper because of his reputation for telling people’s stories. His latest case however will get him looking into the murder mystery that will push himself to the limits when he gets involved with the victim’s wife. He narrates a lot of this which is the films way of trying to have a dig a modern society. Caroline is the wife whose husband has been killed, she seduces Porter, which plays her out to be a siren, only she soon feels like a victim with this character get caught in the middle we never know which side she is meant to be, one that gets what she wants or just a victims. Simon is the husband that has been murdered meaning we only see him in flashback of how the two were married. Lisa is the wife of Porter, she is doctor and from how Porter tells the story they don’t get along as they once did.
Performances – Adrien Brody does well in the leading role in the film even if he doesn’t make his character feel much different than any others from the similar genre. Yvonne Strahovski fits the seductive side to her character, though without being the strongest in the serious side of the story. Campbell Scott and Jennifer Beals just don’t get enough time to show their skills off in this film.
Story – The story here follows an investigation into an unsolved murder which brings the investigative reporter into a series of cover ups and conspiracy in true noir style. Using the noir style is clear here, the execution of the noir style doesn’t quite come off though because the siren doesn’t feel like a siren and by the end you will be left wondering just why the investigation wasn’t solved by the police in the first place, let alone why the reporter is even asked to investigate it. Nothing really comes out of solving the case which is the biggest disappointment from everything we are getting invested in.
Crime/Mystery – The crime side of this mystery does involve a murder that hasn’t been solved, it does have other crime elements involved too which just confuse the simply plot.
Settings – The film is set in New York and uses a secret house to show a place of peace in this busy city and how people can meet and connect through life.
Scene of the Movie – The truth.
That Moment That Annoyed Me – The case felt pointless to solve.
Final Thoughts – This is a noir styled crime mystery that gives us a case that almost doesn’t need to be solved in the end.
Overall: Mystery that didn’t need solving.
Performances – Adrien Brody does well in the leading role in the film even if he doesn’t make his character feel much different than any others from the similar genre. Yvonne Strahovski fits the seductive side to her character, though without being the strongest in the serious side of the story. Campbell Scott and Jennifer Beals just don’t get enough time to show their skills off in this film.
Story – The story here follows an investigation into an unsolved murder which brings the investigative reporter into a series of cover ups and conspiracy in true noir style. Using the noir style is clear here, the execution of the noir style doesn’t quite come off though because the siren doesn’t feel like a siren and by the end you will be left wondering just why the investigation wasn’t solved by the police in the first place, let alone why the reporter is even asked to investigate it. Nothing really comes out of solving the case which is the biggest disappointment from everything we are getting invested in.
Crime/Mystery – The crime side of this mystery does involve a murder that hasn’t been solved, it does have other crime elements involved too which just confuse the simply plot.
Settings – The film is set in New York and uses a secret house to show a place of peace in this busy city and how people can meet and connect through life.
Scene of the Movie – The truth.
That Moment That Annoyed Me – The case felt pointless to solve.
Final Thoughts – This is a noir styled crime mystery that gives us a case that almost doesn’t need to be solved in the end.
Overall: Mystery that didn’t need solving.
Murder at Sea
10.0
Rate It
Book
Fear naut, the next Destinations Murder collection is here: Murder at Sea. Third in this...
Teenage Mutant Ninja Turtles: Half-Shell Heroes
Education and Games
App
An official Teenage Mutant Ninja Turtles game made just for your young learner! The Teenage Mutant...
Gareth von Kallenbach (980 KP) rated Motherless Brooklyn (2019) in Movies
Oct 31, 2019
With all the recent big action blockbuster movie releases recently, there is a genre that has been overlooked for some time, a good detective story. Most movies that take place in the 50’s tend to focus more on mob related backdrops and ruthless hits to draw in audiences. Motherless Brooklyn written, directed and starring Edward Norton looks to tell a story that harkens back to the day where gumshoes spoke to key individuals and followed the clues to get to the bottom of the case. This is long before forensics was a thing, and there were no fancy computer databases or DNA matching to utilize to narrow down the suspect pool. This was when it took the skills and abilities of the individual themselves to follow the clues and piece them together like a puzzle to solve each and every case.
Lionel Essrog (Edward Norton) is a private detective who works at a small P.I. firm trying to eek out a living in the streets of New York back in the late 50’s. Lionel along with his fellow gumshoes grew up in a Catholic orphanage that cemented the bond between them all as both friends and family. Lionel suffers from Tourette’s syndrome causing him to tick and burst out in unusual statements which only gets worse as he gets nervous or excited, however he also possesses a photographic memory, able to recall specific conversations and repeat them verbatim when asked.
On what begins as a seemingly routine job, things quickly turn deadly when Frank Minna (Bruce Willis) the lead private investigator (and owner) of the firm is gunned down in an alley. With very little information to go on and forced to confront each suspect while attempting to maintain his composure, Lionel must use his smarts and the help of his friends to piece together what Frank was involved in and unravel the mystery before anyone else gets hurt. His investigation will take him throughout the streets of New York at a time where racial tensions were bubbling over, and the lure of power and money was more than folks could ignore.
Edward Norton does an outstanding job with his portrayal of an average Joe who must overcome a debilitating mental condition to find those who killed his friend. He does such a believable job with his portrayal of Tourette’s that at times it’s hard to believe that he doesn’t suffer from it in his real life. Much the same way Jack Nicholson brought Obsessive-Compulsive Disorder into the public conscious in As Good as it Gets, Norton portrays his Tourette’s in a somewhat comical, but still respectable manner. In a way, his condition disappears into the background allowing his skills and smarts to come across first.
Norton is joined by a star-studded cast featuring Bruce Willis as his best friend Frank Minna, a seemingly well-intentioned man who has stood up and protected Lionel since child-hood. Alec Baldwin portrays a powerful and ruthless city official, looking to extend his power in the city while making a small fortune in the process. Willem DaFoe, fresh off of another Oscar worthy performance in The Lighthouse, once again brings his acting pedigree to the mix and last, but certainly not least Gugu Mbatha-Raw brings a smart and extremely strong female character with what should be an Oscar winning performance.
Motherless Brooklyn is a long movie (chalking in a bit over two and a half hours) and does take some time to gather its footing. This is a detective movie after all, and much of the action takes place speaking with suspects and researching in the library. It certainly brings an authentic feel to detective work in the 50’s and is a surprisingly refreshing detour from the onslaught of action and superhero movies which have dominated the screens in 2019. New York in the 50’s comes to life with the incredible costumes, vehicles and just overall feel of what the city must have been like back in the day. It’s a testament to how much wardrobe and attention to detail can take the viewers back in time. For those who lack the sort of patience that this movie will certainly require, it may seem a bit overwhelming to consider, however once the viewers settle in, they are in for a treat as they join Lionel in piecing the puzzle together, to sort out what led to the death of his friend.
Motherless Brooklyn was exactly the type of movie I was hoping for, a gritty detective movie that isn’t overly concerned with outrageous plots or frantic gun play. It’s a movie about gathering the clues, investigating the leads, and seeing where it takes you. The star-studded cast is outstanding, and I certainly cannot over emphasize the pivotal role that Norton brings to the screen. If old crime novels and private investigator stories are your cup of tea, you’ll find that Motherless Brooklyn checks off all the boxes. In a sea of superhero movies and high action thrillers, it’s refreshing to come across a film that brings some realism back to the cinema.
Lionel Essrog (Edward Norton) is a private detective who works at a small P.I. firm trying to eek out a living in the streets of New York back in the late 50’s. Lionel along with his fellow gumshoes grew up in a Catholic orphanage that cemented the bond between them all as both friends and family. Lionel suffers from Tourette’s syndrome causing him to tick and burst out in unusual statements which only gets worse as he gets nervous or excited, however he also possesses a photographic memory, able to recall specific conversations and repeat them verbatim when asked.
On what begins as a seemingly routine job, things quickly turn deadly when Frank Minna (Bruce Willis) the lead private investigator (and owner) of the firm is gunned down in an alley. With very little information to go on and forced to confront each suspect while attempting to maintain his composure, Lionel must use his smarts and the help of his friends to piece together what Frank was involved in and unravel the mystery before anyone else gets hurt. His investigation will take him throughout the streets of New York at a time where racial tensions were bubbling over, and the lure of power and money was more than folks could ignore.
Edward Norton does an outstanding job with his portrayal of an average Joe who must overcome a debilitating mental condition to find those who killed his friend. He does such a believable job with his portrayal of Tourette’s that at times it’s hard to believe that he doesn’t suffer from it in his real life. Much the same way Jack Nicholson brought Obsessive-Compulsive Disorder into the public conscious in As Good as it Gets, Norton portrays his Tourette’s in a somewhat comical, but still respectable manner. In a way, his condition disappears into the background allowing his skills and smarts to come across first.
Norton is joined by a star-studded cast featuring Bruce Willis as his best friend Frank Minna, a seemingly well-intentioned man who has stood up and protected Lionel since child-hood. Alec Baldwin portrays a powerful and ruthless city official, looking to extend his power in the city while making a small fortune in the process. Willem DaFoe, fresh off of another Oscar worthy performance in The Lighthouse, once again brings his acting pedigree to the mix and last, but certainly not least Gugu Mbatha-Raw brings a smart and extremely strong female character with what should be an Oscar winning performance.
Motherless Brooklyn is a long movie (chalking in a bit over two and a half hours) and does take some time to gather its footing. This is a detective movie after all, and much of the action takes place speaking with suspects and researching in the library. It certainly brings an authentic feel to detective work in the 50’s and is a surprisingly refreshing detour from the onslaught of action and superhero movies which have dominated the screens in 2019. New York in the 50’s comes to life with the incredible costumes, vehicles and just overall feel of what the city must have been like back in the day. It’s a testament to how much wardrobe and attention to detail can take the viewers back in time. For those who lack the sort of patience that this movie will certainly require, it may seem a bit overwhelming to consider, however once the viewers settle in, they are in for a treat as they join Lionel in piecing the puzzle together, to sort out what led to the death of his friend.
Motherless Brooklyn was exactly the type of movie I was hoping for, a gritty detective movie that isn’t overly concerned with outrageous plots or frantic gun play. It’s a movie about gathering the clues, investigating the leads, and seeing where it takes you. The star-studded cast is outstanding, and I certainly cannot over emphasize the pivotal role that Norton brings to the screen. If old crime novels and private investigator stories are your cup of tea, you’ll find that Motherless Brooklyn checks off all the boxes. In a sea of superhero movies and high action thrillers, it’s refreshing to come across a film that brings some realism back to the cinema.
Matthew Krueger (10051 KP) rated Gremlins 2: The New Batch (1990) in Movies
Dec 22, 2020
Gremlins Take Over The Big Apple
Gremlins 2: The New Batch- is a good sequel. Its still has its dark humor, comedy, horror and of course many gremlins. And you cant not forgot about Hulk Hogan, yes you read that right Hulk Hogan is in this. And the horror legend and icon Christopher Lee is also in this.
The plot: The magical collectibles store that Gizmo calls home has just been destroyed, and the tiny monster finds his way into a newly erected skyscraper. Billy Peltzer (Zach Galligan) and his bride-to-be, Kate (Phoebe Cates), who have previously dealt with Gremlins run amok, discover that Gizmo and an impish legion of reptilian pals are inhabiting the downtown building. The couple tries to stop the creatures from escaping into New York City, but this new batch of beasts might be uncontrollable.
Like the first film, Gremlins 2: The New Batch is a live-action horror comedy film; however, Dante put effort into taking the sequel in new anarchistic directions. The film is meant to be more cartoon-like and less dark than the original, with slapstick violence, so the film received a PG-13 rating by the Motion Picture Association of America (MPAA). There are also a number of parodies of other films and stories, including Gremlins itself, the Rambo films, The Wizard of Oz, Marathon Man and The Phantom of the Opera.
Along with the main plot, there is animation by Chuck Jones in the film featuring the Looney Tunes characters Bugs Bunny, Daffy Duck and Porky Pig. Jones had actually quit animation before returning to work on Gremlins 2: The New Batch.Dante explained the animation at the beginning of the film was meant to "set the anarchic tone."
The first scene appears at the very beginning of the movie, and features the classic Looney Tunes opening card, causing people to assume it is the short cartoon that usually plays before a movie begins; however, when Bugs appears through the rings on top of the Warner Bros. shield, Daffy interrupts the intro, and steals the shield from Bugs. Daffy attempts to recreate the opening with himself in Bugs' place, but the shield overshoots, causing the entire title card to fall apart. Daffy surrenders the stardom, claiming that since he will not star in the cartoon, they might as well just skip straight to the movie. Bugs is willing to do so, and spins Daffy off screen like a spinning top for the movie title to appear.
The DVD and Blu-ray include a longer version of the cartoon short. In it, Daffy is informed by Bugs that he has been promoted to executive and is subsequently put in charge writing the title of the movie. When Daffy mistakenly writes the title Gremlins 2 as "Gremlin Stew", Bugs corrects the error. Daffy then attempts to rename the film The Return of Super-Daffy Meets Gremlins 2 Part 6: The Movie, but Bugs rejects this for being too long, changing it back to Gremlins 2 (rendered in the font of the official logo). Daffy then quits his new job and Bugs decides to add in the subtitle, saying it looks "a little skimpy". This material was removed from the film because early audiences expected a live-action film and were bewildered by the lengthy animated sequence.
Throughout the film's closing credits, Daffy pops into frame sporadically and spouts off sarcastic comments. The last scene appears after the credits, and again features the Looney Tunes rings. This time, Porky comes out of the rings and tries to say his usual "Th-th-th-that's all, folks!" However, Daffy interrupts again and takes over. After Daffy says the slogan, the back of the Warner Bros. shield, with the words, "Title Animation Written & Directed by Chuck Jones (with Chuck Jones' signature)", smashes him. He peeks his head out to the left side and says, "Fade out," and the segment ends.
Its a good film.
The plot: The magical collectibles store that Gizmo calls home has just been destroyed, and the tiny monster finds his way into a newly erected skyscraper. Billy Peltzer (Zach Galligan) and his bride-to-be, Kate (Phoebe Cates), who have previously dealt with Gremlins run amok, discover that Gizmo and an impish legion of reptilian pals are inhabiting the downtown building. The couple tries to stop the creatures from escaping into New York City, but this new batch of beasts might be uncontrollable.
Like the first film, Gremlins 2: The New Batch is a live-action horror comedy film; however, Dante put effort into taking the sequel in new anarchistic directions. The film is meant to be more cartoon-like and less dark than the original, with slapstick violence, so the film received a PG-13 rating by the Motion Picture Association of America (MPAA). There are also a number of parodies of other films and stories, including Gremlins itself, the Rambo films, The Wizard of Oz, Marathon Man and The Phantom of the Opera.
Along with the main plot, there is animation by Chuck Jones in the film featuring the Looney Tunes characters Bugs Bunny, Daffy Duck and Porky Pig. Jones had actually quit animation before returning to work on Gremlins 2: The New Batch.Dante explained the animation at the beginning of the film was meant to "set the anarchic tone."
The first scene appears at the very beginning of the movie, and features the classic Looney Tunes opening card, causing people to assume it is the short cartoon that usually plays before a movie begins; however, when Bugs appears through the rings on top of the Warner Bros. shield, Daffy interrupts the intro, and steals the shield from Bugs. Daffy attempts to recreate the opening with himself in Bugs' place, but the shield overshoots, causing the entire title card to fall apart. Daffy surrenders the stardom, claiming that since he will not star in the cartoon, they might as well just skip straight to the movie. Bugs is willing to do so, and spins Daffy off screen like a spinning top for the movie title to appear.
The DVD and Blu-ray include a longer version of the cartoon short. In it, Daffy is informed by Bugs that he has been promoted to executive and is subsequently put in charge writing the title of the movie. When Daffy mistakenly writes the title Gremlins 2 as "Gremlin Stew", Bugs corrects the error. Daffy then attempts to rename the film The Return of Super-Daffy Meets Gremlins 2 Part 6: The Movie, but Bugs rejects this for being too long, changing it back to Gremlins 2 (rendered in the font of the official logo). Daffy then quits his new job and Bugs decides to add in the subtitle, saying it looks "a little skimpy". This material was removed from the film because early audiences expected a live-action film and were bewildered by the lengthy animated sequence.
Throughout the film's closing credits, Daffy pops into frame sporadically and spouts off sarcastic comments. The last scene appears after the credits, and again features the Looney Tunes rings. This time, Porky comes out of the rings and tries to say his usual "Th-th-th-that's all, folks!" However, Daffy interrupts again and takes over. After Daffy says the slogan, the back of the Warner Bros. shield, with the words, "Title Animation Written & Directed by Chuck Jones (with Chuck Jones' signature)", smashes him. He peeks his head out to the left side and says, "Fade out," and the segment ends.
Its a good film.