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Dark Encounters Box Set
Dark Encounters Box Set
Jambrea Jo Jones | 2019 | Erotica, LGBTQ+, Romance
8
8.0 (1 Ratings)
Book Rating
3 very good shorts
Independent reviewer for Archaeolibrarian, I was gifted my copy of this box set of three short stories.

I can't write three individual reviews for such short stories, the whole box set is 130 pages, and it took my an hour to read, but I will write a general one, encompassing what I thought about the three tales, which all take place within the BDSM club, Dark Encounters

There is Elizabeth and Ren: She goes to the club open night, but ery nearly walks out without speaking to anyone, but she catches Ren's eye. He doesn't play very often, but felt a need to come to the club this night. Elizabeth is a sub, and Ren, a Dom and their night goes pretty much how you expect it to. Well written, from Elizabeth's point of view only. All three tales are single point of view, actually!

then we have Franco and Trevor: Franco works at the club and has had a crush on Trevor who owns said club, forever. But trevor doesn't play with his staff. A sex carnival gives Trevor the opportunity to finally act on his desire. They start at a Ferris Wheel spanking and things move quickly after that.

And my favourite of the three!

Kameron wants one thing, well TWO really. Theodore and Beck fit all the requirements Kameron has, but will they want him for more than one night? Can he really be the middle of a bear sandwich forever?

Three well written, well delivered but far too SHORT stories, that hit just the spot they need to. I read this in the tub, and thoroughly enjoyed it!

I haven't read anything else by this author, but I would like to now. Something longer, maybe a full length book. Something that shows off what she can do with more words and pages to play with!

4 very good stars

**same worded review will appear elsewhere**
  
French Cancan (1956)
French Cancan (1956)
1956 | International, Comedy, Drama
(0 Ratings)
Movie Favorite

"I always think of Renoir whenever I make any picture, and he made a comedy about show business called French Cancan. It’s set around the turn of the century, and Jean Gabin plays the guy who invented the Moulin Rouge night club. He did it by championing the return of the can can, and it’s a glorious film. Gabin was great and Renoir is my favorite director. It’s a show business story, and so is ours."

Source
  
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Jarvis Cocker recommended B52s by B52s in Music (curated)

 
B52s by B52s
B52s by B52s
2019 | Pop, Rock
(0 Ratings)
Album Favorite

"Rock Lobster' was the first song I heard from it, I think from John Peel. I didn't listen to the record for a long time because the club I went to in Sheffield, an alternative indie club called The Limit, always played either 'Rock Lobster' or 'Planet Claire' every single night for three years that I went there. You would hear that, 'Bela Lugosi's Dead' by Bauhaus, 'Shack Up' by A Certain Ratio, 'She Sells Sanctuary' by The Cult, 'This Is The Day' by The The... nowadays the guy could have been a Spotify playlist, he hardly ever deviated and God knows why he turned up and put them on by hand, but he did. That was the only place to go if you were considered a bit of a weirdo."

Source
  
Night of the Comet (1984)
Night of the Comet (1984)
1984 | Comedy, Horror, Sci-Fi
Not as good as I remember
I was hoping this film held up over the years like Breakfast Club, Fright Night or even Night of the Living Dead, but not really.

Two teenage are among the few who survive an encounter with a comet that leaves most of the world's population dead turned into orange ash or mutated zombies. Instead of being overly concerned about their situation, they decide to go shopping and do makeovers on themselves with all the latest 80s fashions and make up trends. A few scientist types who also survived are harvesting some other normal people to collect their blood to ease in prolonged exposure.

Seeing all the 80s clothing, hairstyles and musical score was fun, but there were not many laughs. I can forgive low budget if the camp factor is entertaining enough; however, last night when I watched it mostly fell flat.

Kind of disappointed.

  
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MelanieTheresa (997 KP) Apr 1, 2019

This is one of my favorite bad movies! ?

A1
6
6.7 (3 Ratings)
Book Rating
I liked this, it had a lot of good things going for it...but...there were a few things that bothered me.

I liked the characters, apart from the flashbacks of Craig obviously. I liked how Abel was so caring of his younger sister and hated himself for what had happened to her under his watch. I liked the camaraderie between all the club staff. I liked Devlin's insistence with his feelings for Abel.

However, I didn't really like the threesome--I knew it was done for a good reason but I can't say I enjoyed reading about Abel hooking up with someone who wasn't Devlin. I didn't like the use of no condoms--Okay, they're likely to be tested regularly working at a gay club but really? I also didn't really like how all the main characters used "babe" when talking to each other, it made them all sound alike and I couldn't really see Devlin using it.

I'll admit I'm intrigued where this is going to go next as I can't see Devlin quitting his pursuit of Abel after the club night and I really liked their relationships progression. I'll keep my eye out for it.
  
Love to Hate You
Love to Hate You
Jo Watson | 2018
8
8.0 (1 Ratings)
Book Rating
3.5 stars.

I'm not normally a fan of romantic comedies as such and this one didn't make me laugh, I thought it was a bit ridiculous in places but putting that aside I did like the romance part. Though admittedly, I didn't quite get that part to start with either.

Ben just seemed really determined for her to fall for him and they'd literally only met that night at the club. I had to keep reading just to find out <i>why</i> Ben had fallen for her so easily. And the reason surprised me a little but why not?

I may read more of Jo Watson's books.
  
Late Night (2019)
Late Night (2019)
2019 | Comedy, Drama
Late Night is a well-written comedy about a non-white female hired to add diversity to the writing staff of a late night talk show. Katherine Newbury (Emma Thompson showing the comic skills developed during her university days as Hugh Laurie's girlfriend) is a older sophisticated woman who hosts a show whose audience is dying off, literally in some cases and figuratively. If things do not improve, she will no longer be host of her eponymous talk show. So, in an unexpected but obvious hiring decision, Molly Patel is hired to join the writing staff. At first, seen as an interloper with little comedy or writing experience, Molly uses her Mindy Kaling charm to win over her co-workers and her boss. As Katherine starts to see a way to take advantage of her uniqueness and the youth of Molly, she challenges the status quo of late night.
The movie is charming. The characters are developed and not cardboard cutouts of caricatures thanks to the writing, Max Casella, Reid Scott, Denis O'Hare, Hugh Dancy, Amy Ryan, and John Lithgow have backstories and motivations. However, the movie never really goes after the boys' club landscape that late night television inhabits nor does it go after the concept of diversity hires. It simply turns Molly into some sprite who sprinkles enthusiasm into the mundane lives of the people she encounters. Late Night also begins the campaign for John Lithgow as this year's Best Supporting Actor, Not for this role as the mentor for Molly's transformation to strong woman and devoted husband of Katherine who learns the meaning of karma, but for his role later this year as Roger Ailes.
  
Mute (Dragon Runners #1)
Mute (Dragon Runners #1)
ML Nystrom | 2018 | Contemporary, Romance
6
8.0 (2 Ratings)
Book Rating
Good, but not great
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

Katrina lands a job in the local biker bar while she finishes up her final semester at nursing school. Club enforcer Mute props himself up at the end of the bar for most of the night and watches. Kat's life is threatened, along with that of the club. Mute digs deep to overcome his fear of falling in love again, and pulls out all the stops to save both Kat and his beloved club.

Ok! SO!

I liked this, mostly. I think.

Not a particularly original story line, but it is told in a slightly different way. Kat has her say for the bigger part of the book in the first person. Then Mute has a say, for a little bit, in the third person. Until Mute has his say, I wasn't sure I was enjoying it, and maybe I wasn't even going to finish it. But Mute having his say made the book a little more enjoyable and I did finish it.

I liked that there was a slow build between Kat and Mute. I did not like that the love word was bandied about very early on.

From what I can see, this is a first time author and in places, it does show. It's a little . . . clunky . . . . .at points and some things don't flow too well.

A good start, not a great one.

3 stars

**same worded review will appear elsewhere**
  
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T Money (11 KP) rated Tau (2018) in Movies

Jul 6, 2018  
Tau (2018)
Tau (2018)
2018 | Sci-Fi, Thriller
The basic premise (0 more)
The script, the dialogue, the acting, the effects, the plot holes (0 more)
Just bad
Just really bad. I stayed watching cause the basic premise s interesting. I get that this is not a AAA, big budget title, but it just doesn't get anything right. It tries to be a B movie slasher pic, but "violence" mostly takes place off screen. The plot has giant gaping holes, such as why on earth is this skanky night club pick pocketer suddenly like MacGyver? Nothing any of the characters say is believable, both because of the things they say and because they are horrible actors. Nor is this movie so bad it's good, a la Sharknado. Life is too short to watch garbage like this.
  
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Lee (2222 KP) rated Hustlers (2019) in Movies

Sep 16, 2019  
Hustlers (2019)
Hustlers (2019)
2019 | Drama
Hustlers is 'inspired by a true story' and is based on a New York Magazine article written by Jessica Pressler in 2015 titled "The Hustlers at Scores". The tagline for that article was “Here’s a modern Robin Hood story for you: a few strippers who stole from (mostly) rich, (usually) disgusting, (in their minds) pathetic men and gave to, well, themselves" - something which pretty much sums up the entire plot of the movie. You'd be forgiven for thinking you'd seen this kind of thing a hundred times before, and to be honest the trailer didn't really do it any justice either in my opinion. But, turns out that Hustlers is actually a pretty slick and hugely entertaining piece of fun, something that I wasn't expecting to like anywhere near as much as I did.

We're in 2007 and Destiny (Constance Wu) is working nights at a Manhattan strip club called Moves. Caring for her grandmother and catching up on sleep by day, it soon becomes clear that life as a stripper isn't quite as glamorous as she'd imagined it to be. With a large number of girls working at the club, competition is strong, as are the internal politics, and the clients frequenting the club are just as disgusting as you'd imagine rich drunken assholes to be. And, at the end of a shift, the money that Destiny earns is subjected to numerous deductions and penalties from the manager and doorman as they all take their cuts, leaving Destiny with not very much at all.

And then one night, as the DJ introduces her, "The one, the only, Ramona!" (Jennifer Lopez) hits the stage to show everyone how it's all done, highlighting to Destiny the kind of money she could be making if she upped her game. Dominating the main stage, Ramona masterfully works the pole as she slinks around in time to the music. And it clearly works too - dollar bills shower her, and cover the stage, while the stunned onlookers lose their minds and overreact like something out of a Tex Avery cartoon.

Destiny follows Ramona up onto the roof, where she's taking time out for a smoke break and it's not long before Ramona decides to take Destiny under her wing. Along with showing her the more dexterously impressive moves on stage, she also reveals the three levels of client who visit the club and how to best work them to your advantage. They become good friends, working together to earn more than either of them have before. But then, during 2008, the recession hits and the club no longer benefits from the wild spending habits of Wall Street's biggest earners. Destiny becomes pregnant, leaving the club along with most of the other girls, but struggles to re-enter the workforce a few years later having had no real experience outside of a strip club. And then she meets up with Ramona once more, and learns about fishing...

Fishing involves the girls leaving the confines and constraints of the club in order to lure guys in from outside. Working as a group, they lace their drinks in bars (enough to make them happy, but not really conscious enough to fully appreciate or remember what happens for the rest of the night), then bringing them back to the club. There they can freely swipe their credit cards, have a great time and make thousands of dollars per night. As Ramona sells it to Destiny and the other girls they've recruited to help them, this isn't just survival, it's revenge against all of the Wall Street workers behind the recession, who had no comeback for their actions.

Occasionally the movies flashes forward a few years, where Destiny is being interviewed by the reporter who will eventually go on to write the article on their story (played by Julia Stiles). These scenes work well as a narrative device for the movie and it's clear that, while Destiny seems to have fared pretty well financially over the years, whatever she's done to get there has all gone horribly wrong at some point.

But for now, their scam works perfectly. After the lows and struggles of life as a lowly stripper, it's a real thrill to follow these girls on their journey to expensive clothes, big flashy cars and penthouse apartments. They all become like family, even enjoying an expensive Christmas together with their real families joining them. Hustlers moves beyond its humble strip club beginnings and the camaraderie and power these women develop together feels so genuine, it really makes this movie shine. Scenes where the girls go shopping, or even work together in the kitchen to perfect their drug recipe, are a lot of fun and Hustlers features just as much humour as it does drama. Much of what makes this all work so well is down to it's cast. Hustlers features some pretty strong support, but it's the pairing of Constance Wu and Jennifer Lopez that really stands out. Both are on top form, better than anything I've seen them in before and many reviews I've read are already recommending Oscar nominations for Jennifer Lopez.

Like I say, I wasn't expecting to like this as much as I thought I would based on the trailer. What I got was a fun, exhilarating story of female empowerment with a strong, solid cast. And, as the New York Magazine article so eloquently put it, a modern Robin Hood story.