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The Room on Rue Amélie
10.0
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For fans of Kristin Hannah’s The Nightingale and Martha Hall Kelly’s Lilac Girls, this powerful...
Kristy H (1252 KP) rated The Last Time I Lied in Books
Mar 6, 2019
Enjoyable, foreboding thriller
Fifteen years ago at Camp Nightingale, three of Emma's fellow campers disappeared, never to be found again. Ever since then, Emma has felt guilt about the incident and her actions that night. She idolized the three girls, especially beautiful Vivian, the leader of the pack, who bossed around Emma and the other two campers, Allison and Natalie. Since then, Emma--now a painter--has been painting huge canvases of landscapes, where she (secretly) paints the girls within each scene. She holds a successful show of her works, but now she's stuck, unable to paint anything else but "the girls," as she calls them. So when the owner of Camp Nightingale, Francesca Harris-White, turns up at Emma's show and tells her she's reopening the camp and she wants Emma to come back as an painting instructor, Emma agrees. Perhaps this will give her the closure she has always lacked and a chance to move on, to begin painting something else. But once back at the Camp--in the same cabin where her friends disappeared-Emma feels watched. Strange things begin happening and Emma starts to wonder more and more about what really happened fifteen years ago.
Well, this was just a fun thriller and a completely engaging read. I'm so glad I gave it a chance, as--unlike most of the reading population, I actually wasn't a huge fan of Sager's FINAL GIRLS and I wasn't entirely sure I was going to read this one. But it was definitely worth the read! This is a quick read and really enjoyable.
Sager populates the novel with a bunch of mysterious pieces that begin to add up across the story--clues, if you will--but you are left constantly wondering as you read. I personally was guessing up until the end, which I really liked. I am always a fan of a thriller that isn't utterly predictable. The novel is told from Emma's perspective, but flips between the present and the past (fifteen years ago, when the three girls went missing initially). This turns out to be an amazingly effective and compelling storytelling format: I read the entire book in about 24 hours and the first half in one setting. You can't quite pinpoint what draws you in, but you find yourself compulsively turning the pages.
Emma is a wonderful unreliable narrator. I enjoyed that she wasn't the requisite annoying unreliable narrator that we seem to see so often: she's tough, engaging, and just happens to be fairly untrustworthy at times to boot. Just when you start to get a bit frustrated and ready to truly know what Emma lied about, Sager spills the beans and the saga continues, with more crazy reveals.
The scene setting in this one is great; while I've never actually been to camp, Sager sets the stage so perfectly: you can just picture everything. The entire novel has this wonderful layer of creepy and mysterious on top of it all. So much of it seems foreboding, which adds to the suspense. And, as many have mentioned, there is a great twist to the ending, which I personally liked.
Overall, I really enjoyed this thriller. It's foreboding, quite readable, and features a main character who draws you in. Between not enjoying FINAL GIRLS and then seeing so much hype for this one, I was ready to be disappointed, but THE LAST TIME I LIED proved me wrong: it was a really engaging and suspenseful read. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Well, this was just a fun thriller and a completely engaging read. I'm so glad I gave it a chance, as--unlike most of the reading population, I actually wasn't a huge fan of Sager's FINAL GIRLS and I wasn't entirely sure I was going to read this one. But it was definitely worth the read! This is a quick read and really enjoyable.
Sager populates the novel with a bunch of mysterious pieces that begin to add up across the story--clues, if you will--but you are left constantly wondering as you read. I personally was guessing up until the end, which I really liked. I am always a fan of a thriller that isn't utterly predictable. The novel is told from Emma's perspective, but flips between the present and the past (fifteen years ago, when the three girls went missing initially). This turns out to be an amazingly effective and compelling storytelling format: I read the entire book in about 24 hours and the first half in one setting. You can't quite pinpoint what draws you in, but you find yourself compulsively turning the pages.
Emma is a wonderful unreliable narrator. I enjoyed that she wasn't the requisite annoying unreliable narrator that we seem to see so often: she's tough, engaging, and just happens to be fairly untrustworthy at times to boot. Just when you start to get a bit frustrated and ready to truly know what Emma lied about, Sager spills the beans and the saga continues, with more crazy reveals.
The scene setting in this one is great; while I've never actually been to camp, Sager sets the stage so perfectly: you can just picture everything. The entire novel has this wonderful layer of creepy and mysterious on top of it all. So much of it seems foreboding, which adds to the suspense. And, as many have mentioned, there is a great twist to the ending, which I personally liked.
Overall, I really enjoyed this thriller. It's foreboding, quite readable, and features a main character who draws you in. Between not enjoying FINAL GIRLS and then seeing so much hype for this one, I was ready to be disappointed, but THE LAST TIME I LIED proved me wrong: it was a really engaging and suspenseful read. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Cold Comfort Farm
7.5
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A hilarious and merciless parody of rural melodramas and one of the best-loved comic novels of all...
Professional Services Marketing Handbook: How to Build Relationships, Grow Your Firm and Become a Client Champion
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The market for professional services and consulting firms is changing, driven by evolving and more...
Small Spaces (Small Spaces #1)
8.5
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Bestselling adult author of The Bear and the Nightingale makes her middle grade debut with a creepy,...
Childrens Middle School Middle Grades Horror Fantasy Fantasy Horror
![The Paris Network [Audiobook]](/uploads/profile_image/adb/dee0596d-e0e8-4650-b71f-ea5ec5ec6adb.jpg?m=1645979041)
The Paris Network [Audiobook]
6.0
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Paris, 1940: He pressed the tattered book into her hands. ‘You must go to the café and ask at the...
Darren (1599 KP) rated The Nightingale (2018) in Movies
Dec 4, 2019
Verdict: Shocking & Intense
Story: The Nightingale starts as an Irish convict Clare (Franciosi) is forced to work under British Officer Hawkins (Claflin) to pay off her debts, which usually involves cleaning and performing a song to the soldiers, until one day he goes too far by raping her, Clare is desperate to get out of her debt, to which she has paid off, but Hawkins won’t release her.
Confronting Hawkins with her husband Aidan (Sheasby), it leads to Hawkins not getting his promotion and Hawkins makings Clare pay with his men Ruse (Herriman) and Jago (Greenwood). Left completely broken Clare is put in contact with aboriginal tracker Billy (Ganambarr), as she goes in search for revenge on the men that took everything from him.
Thoughts on The Nightingale
Characters – Clare is an Irish convict, she has been released from jail to work off her time cleaning and using her beautiful singing voice to entertain the soldiers. She is coping with her time until Hawkins refuses her chance to have her freedom, being subjected to violence from the soldiers, with nothing left she is hellbent on revenge and isn’t in this journey to make any friends or want anybody’s sympathy, she just wants blood. Billy is an aboriginal tracker that reluctantly agrees to help Clare on her journey, he doesn’t want trouble, he is tired of how the white man has treated his kind, believing at first that Clare is just like the rest, until he learns the truth. The two have some true heart to heart moments as well as having moments which will give you a laugh too. Hawkins is a English officer that believes he should be given a promotion to a vacant captain role, he can’t control his soldiers and his aggression sees him leaving bodies in his path, making him have enemies coming from all directions, as he looks to arrive for his latest position. Ruse and Jago are the two soldiers that are also involved in the attack on Clare and her family, they are just as cowardly as Hawkins.
Performances – Aisling Franciosi gives us one of the most grounded and exceptional performances of recent years, she shows us the pure vengeance her character is going through, right next to the grief she would have experienced. Sam Claflin brings us one of the most horrendous humans to life with his performance, one that will leave almost wanting to hate the actors for his performance being so horrid. Baykali Ganambarr is wonderful too showing us the pain that a generation of people would have suffered through during the events of the film.
Story – The story here follows a young woman that sees everything taken from her in an act of violence by military men and seeks her own form of revenge. Where this story steps up comes from breaking certain traditions, while the opening actions are always going to be hard to watch and give the motivation required for Clare determination for revenge. Once we get on the war path, this isn’t a calm calculated plan for revenge like we have seen before, this is a cold complete emptiness reaction to the horrors she experiences with her journey being the only time she properly starts to grieve what she has been through. This is a new level of revenge movie that isn’t just revenge on this one action, it feels like a moment that wants to show the people that the white English soldiers walked all over. Wonderful story telling throughout.
Thriller – This is a tense thriller that shows the path of revenge that one lady and her tracker go on after being wronged by acts of violence by English soldiers.
Settings – The film uses the settings amazingly to show the world that Clare goes into and how the trackers are the only way to get through the outback in Tasmanian wilderness safely.
Scene of the Movie – The last song.
That Moment That Annoyed Me – The English Soldiers.
Final Thoughts – This is one of the best revenge films you will see, it has a different style to anything you have seen before with performances that are true heavyweight ones.
Overall: Brilliant.
Story: The Nightingale starts as an Irish convict Clare (Franciosi) is forced to work under British Officer Hawkins (Claflin) to pay off her debts, which usually involves cleaning and performing a song to the soldiers, until one day he goes too far by raping her, Clare is desperate to get out of her debt, to which she has paid off, but Hawkins won’t release her.
Confronting Hawkins with her husband Aidan (Sheasby), it leads to Hawkins not getting his promotion and Hawkins makings Clare pay with his men Ruse (Herriman) and Jago (Greenwood). Left completely broken Clare is put in contact with aboriginal tracker Billy (Ganambarr), as she goes in search for revenge on the men that took everything from him.
Thoughts on The Nightingale
Characters – Clare is an Irish convict, she has been released from jail to work off her time cleaning and using her beautiful singing voice to entertain the soldiers. She is coping with her time until Hawkins refuses her chance to have her freedom, being subjected to violence from the soldiers, with nothing left she is hellbent on revenge and isn’t in this journey to make any friends or want anybody’s sympathy, she just wants blood. Billy is an aboriginal tracker that reluctantly agrees to help Clare on her journey, he doesn’t want trouble, he is tired of how the white man has treated his kind, believing at first that Clare is just like the rest, until he learns the truth. The two have some true heart to heart moments as well as having moments which will give you a laugh too. Hawkins is a English officer that believes he should be given a promotion to a vacant captain role, he can’t control his soldiers and his aggression sees him leaving bodies in his path, making him have enemies coming from all directions, as he looks to arrive for his latest position. Ruse and Jago are the two soldiers that are also involved in the attack on Clare and her family, they are just as cowardly as Hawkins.
Performances – Aisling Franciosi gives us one of the most grounded and exceptional performances of recent years, she shows us the pure vengeance her character is going through, right next to the grief she would have experienced. Sam Claflin brings us one of the most horrendous humans to life with his performance, one that will leave almost wanting to hate the actors for his performance being so horrid. Baykali Ganambarr is wonderful too showing us the pain that a generation of people would have suffered through during the events of the film.
Story – The story here follows a young woman that sees everything taken from her in an act of violence by military men and seeks her own form of revenge. Where this story steps up comes from breaking certain traditions, while the opening actions are always going to be hard to watch and give the motivation required for Clare determination for revenge. Once we get on the war path, this isn’t a calm calculated plan for revenge like we have seen before, this is a cold complete emptiness reaction to the horrors she experiences with her journey being the only time she properly starts to grieve what she has been through. This is a new level of revenge movie that isn’t just revenge on this one action, it feels like a moment that wants to show the people that the white English soldiers walked all over. Wonderful story telling throughout.
Thriller – This is a tense thriller that shows the path of revenge that one lady and her tracker go on after being wronged by acts of violence by English soldiers.
Settings – The film uses the settings amazingly to show the world that Clare goes into and how the trackers are the only way to get through the outback in Tasmanian wilderness safely.
Scene of the Movie – The last song.
That Moment That Annoyed Me – The English Soldiers.
Final Thoughts – This is one of the best revenge films you will see, it has a different style to anything you have seen before with performances that are true heavyweight ones.
Overall: Brilliant.
Nadya R (9 KP) rated The Nightingale in Books
Jul 2, 2018
I am speechless. I finished the book 15 minutes ago, but I am still staring in the wall and tears are falling down my cheeks. It’s been a while since I’ve been that touched by a book. This story and this two sisters turn upside down the idea of the women’s role in WWII.
Kristin Hanna leads us through the dangerous way of Isabelle Rossignol - The Nightingale why fly to the freedom. She is one of the most active person in the Resistance. Fully opposite to her is her sister Vianne. She is humble and mild tempered she doesn’t want to be a hero. Her only wish is to survive the war together with her family. The Rossignol sisters were abandoned by their father (veteran of WWI) after their mother dead. Soon Vianne met Antoine and has a family with him. While Isabelle’s rebellious temper doesn’t allow her to accept her father decision and escape from every boarding school, she was sent to, and continue to go back to her father and to fight for his love. Exactly this part of her character made her The Nightingale- a woman equal to the men.
"Women were integral to the Resistance. Why couldn't men see that?"
On the other side Vianne doesn’t want to take part in the war. She doesn’t rise her voice, doesn’t ask questions. She’s been comfortable to the Nazis. And that is her point- been quiet and invisible means that you will survive. But as much as you want to close your eyes for injustice there is a breaking point - all these brutalities and injustice make us leave our ‘comfortable’ lives in the name of hundreds of saved lives.
The rebellious in Isabelle takes her to the centre of the French Resistance. First- used as a courier, she prove herself and began an important member in no time. Exposing her life to danger, she leads a pilot after a pilot through the high peaks of Pyrenees to their freedom. Meanwhile Vianne is living with Nazi officer, when one day the war bent her. She initiated a mission to save the Jews children.
"Vianne started them off on a song and they picked it up instantly, singing loudly as they clapped and bounced and skipped. Did they even notice the bombed out buildings they passed? The smoking piles of ribble that had once been homes? Or was destruction the ordinary view of their childhoods, unremarkable, unnoticeable."
But the war left its mark on all these kids, forced them to grow up fast and even in very young age they have already seen all these misfortunes in the world.
"Really, Maman? How long must we pretend?" The sadness-and the anger-in those beautiful eyes was heartbreaking. Vianne apparently had hidden nothing from this child who'd lost her childhood to war."
The author doesn’t save anything. At the end of the book she takes us to the Ravensbrück - the concentration camp in Germany for women why took an action against the Nazis. It’s known as one of the most brutal of them all. The picture, the author shows us, are breathtaking. All these tortures, rapes all these things that they did to women... I kinda felt it son deep and personal. I am not really able to write about this.
And at the end let’s speak about the love in the book. Here you can find lots of love.
Love of country.
Mother love.
Sisters love.
Love in the wartime is strong but faded at the same time. Set on the background, love is there but she(love) realises that in this times there is no place for blind love stories. On other hand this love is even stronger.
Every stolen second.
Every kiss is unspoken ‘Goodbye'.
Every meeting may be the last one.
".. a broken heart hurts as badly in wartime as in peace. Say good-bye to your young man well."
When it comes to war we imagine all these men risking their lives in the name of their country. But this is the story about war but trough women’s view. A women’s war on the shadow. Taking a risk of being caught and executed they keep delivering the message between the Resistance members. They are the connection between all pieces of the puzzle.
"Men tell stories. Women get on with it. For us it was a shadow war. There were no parades for us when it was over, no medals or mentions in history books. We did what we had to during the war, and when it was over, we picked up the pieces and started our lives over."
Kristin Hanna leads us through the dangerous way of Isabelle Rossignol - The Nightingale why fly to the freedom. She is one of the most active person in the Resistance. Fully opposite to her is her sister Vianne. She is humble and mild tempered she doesn’t want to be a hero. Her only wish is to survive the war together with her family. The Rossignol sisters were abandoned by their father (veteran of WWI) after their mother dead. Soon Vianne met Antoine and has a family with him. While Isabelle’s rebellious temper doesn’t allow her to accept her father decision and escape from every boarding school, she was sent to, and continue to go back to her father and to fight for his love. Exactly this part of her character made her The Nightingale- a woman equal to the men.
"Women were integral to the Resistance. Why couldn't men see that?"
On the other side Vianne doesn’t want to take part in the war. She doesn’t rise her voice, doesn’t ask questions. She’s been comfortable to the Nazis. And that is her point- been quiet and invisible means that you will survive. But as much as you want to close your eyes for injustice there is a breaking point - all these brutalities and injustice make us leave our ‘comfortable’ lives in the name of hundreds of saved lives.
The rebellious in Isabelle takes her to the centre of the French Resistance. First- used as a courier, she prove herself and began an important member in no time. Exposing her life to danger, she leads a pilot after a pilot through the high peaks of Pyrenees to their freedom. Meanwhile Vianne is living with Nazi officer, when one day the war bent her. She initiated a mission to save the Jews children.
"Vianne started them off on a song and they picked it up instantly, singing loudly as they clapped and bounced and skipped. Did they even notice the bombed out buildings they passed? The smoking piles of ribble that had once been homes? Or was destruction the ordinary view of their childhoods, unremarkable, unnoticeable."
But the war left its mark on all these kids, forced them to grow up fast and even in very young age they have already seen all these misfortunes in the world.
"Really, Maman? How long must we pretend?" The sadness-and the anger-in those beautiful eyes was heartbreaking. Vianne apparently had hidden nothing from this child who'd lost her childhood to war."
The author doesn’t save anything. At the end of the book she takes us to the Ravensbrück - the concentration camp in Germany for women why took an action against the Nazis. It’s known as one of the most brutal of them all. The picture, the author shows us, are breathtaking. All these tortures, rapes all these things that they did to women... I kinda felt it son deep and personal. I am not really able to write about this.
And at the end let’s speak about the love in the book. Here you can find lots of love.
Love of country.
Mother love.
Sisters love.
Love in the wartime is strong but faded at the same time. Set on the background, love is there but she(love) realises that in this times there is no place for blind love stories. On other hand this love is even stronger.
Every stolen second.
Every kiss is unspoken ‘Goodbye'.
Every meeting may be the last one.
".. a broken heart hurts as badly in wartime as in peace. Say good-bye to your young man well."
When it comes to war we imagine all these men risking their lives in the name of their country. But this is the story about war but trough women’s view. A women’s war on the shadow. Taking a risk of being caught and executed they keep delivering the message between the Resistance members. They are the connection between all pieces of the puzzle.
"Men tell stories. Women get on with it. For us it was a shadow war. There were no parades for us when it was over, no medals or mentions in history books. We did what we had to during the war, and when it was over, we picked up the pieces and started our lives over."
Sisters of the East End: A 1950s Nurse and Midwife
Book
Heart-warming tales of nursing and midwifery from the Sisters who worked with Jennifer Worth. "A...
Alice (12 KP) rated Hanging Tree: The Sixth PC Grant Mystery in Books
Jul 3, 2018
What can I say about The Hanging Tree that isn’t good? It was a satisfying installment to the series but there was still something missing for me. It had the usual characters and the usual awkwardness with Peter Grant and the Met and the demi-monde which as always was written to the same standard.
However, there were a few parts of this book that bugged me which I’ll go through shortly.
The Hanging Tree is the sixth installment of the bestselling Peter Grant/Rivers of London series and finally there is some proper river action. This book centers around Tyburn or Lady Ty as she is affectionately known. Lady Ty for those of you who don’t know is an overwhelming bitch with a major Goddess complex – with good reason really.
This book follows Peter as he helps to investigate the murder of a teenager – don’t let this fool you, the principal suspect in the murder is one of the family Rivers. This kicks off simultaneous police investigations and Folly blow-ups abound.
First, the things I liked:
The reappearance of much loved characters such as Nightingale, Molly, Guleed, Stefanopaulos and even Seawoll.
The introduction of new characters
The familiar writing style
The monologuing of Peter Grant
The plot
The return of some characters I won’t name and
The revelations!!!
Now, I hate to do this really (and I despise using bullet points as a side note) but needs must.
Things I disliked:
The overuse of the term white to describe characters that had no context and almost no bearing on the story-line whatsoever – I’m almost positive I counted at least 15 uses of the word “white” in the first 30% of the book, sometimes more than once a page. The worst use of this – for me – was “a scary white waitress”, I don’t know about you, but the need to describe a character based solely on their skin tone is a big no no for me. It lacked context and bearing on the part of the story at hand.
The return of some characters I won’t name – what the actual fuck Ben? That’s wrong! They can’t be better than Peter!
Now despite my reservations and the things I disliked, I did enjoy this book. In the end. It took about 60% for this book to grab my attention with both hands which I suppose could be construed as a bad thing, however that first two thirds set up the ending in a great way. The culmination of multiple prolonged story arcs were a welcome wrap up to this installment and I look forward to the next.
However, there were a few parts of this book that bugged me which I’ll go through shortly.
The Hanging Tree is the sixth installment of the bestselling Peter Grant/Rivers of London series and finally there is some proper river action. This book centers around Tyburn or Lady Ty as she is affectionately known. Lady Ty for those of you who don’t know is an overwhelming bitch with a major Goddess complex – with good reason really.
This book follows Peter as he helps to investigate the murder of a teenager – don’t let this fool you, the principal suspect in the murder is one of the family Rivers. This kicks off simultaneous police investigations and Folly blow-ups abound.
First, the things I liked:
The reappearance of much loved characters such as Nightingale, Molly, Guleed, Stefanopaulos and even Seawoll.
The introduction of new characters
The familiar writing style
The monologuing of Peter Grant
The plot
The return of some characters I won’t name and
The revelations!!!
Now, I hate to do this really (and I despise using bullet points as a side note) but needs must.
Things I disliked:
The overuse of the term white to describe characters that had no context and almost no bearing on the story-line whatsoever – I’m almost positive I counted at least 15 uses of the word “white” in the first 30% of the book, sometimes more than once a page. The worst use of this – for me – was “a scary white waitress”, I don’t know about you, but the need to describe a character based solely on their skin tone is a big no no for me. It lacked context and bearing on the part of the story at hand.
The return of some characters I won’t name – what the actual fuck Ben? That’s wrong! They can’t be better than Peter!
Now despite my reservations and the things I disliked, I did enjoy this book. In the end. It took about 60% for this book to grab my attention with both hands which I suppose could be construed as a bad thing, however that first two thirds set up the ending in a great way. The culmination of multiple prolonged story arcs were a welcome wrap up to this installment and I look forward to the next.