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David McK (3562 KP) rated Quiet: The Power of Introverts in a World That Can't Stop Talking in Books
Aug 15, 2020
2019.
One of the worst years of my professional working life.
In the early part of the year, I ended up getting dragged to the Doctor by my significant other, with the Doc then putting me off work with stress for just over a month. I returned, and then, roughly 6 months later, ended up putting myself off on unpaid leave for a year (which is ending soon, but that’s another matter).
Looking back on it, I believe a MASSIVE contributor to me feeling the way I did was the change in the office environment, and in my role: a move from being a key member of a small technical team (with its own side office) to being put in charge of a customer focused role I felt ill suited to, and slap-bang in the middle of a massive open plan office no less (which had the effect of leaving me completely and utterly drained each and every day, having to be always ‘on’).
Which is a long winded way of saying that I am, as I’ve always expected, a massive Introvert. (That could also probably be borne out by the fact that it’s now been more than 10 months since I last physically saw most of my friends due to Covid-19, and that I can count on the fingers of one hand the amount of times I’ve spoken to them in the same period (we more often text). Which I’m perfectly happy with.)
I’ve always felt exhausted by daily interactions, always felt happier in my own head than in the midst of a crowd. A music festival, or rock concert? My idea of hell. However, I’ve also always felt guilty for feeling the same, with society (seemingly) geared towards the go-getters, the ‘look at me!’ life and soul of the party (which I always leave early), to those who make the most noise. In short, to the Extroverts.
While it’s true that this book is American centric (I’m glad to say, in the UK at least, the large gatherings/conventions described in the chapter about ‘The Extrovert Ideal’ don’t seem to happen), I’m also glad I’m not alone, that – actually - there’s nothing wrong with me. There’s nothing wrong with being quiet, reserved, needing time alone to recharge. Just ask Mother Theresa. Steve Wozniak. Eleanor Roosevelt. Rosa Parks.
This should be required reading in our schools.
One of the worst years of my professional working life.
In the early part of the year, I ended up getting dragged to the Doctor by my significant other, with the Doc then putting me off work with stress for just over a month. I returned, and then, roughly 6 months later, ended up putting myself off on unpaid leave for a year (which is ending soon, but that’s another matter).
Looking back on it, I believe a MASSIVE contributor to me feeling the way I did was the change in the office environment, and in my role: a move from being a key member of a small technical team (with its own side office) to being put in charge of a customer focused role I felt ill suited to, and slap-bang in the middle of a massive open plan office no less (which had the effect of leaving me completely and utterly drained each and every day, having to be always ‘on’).
Which is a long winded way of saying that I am, as I’ve always expected, a massive Introvert. (That could also probably be borne out by the fact that it’s now been more than 10 months since I last physically saw most of my friends due to Covid-19, and that I can count on the fingers of one hand the amount of times I’ve spoken to them in the same period (we more often text). Which I’m perfectly happy with.)
I’ve always felt exhausted by daily interactions, always felt happier in my own head than in the midst of a crowd. A music festival, or rock concert? My idea of hell. However, I’ve also always felt guilty for feeling the same, with society (seemingly) geared towards the go-getters, the ‘look at me!’ life and soul of the party (which I always leave early), to those who make the most noise. In short, to the Extroverts.
While it’s true that this book is American centric (I’m glad to say, in the UK at least, the large gatherings/conventions described in the chapter about ‘The Extrovert Ideal’ don’t seem to happen), I’m also glad I’m not alone, that – actually - there’s nothing wrong with me. There’s nothing wrong with being quiet, reserved, needing time alone to recharge. Just ask Mother Theresa. Steve Wozniak. Eleanor Roosevelt. Rosa Parks.
This should be required reading in our schools.
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Kaz (232 KP) rated The Knife of Never Letting Go (Chaos Walking #1) in Books
May 15, 2019
An intersting, gripping read
What the 'Blurb' says:
'Prentisstown isn’t like other towns. Everyone can hear everyone else’s thoughts in a constant, overwhelming Noise. There is no privacy. There are no secrets. Then Todd Hewitt unexpectedly stumbles on a spot of complete silence. Which is impossible. And now he’s going to have to run…'
My Thoughts:
I saw this being talked about on YouTube a few months ago and it seemed really interesting.
This is about a place called Prentisstown, where there are no women and all of the men living there, can hear each other's thoughts.
The story is told by Todd Hewitt, the main central character and, because we are hearing his thoughts and he is illiterate, a lot of the words in this book are incorrectly spelled. This actually annoyed me to begin with but as the book went on, I actually think that this was a good idea, because I really believed in Todd's character and I got into the story quicker. I loved the experimental style of the writing and different fonts, to describe different people's thoughts. You could tell a lot about each speaker, by the font of their thoughts. I really liked this technique and thought it was very effective. As the book went on, I thought some of the writing was very poetic and approached the target audience in a non patronizing way.
One thing I might add, would be that throughout the book, Todd kept asking people what was going on. He was repeatedly told 'I'll explain later'. Now I know this was to keep you reading on, but I felt like some of the important information that was given, could have been more frequently placed through out the novel, instead of having quite a lengthy explanation near the end of the book.
The majority of the characters were realistic and I liked the relationship between Todd and the other main central characters. However, I thought the character Aaron, was a little cartoonish.
This is a very fast paced story and I found it difficult to put this down.The plot itself wasn't predictable and I was eager to know what was going to happen.
The ending of this book for some reason, left me a little underwhelmed. I was expecting more of an impact. However, I'm still really eager to know what is going to happen in the next book.
My Rating ****
'Prentisstown isn’t like other towns. Everyone can hear everyone else’s thoughts in a constant, overwhelming Noise. There is no privacy. There are no secrets. Then Todd Hewitt unexpectedly stumbles on a spot of complete silence. Which is impossible. And now he’s going to have to run…'
My Thoughts:
I saw this being talked about on YouTube a few months ago and it seemed really interesting.
This is about a place called Prentisstown, where there are no women and all of the men living there, can hear each other's thoughts.
The story is told by Todd Hewitt, the main central character and, because we are hearing his thoughts and he is illiterate, a lot of the words in this book are incorrectly spelled. This actually annoyed me to begin with but as the book went on, I actually think that this was a good idea, because I really believed in Todd's character and I got into the story quicker. I loved the experimental style of the writing and different fonts, to describe different people's thoughts. You could tell a lot about each speaker, by the font of their thoughts. I really liked this technique and thought it was very effective. As the book went on, I thought some of the writing was very poetic and approached the target audience in a non patronizing way.
One thing I might add, would be that throughout the book, Todd kept asking people what was going on. He was repeatedly told 'I'll explain later'. Now I know this was to keep you reading on, but I felt like some of the important information that was given, could have been more frequently placed through out the novel, instead of having quite a lengthy explanation near the end of the book.
The majority of the characters were realistic and I liked the relationship between Todd and the other main central characters. However, I thought the character Aaron, was a little cartoonish.
This is a very fast paced story and I found it difficult to put this down.The plot itself wasn't predictable and I was eager to know what was going to happen.
The ending of this book for some reason, left me a little underwhelmed. I was expecting more of an impact. However, I'm still really eager to know what is going to happen in the next book.
My Rating ****
Movie Metropolis (309 KP) rated Pan (2015) in Movies
Jun 11, 2019
Where's the magic? Where's the sparkle?
The mesmerising story of Peter Pan has been told by numerous directors, playwrights and novelists over the years with Disney’s brilliant animation being one of the highlights in a series of standout moments.
Now, the story receives a very 21st-century makeover in Pan, but does director Joe Wright’s brooding reimagining sink or swim?
Unfortunately, this occasionally beautifully shot film ends up causing more of a headache than Michael Bay’s much-maligned Transformers series in a movie that lacks the magic and sparkle of the traditional tale, instead focusing too much on special effects and noise – my god this is a loud film.
Stars like Hugh Jackman, Rooney Mara, Garrett Hedlund and Amanda Seyfriend take their places amongst a cast of forgettable characters that never seem to make any sort of impression, despite Pan’s 111 minute running time.
Following the story of Peter, played by a particularly wooden Levi Miller, Pan takes place many years before the events of the famous story, following a similar path to the recent Alice in Wonderland remake and Oz the Great and the Powerful.
Unfortunately, including a previously unmentioned backstory to the character brings about the same problems as it did for the aforementioned films. Pan has no charm and is completely void of originality with the production team borrowing many elements from movies like Avatar, the Harry Potter series and even the Indiana Jones franchise.
Hugh Jackman’s Blackbeard is the only character to make any sort of impact and the Wolverine star is a delight to watch in a role that requires masses of cheese and just a little malice. The rest of the cast are as wooden as the galleons in which they are transported and this is a real shame, given the talent on offer.
Elsewhere, the cinematography is exceptional with some amazing sequences shot with flair and supreme confidence but the poor CGI detracts from the spectacle. For a film with a budget of $150million, it has some of the worst special effects I have ever come across.
Nevertheless, there is much for younger children to enjoy. The bright colours and constant shifts in tone ensure Pan never settles into a rut, despite its bland characters and lacklustre special effects.
Overall, Pan is a crushing disappointment. The special effects are poor, the promising cast never gels together and the story is a hybrid of other, better films that results in a movie that will leave you with a headache, rather than a sense of magic and sparkle.
https://moviemetropolis.net/2015/10/18/wheres-the-magic-wheres-the-sparkle-pan-review/
Now, the story receives a very 21st-century makeover in Pan, but does director Joe Wright’s brooding reimagining sink or swim?
Unfortunately, this occasionally beautifully shot film ends up causing more of a headache than Michael Bay’s much-maligned Transformers series in a movie that lacks the magic and sparkle of the traditional tale, instead focusing too much on special effects and noise – my god this is a loud film.
Stars like Hugh Jackman, Rooney Mara, Garrett Hedlund and Amanda Seyfriend take their places amongst a cast of forgettable characters that never seem to make any sort of impression, despite Pan’s 111 minute running time.
Following the story of Peter, played by a particularly wooden Levi Miller, Pan takes place many years before the events of the famous story, following a similar path to the recent Alice in Wonderland remake and Oz the Great and the Powerful.
Unfortunately, including a previously unmentioned backstory to the character brings about the same problems as it did for the aforementioned films. Pan has no charm and is completely void of originality with the production team borrowing many elements from movies like Avatar, the Harry Potter series and even the Indiana Jones franchise.
Hugh Jackman’s Blackbeard is the only character to make any sort of impact and the Wolverine star is a delight to watch in a role that requires masses of cheese and just a little malice. The rest of the cast are as wooden as the galleons in which they are transported and this is a real shame, given the talent on offer.
Elsewhere, the cinematography is exceptional with some amazing sequences shot with flair and supreme confidence but the poor CGI detracts from the spectacle. For a film with a budget of $150million, it has some of the worst special effects I have ever come across.
Nevertheless, there is much for younger children to enjoy. The bright colours and constant shifts in tone ensure Pan never settles into a rut, despite its bland characters and lacklustre special effects.
Overall, Pan is a crushing disappointment. The special effects are poor, the promising cast never gels together and the story is a hybrid of other, better films that results in a movie that will leave you with a headache, rather than a sense of magic and sparkle.
https://moviemetropolis.net/2015/10/18/wheres-the-magic-wheres-the-sparkle-pan-review/
Darren (1599 KP) rated Blood Myth (2019) in Movies
Oct 31, 2019
Characters – James Lincoln is a journalist, his latest case involves in trying to debunk folklore which he is finding all too easy, until he learns about this newest one, which he decides to use as his final part of the article, he takes his fiancée who is pregnant and he has cheated on before to investigate. He spends time trying to find his missing fiancée learning that not everything is a myth. Harriet is the pregnant wife that joins James on his journey, she does disappear, being the mystery about what is going on. Alexandra is the local woman that has been studying the myth for years, being the only person that helps James out. We do meet plenty of locals, with most just dismissing James cries for help.
Performances – Jonathan McClean is the star of the show, he is involved in nearly every scene, it is his work dealing with being tired of the investigations, which is clear how he is dealing with this story. The rest of the cast don’t get much time to do anything more than the basics required, not given enough time to do much more.
Story – The story follows a journalist that is investigating myths and folklores with the latest one being one that might have more truths behind it. The story is interesting because it does show how frustrated the journalist is doing this story, which is against the normal as we usually see overly enthusiastic ghost hunters trying to debunk them. The story flows as James learns more about everything, but just like him, we don’t learn much about what is happening until he does. We do get plenty of mystery, but like most films like this the story ends up going in the same direction.
Horror – The horror in this film comes from the unknown, this does leave us wondering just what is going on, with the darkness and noise being used to the strongest effects.
Settings – The film is set in a small British village, which does help play into the folklore because the small villages are always going to have them.
Special Effects – The effects are saved for big moments in the film, they are kept hidden more than thrown onto the audience.
Scene of the Movie – The day after the first night.
That Moment That Annoyed Me – Too much searching though.
Final Thoughts – This is a horror that does ask plenty of questions, with what is going on, only to follow a simple instruction on how everything ends up unfolding.
Overall: Folklore horror 101
Performances – Jonathan McClean is the star of the show, he is involved in nearly every scene, it is his work dealing with being tired of the investigations, which is clear how he is dealing with this story. The rest of the cast don’t get much time to do anything more than the basics required, not given enough time to do much more.
Story – The story follows a journalist that is investigating myths and folklores with the latest one being one that might have more truths behind it. The story is interesting because it does show how frustrated the journalist is doing this story, which is against the normal as we usually see overly enthusiastic ghost hunters trying to debunk them. The story flows as James learns more about everything, but just like him, we don’t learn much about what is happening until he does. We do get plenty of mystery, but like most films like this the story ends up going in the same direction.
Horror – The horror in this film comes from the unknown, this does leave us wondering just what is going on, with the darkness and noise being used to the strongest effects.
Settings – The film is set in a small British village, which does help play into the folklore because the small villages are always going to have them.
Special Effects – The effects are saved for big moments in the film, they are kept hidden more than thrown onto the audience.
Scene of the Movie – The day after the first night.
That Moment That Annoyed Me – Too much searching though.
Final Thoughts – This is a horror that does ask plenty of questions, with what is going on, only to follow a simple instruction on how everything ends up unfolding.
Overall: Folklore horror 101
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