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Jarvis Cocker recommended Abbey Road by The Beatles in Music (curated)

 
Abbey Road by The Beatles
Abbey Road by The Beatles
1969 | Rock

"You asked for albums, but albums are already a bit away from pop because of they're a more serious proposition, so all of these are albums that I own on vinyl, and because I'm of a certain age that's what I think of as a record. We didn't have a big record collection in our house when I was growing up, but my mum had three Beatles albums, Sgt Pepper, Revolver and Abbey Road. Even though I was a kid I could tell that Sgt Pepper and Revolver sounded like music that had happened a while ago, but Abbey RoadM sounded more modern. It still does sound quite modern, because on second side where all the songs run into each other, that's quite a thing, not many people had done that since and not many have since. There's an art to an album. If you've got an album that's got a shit song on it, especially if it's in the middle of a side, you're not going to play it as much because you know you're going to have to get up and skip that track. That's what I've tried to do with these, it's records that I don't mind putting on then you can relax or talk to people or whatever, but you know you're not going to get some kind of fucking horrible shitty stinker of a song on it. Abbey Road - I was young at the time, 10, 11, 12, whatever, and the track that ends side one, 'I Want You (She's So Heavy)' that was mind-blowing to me, the way it went on and on and on at the end, with this big synthy wooshy noise. I've since found out its Ringo playing this machine that sounds like wind that you get in classical orchestras. It was a psychedelic experience in a living room in a normal part of Sheffield in the early 70s, where, you know, psychedelic experiences weren't that common. I'll always remember it, that song in particularly took me somewhere. And that's the end of that side - if you had Abbey Road on CD it wouldn't be right, it only really works as a statement if you listen to it for ages and then it suddenly stops and then you're left in silence for a while until you can be bothered to get up and start again. I started with this because it plays with what an album can be. It's great.
"

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The Children Act (2018)
The Children Act (2018)
2018 | Drama
9
8.0 (3 Ratings)
Movie Rating
Emma Thompson and Stanley Tucci in a movie together... yeeeees. Get me a ticket immediately. Based on a book by Ian McEwan, and no of course I haven't read it. I was exoecting something run of the mill, good, but nothing with a wow factor. I certainly wasn't expecting to be having to stiffle sobs and tears.

The heart breaking story really does get you caught up. Watching Fiona's hard and logical exterior break is really something to behold. How I wasn't blind from the tears when she started performing their song at the recital I will never know. Although, full disclosure, at that point I was leaning on my hands with my cardigan sleeves firmly wedged under the rims of my glasses.

Having never really had any faith, or certainly never any that I would have been so conflicted over, I can't say how accurate a portrayal it was, but it felt traumatisingly real.

As a smaller release this was allocated one of the dinky screens that has about 120 seats. A third of the seats were taken, and I'm going to make wild assumptions now, I would guess that they were all in book groups.

To go off-piste a bit... I mentioned in a previous post that I feel like it's the adults that cause the most disturbance at the cinema. This showing would prove my point. At the beginning I couldn't hear the ads over the noise of the 30 odd people at the time (and they were very odd) talking so loud. I have been to quieter bars.

That was followed up by two people moving seats after the film started, and when the couple next to them started rustling a sweet bag the guy told them to stop as it was annoying him... Don't have the cheek to lecture people when you shouldn't even be sitting there. Random annoying people is something you have to suck up. I bitch about it on Twitter, not to the actual people. When you buy a ticket you're basically checking the box that says "if I end up next to a monster, so be it." I'm super passive aggressive when it comes to people like that, I can almost guarantee that in the same situation I would have missed the rest of the film because I'd be sitting there staring at him as I rustled the bag deliberately for the next two hours.

The moral of this story is don't be a dick to people about something that is expected in the cinema... because you might be sitting next to me.
  
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