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Bob Mann (459 KP) rated The Night House (2020) in Movies
Aug 23, 2021
Rebecca Hall - outstanding (1 more)
Nicely vague script: leaves a lot to interpret
This one really creeped me out
Positives:
- Of the different movie genres, comedy and horror are probably the ones that polarise opinion the most. One person's meat is another's fowl. But I have to say that this movie officially creeped me out. I was extremely tense for just about the whole 107 minute running time. Much of this is down to Rebecca Hall, who is just SUPERB in this. She brilliantly portrays a woman on the edge, her impassive character breaking every so often into an "everything's fine" sarcastic smile. I know that the Academy tend not to nominate actors for Oscars for 'frivolous' films, but this genuinely, to me, felt like an Oscar-nomination-worthy performance.
- I've talked before in my blog about the overuse of 'jump scares' in horror films and the law of diminishing returns. This film doles them out very sparingly indeed. There are two notable ones (one spoiled by the trailer!) but - man - the first of these had me levitating off the seat!
- The script is very vague indeed about where you end up in this movie. (I've tried to do a synopsis of what I *think* happened in a "Sp0iler section" in my blog). The script deliciously muddies the waters between dreams and reality; sanity and madness; sobriety and drunkenness; with the real-life Madelyn (Stacy Martin) bringing you up short at times with an "oh - so that bit must by reality then"!
Negatives:
- The ending. I'm not sure how I wanted it to end. But it felt wholly anti-climactic.
Summary Thoughts on "The Night House": London-born Rebecca Hall seems to have a "leisurely" output as an actress, but she really deserves more prominence in the industry. (If you've not seen it yet, watch her outstanding performance in "Christine" as another proof point). Here she magnificently holds the movie together.
Effective horror films for me are those on the tense psychological side rather than the mindless slasher variety. This point was well made by Tom Shone in his review in "The Sunday Times", describing it as a "middle-aged kind of horror movie!". "The Night House" delivered those mental chills for me in spades. There is actually very little gore in this one. But it certainly had me thinking about it when I woke up in the middle of the night last night. Was that a noise downstairs??
If you like your scary films, then this one is highly recommended.
(For my full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks).
- Of the different movie genres, comedy and horror are probably the ones that polarise opinion the most. One person's meat is another's fowl. But I have to say that this movie officially creeped me out. I was extremely tense for just about the whole 107 minute running time. Much of this is down to Rebecca Hall, who is just SUPERB in this. She brilliantly portrays a woman on the edge, her impassive character breaking every so often into an "everything's fine" sarcastic smile. I know that the Academy tend not to nominate actors for Oscars for 'frivolous' films, but this genuinely, to me, felt like an Oscar-nomination-worthy performance.
- I've talked before in my blog about the overuse of 'jump scares' in horror films and the law of diminishing returns. This film doles them out very sparingly indeed. There are two notable ones (one spoiled by the trailer!) but - man - the first of these had me levitating off the seat!
- The script is very vague indeed about where you end up in this movie. (I've tried to do a synopsis of what I *think* happened in a "Sp0iler section" in my blog). The script deliciously muddies the waters between dreams and reality; sanity and madness; sobriety and drunkenness; with the real-life Madelyn (Stacy Martin) bringing you up short at times with an "oh - so that bit must by reality then"!
Negatives:
- The ending. I'm not sure how I wanted it to end. But it felt wholly anti-climactic.
Summary Thoughts on "The Night House": London-born Rebecca Hall seems to have a "leisurely" output as an actress, but she really deserves more prominence in the industry. (If you've not seen it yet, watch her outstanding performance in "Christine" as another proof point). Here she magnificently holds the movie together.
Effective horror films for me are those on the tense psychological side rather than the mindless slasher variety. This point was well made by Tom Shone in his review in "The Sunday Times", describing it as a "middle-aged kind of horror movie!". "The Night House" delivered those mental chills for me in spades. There is actually very little gore in this one. But it certainly had me thinking about it when I woke up in the middle of the night last night. Was that a noise downstairs??
If you like your scary films, then this one is highly recommended.
(For my full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks).
Acanthea Grimscythe (300 KP) rated The Ritual (2017) in Movies
May 12, 2018
Contains spoilers, click to show
If you’re browsing Netflix for a horror movie, The Ritual is definitely one worth checking out. Set in a foreboding, heavily wooded landscape of the Swedish mountains, this horror film reminds viewers that maybe, just maybe you should think twice about taking that shortcut – because you know, clearly that horror movie trope hasn’t been done enough.
Nevermind that, though. Starting off with a group of friends discussing their next vacation, we soon learn which character is the biggest coward of the troupe – Luke, The Ritual‘s first bloodletting comes fairly early on. Unintentionally, Luke and Robert (Rafe Spall and Paul Reid, respectively) stumble upon a robbery whilst they are inside a liquor store. Luke, in a cowardly manner, retreats and in his endeavor to do so, hits a few bottles and makes a noise, alerting the robbers to Robert’s presence and thus resulting directly in Robert’s murder. The guilt eats at him later on, but during the entire fiasco, Luke makes no attempt to come to Robert’s aid; he only watches as his friend is brutally slaughtered. (Okay, that one might be a bit of a hyperbole compared to later scenes, but I digress.)
As a direct result of this incident, the remaining quartet, which consists of Hutch (Robert James-Collier), Phil (Arsher Ali), and Dom (Sam Troughton) in addition to Luke, decide to go hiking in memory of Robert – a trip they’d originally ridiculed him about in the earlier bar scene. And thus, we have the set up of The Ritual.
Plotwise, I felt The Ritual was fairly solid as far as cult movies go – if a bit overplayed. Group of guys goes on a trip. Someone gets injured. They try to take a shortcut back. Things go badly. Of course, there’s a bit more of an occult flavor to it, one that’s a bit more haunting in quality which is nice, but overall it’s nothing new. The difference here is it is something that is done well as opposed to half-assed.
When we get to characters though, the only one that’s even remotely likable in my opinion is Phil. The others are all self-centered assholes or, in Luke’s case, cowards. Dom’s got the luck of a bag of rocks tossed into a lake and told to float, and Hutch… we’ll leave it at that. Luke’s character, on the other hand, experiences major growth. Earlier in the film, we watch him suffer from the inability to act; by the end of the film he is forced into action: either he redeems himself, or he dies.
Another aspect of this film that I love is its absolutely breathtaking shots. I hate using adverbs that I’ve already used earlier in a review, but haunting is such an apt description of the shots taken of the Swedish forests and mountains that we see in The Ritual. Those scenes, coupled with the disturbing echoes of Luke’s guilt really have a way of balancing out the movie.
Nevermind that, though. Starting off with a group of friends discussing their next vacation, we soon learn which character is the biggest coward of the troupe – Luke, The Ritual‘s first bloodletting comes fairly early on. Unintentionally, Luke and Robert (Rafe Spall and Paul Reid, respectively) stumble upon a robbery whilst they are inside a liquor store. Luke, in a cowardly manner, retreats and in his endeavor to do so, hits a few bottles and makes a noise, alerting the robbers to Robert’s presence and thus resulting directly in Robert’s murder. The guilt eats at him later on, but during the entire fiasco, Luke makes no attempt to come to Robert’s aid; he only watches as his friend is brutally slaughtered. (Okay, that one might be a bit of a hyperbole compared to later scenes, but I digress.)
As a direct result of this incident, the remaining quartet, which consists of Hutch (Robert James-Collier), Phil (Arsher Ali), and Dom (Sam Troughton) in addition to Luke, decide to go hiking in memory of Robert – a trip they’d originally ridiculed him about in the earlier bar scene. And thus, we have the set up of The Ritual.
Plotwise, I felt The Ritual was fairly solid as far as cult movies go – if a bit overplayed. Group of guys goes on a trip. Someone gets injured. They try to take a shortcut back. Things go badly. Of course, there’s a bit more of an occult flavor to it, one that’s a bit more haunting in quality which is nice, but overall it’s nothing new. The difference here is it is something that is done well as opposed to half-assed.
When we get to characters though, the only one that’s even remotely likable in my opinion is Phil. The others are all self-centered assholes or, in Luke’s case, cowards. Dom’s got the luck of a bag of rocks tossed into a lake and told to float, and Hutch… we’ll leave it at that. Luke’s character, on the other hand, experiences major growth. Earlier in the film, we watch him suffer from the inability to act; by the end of the film he is forced into action: either he redeems himself, or he dies.
Another aspect of this film that I love is its absolutely breathtaking shots. I hate using adverbs that I’ve already used earlier in a review, but haunting is such an apt description of the shots taken of the Swedish forests and mountains that we see in The Ritual. Those scenes, coupled with the disturbing echoes of Luke’s guilt really have a way of balancing out the movie.
Lee (2222 KP) rated The Nun (2018) in Movies
Sep 6, 2018 (Updated Sep 7, 2018)
Disappointing
I'm a big fan of The Conjuring movies. The original is one of my favourite scary movies, and while I enjoyed the sequel, for me it just didn't live up to the very high bar set by the first. Creepy doll Annabelle from the first movie landed her own disappointing outing, followed by a surprisingly enjoyable sequel/prequel in Annabelle: Creation. Now, next up in The Conjuring Universe is the turn of The Nun. After a brief, but very effective appearance in The Conjuring 2, The Nun movie looks to expand the universe even further, providing us with an insight into how the demon nun came to be.
We're in Romania, 1952. A large, remote, creepy looking convent is having trouble trying to contain something dark and evil, resulting in one of the nuns hanging herself. The body is discovered by Frenchie, a local farmer bringing supplies from the nearby village. When word gets back to the Vatican, priest Father Burke (Demián Bichir) is sent, along with Sister Irene (Taissa Farmiga) to investigate.
They learn that the convent was built in the middle ages by the Duke of St Carta who, while being possessed, also created a gateway from hell somewhere within its basement. Religious figures were able to seal the gateway using the blood of Christ, but during the second world war bombings resulted in the seal being broken, releasing the demon Valak. Since then, the nuns have engaged in constant prayer in an attempt to keep evil at bay.
As you'd expect, the whole tone of this movie is very dark, and very gloomy. It takes a while to get going, and there is nothing of interest to keep you hooked. Aside from Sister Irene, the characters are dull, and occasional attempts at humour fall flat. The tense expectation of chills and scares soon fizzles out when you're realise that there really aren't any. Just plenty of prolonged periods of quietness, followed by LOUD NOISE!! Which may work for some people, but I just found it annoying.
The characters wander around dark corridors, playing on the whole creepy castle vibe, and shadowy nuns are everywhere. Valak himself occasionally appears, but it's nothing more than an attempt at a jump scare. The whole thing just seems like such a wasted opportunity and I found myself looking at my watch even during the climactic scenes where they're trying to seal the gateway once more. Not good for a movie that's only 96 minutes long.
The one thing I did like is how they managed to link everything back to The Conjuring movies, in particular the opening scenes of the original movie where the Warrens are giving their lecture, and the consequences that brings for the rest of the movies. Aside from that I just found the whole thing disappointing.
We're in Romania, 1952. A large, remote, creepy looking convent is having trouble trying to contain something dark and evil, resulting in one of the nuns hanging herself. The body is discovered by Frenchie, a local farmer bringing supplies from the nearby village. When word gets back to the Vatican, priest Father Burke (Demián Bichir) is sent, along with Sister Irene (Taissa Farmiga) to investigate.
They learn that the convent was built in the middle ages by the Duke of St Carta who, while being possessed, also created a gateway from hell somewhere within its basement. Religious figures were able to seal the gateway using the blood of Christ, but during the second world war bombings resulted in the seal being broken, releasing the demon Valak. Since then, the nuns have engaged in constant prayer in an attempt to keep evil at bay.
As you'd expect, the whole tone of this movie is very dark, and very gloomy. It takes a while to get going, and there is nothing of interest to keep you hooked. Aside from Sister Irene, the characters are dull, and occasional attempts at humour fall flat. The tense expectation of chills and scares soon fizzles out when you're realise that there really aren't any. Just plenty of prolonged periods of quietness, followed by LOUD NOISE!! Which may work for some people, but I just found it annoying.
The characters wander around dark corridors, playing on the whole creepy castle vibe, and shadowy nuns are everywhere. Valak himself occasionally appears, but it's nothing more than an attempt at a jump scare. The whole thing just seems like such a wasted opportunity and I found myself looking at my watch even during the climactic scenes where they're trying to seal the gateway once more. Not good for a movie that's only 96 minutes long.
The one thing I did like is how they managed to link everything back to The Conjuring movies, in particular the opening scenes of the original movie where the Warrens are giving their lecture, and the consequences that brings for the rest of the movies. Aside from that I just found the whole thing disappointing.
Debbiereadsbook (1197 KP) rated Savior (415 Ink #2) in Books
Sep 18, 2018
not an easy read, but a brilliant one!
This is book two in the 415 Ink series, and while not totally necessary, I would recommend that you read book one, Rebel first. Not least because I said so, but it will give you a little bit more understanding of these men and how their family works.
When Mace's past comes back into his life, will he let his demons beat him? Or will he finally start to believe that Rob, that HE is worth it?
Okay.
So!
After reading Rebel, I knew Ms Ford was gonna wreck me, but silly me started this book in my lunch break at work and I was woefully unprepared with what Ford was throwing at me!
These five men, brothers in all ways but blood, have a strong tight bond but Mace thinks they will disown him when they find out what his father made him do as a child. And those things that he did? No one should have to do those things to survive, let alone a ten year old child.
Rob is convinced that Mace hates him, when quite the opposite is true and when they give into the obvious chemistry that has been simmering away?? It boils over in spectacular fashion! Rob has family issues, and I never quite got to grips with what they were but it didn't spoil my reading experience.
But Mace? He really did break my heart! This big strong fireman, who needs noise and needs to leave a nightlight on, broke my freaking heart in the way only Ford can do!
She is, quite simply, a Master at her craft, and I never know what she is going to throw at me. No matter which way you see a story going, it doesn't. It goes off on it's own sweet way, and you just keep page turning and page turning until, well, until you run out of book and you are left with a little paragraph that throws you into the next book!
All these guys have history, there are little snippets and hints thrown in here that makes your brain think about Bear, about Ivo an about Luke. Luke I'm finding the most tight lipped of them all and it's HIS story I want to read next, but Ivo is up first, I think. Bear and Ivo have a tale to tell and I just wonder what Ford is going to throw at us for the remaining three brothers.
I just want to read them all, but no matter what you THINK will come out, you know, you jut KNOW that Ford will blow that all out of the window and I will be left a blubbering mess in my lunch break and I will have to face customers with red eyes! And I WILL, and I won't care.
Because I simply CANNOT fault this book!
5 stunning and emotional stars
**same worded review will appear elsewhere**
When Mace's past comes back into his life, will he let his demons beat him? Or will he finally start to believe that Rob, that HE is worth it?
Okay.
So!
After reading Rebel, I knew Ms Ford was gonna wreck me, but silly me started this book in my lunch break at work and I was woefully unprepared with what Ford was throwing at me!
These five men, brothers in all ways but blood, have a strong tight bond but Mace thinks they will disown him when they find out what his father made him do as a child. And those things that he did? No one should have to do those things to survive, let alone a ten year old child.
Rob is convinced that Mace hates him, when quite the opposite is true and when they give into the obvious chemistry that has been simmering away?? It boils over in spectacular fashion! Rob has family issues, and I never quite got to grips with what they were but it didn't spoil my reading experience.
But Mace? He really did break my heart! This big strong fireman, who needs noise and needs to leave a nightlight on, broke my freaking heart in the way only Ford can do!
She is, quite simply, a Master at her craft, and I never know what she is going to throw at me. No matter which way you see a story going, it doesn't. It goes off on it's own sweet way, and you just keep page turning and page turning until, well, until you run out of book and you are left with a little paragraph that throws you into the next book!
All these guys have history, there are little snippets and hints thrown in here that makes your brain think about Bear, about Ivo an about Luke. Luke I'm finding the most tight lipped of them all and it's HIS story I want to read next, but Ivo is up first, I think. Bear and Ivo have a tale to tell and I just wonder what Ford is going to throw at us for the remaining three brothers.
I just want to read them all, but no matter what you THINK will come out, you know, you jut KNOW that Ford will blow that all out of the window and I will be left a blubbering mess in my lunch break and I will have to face customers with red eyes! And I WILL, and I won't care.
Because I simply CANNOT fault this book!
5 stunning and emotional stars
**same worded review will appear elsewhere**
Gareth von Kallenbach (980 KP) rated The Croods (2013) in Movies
Aug 7, 2019
When seeing the trailers for this film it seemed like so many other stories that have come before (Ice Age: Continental Drift for example). I figured that this was just the next shameless animated money grab by studios attempting to cash in on those parents who take their young children to each new animated film no matter what it is. That being said, the trailer for this film does not do it justice. Seriously, 20th Century Fox is doing Dreamworks Animation a disservice by not providing better trailers and promotion for The Croods. While the complete package of this film is not the best animated film, it is more than just a mere money grab.
The film opens with Eep, voiced by Emma Stone who introduces us to her cave family led by her overly protective father Grug (Nicolas Cage) and shares her rebellious desire to follow her curiosity and see more of the world. The scene quickly shifts to the family’s quest to find some food that plays like a fast paced prehistoric game of football that clues us in on each of the characters’ strengths and weaknesses. From this point forward the film does a fantastic job of keeping a steady pace that will keep both parents and young children’s interest. As I am sure most parents know, you can always tell how good a children’s movie is based on how fast the young ones lose interest and start to become fidgety. Right from the start, my girlfriend’s three year-old son was attentively glued to his seat. Also I did not notice any of the other children in the theater talking or making noise which is usually a sign of a good children’s film.
Keeping with the fast paced action we are introduced to Guy voiced by Ryan Reynolds. Guy is traveling to high ground in an effort to escape the end of the world caused by earthquakes and lava. Unlike The Croods who are simple minded cavemen, Guy has a brain and is constantly introducing the family to new ideas like fire, shoes and umbrellas. His adventurous spirit is a foil to Grug’s living in constant fear of the unknown in order to stay alive. And while the family starts to fall for Guy’s spirit, they go on an adventure not only to find safety but to finally live.
The voice acting is solid across the board. Emma Stone really shines as the rebellious teenager and Nicolas Cage gives one of his better performances in years. Ryan Reynolds is accompanied with his sloth sidekick “Belt” who provides some of the most memorable comedic moments in the film. Together, along with the other supporting actors in this film, you have several inspired performances. It is these performances that appeal to the adults in the audience and make the film memorable and fun for all ages.
The film opens with Eep, voiced by Emma Stone who introduces us to her cave family led by her overly protective father Grug (Nicolas Cage) and shares her rebellious desire to follow her curiosity and see more of the world. The scene quickly shifts to the family’s quest to find some food that plays like a fast paced prehistoric game of football that clues us in on each of the characters’ strengths and weaknesses. From this point forward the film does a fantastic job of keeping a steady pace that will keep both parents and young children’s interest. As I am sure most parents know, you can always tell how good a children’s movie is based on how fast the young ones lose interest and start to become fidgety. Right from the start, my girlfriend’s three year-old son was attentively glued to his seat. Also I did not notice any of the other children in the theater talking or making noise which is usually a sign of a good children’s film.
Keeping with the fast paced action we are introduced to Guy voiced by Ryan Reynolds. Guy is traveling to high ground in an effort to escape the end of the world caused by earthquakes and lava. Unlike The Croods who are simple minded cavemen, Guy has a brain and is constantly introducing the family to new ideas like fire, shoes and umbrellas. His adventurous spirit is a foil to Grug’s living in constant fear of the unknown in order to stay alive. And while the family starts to fall for Guy’s spirit, they go on an adventure not only to find safety but to finally live.
The voice acting is solid across the board. Emma Stone really shines as the rebellious teenager and Nicolas Cage gives one of his better performances in years. Ryan Reynolds is accompanied with his sloth sidekick “Belt” who provides some of the most memorable comedic moments in the film. Together, along with the other supporting actors in this film, you have several inspired performances. It is these performances that appeal to the adults in the audience and make the film memorable and fun for all ages.
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