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Jesters_folly (230 KP) rated The Suicide Squad (2021) in Movies
Aug 4, 2021
The Suicide Squad is a (possible) reboot that may or may not follow on from Suicide Squad and (or only) Birds of Prey. Honestly I'm not sure that even DC knows what's going on with their movie time line. Anyway, Margot Robbie and Joel Kinnamen return as Harley Quinn and Rick Flagg to lead another team of criminal misfits on an impossible mission (or, if it's a reboot like James Gunn says then it's the first time they are together and we ignore that Flagg askes Harley why she's back in prison or that Waller's team are checking who has worked with who). This time task force X are sent to the island of Corto Maltese to find and destroy 'Project Starfish'.
Ok so 'The Suicide Squad' is a good film, it looks like it has learned form the problems of the first film and incorporated the humour from 'Birds of Prey'. Firstly It's not as formulaic as the first film, a problem that is caused by the premise of 'Task Force X', if each member of the task force is chosen because they have a skill that is useful for the mission then you would expect that skill to be used and the first film took this too literally, each member had a scene where they did their thing then they just faded into the background and 'The Suicide Squad' avoids this by focusing on the characters was, well characters and not powers.
The film is very action driven and very violent but, unlike some of the other recent DC films it's not dark, it has more of a 'Grindhouse' feel than the dark, brooding style of the Batman/Superman/Justice league films (I liked those but they were a bit heavy in parts). The Suicide Squad has humour in it, some of which is quite immature but it fits the tone of the film. The violence and humour is some what balanced out by the comic book feel the film has, King shark, Weasel and Staro are both some what cartoony in appearance and some of the costumes are straight out of the comic books and I think that this is what managed to keep it at a (UK) rating of 15 because (and I know I've said this) it's violent, it's bloody, people get ripped apart and there is torture and lots of talk about killing children.
Somehow 'The Suicide Squad' is a fun watchable film and defiantly one of the better DC films, don't be put of by the original Suicide Squad (no 'The).
Oh and also there's a, after credit scene that set's up for a film that's been announced so stick around until the credits finish.
Ok so 'The Suicide Squad' is a good film, it looks like it has learned form the problems of the first film and incorporated the humour from 'Birds of Prey'. Firstly It's not as formulaic as the first film, a problem that is caused by the premise of 'Task Force X', if each member of the task force is chosen because they have a skill that is useful for the mission then you would expect that skill to be used and the first film took this too literally, each member had a scene where they did their thing then they just faded into the background and 'The Suicide Squad' avoids this by focusing on the characters was, well characters and not powers.
The film is very action driven and very violent but, unlike some of the other recent DC films it's not dark, it has more of a 'Grindhouse' feel than the dark, brooding style of the Batman/Superman/Justice league films (I liked those but they were a bit heavy in parts). The Suicide Squad has humour in it, some of which is quite immature but it fits the tone of the film. The violence and humour is some what balanced out by the comic book feel the film has, King shark, Weasel and Staro are both some what cartoony in appearance and some of the costumes are straight out of the comic books and I think that this is what managed to keep it at a (UK) rating of 15 because (and I know I've said this) it's violent, it's bloody, people get ripped apart and there is torture and lots of talk about killing children.
Somehow 'The Suicide Squad' is a fun watchable film and defiantly one of the better DC films, don't be put of by the original Suicide Squad (no 'The).
Oh and also there's a, after credit scene that set's up for a film that's been announced so stick around until the credits finish.
LeftSideCut (3776 KP) rated Underwater (2020) in Movies
Sep 11, 2020
Fair play, Underwater doesn't fuck around - 2 minutes in and all hell starts breaking loose and shit hits the fan pretty relentlessly until the credits roll. It's clear that director William Eubank wants your attention from the beginning - unfortunately it doesn't quite stay like this throughout...
I actually enjoyed Underwater for the most part, it's just that somewhere in the middle, it really starts to drag a bit, and I'm not even quite sure why - there's always something going on but it just lost me a bit.
Fortunately, the up and down middle act is book-ended by a very strong and tense first act, and one hell of a final third - no spoilers here but holy fuck!!!
The ending 'reveal' honestly elevates Underwater to loftier heights.
It also benefits from a good cast. Kristen Stewart has really grown on me in recent years and she's a fantastic lead in this. Always a pleasure to have Jessica Henwick and John Gallagher Jr. onscreen as well.
As per usual, I couldn't really get on with T.J. Miller - there's just something about that dude that always feels a bit too try hard - people liked him in Deadpool and now he's just typecast as the comic relief - Underwater doesn't really need comic relief.
There are some genuinely tense moments here and there, and the Aliens vibes are prominent - it's of course a few tiers under Aliens, but the bottom of the sea feels just as empty and otherworldly as space, and the creature designs are suitably eerie. The low light levels cover up a lot of CGI, so it never looks too fake either, with the exception of a couple of dodgy gore effects.
Underwater is a decent enough sci-fi-horror thriller that suffer a bit from pacing issues, but a good watch for those of you who like movie monsters.
I actually enjoyed Underwater for the most part, it's just that somewhere in the middle, it really starts to drag a bit, and I'm not even quite sure why - there's always something going on but it just lost me a bit.
Fortunately, the up and down middle act is book-ended by a very strong and tense first act, and one hell of a final third - no spoilers here but holy fuck!!!
The ending 'reveal' honestly elevates Underwater to loftier heights.
It also benefits from a good cast. Kristen Stewart has really grown on me in recent years and she's a fantastic lead in this. Always a pleasure to have Jessica Henwick and John Gallagher Jr. onscreen as well.
As per usual, I couldn't really get on with T.J. Miller - there's just something about that dude that always feels a bit too try hard - people liked him in Deadpool and now he's just typecast as the comic relief - Underwater doesn't really need comic relief.
There are some genuinely tense moments here and there, and the Aliens vibes are prominent - it's of course a few tiers under Aliens, but the bottom of the sea feels just as empty and otherworldly as space, and the creature designs are suitably eerie. The low light levels cover up a lot of CGI, so it never looks too fake either, with the exception of a couple of dodgy gore effects.
Underwater is a decent enough sci-fi-horror thriller that suffer a bit from pacing issues, but a good watch for those of you who like movie monsters.
Haley Mathiot (9 KP) rated Seth Baumgartner's Love Manifesto in Books
Apr 27, 2018
Seth Baumgartnerâs Love Manifesto by Eric Luper
Genre: YA Fiction
ISBN: 9780061827532
Published: June 1st 2010 by Balzer + Bray
Rating: 4
Seth hasnât had such a great love life in the past few weeks. His girlfriend dumped him, he saw his father with another woman, and heâs having some friendship problems with his best friend⌠add to that the fact that his father wants him to win a golf tournament that he really doesnât care about, he canât keep a job, and the most unexpected girl on earth starts having feelings for him. Seth starts an anonymous podcast with music and his opinions called The Love Manifesto where he talks about what love is, why we want it, and why weâre stupid enough to keep coming back for more⌠and he finds some pretty interesting things about love, friendship, family, and himself.
Seth Baumgartnerâs Love Manifesto (and I thought my last name was hard to pronounce) was a fun read. It drew me in right away with the writing style and the witty characters. I loved the characters. Up until the end I wasnât quite sure I really liked Seth that much, because he was doing some pretty stupid things⌠but in the end when he got his head back on straight and started making the right choices, I saw that he really wasnât too bad after all. His best friend Dimitri was hilarious (I think he was my favorite⌠the description on the back of the book of âsmut-mindedâ is pretty accurate.) and his sister Audrey was my kind of gal. You got to love Audrey. Obnoxious, sarcastic, but sweet on her man in subtle ways, and a very good kisser.
The plot was great: it had drama, mystery, and emotion without getting sappy or melodramatic. It takes the reader on quite a ride, so you donât quite know who the good guy is, and you feel bad for Seth, but itâs not too depressing either.
Although Luper didnât quite explain or define âlove,â he did show it in the characters actions by the end of the story. Even though I was hoping for something a little deeper, he did end the story well and I was satisfied after finishing.
Good writing, great character, fun plot, awesome ending, (and I love the mp3-player cover!) this one will pull you in and keep you hooked from the first page to the last.
Content/recommendation: Some language and sexual innuendoes. Ages 15+
This review is copyright 2010 to Haley Mathiot and Night Owl Reviews.
Genre: YA Fiction
ISBN: 9780061827532
Published: June 1st 2010 by Balzer + Bray
Rating: 4
Seth hasnât had such a great love life in the past few weeks. His girlfriend dumped him, he saw his father with another woman, and heâs having some friendship problems with his best friend⌠add to that the fact that his father wants him to win a golf tournament that he really doesnât care about, he canât keep a job, and the most unexpected girl on earth starts having feelings for him. Seth starts an anonymous podcast with music and his opinions called The Love Manifesto where he talks about what love is, why we want it, and why weâre stupid enough to keep coming back for more⌠and he finds some pretty interesting things about love, friendship, family, and himself.
Seth Baumgartnerâs Love Manifesto (and I thought my last name was hard to pronounce) was a fun read. It drew me in right away with the writing style and the witty characters. I loved the characters. Up until the end I wasnât quite sure I really liked Seth that much, because he was doing some pretty stupid things⌠but in the end when he got his head back on straight and started making the right choices, I saw that he really wasnât too bad after all. His best friend Dimitri was hilarious (I think he was my favorite⌠the description on the back of the book of âsmut-mindedâ is pretty accurate.) and his sister Audrey was my kind of gal. You got to love Audrey. Obnoxious, sarcastic, but sweet on her man in subtle ways, and a very good kisser.
The plot was great: it had drama, mystery, and emotion without getting sappy or melodramatic. It takes the reader on quite a ride, so you donât quite know who the good guy is, and you feel bad for Seth, but itâs not too depressing either.
Although Luper didnât quite explain or define âlove,â he did show it in the characters actions by the end of the story. Even though I was hoping for something a little deeper, he did end the story well and I was satisfied after finishing.
Good writing, great character, fun plot, awesome ending, (and I love the mp3-player cover!) this one will pull you in and keep you hooked from the first page to the last.
Content/recommendation: Some language and sexual innuendoes. Ages 15+
This review is copyright 2010 to Haley Mathiot and Night Owl Reviews.
Neon's Nerd Nexus (360 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 29, 2019
Oh my God...
#godzillakingofthemonsters is overlong, overstuffed, bland & lacks the one thing that at bare minimum I expected from a movie about big #monsters #fighting, EXCITEMENT. Now I quite liked the first #godzilla movie & yes it was to focused on the human element but visually it was really sticking & I found its slow build up to the reveal of Godzilla intense & exciting so that when he's finally introduced fully his presence became that more intimidating & thrilling. Sadly although in this sequel the monsters are given way more screen time at around 2hours the human element is still far to overpowering. That would be fine but its all so #boring & only serves as exposition to move the plot along. Dialog is sloppy/bellow basic & repetitive, acting is average at best & no one is likeable. Story wise its incredibly weak/bare bones which makes me wonder why it takes so long to play out considering we are only all here really to see monsters #fight. Cgi is really dodgy in places & I'm not sure if this is a throwback to past films but it feels odd & disjointed because at times its also impressive like it suddenly found its budget again. For an hour & a half I found this movie terrible with nothing setting it apart from stuff like #sanandreas or #geostorm. There are big set pieces upping the pace but like those movies they are a hollow mess of washed out cgi/badly framed fights that just weren't exciting at all. Why a 3? something changes in the last half hour & things do get a little cool for a bit, the score becomes epic, cgi looks great, theres some nice visual touches, #animation has weight & #action invokes some thrill but by then its all a just a bit to late. Theres also some #beautiful artsy establishing shots at times too throughout the movie & the subtle metaphors about the effects of #nuclear #weapons/war & looking after our #planet are well implemented too but thats about it. Im still #excited for #GodzillavsKong but just hoping this is a case of middle film itis but for now there are way better monster movies out there as i cant recomend seeing this one at all to be honest which is such a shame. #shingodzilla #godzillamovie #kong #japan #anime #gojira #kaiju
Purple Phoenix Games (2266 KP) rated Trust Me, I'm a Superhero in Tabletop Games
Oct 8, 2020
You know when youâre fortunate enough to be given superpowers but they are super lame? Yeah me neither, but I still think it would be awesome to have even the lamest superpower. Well, if youâre like me, you will relish the opportunity to play Trust Me, Iâm a Superhero where you can try out different superhero combinations and aid the citizens of our fair city!
Trust Me, Iâm a Superhero is a negotiation-style party card game in the vein of Apples to Apples. In it players are bogus superheros answering the Call for Help and attempting to convince the Director to send them out as the cityâs hero.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I know for sure that the final components will be different from these shown. I usually include a messy photo as my last of the review, but in this case I captured the art style that will be used in the final version. You are invited to back the game through the Kickstarter campaign launching October 27, 2020, or purchase through any retailers stocking it after fulfillment. -T
To setup, shuffle the Super deck and Power deck separately. Deal each player five cards from each deck and the game may begin!
Playing Trust Me, Iâm a Superhero is incredibly simple. From the hand of 10 cards dealt players will choose one Super card and one Power card to mash together creating a lame superhero. Players will display their superhero face-up in front of them. The player who is the current Director will flip over the top Call for Help card, read it aloud, and then players will initiate discussion with the Director to convince them that their hero should be sent to answer the call. The Director then chooses the best superhero by awarding the Call for Help card to the winning player. The next player in clock-wise order is the next Director. Play continues in this fashion until a player has won three Call for Help cards or some other determined time limit.
Components. Well, I cannot really comment on the components too much as again, I am using a prototype copy with prototype non-final artwork. From the photo below of the art style the final game will be using I can see that the art is whimsical and cartoony, which is perfect for this game. I am also sure that components will probably be upgraded as a result of a successful Kickstarter campaign with crushed stretch goals.
I have also played and reviewed Trust Me, Iâm a Doctor and I said that I liked it, and I do. But if I like Trust Me, Iâm a Doctor then I love Trust Me, Iâm a Superhero. Just the added little twist of choosing your Super and Power cards BEFORE you see what the Call for Help will be is excellent. This game would be so different if you saw the Help card prior to assembling your Super Power. It would be too easy and not at all hilarious. I am so glad this twist exists and helps to elevate this from a good game to a great little A2A spin-off that CAN get NSFW with the right (or wrong?) people, and will feature some fun art. If you are interested in this little title, please consider backing it on Kickstarter on October 27, 2020! Tell them Purple Phoenix Games sent ya or Iâll send over Solar-Powered Punch or Seductive Corpse to rough you up a bit.
Trust Me, Iâm a Superhero is a negotiation-style party card game in the vein of Apples to Apples. In it players are bogus superheros answering the Call for Help and attempting to convince the Director to send them out as the cityâs hero.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I know for sure that the final components will be different from these shown. I usually include a messy photo as my last of the review, but in this case I captured the art style that will be used in the final version. You are invited to back the game through the Kickstarter campaign launching October 27, 2020, or purchase through any retailers stocking it after fulfillment. -T
To setup, shuffle the Super deck and Power deck separately. Deal each player five cards from each deck and the game may begin!
Playing Trust Me, Iâm a Superhero is incredibly simple. From the hand of 10 cards dealt players will choose one Super card and one Power card to mash together creating a lame superhero. Players will display their superhero face-up in front of them. The player who is the current Director will flip over the top Call for Help card, read it aloud, and then players will initiate discussion with the Director to convince them that their hero should be sent to answer the call. The Director then chooses the best superhero by awarding the Call for Help card to the winning player. The next player in clock-wise order is the next Director. Play continues in this fashion until a player has won three Call for Help cards or some other determined time limit.
Components. Well, I cannot really comment on the components too much as again, I am using a prototype copy with prototype non-final artwork. From the photo below of the art style the final game will be using I can see that the art is whimsical and cartoony, which is perfect for this game. I am also sure that components will probably be upgraded as a result of a successful Kickstarter campaign with crushed stretch goals.
I have also played and reviewed Trust Me, Iâm a Doctor and I said that I liked it, and I do. But if I like Trust Me, Iâm a Doctor then I love Trust Me, Iâm a Superhero. Just the added little twist of choosing your Super and Power cards BEFORE you see what the Call for Help will be is excellent. This game would be so different if you saw the Help card prior to assembling your Super Power. It would be too easy and not at all hilarious. I am so glad this twist exists and helps to elevate this from a good game to a great little A2A spin-off that CAN get NSFW with the right (or wrong?) people, and will feature some fun art. If you are interested in this little title, please consider backing it on Kickstarter on October 27, 2020! Tell them Purple Phoenix Games sent ya or Iâll send over Solar-Powered Punch or Seductive Corpse to rough you up a bit.
graveyardgremlin (7194 KP) rated Unraveling (Unraveling, #1) in Books
Feb 15, 2019
Within the first ten pages of <i>Unraveling</i>, the main character, Janelle Tenner, dies from a runaway pick-up. A fellow student from her school, Ben Michaels, revives her and then runs off before she fully awakens. Convinced there's more than meets the eye with Ben, Janelle won't give up trying to figure out how and what he did to her and why she isn't dead, even facing her best friend's refusal to believe she died and Ben's denial of ever resurrecting her. As she pieces together that puzzle, Janelle plays detective on a case her F.B.I. agent father is working on, by rifling through top secret files and eavesdropping, that involves a mysterious countdown and people dying of radiation poisoning, which are somehow connected to the man behind the wheel of the vehicle that hit her and possibly even to Ben as well.
The author did a great job setting up the story with a slow build that introduces Janelle's life, both at home and at school, along with any free time she may have, and accelerates once it hits the halfway point until it reaches the book's climactic ending. In particular, the development of her home life was interesting and had depth. She has a mother who's bi-polar and not "there" most of the time and a father who seemingly avoids dealing with the realities of his wife's mental illness by being a workaholic, so all the household responsibilities fall on Janelle's shoulders. She takes care of her family and does the majority of the cleaning, cooking, laundry, and most importantly of all, being a mother to her younger brother, Jared. She makes sure he does his homework, has meals, and gets to school on time. What's nice about their relationship is that he actually respects his sister and there isn't much in the way of petty arguments, which was refreshing. I liked the whole interrelationships of the core family: Janelle, Jared, and their father. They all loved each other, faults and all, and even adding in the situation that Janelle's mother is in, they felt like a genuine family. Adding to that, both Alex (Janelle's best friend and my favorite character) and Struz (her dad's partner/friend) were a part of the family too. If there was anything that stood out in the book for me, it was how people related to each other in it, for good or ill. I loved Alex and Janelle's friendship, again it was really authentic, and they were just that, best friends. No romantic agenda going on, no secret one-sided yearning, only true friendship where they looked out for one another.
Janelle herself was a strong character, but not so strong she never showed her feelings. She could be quick-tempered, but usually for good reason, she stood up for herself when necessary, and was sensible, so while she could be judgmental and at times conceited, those flaws made her realistic. Nobody's perfect. The experiences she's had to live through have molded her, so every action and reaction she made made perfect sense to who she is, whether it's flying off the handle or falling into pieces. While I can't say I ever totally liked her, I understood and respected her; there aren't many YA characters I can say that about. Every character in the book had their own identity, whether they had a small role to play or a bigger one, so there was no confusion to who they were. Ben, the mysterious "stoner", is of course the love interest. He could have been more fully fleshed out, but I still got a basic idea of who he was and he's at least a nice guy, which is a novel idea these days. The love story between Janelle and Ben felt like it could actually happen that way. The chemistry between the two was well-written so the magnetic attraction between them is palpable. I remember how it is to be a teenager (scary but true), and I hate to be such a broken record, but it felt realistic. Do I think it was love? No, not yet, but they have a connection and it's a start towards something serious.
The plot is intriguing and has a lot of good ideas that generally mesh well together. Each short chapter, some less than a page long, features numbers counting down to the big event that's at the core of the novel. I'm not going to go into details since it'd be too hard to do without giving anything away, but I will say that I enjoyed how the story was told and how it unfolded. While this is sci-fi, it's light on the 'sci' part and not everything is explained as well as it could be, but hopefully the sequel will tackle some of the bigger components. Most of my complaints are trivial: the ending was rushed for an almost 450 page book, there was a passing comment about AAA that wasn't right, the phrase 'junior detective' was used just a little too much, an info dump that would have worked better as dialogue, and a couple of other inconsistencies that hopefully were caught before the final copy was printed. However, I admit to some ire at an event that happened at the end, I just didn't feel there was any need for it plot-wise and thought it total overkill. That was unfortunate but overall I still enjoyed the book cover to cover. A solid four-star book that's a cut above the rest and left me looking forward to the sequel.
The author did a great job setting up the story with a slow build that introduces Janelle's life, both at home and at school, along with any free time she may have, and accelerates once it hits the halfway point until it reaches the book's climactic ending. In particular, the development of her home life was interesting and had depth. She has a mother who's bi-polar and not "there" most of the time and a father who seemingly avoids dealing with the realities of his wife's mental illness by being a workaholic, so all the household responsibilities fall on Janelle's shoulders. She takes care of her family and does the majority of the cleaning, cooking, laundry, and most importantly of all, being a mother to her younger brother, Jared. She makes sure he does his homework, has meals, and gets to school on time. What's nice about their relationship is that he actually respects his sister and there isn't much in the way of petty arguments, which was refreshing. I liked the whole interrelationships of the core family: Janelle, Jared, and their father. They all loved each other, faults and all, and even adding in the situation that Janelle's mother is in, they felt like a genuine family. Adding to that, both Alex (Janelle's best friend and my favorite character) and Struz (her dad's partner/friend) were a part of the family too. If there was anything that stood out in the book for me, it was how people related to each other in it, for good or ill. I loved Alex and Janelle's friendship, again it was really authentic, and they were just that, best friends. No romantic agenda going on, no secret one-sided yearning, only true friendship where they looked out for one another.
Janelle herself was a strong character, but not so strong she never showed her feelings. She could be quick-tempered, but usually for good reason, she stood up for herself when necessary, and was sensible, so while she could be judgmental and at times conceited, those flaws made her realistic. Nobody's perfect. The experiences she's had to live through have molded her, so every action and reaction she made made perfect sense to who she is, whether it's flying off the handle or falling into pieces. While I can't say I ever totally liked her, I understood and respected her; there aren't many YA characters I can say that about. Every character in the book had their own identity, whether they had a small role to play or a bigger one, so there was no confusion to who they were. Ben, the mysterious "stoner", is of course the love interest. He could have been more fully fleshed out, but I still got a basic idea of who he was and he's at least a nice guy, which is a novel idea these days. The love story between Janelle and Ben felt like it could actually happen that way. The chemistry between the two was well-written so the magnetic attraction between them is palpable. I remember how it is to be a teenager (scary but true), and I hate to be such a broken record, but it felt realistic. Do I think it was love? No, not yet, but they have a connection and it's a start towards something serious.
The plot is intriguing and has a lot of good ideas that generally mesh well together. Each short chapter, some less than a page long, features numbers counting down to the big event that's at the core of the novel. I'm not going to go into details since it'd be too hard to do without giving anything away, but I will say that I enjoyed how the story was told and how it unfolded. While this is sci-fi, it's light on the 'sci' part and not everything is explained as well as it could be, but hopefully the sequel will tackle some of the bigger components. Most of my complaints are trivial: the ending was rushed for an almost 450 page book, there was a passing comment about AAA that wasn't right, the phrase 'junior detective' was used just a little too much, an info dump that would have worked better as dialogue, and a couple of other inconsistencies that hopefully were caught before the final copy was printed. However, I admit to some ire at an event that happened at the end, I just didn't feel there was any need for it plot-wise and thought it total overkill. That was unfortunate but overall I still enjoyed the book cover to cover. A solid four-star book that's a cut above the rest and left me looking forward to the sequel.
Sassy Brit (97 KP) rated Five Seasons Of Jam in Books
Jun 5, 2019
In Five Seasons of Jam by Lillie OâBrien shares a variety of different jam recipes of which she has discovered over the years during her travels. Many have unusual and quirky ingredients, although that may not be the case depending where abouts in the world you live.
Lillie offers lots of tips and ideas about not just the cooking of the jams, but how to access them if you donât grown your own, or cannot find them in local shops. Some ingredients the author admits are hard to find, for example, the mulberries. If you can find a farm that sells them, great! If you happen to have a mulberry tree in your garden, or know someone who has, even better!
Why include hard to find ingredients? Well, for some they may not actually be that hard to find. Plus, much of what makes this book a little different from just a normal recipe book, is hearing Lillieâs storyâs about her travels and how through families and friends she has discovered these fruits. And now, because she is more famous, she also getâs invites from helpful people who offer the chance to come and pick the harder-to-find fruits.
The hardback book is rather a good looking one, and inside there are many full page, colourful pictures. Each section is separated into seasons:
ALIVE- mid to late spring.
HOT â summer
BLUSH â early autumn
BARB â late autumn
FROST â winter to early spring
Overall this is a well thought out book, which is ideal for jam makers who want to go one step further and try the more different recipes. I particularly liked the ideas OâBrien shared for the Christmas recipes. I donât know why it is, but I do tend to get more adventurous with my cooking around this seasonal period. Iâm sure Iâm not the only one! Would make a great gift for any jam making fiends.
Lillie offers lots of tips and ideas about not just the cooking of the jams, but how to access them if you donât grown your own, or cannot find them in local shops. Some ingredients the author admits are hard to find, for example, the mulberries. If you can find a farm that sells them, great! If you happen to have a mulberry tree in your garden, or know someone who has, even better!
Why include hard to find ingredients? Well, for some they may not actually be that hard to find. Plus, much of what makes this book a little different from just a normal recipe book, is hearing Lillieâs storyâs about her travels and how through families and friends she has discovered these fruits. And now, because she is more famous, she also getâs invites from helpful people who offer the chance to come and pick the harder-to-find fruits.
The hardback book is rather a good looking one, and inside there are many full page, colourful pictures. Each section is separated into seasons:
ALIVE- mid to late spring.
HOT â summer
BLUSH â early autumn
BARB â late autumn
FROST â winter to early spring
Overall this is a well thought out book, which is ideal for jam makers who want to go one step further and try the more different recipes. I particularly liked the ideas OâBrien shared for the Christmas recipes. I donât know why it is, but I do tend to get more adventurous with my cooking around this seasonal period. Iâm sure Iâm not the only one! Would make a great gift for any jam making fiends.
EmersonRose (320 KP) rated Dodger's Doorrway in Books
Nov 20, 2019
Dodgerâs Doorway, by Alessandro Reale, is a fantasy adventure story that explores retelling classic fairy tales and fables in unique and fun ways. The book follows main character Mark âDodgerâ Bishop, a teenager from our world who is tired of his life. While struggling with divorcing parents, and school bullies, and getting through his senior year of high school, Dodger finds a doorway to another world. This world is inhabited by the fairytale characters of our childhoods. Dodger meets Humpty Dumpty and Rumpelstiltskin and many more classic characters. Dodger is taken on an exciting journey which has its dangers and challenges. Along the way, Dodger must work to not only save Storyworld but work through his own fears and struggles.
Dodgerâs Doorway is a fantastical adventure that makes for a super fun read. The melded fairytale worlds is a theme we have seen more and more of, which I love, and I think that Reale did a masterful job of combining the magical nostalgia of the characters we know and love as well as bringing in a unique twist and creating new life in this classic characters. I particularly liked the portrayal of Humpty Dumpty. I think that Humpty is a character that is often veered away from as being too hard or not interesting enough to expand upon, but Reale takes him and makes him into an exciting warrior, which I thought was very clever. Realeâs Storyworld combines the magical innocence and dark origins of the stories and characters he chooses which gives the story a real sense of danger and epic adventure that makes the book a quick and thrilling read. Reale took inspirational from a wide range of stories; from Hansel and Gretel, Jack and the Beanstalk, Pinocchio, Peter Pan, Alice in Wonderland, The Wizard of Oz, and many more. I loved the variety and enjoyed seeing Realeâs spin on the characters.
The book itself is well-written, and the arc works well to make for a book that is hard to put down. Dodger is a great character in that he has a lot of growth throughout the book and creates real feeling relationships with the fairytale characters he meets. I liked that Reale brought the book to a young adult read instead of a childrenâs book by playing with the dark sides of fairytales, as well as making Dodger a teenager dealing with very real young adult issues.
Dodgerâs Doorway is an enchanting story with a lot of heart. I very much enjoyed reading it. If you are a fan of fantasy stories, particularly tales where characters find magical worlds, a personal childhood dream of mine and many others I am sure, then I would highly recommend giving this book a read!
Dodgerâs Doorway is a fantastical adventure that makes for a super fun read. The melded fairytale worlds is a theme we have seen more and more of, which I love, and I think that Reale did a masterful job of combining the magical nostalgia of the characters we know and love as well as bringing in a unique twist and creating new life in this classic characters. I particularly liked the portrayal of Humpty Dumpty. I think that Humpty is a character that is often veered away from as being too hard or not interesting enough to expand upon, but Reale takes him and makes him into an exciting warrior, which I thought was very clever. Realeâs Storyworld combines the magical innocence and dark origins of the stories and characters he chooses which gives the story a real sense of danger and epic adventure that makes the book a quick and thrilling read. Reale took inspirational from a wide range of stories; from Hansel and Gretel, Jack and the Beanstalk, Pinocchio, Peter Pan, Alice in Wonderland, The Wizard of Oz, and many more. I loved the variety and enjoyed seeing Realeâs spin on the characters.
The book itself is well-written, and the arc works well to make for a book that is hard to put down. Dodger is a great character in that he has a lot of growth throughout the book and creates real feeling relationships with the fairytale characters he meets. I liked that Reale brought the book to a young adult read instead of a childrenâs book by playing with the dark sides of fairytales, as well as making Dodger a teenager dealing with very real young adult issues.
Dodgerâs Doorway is an enchanting story with a lot of heart. I very much enjoyed reading it. If you are a fan of fantasy stories, particularly tales where characters find magical worlds, a personal childhood dream of mine and many others I am sure, then I would highly recommend giving this book a read!
Kirk Bage (1775 KP) rated Tenet (2020) in Movies
Jan 22, 2021
Due to circumstances we have all lived with now for about 8 months, that scarce need a word more said about them, this has remained only the second film I have seen at a cinema in 2020, following an early January viewing of The Rise of Skywalker. And it will probably be the last film I head out to see on the big screen for a while. This, naturally, breaks my heart. It does, however, place Christopher Nolanâs complex thriller into a very peculiar and memorable place in the collective psyche of film lovers.
For many it will have been the film that brought them out of lockdown number one into a world of slight hope that normality was returning. As it co-incided with my daughterâs birthday it became part of a treat day out that although socially distanced was my first attempt to do all the things I hadnât done for a while; eat out in a restaurant, have a pint in a bar, and then see a movie. The experience, whilst still enjoyable and memorable, was tainted by how surreal and empty the world felt â the meal was in an half empty and cold Hard Rock Cafe, with no music and a smell of disinfectant; the pint was in a pop up outside bar that only took orders via a phone app in advance; and the movie was attended by six people, of which we were two, separated by not two metres but at least ten!
I have been in some screenings that were dead quiet before, but not for a film so anticipated and more or less mainstream. It was odd. Hats off to the staff of Everyman, Glasgow, however, who were exemplary in their courtesy, welcoming and safety precautions. It wasnât their fault it was empty, and I applaud them for keeping the ball rolling at that time around the start of September. At least the sofas were comfy, the place was warm and the smell was still of popcorn and not domestos.
I had been looking forward to the film immensely. The hype and build-up to it had come with a lot of baggage, with rumours of production delays and script issues going back a few years. It was shrouded in mystery, with even the trailer being delayed until the very last moment and critics not getting to see it until a day before release, such was the fear of spoilers leaking out. My first concern, being so excited by the prospect of another time bending classic to join Memento, Interstellar and Inception in the ranks of âOK, what just happenedâ masterpieces, was that the sound during the trailers was very very low â if they kept it that low during the actual film I would demand my money back⌠I neednât have worriedâŚ
Never in my life have I felt as if my eardrums were about to burst whilst watching a film! Literally, at times, Hans Zimmerâs powerful and emotive score was vibrating my testicles! Add to that the fact that a lot of the dialogue seemed mumbled and drowned out by it, and it made the first 45 minutes very difficult to enjoy. Was this horrendous sound mix a mistake? Or very much part of the plan to overwhelm the senses and confuse the brain? Was it part of the puzzle or a massive technical oversight? As almost everyone seems to have the same complaint about it, the jury is still out on that oneâŚ
And so, it took a little while for me to atune to the tone, regardless of how hard you had to focus to take in anything of what was going on. There was a point where I became certain I wasnât going to like it â I braced myself for disappointment. And then⌠at a certain moment in a certain scene the penny dropped and so did my jaw, as the full realisation of where this was going, and how unique and mind blowing that concept was, finally kicked in. From that moment on it just got better and better, as the technical achievement required, let alone intelligence, to pull this off surpassed all previous levels of anything I can ever remember.
The âWowâ moments just kept on coming as the action, tension and intrigue kept rising to fever pitch. In the end, so profoundly bewildering were the potential possibilities of the plot and premise that I gave up trying to meet it intellectually and just allowed it to wash over me emotionally, knowing that repeat viewings would allow me to engage with it in that way later.
John David Washington as âthe protagonistâ is suitably neutral and unshowy in the role; threatening to be compared to Bond or Bourne, but never quite being either, as this world, despite itâs surface glamour and underground seediness feels much closer to DiCaprioâs suit wearing mind spy in Inception than either of those. For anyone who didnât yet catch his terrific turn in BlacKkKlansman this may be their first encounter with him, and youâd have to say he has a very solid, dependable quality, without ever being starry or attention seeking. Watchable, for sure, but never chewing the scenery at the cost of the story â and surely that is why Nolan chose him.
Beside Washington is another excellent performance by the increasingly impressive Robert Pattinson. His role as the enigmatic Neil here grows on you minute to minute during the film, and afterwards you wonder if he wasnât the best thing about the entire production⌠there is a subtlety of meaning in all his scenes that is only revealed late on, and demands a further watch or two to get every nuance from. He gives the impression he is entirely in control of the full meaning of the film and his own performance, so much so he strikes me as the pivot that would tip you either way on whether you liked the film or not.
And I have to admit not liking it is a valid option. You couldnât possibly watch it whilst tired or in a bad mood, it is just too full on, bordering on oppressive at times. There are also a few supporting roles that Iâm not 100% certain of, most notably Kenneth Brannagh as the seeming villain of the piece, Sator. His accent is a distraction, and it feels like a character youâve seen him play before â fine in most ways, but nothing special â and I found myself wishing they had cast someone else in that role. Likewise with the less exposed Elizabeth Debicki â adequate, but not transcendent, as her character might have been with a more charismatic actress.
My overall impression was definitely affected by how much my daughter enjoyed it â she loves having a mystery to solve, especially if it involves time or some other sci-fi concept. The pleasure of it was chatting it over excitedly afterwards, to see if either of us had truly understood the full story, in the same way I remember doing with others about all Nolanâs concept pieces over the years. If you come to it being less than bothered about having to unlock a puzzle box then it may very well piss you off, to the extent you either just give up or sit back and enjoy the ride. However, I would assert confidently that it is worth the effort and will reward multiple viewings over time. Especially as more clues to its meaning are discussed and revealed.
One thing that can be said with certainty is that there is no other film like this that has ever been made. It feels different and beyond comparison in many crucial ways. The ambition of Nolan has to be applauded. I only wish he would go back and sort out that sound design before I get around to seeing it again.
For many it will have been the film that brought them out of lockdown number one into a world of slight hope that normality was returning. As it co-incided with my daughterâs birthday it became part of a treat day out that although socially distanced was my first attempt to do all the things I hadnât done for a while; eat out in a restaurant, have a pint in a bar, and then see a movie. The experience, whilst still enjoyable and memorable, was tainted by how surreal and empty the world felt â the meal was in an half empty and cold Hard Rock Cafe, with no music and a smell of disinfectant; the pint was in a pop up outside bar that only took orders via a phone app in advance; and the movie was attended by six people, of which we were two, separated by not two metres but at least ten!
I have been in some screenings that were dead quiet before, but not for a film so anticipated and more or less mainstream. It was odd. Hats off to the staff of Everyman, Glasgow, however, who were exemplary in their courtesy, welcoming and safety precautions. It wasnât their fault it was empty, and I applaud them for keeping the ball rolling at that time around the start of September. At least the sofas were comfy, the place was warm and the smell was still of popcorn and not domestos.
I had been looking forward to the film immensely. The hype and build-up to it had come with a lot of baggage, with rumours of production delays and script issues going back a few years. It was shrouded in mystery, with even the trailer being delayed until the very last moment and critics not getting to see it until a day before release, such was the fear of spoilers leaking out. My first concern, being so excited by the prospect of another time bending classic to join Memento, Interstellar and Inception in the ranks of âOK, what just happenedâ masterpieces, was that the sound during the trailers was very very low â if they kept it that low during the actual film I would demand my money back⌠I neednât have worriedâŚ
Never in my life have I felt as if my eardrums were about to burst whilst watching a film! Literally, at times, Hans Zimmerâs powerful and emotive score was vibrating my testicles! Add to that the fact that a lot of the dialogue seemed mumbled and drowned out by it, and it made the first 45 minutes very difficult to enjoy. Was this horrendous sound mix a mistake? Or very much part of the plan to overwhelm the senses and confuse the brain? Was it part of the puzzle or a massive technical oversight? As almost everyone seems to have the same complaint about it, the jury is still out on that oneâŚ
And so, it took a little while for me to atune to the tone, regardless of how hard you had to focus to take in anything of what was going on. There was a point where I became certain I wasnât going to like it â I braced myself for disappointment. And then⌠at a certain moment in a certain scene the penny dropped and so did my jaw, as the full realisation of where this was going, and how unique and mind blowing that concept was, finally kicked in. From that moment on it just got better and better, as the technical achievement required, let alone intelligence, to pull this off surpassed all previous levels of anything I can ever remember.
The âWowâ moments just kept on coming as the action, tension and intrigue kept rising to fever pitch. In the end, so profoundly bewildering were the potential possibilities of the plot and premise that I gave up trying to meet it intellectually and just allowed it to wash over me emotionally, knowing that repeat viewings would allow me to engage with it in that way later.
John David Washington as âthe protagonistâ is suitably neutral and unshowy in the role; threatening to be compared to Bond or Bourne, but never quite being either, as this world, despite itâs surface glamour and underground seediness feels much closer to DiCaprioâs suit wearing mind spy in Inception than either of those. For anyone who didnât yet catch his terrific turn in BlacKkKlansman this may be their first encounter with him, and youâd have to say he has a very solid, dependable quality, without ever being starry or attention seeking. Watchable, for sure, but never chewing the scenery at the cost of the story â and surely that is why Nolan chose him.
Beside Washington is another excellent performance by the increasingly impressive Robert Pattinson. His role as the enigmatic Neil here grows on you minute to minute during the film, and afterwards you wonder if he wasnât the best thing about the entire production⌠there is a subtlety of meaning in all his scenes that is only revealed late on, and demands a further watch or two to get every nuance from. He gives the impression he is entirely in control of the full meaning of the film and his own performance, so much so he strikes me as the pivot that would tip you either way on whether you liked the film or not.
And I have to admit not liking it is a valid option. You couldnât possibly watch it whilst tired or in a bad mood, it is just too full on, bordering on oppressive at times. There are also a few supporting roles that Iâm not 100% certain of, most notably Kenneth Brannagh as the seeming villain of the piece, Sator. His accent is a distraction, and it feels like a character youâve seen him play before â fine in most ways, but nothing special â and I found myself wishing they had cast someone else in that role. Likewise with the less exposed Elizabeth Debicki â adequate, but not transcendent, as her character might have been with a more charismatic actress.
My overall impression was definitely affected by how much my daughter enjoyed it â she loves having a mystery to solve, especially if it involves time or some other sci-fi concept. The pleasure of it was chatting it over excitedly afterwards, to see if either of us had truly understood the full story, in the same way I remember doing with others about all Nolanâs concept pieces over the years. If you come to it being less than bothered about having to unlock a puzzle box then it may very well piss you off, to the extent you either just give up or sit back and enjoy the ride. However, I would assert confidently that it is worth the effort and will reward multiple viewings over time. Especially as more clues to its meaning are discussed and revealed.
One thing that can be said with certainty is that there is no other film like this that has ever been made. It feels different and beyond comparison in many crucial ways. The ambition of Nolan has to be applauded. I only wish he would go back and sort out that sound design before I get around to seeing it again.
Heather Cranmer (2721 KP) rated The Safe Place in Books
May 30, 2020
I'm a sucker for psychological thrillers, so when the opportunity arose to read The Safe Place by Anna Downes, I jumped at the chance! Luckily, I ended up loving this book!
Emily Proudman just can't catch a break. After losing her job as well as her acting agent, things are looking grim. After being late on the rent again, she's also facing eviction from her apartment. However, things start looking up when she runs into Scott Denny. Scott, a successful CEO of the company she's just been fired from, feels like Emily would be perfect working for his wife, Nina, and living on their very remote property in France. Things seem perfect, but they are a little too perfect. When Emily finds out the truth behind Nina's and Scott's ideal life, she puts herself in grave danger and finds out how far some people will go to protect their secrets.
While the idea behind The Safe Place has been done before, Downes does a fantastic job of making it feel like it was her idea and hers alone. To me, The Safe Place felt like it was a slow burn as the action didn't really take place until towards the end. I would say the first 85 percent of the book or so is just the backstory and build up to all the action which happens in the last few chapters. The pacing is a little slow throughout most of the book, but it isn't so slow that I became bored - quite the contrary. While the pacing is fairly slow, I did enjoy what I read thanks to Downes' brilliant way with words. There are a few plot twists although I found them fairly easy to figure out, but I think that's only because I've read so many psychological thrillers before. Some of my guesses were wrong though, I admit. Even though there's an epilogue, I would have liked to have known more about what happened with Denny family. I just need a little more closure when it came to that.
Downes did a fantastic job with all of her characters. It was easy to imagine every single character in The Safe Place as a real person. The main characters all had plenty of backstory (or just enough to keep them mysterious), and the minor characters were all described very well. I liked how Emily seemed to want to please those around her. While she didn't feel like a pushover, it was nice to see her wanting to fit in with her new employer as well as Yves, the sometimes handyman. Nina was definitely an interesting character. I didn't know what to make of her before Emily met her in the book, but once Emily met Nina, and I read more about her, I ended up liking her. (I kept trying to figure out why Scott didn't want to be around her though.) Aurelia, the Denny's daughter, was my favorite character. She seemed like such a sweet little girl who had been through so much. I found myself wishing I could meet Aurelia and give her a hug (only if she'd let me since she took a long time to warm up to people).
Trigger warnings for The Safe Place include profanity, mental illness, alcohol use, prescription pill abuse, self harm, violence, and attempted murder.
Overall, The Safe Place is a highly intriguing book that makes each and every word on the page come alive. With a great set of characters, beautiful descriptions of the scenery, and a highly intriguing plot, this is one book that's sure to become a best seller. I would definitely recommend The Safe Place by Anna Downes to those aged 20+ who enjoy psychological thrillers and/or want to be instantly transported into a fantastic book!
--
(A special thank you to Minotaur Books for sending me a paperback ARC of The Safe Place by Anna Downes. A review was not required but appreciated. This was my honest and unbiased review.)
Emily Proudman just can't catch a break. After losing her job as well as her acting agent, things are looking grim. After being late on the rent again, she's also facing eviction from her apartment. However, things start looking up when she runs into Scott Denny. Scott, a successful CEO of the company she's just been fired from, feels like Emily would be perfect working for his wife, Nina, and living on their very remote property in France. Things seem perfect, but they are a little too perfect. When Emily finds out the truth behind Nina's and Scott's ideal life, she puts herself in grave danger and finds out how far some people will go to protect their secrets.
While the idea behind The Safe Place has been done before, Downes does a fantastic job of making it feel like it was her idea and hers alone. To me, The Safe Place felt like it was a slow burn as the action didn't really take place until towards the end. I would say the first 85 percent of the book or so is just the backstory and build up to all the action which happens in the last few chapters. The pacing is a little slow throughout most of the book, but it isn't so slow that I became bored - quite the contrary. While the pacing is fairly slow, I did enjoy what I read thanks to Downes' brilliant way with words. There are a few plot twists although I found them fairly easy to figure out, but I think that's only because I've read so many psychological thrillers before. Some of my guesses were wrong though, I admit. Even though there's an epilogue, I would have liked to have known more about what happened with Denny family. I just need a little more closure when it came to that.
Downes did a fantastic job with all of her characters. It was easy to imagine every single character in The Safe Place as a real person. The main characters all had plenty of backstory (or just enough to keep them mysterious), and the minor characters were all described very well. I liked how Emily seemed to want to please those around her. While she didn't feel like a pushover, it was nice to see her wanting to fit in with her new employer as well as Yves, the sometimes handyman. Nina was definitely an interesting character. I didn't know what to make of her before Emily met her in the book, but once Emily met Nina, and I read more about her, I ended up liking her. (I kept trying to figure out why Scott didn't want to be around her though.) Aurelia, the Denny's daughter, was my favorite character. She seemed like such a sweet little girl who had been through so much. I found myself wishing I could meet Aurelia and give her a hug (only if she'd let me since she took a long time to warm up to people).
Trigger warnings for The Safe Place include profanity, mental illness, alcohol use, prescription pill abuse, self harm, violence, and attempted murder.
Overall, The Safe Place is a highly intriguing book that makes each and every word on the page come alive. With a great set of characters, beautiful descriptions of the scenery, and a highly intriguing plot, this is one book that's sure to become a best seller. I would definitely recommend The Safe Place by Anna Downes to those aged 20+ who enjoy psychological thrillers and/or want to be instantly transported into a fantastic book!
--
(A special thank you to Minotaur Books for sending me a paperback ARC of The Safe Place by Anna Downes. A review was not required but appreciated. This was my honest and unbiased review.)