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Becs (244 KP) rated What a Wicked Web We Weave in Books
Oct 2, 2019
Genre: Mystery, Thriller, Fiction, New-Adult
Type: Stand-alone
Audience/ Reading Level: 18+
Interests: Murder, Fraud, Law Enforcement, Sexual Assault, Family.
Point of View: Honestly, I’m not sure because the views changed all the time.
Promise: What a Wicked Web We Weave is a novel full of mystery, intrigue, murder, revenge, fraud and betrayal amongst many other things. It has several twists and turns as you get enthralled into each chapter and it will leave the reader in suspense and at the edge of their seat, right up to the end.
Insights: I really was hoping to love this little book. But I just couldn’t get over how much the author blew over certain controversial topics and how he wrote this novel. The story was there, there was background on not only the characters but also the story. But I won’t be reading this book again because it wasn’t as enjoyable as I thought it would be. There was also a massive amount of grammatical errors that took away from the surrounding story. Finally, the plot was not the greatest. Two out of five stars.
Can we talk about how the author thought writing a sexual assault scene and then blowing it off like it meant nothing was okay? Also, can we talk about the fact that the victims brother and his lover thought it was alright to go back to the assailant’s room and assualt him in return? I do not take lightly to sexual assualt and this just really put me off on the rest of the story.
Favorite Quotes: “Tony Lodge eat your heart out.”
“‘It’s going to be a long night,’ Tony thoight. ‘Come to Tony you asshole.'”
What will you gain?: An interesting story that is not the greatest read.
Aesthetics: I was intrigued by the synopsis when I first requested this. But I’m majorly disappointed with the way the author set up this novel.
Type: Stand-alone
Audience/ Reading Level: 18+
Interests: Murder, Fraud, Law Enforcement, Sexual Assault, Family.
Point of View: Honestly, I’m not sure because the views changed all the time.
Promise: What a Wicked Web We Weave is a novel full of mystery, intrigue, murder, revenge, fraud and betrayal amongst many other things. It has several twists and turns as you get enthralled into each chapter and it will leave the reader in suspense and at the edge of their seat, right up to the end.
Insights: I really was hoping to love this little book. But I just couldn’t get over how much the author blew over certain controversial topics and how he wrote this novel. The story was there, there was background on not only the characters but also the story. But I won’t be reading this book again because it wasn’t as enjoyable as I thought it would be. There was also a massive amount of grammatical errors that took away from the surrounding story. Finally, the plot was not the greatest. Two out of five stars.
Can we talk about how the author thought writing a sexual assault scene and then blowing it off like it meant nothing was okay? Also, can we talk about the fact that the victims brother and his lover thought it was alright to go back to the assailant’s room and assualt him in return? I do not take lightly to sexual assualt and this just really put me off on the rest of the story.
Favorite Quotes: “Tony Lodge eat your heart out.”
“‘It’s going to be a long night,’ Tony thoight. ‘Come to Tony you asshole.'”
What will you gain?: An interesting story that is not the greatest read.
Aesthetics: I was intrigued by the synopsis when I first requested this. But I’m majorly disappointed with the way the author set up this novel.
Replica
7.6
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Two girls, two stories, one epic novel — now a New York Times bestseller! From Lauren Oliver,...
Science fiction
The Blue Pool
9.0
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What really happened that weekend? Four friends go to a remote cabin one summer. Only three return....
ClareR (6250 KP) rated Creature: A Novel of Mary Shelley and Frankenstein in Books
Aug 27, 2025
This book tells the story of Mary Shelley, how she ran away with the poet, Percy Bysshe Shelley, in order to live the life that she wanted to live, free of the constraints of society and hopefully live up to her perception of her mother’s standards. Instead, it felt as though she was dragged around Europe by her (eventual) husband, everything at his whim, paying for freedom from society with the deaths of 4 of her 5 children.
Ok, I may be a little harsh here. Mortality rates in infants were abysmal at this point in history, but I’m. Still not a Shelley/ Byron fan 🤷🏼♀️
If it sounds as though I’m being negative, I actually loved this book. The writing is wonderfully descriptive, the perspectives swapping between Mary and (and this is what really makes this novel stand out)the Creature from the novel, Frankenstein. His life plays out at the same time as Mary’s, he grows up with her from childhood, always nearby, I’m sure she could have seen him from the corner of her eye. His life is as tragic as hers.
Reading this novel, I was standing beside Mary and her Creature, experiencing their lives with them, which was pretty hard-going at times. To experience such loss and keep going really shows Mary’s strength of character.
Mary’s life was adventurous, uncertain, unconventional, rich in experience, and pretty frustrating at times - thanks to Shelley and Byron!
This took me longer than it possibly could have to read. I kept going through the footnotes, googling, reading some of Shelley’s and Byron’s poetry - this book took over my reading entirely!
Now, where did I put my copy of Frankenstein? I might just have to reread…
I received an ARC of this book for free, and I’m reading this review voluntarily (and why wouldn’t I?!). Many thanks to the publishers, BookSirens and Amy Weldon.
Ok, I may be a little harsh here. Mortality rates in infants were abysmal at this point in history, but I’m. Still not a Shelley/ Byron fan 🤷🏼♀️
If it sounds as though I’m being negative, I actually loved this book. The writing is wonderfully descriptive, the perspectives swapping between Mary and (and this is what really makes this novel stand out)the Creature from the novel, Frankenstein. His life plays out at the same time as Mary’s, he grows up with her from childhood, always nearby, I’m sure she could have seen him from the corner of her eye. His life is as tragic as hers.
Reading this novel, I was standing beside Mary and her Creature, experiencing their lives with them, which was pretty hard-going at times. To experience such loss and keep going really shows Mary’s strength of character.
Mary’s life was adventurous, uncertain, unconventional, rich in experience, and pretty frustrating at times - thanks to Shelley and Byron!
This took me longer than it possibly could have to read. I kept going through the footnotes, googling, reading some of Shelley’s and Byron’s poetry - this book took over my reading entirely!
Now, where did I put my copy of Frankenstein? I might just have to reread…
I received an ARC of this book for free, and I’m reading this review voluntarily (and why wouldn’t I?!). Many thanks to the publishers, BookSirens and Amy Weldon.
Ripeness by Sarah Moss was a pure pleasure to listen to. Flora Montgomery breathed life into the character of Edith and her memories of the year she turned 17 in 1967. This was the year that Edith’s mother sent her to Italy to help her older sister (a ballerina) as she prepared for the birth of her illegitimate child. Edith is most definitely a fish out of water - she has never been around her sisters friends before, and it’s a sad experience for both her and her sister.
Alongside the 1967 timeline is that of the modern day and the reason why Edith’s memories of that summer have been triggered. Edith now lives in Ireland, in her 70’s and happily divorced. She has her friends, a lover and her own space. Her best friend, Maebh, has been contacted by an American who claims to be her brother. A brother her mother had out of wedlock, and therefore put up for adoption. After many years of searching, he has found Maebh, and she must now decide if she wants to see him at all. She asks Edith to help her to decide.
There’s a melancholy air to this story that really appealed to me. I always enjoy Sarah Moss books, and I know that I’m diving in to a beautifully written novel every time. This is no exception. The themes of family, belonging and identity are ones I often look for in a book, and the descriptions of nature in both Italy and Ireland were the bits in between that really fleshed the book out for me. The thought of her now grown up nephew coming across Edith’s written down record of where he began (because that is what this actually is) was both touching and reassuring and, bearing in mind how he was really conceived, moving.
I know I’m going to enjoy a Sarah Moss novel before I’ve even opened to the front page (or in this case, pressed ‘play’), and I wasn’t disappointed at all with Ripeness. An exquisite novel.
Alongside the 1967 timeline is that of the modern day and the reason why Edith’s memories of that summer have been triggered. Edith now lives in Ireland, in her 70’s and happily divorced. She has her friends, a lover and her own space. Her best friend, Maebh, has been contacted by an American who claims to be her brother. A brother her mother had out of wedlock, and therefore put up for adoption. After many years of searching, he has found Maebh, and she must now decide if she wants to see him at all. She asks Edith to help her to decide.
There’s a melancholy air to this story that really appealed to me. I always enjoy Sarah Moss books, and I know that I’m diving in to a beautifully written novel every time. This is no exception. The themes of family, belonging and identity are ones I often look for in a book, and the descriptions of nature in both Italy and Ireland were the bits in between that really fleshed the book out for me. The thought of her now grown up nephew coming across Edith’s written down record of where he began (because that is what this actually is) was both touching and reassuring and, bearing in mind how he was really conceived, moving.
I know I’m going to enjoy a Sarah Moss novel before I’ve even opened to the front page (or in this case, pressed ‘play’), and I wasn’t disappointed at all with Ripeness. An exquisite novel.
Ali A (82 KP) rated The Poison Season in Books
Dec 8, 2022
If an outsider somehow makes it onto Endla they’re given a choice of death: the Forest or the lake.
Leelo was born and raised coexisting with the Wandering Forest located on the small island of Endla, and as much as she loves her community, she struggles with the fact that because her brother is an incanto, one without magic, he will be exiled by his next birthday.
When Leelo sees an outsider on the verge of drowning, she knows what she’s supposed to do - but in an instant, Leelo betrays everything she’s ever grown up. This leads to discoveries and consequences for both Leelo and the outsider, Jaren. But, as they grow closer, Leelo begins to question every fabric of her life.
I really enjoyed the premise of this novel - a creepy, evil forest that kills outsiders? Sign me up! Mara Rutherford did an amazing job at world building in this novel and establishing Leelo as a character. Because of how established she was, when Leelo begins to question her beliefs and lifestyle, it makes the book all the more interesting. It also gives you a bit of a chance to piece together your assumptions of the puzzle pieces Leelo is gathering and it was kind of fun to be able to say, “I knew it…”, when some of it came together.
The romance aspect of this novel is kind of what I would expect from a YA - not exactly instant love, but it was kind of close to it. But, Leelo and Jaren were sweet and I actually enjoyed their relationship and how they learned about each other and though it felt a little rushed, I still was rooting for them.
Overall, I think anyone who loves a good fantasy romance would greatly enjoy this book. And, even if you don’t like romance novels, I still think fantasy readers would enjoy the world building Rutherford has done.
*Thank you Inkyard Press for an advance copy of this book in exchange for an honest review
Leelo was born and raised coexisting with the Wandering Forest located on the small island of Endla, and as much as she loves her community, she struggles with the fact that because her brother is an incanto, one without magic, he will be exiled by his next birthday.
When Leelo sees an outsider on the verge of drowning, she knows what she’s supposed to do - but in an instant, Leelo betrays everything she’s ever grown up. This leads to discoveries and consequences for both Leelo and the outsider, Jaren. But, as they grow closer, Leelo begins to question every fabric of her life.
I really enjoyed the premise of this novel - a creepy, evil forest that kills outsiders? Sign me up! Mara Rutherford did an amazing job at world building in this novel and establishing Leelo as a character. Because of how established she was, when Leelo begins to question her beliefs and lifestyle, it makes the book all the more interesting. It also gives you a bit of a chance to piece together your assumptions of the puzzle pieces Leelo is gathering and it was kind of fun to be able to say, “I knew it…”, when some of it came together.
The romance aspect of this novel is kind of what I would expect from a YA - not exactly instant love, but it was kind of close to it. But, Leelo and Jaren were sweet and I actually enjoyed their relationship and how they learned about each other and though it felt a little rushed, I still was rooting for them.
Overall, I think anyone who loves a good fantasy romance would greatly enjoy this book. And, even if you don’t like romance novels, I still think fantasy readers would enjoy the world building Rutherford has done.
*Thank you Inkyard Press for an advance copy of this book in exchange for an honest review
David McK (3816 KP) rated The Honour of Rome (Cato and Macro #20) in Books
Apr 24, 2022
Entry #20 in Simon Scarrow's Macro and Cato series, which means there's been approximately one entry per year.
I can't believe it's been going that long (ummm ... in a good way).
Anyway, we're now back at the original setting of the series - back in Brittania; back after Cato and Macro's various adventures across the Roman Empire.
Things have changes since then, however - Macro is now retired from the legions, whereas Cato (originally Macro's optio) now outranks him and now has a family of his own to look after.
The previous entry in the series (The Emperor's Exile is the one in which Macro retired, leaving - with his new wife Petronella - to travel back to Brittania to reconnect with his own mother and to look after his share of an inn that she has opened in Londinium. As a result, he was missing for large chunks of the narrative: circa three quarters or so of the story, let us say.
Meanwhile, Cato was charged with accompanying Emperor Nero's mistress Claudia Acte into exile on Sardinia, with the bulk of the novel then following Cato, the burgeoning romance between him and Claudia and events on that island.
This novel mirrors that approach, with the larger bulk of this following Macro and his adventures in Londinium and in the veterans colony of Camulodunum (which I've just found out is Colchester, and the first Roman Capital of the province) before the two principal characters finally reunite circa - again - three quarters of the way into the story.
There's also the groundwork laid here for, to paraphrase the closing words of the novel, the brewing storm, with the inclusion of characters from earlier novels (round about When the Eagle Hunts) who belong to the Iceni tribe, and with how they are being treated by their new Roman overlords. Anybody with a passing knowledge of UK history will know who I mean ...
I can't believe it's been going that long (ummm ... in a good way).
Anyway, we're now back at the original setting of the series - back in Brittania; back after Cato and Macro's various adventures across the Roman Empire.
Things have changes since then, however - Macro is now retired from the legions, whereas Cato (originally Macro's optio) now outranks him and now has a family of his own to look after.
The previous entry in the series (The Emperor's Exile is the one in which Macro retired, leaving - with his new wife Petronella - to travel back to Brittania to reconnect with his own mother and to look after his share of an inn that she has opened in Londinium. As a result, he was missing for large chunks of the narrative: circa three quarters or so of the story, let us say.
Meanwhile, Cato was charged with accompanying Emperor Nero's mistress Claudia Acte into exile on Sardinia, with the bulk of the novel then following Cato, the burgeoning romance between him and Claudia and events on that island.
This novel mirrors that approach, with the larger bulk of this following Macro and his adventures in Londinium and in the veterans colony of Camulodunum (which I've just found out is Colchester, and the first Roman Capital of the province) before the two principal characters finally reunite circa - again - three quarters of the way into the story.
There's also the groundwork laid here for, to paraphrase the closing words of the novel, the brewing storm, with the inclusion of characters from earlier novels (round about When the Eagle Hunts) who belong to the Iceni tribe, and with how they are being treated by their new Roman overlords. Anybody with a passing knowledge of UK history will know who I mean ...
Ali A (82 KP) rated A Multitude of Dreams in Books
Sep 6, 2023
Trigger Warnings: plague, death, blood, racism, murder, self harm, genocide, survivors guilt
A Multitude of Dreams is a reimagining of Edgar Allan Poe’s The Masque of the Red Death. Four years ago, King Stuart gathered his royals, noblemen, and daughters and locked them into the safety of the castle walls. Every window was boarded up and every door sealed shut - all to protect those within of the horrible mori roja plague ravaging the land outside.
Told in third person, this novel follows Seraphina, a Jewish girl, who is also the (fake) Princess Imogene, and Nico, who once lived a comfortable life but now works for Lord Crane, the man who saved his life after he lost everything. When Lord Crane sends Nico and two others on the search for survivors, Nico meets a princess who wants out. But both are living in giant webs of lies and deception that they must unravel if they’re going to survive.
I wanted this title because I read The Poison Season and I really enjoyed it. So, when I saw Mara Rutherford had another YA novel coming out, I immediately put it on my TBR list. It’s also listed as Fantasy Gothic and
I was all about it and also the cover - like, I love it!
There were a few twists in here I didn’t quite see right away, which was nice. And, even some of the ones that I did see coming, I still enjoyed Rutherford’s storytelling and it kept me interested. And yes, there is some romance in this, but it wasn’t the main focus of the story - surviving and getting out of the castle was.
Overall, I would recommend this to anyone who’s in need of a good gothic fantasy with a hidden identity, Jewish representation, a masquerade, and the fight of survival.
*Thank you Inkyard Press and BookishFirst for a copy of this novel in exchange for an honest review
A Multitude of Dreams is a reimagining of Edgar Allan Poe’s The Masque of the Red Death. Four years ago, King Stuart gathered his royals, noblemen, and daughters and locked them into the safety of the castle walls. Every window was boarded up and every door sealed shut - all to protect those within of the horrible mori roja plague ravaging the land outside.
Told in third person, this novel follows Seraphina, a Jewish girl, who is also the (fake) Princess Imogene, and Nico, who once lived a comfortable life but now works for Lord Crane, the man who saved his life after he lost everything. When Lord Crane sends Nico and two others on the search for survivors, Nico meets a princess who wants out. But both are living in giant webs of lies and deception that they must unravel if they’re going to survive.
I wanted this title because I read The Poison Season and I really enjoyed it. So, when I saw Mara Rutherford had another YA novel coming out, I immediately put it on my TBR list. It’s also listed as Fantasy Gothic and
I was all about it and also the cover - like, I love it!
There were a few twists in here I didn’t quite see right away, which was nice. And, even some of the ones that I did see coming, I still enjoyed Rutherford’s storytelling and it kept me interested. And yes, there is some romance in this, but it wasn’t the main focus of the story - surviving and getting out of the castle was.
Overall, I would recommend this to anyone who’s in need of a good gothic fantasy with a hidden identity, Jewish representation, a masquerade, and the fight of survival.
*Thank you Inkyard Press and BookishFirst for a copy of this novel in exchange for an honest review
Bernard Cornwell, as an author, is perhaps better know/more associated with historical fiction as a genre.
Yet I was aware he had also written a couple of other, more contemporaneous set, novels and mainly concerned with sailing.
I had never read any of those until recently (they held little appeal), when I came across Sea Lord on offer on Kindle, and decided to pick it up. I did feel it was not as good as his more 'usual' sort of novel; not as good as the Sharpe books or those of The Last Kingdom, for example.
So I wasn't really on the look out for any more of his so-called 'sailing thrillers'.
Having said that, when I came across this one - which I have since learnt was the first of his sailing thriller novels - also on sale, I never-the-less thought I would give this style of work another chance.
As before, I found that - while an enjoyable enough read - this does NOT live up to the standards set by the likes of the aforementioned Sharpe or Uhtred novels.
This is set in the I-assume-then-present 1980s, and follows Falklands hero Nick Sandman who, as the novel starts, is in hospital after having his spine shattered by a bullet. Whilst there, he makes himself a promise that, once better, he will sail his beloved boat Sycorax to the other side of the world, but finds that this will be easier said than done once he discharges himself from the hospital and finds that his ex-wife has sold his berth to TV personality Tony Bannister and left the boat to rot, who - in exchange for his help in refitting Sycorax - want Sandman to help navigate his own boat Wildtrack to victory in an ocean race. The rest of the novel then deals with the fallout from this devils bargain, especially as Bannister has powerful enemies of his own ...
So, yeah, enjoyable enough but not Cornwell's best.
Yet I was aware he had also written a couple of other, more contemporaneous set, novels and mainly concerned with sailing.
I had never read any of those until recently (they held little appeal), when I came across Sea Lord on offer on Kindle, and decided to pick it up. I did feel it was not as good as his more 'usual' sort of novel; not as good as the Sharpe books or those of The Last Kingdom, for example.
So I wasn't really on the look out for any more of his so-called 'sailing thrillers'.
Having said that, when I came across this one - which I have since learnt was the first of his sailing thriller novels - also on sale, I never-the-less thought I would give this style of work another chance.
As before, I found that - while an enjoyable enough read - this does NOT live up to the standards set by the likes of the aforementioned Sharpe or Uhtred novels.
This is set in the I-assume-then-present 1980s, and follows Falklands hero Nick Sandman who, as the novel starts, is in hospital after having his spine shattered by a bullet. Whilst there, he makes himself a promise that, once better, he will sail his beloved boat Sycorax to the other side of the world, but finds that this will be easier said than done once he discharges himself from the hospital and finds that his ex-wife has sold his berth to TV personality Tony Bannister and left the boat to rot, who - in exchange for his help in refitting Sycorax - want Sandman to help navigate his own boat Wildtrack to victory in an ocean race. The rest of the novel then deals with the fallout from this devils bargain, especially as Bannister has powerful enemies of his own ...
So, yeah, enjoyable enough but not Cornwell's best.