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David McK (3562 KP) rated Raising Steam: (Discworld Novel 40) in Books
Jan 28, 2019
The 40th(!) Discworld novel, that probably best fits into the Industrial Revolution sub-series of such novels (i.e. [b:Moving Pictures|34510|Moving Pictures (Discworld, #10)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1320456553s/34510.jpg|1229354], [b:The Truth|51737|The Truth About Forever|Sarah Dessen|https://d202m5krfqbpi5.cloudfront.net/books/1362767907s/51737.jpg|1032900], [b:Monstrous Regiment|34511|Monstrous Regiment The Play|Stephen Briggs|https://d202m5krfqbpi5.cloudfront.net/books/1375908503s/34511.jpg|2073281], [b:Going Postal|64222|Going Postal (Discworld, #33)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1388236899s/64222.jpg|1636617] and [b:Making Money|116296|Making Money (Discworld, #36)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1386925136s/116296.jpg|144656] (possibly also including [b:Unseen Academicals|6250169|Unseen Academicals (Discworld, #37)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1388348045s/6250169.jpg|6432996] and [b:Snuff|1840511|Snuff|Chuck Palahniuk|https://d202m5krfqbpi5.cloudfront.net/books/1320410088s/1840511.jpg|2034926])), and is also the third book to feature Moist Von Lipwig as the main protaganist (after [b:Going Postal|64222|Going Postal (Discworld, #33)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1388236899s/64222.jpg|1636617] and [b:Making Money|116296|Making Money (Discworld, #36)|Terry Pratchett|https://d202m5krfqbpi5.cloudfront.net/books/1386925136s/116296.jpg|144656]).
This one is to do with the introduction of the railway to the Discworld, and also offers many a reference to previous characters and situations in the series as a whole: indeed, at times, it almost feels as if Pratchett is trying to squeeze as many in as possible.
Unfortunately, it's also not his best: I have to admit, in general, I've found most of his Industrial Revolution novels to not be as good as, say, those based around either The City Watch or those based around The Witches. Like the locomotive on which it is based, I found this one to take a fair bit of time to gather steam, and to feel a wee bit ponderous and unwieldy - this, I have to say, is not a novel I would use to introduce somebody new to the delights of the Discworld. :-(
This one is to do with the introduction of the railway to the Discworld, and also offers many a reference to previous characters and situations in the series as a whole: indeed, at times, it almost feels as if Pratchett is trying to squeeze as many in as possible.
Unfortunately, it's also not his best: I have to admit, in general, I've found most of his Industrial Revolution novels to not be as good as, say, those based around either The City Watch or those based around The Witches. Like the locomotive on which it is based, I found this one to take a fair bit of time to gather steam, and to feel a wee bit ponderous and unwieldy - this, I have to say, is not a novel I would use to introduce somebody new to the delights of the Discworld. :-(
I read Giles Kristian's Raven: Blood Eye series of books a few year back.
They were enjoyable, I felt, but not the greatest such novels I'd ever read (I enjoyed the first one the most)
I also, relatively recently, read the first in his 'Rise of Sigurd' prequel novels and felt that one, at times, to be a bit of a chore to get through.
As such, I'd never really gone out of my way to look for any other book by Giles Kristian
However, being the optimist that I (sometimes) am, with loads of adverts extolling its virtue on a popular social-media networking site and with a intriguing premise, I thought I would give this one a go.
And I'm glad I did: it's in (I felt) a completely different league that any of his previous.
This is, effectively, a semi-historical re-telling of the Arthurian myth unique, however, in that it is told from the point of view of Lancelot himself: one third of, perhaps, the most well known love-triangle in the English language but of whom has always been given short shrift, dropping in and out of the Arthurian myth.
This, however, turns that on it's head, with Arthur only appearing roughly about half-way through this book, and with Lancelot having previous history with Guinevere before she is even Arthur's wife. This work follows him right from his boyhood, through his rescue and upbringing by Lady Nimue (Arthurian myth name drop? Check), his first meetings with Merlin (another check) and with Arthur (major check), the reimagined Excalibur (check) and the Lady of the Lake ("listen, just 'cos some watery tart threw a sword at you …"), Mordred (yet another check), his love affair with Guinevere, his exile and even Mordred's betrayal of Arthur.
I have to say, I really enjoyed this: a strong contender for the best book I've read so far this year.
They were enjoyable, I felt, but not the greatest such novels I'd ever read (I enjoyed the first one the most)
I also, relatively recently, read the first in his 'Rise of Sigurd' prequel novels and felt that one, at times, to be a bit of a chore to get through.
As such, I'd never really gone out of my way to look for any other book by Giles Kristian
However, being the optimist that I (sometimes) am, with loads of adverts extolling its virtue on a popular social-media networking site and with a intriguing premise, I thought I would give this one a go.
And I'm glad I did: it's in (I felt) a completely different league that any of his previous.
This is, effectively, a semi-historical re-telling of the Arthurian myth unique, however, in that it is told from the point of view of Lancelot himself: one third of, perhaps, the most well known love-triangle in the English language but of whom has always been given short shrift, dropping in and out of the Arthurian myth.
This, however, turns that on it's head, with Arthur only appearing roughly about half-way through this book, and with Lancelot having previous history with Guinevere before she is even Arthur's wife. This work follows him right from his boyhood, through his rescue and upbringing by Lady Nimue (Arthurian myth name drop? Check), his first meetings with Merlin (another check) and with Arthur (major check), the reimagined Excalibur (check) and the Lady of the Lake ("listen, just 'cos some watery tart threw a sword at you …"), Mordred (yet another check), his love affair with Guinevere, his exile and even Mordred's betrayal of Arthur.
I have to say, I really enjoyed this: a strong contender for the best book I've read so far this year.
Phil Leader (619 KP) rated IA: The Origin Novels (Books 1-3) in Books
Nov 15, 2019
The IA novels are one of the strongest 'young adult' science fiction series I've read, and this edition combines the trilogy so far plus a novella. Since the reader will want to keep reading from the first page though all 3.5 books this seems like an opportunity that's hard to pass up.
The origin story involves Naz, a teenage boy who lives with his sister and aunt in the Exclave, a ghetto suburb of a large city. Naz is unusual in two ways - he can't remember anything before two years ago and he sometimes hears voices in his head. He doesn't like to draw attention though so keeps his head down and looks after his sister.
After an incident on the way to school, things start to change. He grows as a person and also begins to discover his past, and his potential for the future. Just perhaps one person can make a difference. As he continues on his journey it becomes clear that he may not be entirely on his own.
The stories are set in a near future, with the Exclave being a rather grim backdrop for a tale that concentrates on character. There are light touches of what could be termed science fiction throughout, both with Naz's backstory and in the world around him. The hero shows very real weaknesses and flaws as well as strengths as he battles through bullying, fitting in to new environments, love and loss.
Winston is an extremely talented author and these stories demonstrate why novels termed 'young adult' are frequently worthy of being read by an older audience. The character development shows a strong arc for all the main players - and even the bit parts are memorable.
If you are looking for a strong series of books that will keep you thinking and entertained long after you have finished the last page, this fits the bill to a tee.
The origin story involves Naz, a teenage boy who lives with his sister and aunt in the Exclave, a ghetto suburb of a large city. Naz is unusual in two ways - he can't remember anything before two years ago and he sometimes hears voices in his head. He doesn't like to draw attention though so keeps his head down and looks after his sister.
After an incident on the way to school, things start to change. He grows as a person and also begins to discover his past, and his potential for the future. Just perhaps one person can make a difference. As he continues on his journey it becomes clear that he may not be entirely on his own.
The stories are set in a near future, with the Exclave being a rather grim backdrop for a tale that concentrates on character. There are light touches of what could be termed science fiction throughout, both with Naz's backstory and in the world around him. The hero shows very real weaknesses and flaws as well as strengths as he battles through bullying, fitting in to new environments, love and loss.
Winston is an extremely talented author and these stories demonstrate why novels termed 'young adult' are frequently worthy of being read by an older audience. The character development shows a strong arc for all the main players - and even the bit parts are memorable.
If you are looking for a strong series of books that will keep you thinking and entertained long after you have finished the last page, this fits the bill to a tee.
Phil Leader (619 KP) rated The Winter Queen (Erast Fandorin #1) in Books
Nov 28, 2019
Erast Fandorin is a low level civil servant in nineteenth century Russia. An orphan with no real friends or prospects he has been assigned to the police department as a clerk simply because he has to be somewhere. But following a bizarre suicide Fandorin reveals that under his unassuming exterior is a keen mind and he soon uncovers sinister goings on both at home in Russia and abroad in London.
This is the first appearance of Akunin's master detective. Lacking the arrogance of either Holmes or Poirot but easily their equal in terms of deduction and intelligence he makes a good hero. Each of Akunin's novels is designed to represent a different type of novel and this is closest to spy novels with Fandorin spending much of his time going undercover to infiltrate a secret society or staking out and sneaking into houses. There are also plenty of physical scenes for the young hero to endure.
The plot is suitably obscure and opaque with each clue removing another layer and moving both the reader and Fandorin closer to finding out what is going on.
There is also fascinating detail of life in Tsarist Russia although as with any novel set during that time the seemingly endless Russian names - so hard to pronounce for my Anglophone brain - are sometimes a little overwhelming.
Special mention to the translator who does a fantastic job. Some Russion idioms are left intact for authenticity but others are rendered into English. This may have been originally written in Russian but it reads as if Akunin is a native English speaker.
This wasn't my first Fandorin novel and to be honest I'm not sure it's the best one to start with, despite it being the genesis of the character. To me the complexities of having to understand the Tsarist Russia (and the names) and the plot would be frustrating. But nevertheless a good and interesting read.
This is the first appearance of Akunin's master detective. Lacking the arrogance of either Holmes or Poirot but easily their equal in terms of deduction and intelligence he makes a good hero. Each of Akunin's novels is designed to represent a different type of novel and this is closest to spy novels with Fandorin spending much of his time going undercover to infiltrate a secret society or staking out and sneaking into houses. There are also plenty of physical scenes for the young hero to endure.
The plot is suitably obscure and opaque with each clue removing another layer and moving both the reader and Fandorin closer to finding out what is going on.
There is also fascinating detail of life in Tsarist Russia although as with any novel set during that time the seemingly endless Russian names - so hard to pronounce for my Anglophone brain - are sometimes a little overwhelming.
Special mention to the translator who does a fantastic job. Some Russion idioms are left intact for authenticity but others are rendered into English. This may have been originally written in Russian but it reads as if Akunin is a native English speaker.
This wasn't my first Fandorin novel and to be honest I'm not sure it's the best one to start with, despite it being the genesis of the character. To me the complexities of having to understand the Tsarist Russia (and the names) and the plot would be frustrating. But nevertheless a good and interesting read.
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