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Thin Air
7.0
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An atmospheric tale of corruption and abduction set on Mars, from the author of the award-winning...
Science Fiction Mars
Blackberry Wine
7.3
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Like her well-received 1999 novel, Chocolat, Harris's latest outing unfolds around the arrival of an...
France
Light Changes Everything
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“I adored stepping back into to the world of the Prines through tough-as-rawhide Mary Pearl. Light...
David McK (3425 KP) rated Death on the Nile (2022) in Movies
Apr 10, 2022
The second of Kenneth Branagh's outing as Agatha Christie's sleuth Poirot, apparently much delayed by the Covid-19 pandemic, and set after The Murder on the Orient Express.
I've never seen that movie.
I have read the book on which it (Murder on Orient Express) is based, though.
As I'm not that big a fan of murder mysteries, I hadn't, however, read the story on which this is based.
Why does that matter?
Simply because it meant I was going into this with no preconceptions; no real idea of what would happen (other than there would be a murder which Poirot has to solve)!
I'm not sure whether the rest of Agatha Christie's Poirot novels are all like this or not - I've only read Murder on Orient Express and Murder of Roger Ackroyd, but I did find heavy similarities between the plots, with both Orient Express and is film largely taking place in a confined location, where there is a limited pool of suspects and where Poirot has to sit down and methodically think his way through.
This movie takes a while to get going, with the first hour or so in particular - I found - dragging quite a bit. I've also heard that there was extensive use of Green screen throughout, which might also explain why some of the Nile scenes just didn't sit quite right.
On the other hand, there is a veritable list of who's who acting talent on the screen: aside from Branagh himself, we have Gal Gadot (as the key victim), Emma Mackey, Arnie Hammer, Russel Brand (surprisingly understated), Annette Benning, Dawn French, Jennifer Saunders (yes, that French and Saunders!), Letitia Wright and Sophie Okonedo - nearly all of whom would have their own motives for the murder.
I've never seen that movie.
I have read the book on which it (Murder on Orient Express) is based, though.
As I'm not that big a fan of murder mysteries, I hadn't, however, read the story on which this is based.
Why does that matter?
Simply because it meant I was going into this with no preconceptions; no real idea of what would happen (other than there would be a murder which Poirot has to solve)!
I'm not sure whether the rest of Agatha Christie's Poirot novels are all like this or not - I've only read Murder on Orient Express and Murder of Roger Ackroyd, but I did find heavy similarities between the plots, with both Orient Express and is film largely taking place in a confined location, where there is a limited pool of suspects and where Poirot has to sit down and methodically think his way through.
This movie takes a while to get going, with the first hour or so in particular - I found - dragging quite a bit. I've also heard that there was extensive use of Green screen throughout, which might also explain why some of the Nile scenes just didn't sit quite right.
On the other hand, there is a veritable list of who's who acting talent on the screen: aside from Branagh himself, we have Gal Gadot (as the key victim), Emma Mackey, Arnie Hammer, Russel Brand (surprisingly understated), Annette Benning, Dawn French, Jennifer Saunders (yes, that French and Saunders!), Letitia Wright and Sophie Okonedo - nearly all of whom would have their own motives for the murder.
It's Murder, My Son (Mac Faraday Mystery #1)
10.0
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“An exciting mystery with plenty of intriguing and enigmatic characters, It's Murder, My Son...
Murder Audiobook Ebook Kindle Murder Mystery Mystery
Mark @ Carstairs Considers (2206 KP) rated The Self-Working Trick (and Other Stories) in Books
Feb 2, 2022
Eli Faces Crime in This Short Story Collection
For the eighth book in the Eli Marks series, author John Gaspard decided to present a short story collection. While two have been previously released, the rest of the twelve stories here are new. Over the course of this collection, Eli must help his ex-wife and her new husband figure out what happened in a bizarre murder/suicide case. Eli finds himself being questioned by the police when someone who gave him a one-star review is found dead. Eli finds himself being sent in by the police to perform magic for a man who refuses to come out of his house. And Eli and his uncle Harry figure out what happened to a man shot in front of a crowd on Halloween night.
While a couple of the stories don’t feature a crime, they still give us a great chance to see Eli in action and let us get some insight into his character. The rest of the stories feature a crime, often with a perfect puzzle that only makes sense when Eli uses his knowledge of the principles of magic to solve it. If you want to be fooled by magic, you’ll be happy to know that these principles are discussed in such a way that the solution to the mystery makes sense, but the specifics of how a trick works aren’t ruined. I love that. Fans will love getting these small glimpses of what else Eli has been up to between the big cases we’ve already read about. If you are new to the character, you’ll find the information you need to follow these cases with nothing from the regular novels spoiled. Most importantly, these stories are fun, with a few laughs along the way as well. This is a completely enjoyable short story collection.
While a couple of the stories don’t feature a crime, they still give us a great chance to see Eli in action and let us get some insight into his character. The rest of the stories feature a crime, often with a perfect puzzle that only makes sense when Eli uses his knowledge of the principles of magic to solve it. If you want to be fooled by magic, you’ll be happy to know that these principles are discussed in such a way that the solution to the mystery makes sense, but the specifics of how a trick works aren’t ruined. I love that. Fans will love getting these small glimpses of what else Eli has been up to between the big cases we’ve already read about. If you are new to the character, you’ll find the information you need to follow these cases with nothing from the regular novels spoiled. Most importantly, these stories are fun, with a few laughs along the way as well. This is a completely enjoyable short story collection.
David McK (3425 KP) rated The First Chronicles of Druss the Legend (The Drenai Saga #6) in Books
Aug 25, 2023
Legend, by David Gemmell, was the first novel of his I ever read.
It proved to be a good place to start: although it's no longer the earliest set (that would be Waylander, it was also actually the first he wrote in what would later become known as the Drenai saga.
And perhaps the breakout character from that novel (Legend was Druss the Axeman, who arrived fully formed and already a legend within the confines of the tale, with a backstory only really hinted at in the novel.
It's probably no surprise, thus, that Druss would go on to be a key figure in several of the other Drenai novels, popping up either in person or mentioned by characters in reverential tones that the tale in question is following.
This novel is actually a prequel to the events of Legend, showing how Druss became the man he is later shown to be: as the story starts, he is instead a teenaged woodsman felling trees in the mountain passes. That is, until his village is attacked and slavers make off with his wife Rowena ...
And so off Druss sets in pursuit, in the eventual company of the poet Sieben; a pursuit that will last many years and across a different (and war-torn) continent and which sees his legend start to grow, thanks in no small part to that poet.
The novel is split into 4 parts; the first three all dealing with that pursuit and the (many) events that befall Druss, while the last part is the defence of Skeln past oft talked about in Legend, and in which Druss cements his legend whilst losing friends along the way.
This is well worth a read; however I would advise actually reading the later-set Legend first!
It proved to be a good place to start: although it's no longer the earliest set (that would be Waylander, it was also actually the first he wrote in what would later become known as the Drenai saga.
And perhaps the breakout character from that novel (Legend was Druss the Axeman, who arrived fully formed and already a legend within the confines of the tale, with a backstory only really hinted at in the novel.
It's probably no surprise, thus, that Druss would go on to be a key figure in several of the other Drenai novels, popping up either in person or mentioned by characters in reverential tones that the tale in question is following.
This novel is actually a prequel to the events of Legend, showing how Druss became the man he is later shown to be: as the story starts, he is instead a teenaged woodsman felling trees in the mountain passes. That is, until his village is attacked and slavers make off with his wife Rowena ...
And so off Druss sets in pursuit, in the eventual company of the poet Sieben; a pursuit that will last many years and across a different (and war-torn) continent and which sees his legend start to grow, thanks in no small part to that poet.
The novel is split into 4 parts; the first three all dealing with that pursuit and the (many) events that befall Druss, while the last part is the defence of Skeln past oft talked about in Legend, and in which Druss cements his legend whilst losing friends along the way.
This is well worth a read; however I would advise actually reading the later-set Legend first!
Merissa (12069 KP) rated The Devil's Glove (Salem #1) in Books
May 29, 2023
THE DEVIL'S GLOVE is the first book in the Salem series and is the start of the tale, beginning and ending before Resolve/Susannah arrives in Salem. She lives with her mother (Rachel/Deliverance) in the Eastward, a small village far away from Boston and their machinations.
Deliverance is a healer, taught by the Native Americans when they lived in The Greening, under Ashawonks' care. They also have their own gift that grows stronger over time. Deliverance and Resolve don't exactly fit in with the village for a number of reasons, including the fact they originally came from Jersey, Deliverance is a healer who deals with life and death, and they are friendly towards the 'savages', to name just a few. As the story unfolds, you meet with numerous characters, both 'good' and 'bad' who may just change your mind as you carry on reading.
There is layer upon layer to this story, each one taking you a little deeper, and I loved that! It is a slow story; giving time to the build-up, to the story and characters, which is sometimes lost in faster-paced novels. There were twists I never saw coming, plus sad things I did. I loved the ending, how it gave closure to this part and yet left me wanting more immediately.
In a world where even knowing how to swim can be enough to be called a witch, delve into the life of Resolve and let her take you back to where it began. HIGHLY recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 24, 2023
Deliverance is a healer, taught by the Native Americans when they lived in The Greening, under Ashawonks' care. They also have their own gift that grows stronger over time. Deliverance and Resolve don't exactly fit in with the village for a number of reasons, including the fact they originally came from Jersey, Deliverance is a healer who deals with life and death, and they are friendly towards the 'savages', to name just a few. As the story unfolds, you meet with numerous characters, both 'good' and 'bad' who may just change your mind as you carry on reading.
There is layer upon layer to this story, each one taking you a little deeper, and I loved that! It is a slow story; giving time to the build-up, to the story and characters, which is sometimes lost in faster-paced novels. There were twists I never saw coming, plus sad things I did. I loved the ending, how it gave closure to this part and yet left me wanting more immediately.
In a world where even knowing how to swim can be enough to be called a witch, delve into the life of Resolve and let her take you back to where it began. HIGHLY recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 24, 2023
Extinction
6.0
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An epic thriller from #1 New York Times bestselling author Douglas Preston, perfect for fans of...
Hazel (1853 KP) rated Station Eleven in Books
May 30, 2017
Horrifyingly Plausible
This ARC was provided by the publisher via NetGalley in exchange for an honest review
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between Station Eleven and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled Station Eleven.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of King Lear. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of King Lear, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two Station Eleven comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with Station Eleven is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, Station Eleven is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between Station Eleven and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled Station Eleven.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of King Lear. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of King Lear, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two Station Eleven comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with Station Eleven is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, Station Eleven is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.