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Hazel (1853 KP) rated The Winner's Curse (The Winner's Trilogy, #1) in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Winner’s Curse</i> is the first book in the <i>Winner’s Trilogy</i> by American author Marie Rutkoski. It is a novel that mixes together rumours, lies, love and warfare to create an incredible new story for young adults.
It is set in a similar society to that of the 18th century or earlier (in Europe at least) except that for women there are only two lifestyles. By the age of twenty they must decide whether to marry or join the military. By women, that means Valorian women. Ever since the defeat of the Herrani during the Herran war many years ago, the Valorian have made them slaves and looked down on them, whilst seizing their lavish properties and enforcing Valorian customs.
The title, <i>The Winner’s Curse</i>, is a concept that relates to the winner of an auction. Whilst they have won the item they have also lost by paying out more money than other bidders felt it was worth. This is what happens to seventeen-year-old Lady Kestrel, a Valorian, when, with an unexplainable impulse, she hires Arin, a Herrani slave, for an extortionate amount of money. Put to work as a blacksmith, Arin becomes intrigued with Kestrel, and she with him, and they soon start to form a friendship – although rumours suggest something more.
It is not, however, simply the cost of a slave that <i>The Winner’s Curse</i> refers to. The Herrani are planning an attack on the Valorian Empire, and Kestrel being a General’s daughter could unknowingly reveal vital information. The emergence of a second Herran war is imminent, but Kestrel and Arin’s relationship complicate things further.
Whilst similar to other novels with lovers belonging to opposing families, it is more original regarding the circumstances, secrets and lies, which makes, not just the characters, but the reader question what their true feelings and intentions are.
It is an excellent, fast paced read, and definitely recommended.
<i>The Winner’s Curse</i> is the first book in the <i>Winner’s Trilogy</i> by American author Marie Rutkoski. It is a novel that mixes together rumours, lies, love and warfare to create an incredible new story for young adults.
It is set in a similar society to that of the 18th century or earlier (in Europe at least) except that for women there are only two lifestyles. By the age of twenty they must decide whether to marry or join the military. By women, that means Valorian women. Ever since the defeat of the Herrani during the Herran war many years ago, the Valorian have made them slaves and looked down on them, whilst seizing their lavish properties and enforcing Valorian customs.
The title, <i>The Winner’s Curse</i>, is a concept that relates to the winner of an auction. Whilst they have won the item they have also lost by paying out more money than other bidders felt it was worth. This is what happens to seventeen-year-old Lady Kestrel, a Valorian, when, with an unexplainable impulse, she hires Arin, a Herrani slave, for an extortionate amount of money. Put to work as a blacksmith, Arin becomes intrigued with Kestrel, and she with him, and they soon start to form a friendship – although rumours suggest something more.
It is not, however, simply the cost of a slave that <i>The Winner’s Curse</i> refers to. The Herrani are planning an attack on the Valorian Empire, and Kestrel being a General’s daughter could unknowingly reveal vital information. The emergence of a second Herran war is imminent, but Kestrel and Arin’s relationship complicate things further.
Whilst similar to other novels with lovers belonging to opposing families, it is more original regarding the circumstances, secrets and lies, which makes, not just the characters, but the reader question what their true feelings and intentions are.
It is an excellent, fast paced read, and definitely recommended.
"That's impossible! How will the Emperor maintain control without the bureaucracy?"
"The Regional governors now have direct control over their territories. Fear will keep the local systems in line. Fear of this battle station."
That exchange, from the original Star Wars film, pretty much sums up what would become known as the Tarkin Doctrine: that of rule by fear.
While there have been other Star Wars novels based on the other 'bad guys' (Vader, Boba Fett, etc), this is also the first - to the best of my knowledge - based on Grand Moff Wilhuff Tarkin, as portrayed by Peter Cushing in the films, and the first Grand Moff of the Galactic Empire.
"Evacuate? In our moment of triumph? I think you overestimate their chances ..."
While it may not be apparent in the film - particulary when he utters that line seconds before the Death Star is blown up - this also makes him out ot be a strategic mastermind - it is he who oversaw the construction of the Death Star, and he who (in this) works out the identites of those who have stolen his starship that is now cayying out strikes agaisnt Imperial installations, the pursuit of which is the main driving force of the plot behind this novel.
This also goes to show how Vader came to work with Tarkin on board the Death Star, and the defining events of Tarkins earlier life that would go to shape the character he would become.
With all that said, however, the writing style did - at times - put me off, with the novel never really getting me hooked into just what would ahppen next - we all know, for example, that he would survive and not only survive, but prosper by the end of it! It's also not the worst Star Wars book, nor even the worst of the 'New Canon' such books I've read, but nor was it the best - a solid middle-of-the-road entry for me.
"The Regional governors now have direct control over their territories. Fear will keep the local systems in line. Fear of this battle station."
That exchange, from the original Star Wars film, pretty much sums up what would become known as the Tarkin Doctrine: that of rule by fear.
While there have been other Star Wars novels based on the other 'bad guys' (Vader, Boba Fett, etc), this is also the first - to the best of my knowledge - based on Grand Moff Wilhuff Tarkin, as portrayed by Peter Cushing in the films, and the first Grand Moff of the Galactic Empire.
"Evacuate? In our moment of triumph? I think you overestimate their chances ..."
While it may not be apparent in the film - particulary when he utters that line seconds before the Death Star is blown up - this also makes him out ot be a strategic mastermind - it is he who oversaw the construction of the Death Star, and he who (in this) works out the identites of those who have stolen his starship that is now cayying out strikes agaisnt Imperial installations, the pursuit of which is the main driving force of the plot behind this novel.
This also goes to show how Vader came to work with Tarkin on board the Death Star, and the defining events of Tarkins earlier life that would go to shape the character he would become.
With all that said, however, the writing style did - at times - put me off, with the novel never really getting me hooked into just what would ahppen next - we all know, for example, that he would survive and not only survive, but prosper by the end of it! It's also not the worst Star Wars book, nor even the worst of the 'New Canon' such books I've read, but nor was it the best - a solid middle-of-the-road entry for me.
I understand that this is the fourth offering for 'The Austen Project' where well known authors (although I had not heard of Curtis Sittenfeld and thought she was a man, but hey.....) rewrite Austen's novels 'for a modern audience'. This does rather beg the question of if a modern reading audience does need 'dumbing down' to, as that's pretty much the implication. Trollope's Sense & Sensibility & McCall Smith's Emma have met with somewhat mixed feelings but I did think that Val McDermid worked magic with a modern retelling of Northanger Abbey. So far this is the only one to have altered the title from the original - perhaps the pressure of Pride & Prejudice was too much for anyone?
If there is a single book which as has more sequels, prequels, re-imaginings and modernisations than good old P&P then I have yet to meet it. Personally, I like to think Austen would be amused and possibly slightly bemused by it all. I'm guilty of heaving read my fair share of these, which quite often categorise as the good, the bad and the ugly! For me, this one wasn't bad, or indeed ugly, but it wasn't brilliant. It also felt that it was quite a bit longer than it needed to be. I know Kitty & Lydia are rather vulgar and embarrassing in the original but their behaviour here is really beyond the pale - who on earth would want to date Lydia if she behaves as she does here?
Some of the ideas are good, some things seem a bit contrived and over the top. I also found it quite American and slangy in places with some slang words or expressions leaving me somewhat in the dark but then I am a woman who can't bear Text Speak!
Overall, while it wasn't a bad read, it wasn't that great and I can't see myself reading it again.
If there is a single book which as has more sequels, prequels, re-imaginings and modernisations than good old P&P then I have yet to meet it. Personally, I like to think Austen would be amused and possibly slightly bemused by it all. I'm guilty of heaving read my fair share of these, which quite often categorise as the good, the bad and the ugly! For me, this one wasn't bad, or indeed ugly, but it wasn't brilliant. It also felt that it was quite a bit longer than it needed to be. I know Kitty & Lydia are rather vulgar and embarrassing in the original but their behaviour here is really beyond the pale - who on earth would want to date Lydia if she behaves as she does here?
Some of the ideas are good, some things seem a bit contrived and over the top. I also found it quite American and slangy in places with some slang words or expressions leaving me somewhat in the dark but then I am a woman who can't bear Text Speak!
Overall, while it wasn't a bad read, it wasn't that great and I can't see myself reading it again.
Deborah (162 KP) rated The King's Concubine in Books
Dec 21, 2018
This is the second novel by Anne O'Brien that I have read recently, and I have enjoyed them both. Although both novels were written in the first person, a narrative technique that I usually don't like as it is difficult for authors to pull off, I have found O'Brien's writing convincing and applaud her for this.
The protagonist of this particular novel is Alice Perrers, best known as mistress to Edward III. Not an awful lot, it seems, is really known about Alice, at least before her time at court. O'Brien has used known facts and woven her story about these, filling in the gaps with imagination and probability. Historically, Alice Perrers has never come across as a particularly nice person, seeming to be greedy, grasping and manipulative. O'Brien doesn't do a total whitewash job on her, but she does give a more sympathetic portrayal. Her Alice is still keen to acquire land holdings, but seen as a woman who has come from practically nothing and can see what her future might be without royal patronage, it is difficult to really blame her. History has always tended to be written by the victors and by men, and in medieval times they would not have liked a woman stepping out of her 'place' so it is quite understandable that Alice Perrers should have been so vilified.
Overall, I thought this was a good read. I read Vannora Bennett's The People's Queen a while back, which is also about Alice Perrers (she seems to be enjoying something of a renaissance!) but I preferred O'Brien's book. The cover gives O'Brien a plaudit of being 'better than Philippa Gregory'. Well, I can't argue with that as I haven't cared much for either of the books by Gregory that I have read, so I will wholeheartedly agree that O'Brien is much more worth reading! I look forward to her book on Eleanor of Aquitaine.
The protagonist of this particular novel is Alice Perrers, best known as mistress to Edward III. Not an awful lot, it seems, is really known about Alice, at least before her time at court. O'Brien has used known facts and woven her story about these, filling in the gaps with imagination and probability. Historically, Alice Perrers has never come across as a particularly nice person, seeming to be greedy, grasping and manipulative. O'Brien doesn't do a total whitewash job on her, but she does give a more sympathetic portrayal. Her Alice is still keen to acquire land holdings, but seen as a woman who has come from practically nothing and can see what her future might be without royal patronage, it is difficult to really blame her. History has always tended to be written by the victors and by men, and in medieval times they would not have liked a woman stepping out of her 'place' so it is quite understandable that Alice Perrers should have been so vilified.
Overall, I thought this was a good read. I read Vannora Bennett's The People's Queen a while back, which is also about Alice Perrers (she seems to be enjoying something of a renaissance!) but I preferred O'Brien's book. The cover gives O'Brien a plaudit of being 'better than Philippa Gregory'. Well, I can't argue with that as I haven't cared much for either of the books by Gregory that I have read, so I will wholeheartedly agree that O'Brien is much more worth reading! I look forward to her book on Eleanor of Aquitaine.
Deborah (162 KP) rated The Scandalous Duchess in Books
Dec 21, 2018
I have to admit that I do enjoy Anne O'Brien as a writer of historical fiction. Maybe it's not great literature, but it's still an enjoyable ready and she actually makes a first person narrative come off, whereas with some other authors it sounds unnatural or is handled clumsily.
O'Brien's latest offering gives us the tale of Katherine de Swynford (nee de Roet), famous (or perhaps infamous!) as the mistress and later wife of John of Gaunt, Duke of Lancaster (and if you didn't know that he marries her, I think the title might give it away, so I don't think it's a spoiler!). There actually isn't all that much known about Katherine herself, which may seem surprising. I'm sure there may be other novels about her, but by far the best known is Anya Seton's 'Katherine' which might well give another author pause when looking to cover the same ground. The fact that so little is really known about her life does give an author a fair bit of freedom. It must be fairly obvious that there is a love story in there - she was his mistress for many years and then he chose to marry her, which I doubt anyone would have expected.
The novel's subtitle give it as 'the forbidden affair that started the Tudors' - who of course were descended from the legitimated Beaufort line.... but then again Joan was also the maternal grandmother of Edward IV and Richard III! The benefit of hindsight can show us clearly how a seemingly small decision, such as Katherine's decision to acquiesce in becoming John of Gaunt's mistress, can have such a huge impact - namely being a large factor in the Wars of the Roses!
I found this a well written and entertaining novel and I do enjoy my historical fiction! If you've read O'Brien before, I think you'll like this and if not I would recommend giving her a try. I find her writing far superior to the much touted Philippa Gregory.
O'Brien's latest offering gives us the tale of Katherine de Swynford (nee de Roet), famous (or perhaps infamous!) as the mistress and later wife of John of Gaunt, Duke of Lancaster (and if you didn't know that he marries her, I think the title might give it away, so I don't think it's a spoiler!). There actually isn't all that much known about Katherine herself, which may seem surprising. I'm sure there may be other novels about her, but by far the best known is Anya Seton's 'Katherine' which might well give another author pause when looking to cover the same ground. The fact that so little is really known about her life does give an author a fair bit of freedom. It must be fairly obvious that there is a love story in there - she was his mistress for many years and then he chose to marry her, which I doubt anyone would have expected.
The novel's subtitle give it as 'the forbidden affair that started the Tudors' - who of course were descended from the legitimated Beaufort line.... but then again Joan was also the maternal grandmother of Edward IV and Richard III! The benefit of hindsight can show us clearly how a seemingly small decision, such as Katherine's decision to acquiesce in becoming John of Gaunt's mistress, can have such a huge impact - namely being a large factor in the Wars of the Roses!
I found this a well written and entertaining novel and I do enjoy my historical fiction! If you've read O'Brien before, I think you'll like this and if not I would recommend giving her a try. I find her writing far superior to the much touted Philippa Gregory.
Phil Leader (619 KP) rated Before The Devil Knows You're Dead in Books
Nov 8, 2019
It is a snowy Hogmanay in Glasgow. Obstetric Surgeon Gavin Law has made an accusation of malpractice against a colleague, Wallace Maitland, only for an accusation to be made against him. Wallace Maitland doesn't remember Hogmanay but did end up covered in blood. Sean Rafferty is now the head of gangster family having taken over from his violent father Jimmy and is having a party to try to appear respectable.
When Law disappears on that fateful Hogmanay, private detective Charlie Cameron takes on the case to find him. But with no leads he also agrees to look at an apparent suicide for his policeman friend DS Geddes, something will put him on a collision course with Rafferty, a man who has tried to kill Cameron in the past.
This, roughly, is the setting for the third of the Charlie Cameron crime thrillers. Detective novels require their plot and characterisation to be convincing and Mullen delivers both. Cameron is always convincing, and an entertaining narrator of the events as he witnesses them. The usual supporting cast of Pat Logue and Geddes are in fine form and Rafferty seems even more of a threat when in the role of a respectable businessman. The various others involved in the cases all ring true as well. Mullen has a knack for not only making his characters believable but very human and realistic as well.
The plotting did not disappoint either with the Law case especially baffling as all avenues of investigation peter out to nothing, and Cameron's frustration at this is clear. The final reveal caught me by surprise but fits everything together perfectly. It certainly kept me guessing, although to be honest I was enjoying simply following Cameron around and seeing his world too much to spend much time worrying about who did it.
This was a book that I enjoyed reading enormously. Mullen is a terrific writer and Cameron and the world he inhabits is a living breathing thing in his hands. Very very highly recommended.
When Law disappears on that fateful Hogmanay, private detective Charlie Cameron takes on the case to find him. But with no leads he also agrees to look at an apparent suicide for his policeman friend DS Geddes, something will put him on a collision course with Rafferty, a man who has tried to kill Cameron in the past.
This, roughly, is the setting for the third of the Charlie Cameron crime thrillers. Detective novels require their plot and characterisation to be convincing and Mullen delivers both. Cameron is always convincing, and an entertaining narrator of the events as he witnesses them. The usual supporting cast of Pat Logue and Geddes are in fine form and Rafferty seems even more of a threat when in the role of a respectable businessman. The various others involved in the cases all ring true as well. Mullen has a knack for not only making his characters believable but very human and realistic as well.
The plotting did not disappoint either with the Law case especially baffling as all avenues of investigation peter out to nothing, and Cameron's frustration at this is clear. The final reveal caught me by surprise but fits everything together perfectly. It certainly kept me guessing, although to be honest I was enjoying simply following Cameron around and seeing his world too much to spend much time worrying about who did it.
This was a book that I enjoyed reading enormously. Mullen is a terrific writer and Cameron and the world he inhabits is a living breathing thing in his hands. Very very highly recommended.
Phil Leader (619 KP) rated The Long Earth in Books
Nov 20, 2019
Step Day. A day that changed the world. A day when the designs for a strange device went viral. Relatively simple to make with a few electronic components and a potato, this small device allowed most people to move sideways into a parallel dimension... and from there they could keep going exploring multiple copies of Earth, each different and all of them untouched and available for colonisation by the population of the overcrowded, overdeveloped and worn out original.
Joshua Valiente is an orphan who discovers that he doesn't actually need a box to move dimensions - to Step - he is a natural, like a few others before him that have already discovered what becomes known as the Long Earth and have kept it to themselves. Big business isn't slow to take advantage, particularly the huge, powerful and shadowy Black Corporation, whose distributed super computer Lobsang claims to be the reincarnation of a Tibetan mechanic. Together Joshua and Lobsang will discover a few of the secrets of the Long Earth, as well as witnessing the worst it brings out in humanity.
With this central idea, Pratchett and Baxter tell the tales of various people affected by the events of Step Day in very different ways. As with the rest of humanity, the narrative is restless, keen to both rush out and see how far along the Long Earth it can travel and to watch how it turns the Earth we all know on its head. This is a book of wonders, a little like Gulliver's Travels in finding interesting variations to explore.
Those expecting the usual slew of jokes, gags, footnotes and humorous characters that typify his Discworld novels will be disappointed. There are light touches to the situations and characters that betray his hand but this is straight science fiction by two great authors who between them manage to convey the huge scale of thousands - millions - of Earths while still being able to tell the story from a human perspective.
Joshua Valiente is an orphan who discovers that he doesn't actually need a box to move dimensions - to Step - he is a natural, like a few others before him that have already discovered what becomes known as the Long Earth and have kept it to themselves. Big business isn't slow to take advantage, particularly the huge, powerful and shadowy Black Corporation, whose distributed super computer Lobsang claims to be the reincarnation of a Tibetan mechanic. Together Joshua and Lobsang will discover a few of the secrets of the Long Earth, as well as witnessing the worst it brings out in humanity.
With this central idea, Pratchett and Baxter tell the tales of various people affected by the events of Step Day in very different ways. As with the rest of humanity, the narrative is restless, keen to both rush out and see how far along the Long Earth it can travel and to watch how it turns the Earth we all know on its head. This is a book of wonders, a little like Gulliver's Travels in finding interesting variations to explore.
Those expecting the usual slew of jokes, gags, footnotes and humorous characters that typify his Discworld novels will be disappointed. There are light touches to the situations and characters that betray his hand but this is straight science fiction by two great authors who between them manage to convey the huge scale of thousands - millions - of Earths while still being able to tell the story from a human perspective.
Phil Leader (619 KP) rated Piranha (Oregon Files #10) in Books
Nov 25, 2019
Let's be honest here some of the Cussler franchises are getting a little tired and in need of some fresh momentum. Who better to take up the baton of the secret spy ship Oregon than Boyd Morrison? His characterisation and love of technology and gadgets fits perfectly with plots that require several different protagonists in play (there are 4 main 'bad guys' alone in this book, not mention a ship full of the good guys) and high-tech confrontations.
Morrison does indeed tackle this book with gusto. This is mostly action from cover to cover with very little time to catch breath between and exposition being done on the move. There is certainly no feeling that the narrative is moving from set piece to set piece without much momentum or reason.
The main plot is also interesting - what if someone always knew what you were going to do, as if they had an omniscient eavesdropping device. How would you counter that? Add in a vengeful Venezuelan Navy captain and some particularly nasty henchmen and you have the basics for a real thrill ride.
I do like Morrison's work (if you have never read any of the Tyler Locke series I recommend that you do) and expected to like this book, but it exceeded my every expectation. Our heroes are assaulted on all sides - and notably often not under the protection of the Oregon - and the only way they win through is by simply being good at what they do - there are no escapes due to fortunate circumstances.
This is definitely one of the most impressive Cussler brand books for years, probably the best Oregon Files book there is. Although mention is made in passing of various previous exploits, reading the previous novels is not required to enjoy this book.
If you like fast paced adventure with plenty of thrills then you can't go far wrong reading this
Morrison does indeed tackle this book with gusto. This is mostly action from cover to cover with very little time to catch breath between and exposition being done on the move. There is certainly no feeling that the narrative is moving from set piece to set piece without much momentum or reason.
The main plot is also interesting - what if someone always knew what you were going to do, as if they had an omniscient eavesdropping device. How would you counter that? Add in a vengeful Venezuelan Navy captain and some particularly nasty henchmen and you have the basics for a real thrill ride.
I do like Morrison's work (if you have never read any of the Tyler Locke series I recommend that you do) and expected to like this book, but it exceeded my every expectation. Our heroes are assaulted on all sides - and notably often not under the protection of the Oregon - and the only way they win through is by simply being good at what they do - there are no escapes due to fortunate circumstances.
This is definitely one of the most impressive Cussler brand books for years, probably the best Oregon Files book there is. Although mention is made in passing of various previous exploits, reading the previous novels is not required to enjoy this book.
If you like fast paced adventure with plenty of thrills then you can't go far wrong reading this
I received a digital copy from the author in exchange for an honest review.
Contemporary, young adult, romance, fantasy, steampunk, action... is there any category this book does not fit in to?! Jordan Elizabeth takes readers on a journey from New York to a fantasy world that very few knows exist in her recent novel Lock. Sarah Lockwood, the protagonist, thought the Realm was a story her late father used to tell her, however, when she discovers it is real, she jumps at the chance to visit, not realising the dangers that lie ahead.
Sarah is a self-sufficient young woman who has been living with her belly-dancing aunt since the death of her parents. Invited to stay with her Uncle William, she feels obliged to accept, however, almost regrets the decision after the cold welcome she receives. The gardener's son Archer, however, soon takes her mind off her troubles, particularly when he suggests travelling to a parallel world.
Archer comes from a family of Record Writers and it is his job to record the daily goings-on in the Realm. Sarah soon learns the Realm no longer lives up to the descriptions in the fairytales. A usurper has murdered the royal family and the inhabitants live in constant fear and poverty. Whilst this is shocking, Sarah unveils another revelation: the usurper is someone from her world, someone very close to home.
Although Lock has similarities with fantasy lands such as Narnia, it is written for a slightly older generation of readers. Sarah is 19 years old and some scenes are markedly "adult". There is also a lot of bloodshed and the occasional expletive. Nonetheless, it is a fast-paced, exciting story.
Once again, Jordan Elizabeth has written a book that is unlike the others she has written before. It is difficult to categorise the author and her novels since they are so diverse, however, one thing is for sure: Jordan Elizabeth knows how to tell a good story.
Contemporary, young adult, romance, fantasy, steampunk, action... is there any category this book does not fit in to?! Jordan Elizabeth takes readers on a journey from New York to a fantasy world that very few knows exist in her recent novel Lock. Sarah Lockwood, the protagonist, thought the Realm was a story her late father used to tell her, however, when she discovers it is real, she jumps at the chance to visit, not realising the dangers that lie ahead.
Sarah is a self-sufficient young woman who has been living with her belly-dancing aunt since the death of her parents. Invited to stay with her Uncle William, she feels obliged to accept, however, almost regrets the decision after the cold welcome she receives. The gardener's son Archer, however, soon takes her mind off her troubles, particularly when he suggests travelling to a parallel world.
Archer comes from a family of Record Writers and it is his job to record the daily goings-on in the Realm. Sarah soon learns the Realm no longer lives up to the descriptions in the fairytales. A usurper has murdered the royal family and the inhabitants live in constant fear and poverty. Whilst this is shocking, Sarah unveils another revelation: the usurper is someone from her world, someone very close to home.
Although Lock has similarities with fantasy lands such as Narnia, it is written for a slightly older generation of readers. Sarah is 19 years old and some scenes are markedly "adult". There is also a lot of bloodshed and the occasional expletive. Nonetheless, it is a fast-paced, exciting story.
Once again, Jordan Elizabeth has written a book that is unlike the others she has written before. It is difficult to categorise the author and her novels since they are so diverse, however, one thing is for sure: Jordan Elizabeth knows how to tell a good story.
Phil Leader (619 KP) rated Zero Hour (Numa Files #11) in Books
Nov 29, 2019
Zero Hour is an 'Adventure from the NUMA Files' which means following the team of Kurt Austin, Joe Zavala and Paul and Gamay Trout on their adventures.
In truth the main players in this are Kurt and Joe with the Trouts taking a back seat. In fact Dirk Pitt has more of a role in this novel than they do. I'm not sure that is a bad thing, having find roles for four leading characters started to get a little stretched for me in the more recent books.
Back to the story, which could come straight out of a James Bond plot. Genius develops a weapon which taps into zero point energy and causes massive earthquakes. Feeling that the nations of the world have shunned him and killed is daughter he decides to turn the weapon upon them in revenge. It is up to Kurt, Joe and an Australian scientist (female, providing the love interest for Kurt) to stop him, against the clock and against all the odds.
This is a real old fashioned adventure story, a few twists here and there to keep the interest but nothing too demanding. It moves at a fantastic pace, has some brilliant set pieces and a typically over the top villain. There are multiple threads to the story which join up for a satisfying conclusion.
The narrative moves on at a good pace and never gets bogged down in too much exposition. There is the expected need to suspend belief in parts, but really not as much as other stories. This was an easy book to read and had that 'unputdownable' factor that should be expected. Probably one of the better NUMA files novels (which have in my mind always been the poor relation to the other Cussler series).
Overall I would rate this as a good, entertaining book, well worth a read if you like advemture stories.
In truth the main players in this are Kurt and Joe with the Trouts taking a back seat. In fact Dirk Pitt has more of a role in this novel than they do. I'm not sure that is a bad thing, having find roles for four leading characters started to get a little stretched for me in the more recent books.
Back to the story, which could come straight out of a James Bond plot. Genius develops a weapon which taps into zero point energy and causes massive earthquakes. Feeling that the nations of the world have shunned him and killed is daughter he decides to turn the weapon upon them in revenge. It is up to Kurt, Joe and an Australian scientist (female, providing the love interest for Kurt) to stop him, against the clock and against all the odds.
This is a real old fashioned adventure story, a few twists here and there to keep the interest but nothing too demanding. It moves at a fantastic pace, has some brilliant set pieces and a typically over the top villain. There are multiple threads to the story which join up for a satisfying conclusion.
The narrative moves on at a good pace and never gets bogged down in too much exposition. There is the expected need to suspend belief in parts, but really not as much as other stories. This was an easy book to read and had that 'unputdownable' factor that should be expected. Probably one of the better NUMA files novels (which have in my mind always been the poor relation to the other Cussler series).
Overall I would rate this as a good, entertaining book, well worth a read if you like advemture stories.