Search
Search results
Zuky the BookBum (15 KP) rated The Adversary: A True Story of Monstrous Deception in Books
Mar 15, 2018
Im obsessed with true crime novels. There, I said it. I just find them so fascinating, especially when you find a book about a crime / criminal youve never heard of before
Introducing Jean-Claude Romand. A narcissistic liar and cheater who swindled his family out of all their money, lied to them about who he really was for 18 years and then murdered them. This sounds like something out of a fictional novel, but ladies & gents, this is all 100% real.
Maybe my 5 star rating is a little bias because I love true crime so much, but this book ticked all the boxes for me. Firstly, it was about such a bizarre and extraordinary crime, I was enthralled by every part of it, and secondly Carrère writes in such a simple and beautiful way that you forget youre reading fact.
What astounds me so much about this novel is its subject. Jean-Claude Romand lived 18 years of his life (thats only 2 years younger than I am right now) living a lie. How does a person get away with lying about everything for 18 years without getting caught? I cant go into much detail in this review, otherwise Im just going to spoil the whole thing, and once I get talking about it, Ill never stop. But I mean really, how his friends & family trusted this man so much as to believe everything he said amazes me. However, its also made me very aware that you dont question the people you trust, Im sure people could get away with so much before anyone noticed!
This book is incredible, shocking and mind-boggling. It reads like poetry but it packs a very real punch. I loved it! If youre a true crime fan, like myself, pick this one up quick!
<i>Thank you to Penguin Random House UK & Vintage for sending me an arc copy for review.</i>
Maybe my 5 star rating is a little bias because I love true crime so much, but this book ticked all the boxes for me. Firstly, it was about such a bizarre and extraordinary crime, I was enthralled by every part of it, and secondly Carrère writes in such a simple and beautiful way that you forget youre reading fact.
What astounds me so much about this novel is its subject. Jean-Claude Romand lived 18 years of his life (thats only 2 years younger than I am right now) living a lie. How does a person get away with lying about everything for 18 years without getting caught? I cant go into much detail in this review, otherwise Im just going to spoil the whole thing, and once I get talking about it, Ill never stop. But I mean really, how his friends & family trusted this man so much as to believe everything he said amazes me. However, its also made me very aware that you dont question the people you trust, Im sure people could get away with so much before anyone noticed!
This book is incredible, shocking and mind-boggling. It reads like poetry but it packs a very real punch. I loved it! If youre a true crime fan, like myself, pick this one up quick!
<i>Thank you to Penguin Random House UK & Vintage for sending me an arc copy for review.</i>
Zuky the BookBum (15 KP) rated The Sixteen Trees of the Somme in Books
Mar 15, 2018
Im going to start this review off with an apology at the quality of it. Ive tried and tried to think of some things to say about this book but my mind is drawing a blank. I read this novel during a bit of a slump and I feel as though I just drifted through it.
I know I enjoyed it, not as much as Id hoped, but enough to not dislike it. And I know that it got very emotional and I had a bit of a cry fest at the end. But from there, Im a bit stuck How do I do this review thing again?
Characters in this one are different. You feel like you really get to know them throughout the story, but when youve finished the book you realise you didnt really know them at all. They were well developed and were talked about enough, but it was as though they were behind a screen. The characters themselves talked about how another character was hiding behind a mask, but you come to realise that all the characters were wearing masks, not just from each other, but from the reader too.
The story is a bit of a strange one and I felt it losing me in some points. It was a story about love, loss, grief and mystery. But very different to the kinds of mystery youre used to seeing on my page. This one is certainly unique, but is definitely a slow mover, so anyone looking for something fast-paced, pass this one up.
I cant work out what more to say. If you like emotional, slow moving novels in moody settings with distant characters, this book is definitely something for you. Im glad I stepped a little out of my comfort zone with this one because I did enjoy it, but its not the type of book I could read a lot.
I know I enjoyed it, not as much as Id hoped, but enough to not dislike it. And I know that it got very emotional and I had a bit of a cry fest at the end. But from there, Im a bit stuck How do I do this review thing again?
Characters in this one are different. You feel like you really get to know them throughout the story, but when youve finished the book you realise you didnt really know them at all. They were well developed and were talked about enough, but it was as though they were behind a screen. The characters themselves talked about how another character was hiding behind a mask, but you come to realise that all the characters were wearing masks, not just from each other, but from the reader too.
The story is a bit of a strange one and I felt it losing me in some points. It was a story about love, loss, grief and mystery. But very different to the kinds of mystery youre used to seeing on my page. This one is certainly unique, but is definitely a slow mover, so anyone looking for something fast-paced, pass this one up.
I cant work out what more to say. If you like emotional, slow moving novels in moody settings with distant characters, this book is definitely something for you. Im glad I stepped a little out of my comfort zone with this one because I did enjoy it, but its not the type of book I could read a lot.
Kelly (279 KP) rated London Falling: The Shadow Police book one in Books
Dec 10, 2018
Compelling characters (1 more)
Good storyline
An urban fantasy that is a page turner
I originally picked this book up through recommendation, and have to confess that I was hooked from start to finish (and throughout the two books that followed in the series).
The main characters, 3 police inspectors, and an intelligence analyst who stubble upon a darker magical side of London lead us through finding out the cause of the death of Rob Toshack, a drug lord who died in police custody. The group set up a team to hunt down the killer, quickly finding that they need to develop a whole new set of skills in order to defeat their opposition.
I am a huge fan of Ben Aaronovitch, and found that Cornell’s style of writing is very similar, with a touch more darkness and cynicism. Cornell’s characters are more serious in their absorption into the magical underground, however there are still moments of lightheartedness. However it is worth noting that the general undertone of the novel is much darker than a lot of other urban fantasy novel, which made the novel more successful for me. Cornell is not afraid to touch on more serious issues in his writing, such as depression and police budget cuts.
I found all of the main characters enjoyable, all seemingly having a turbulent past, which links into the story. Cornell enables us to clearly picture the characters as we are reading and selves into their complex histories. The ‘villain’ in this story is more sinister than I was expecting when I initially started reading, with an interesting twist by connecting the plot line and murderous motive to West Ham football team.
For me this was a page turner, and will certainly be re-read many times. Although I have previously read some urban fantasy novels, it has been Cornell’s series starting with London Falling, which has truest got me hooked.
The main characters, 3 police inspectors, and an intelligence analyst who stubble upon a darker magical side of London lead us through finding out the cause of the death of Rob Toshack, a drug lord who died in police custody. The group set up a team to hunt down the killer, quickly finding that they need to develop a whole new set of skills in order to defeat their opposition.
I am a huge fan of Ben Aaronovitch, and found that Cornell’s style of writing is very similar, with a touch more darkness and cynicism. Cornell’s characters are more serious in their absorption into the magical underground, however there are still moments of lightheartedness. However it is worth noting that the general undertone of the novel is much darker than a lot of other urban fantasy novel, which made the novel more successful for me. Cornell is not afraid to touch on more serious issues in his writing, such as depression and police budget cuts.
I found all of the main characters enjoyable, all seemingly having a turbulent past, which links into the story. Cornell enables us to clearly picture the characters as we are reading and selves into their complex histories. The ‘villain’ in this story is more sinister than I was expecting when I initially started reading, with an interesting twist by connecting the plot line and murderous motive to West Ham football team.
For me this was a page turner, and will certainly be re-read many times. Although I have previously read some urban fantasy novels, it has been Cornell’s series starting with London Falling, which has truest got me hooked.
Hazel (1853 KP) rated The Winner's Curse (The Winner's Trilogy, #1) in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Winner’s Curse</i> is the first book in the <i>Winner’s Trilogy</i> by American author Marie Rutkoski. It is a novel that mixes together rumours, lies, love and warfare to create an incredible new story for young adults.
It is set in a similar society to that of the 18th century or earlier (in Europe at least) except that for women there are only two lifestyles. By the age of twenty they must decide whether to marry or join the military. By women, that means Valorian women. Ever since the defeat of the Herrani during the Herran war many years ago, the Valorian have made them slaves and looked down on them, whilst seizing their lavish properties and enforcing Valorian customs.
The title, <i>The Winner’s Curse</i>, is a concept that relates to the winner of an auction. Whilst they have won the item they have also lost by paying out more money than other bidders felt it was worth. This is what happens to seventeen-year-old Lady Kestrel, a Valorian, when, with an unexplainable impulse, she hires Arin, a Herrani slave, for an extortionate amount of money. Put to work as a blacksmith, Arin becomes intrigued with Kestrel, and she with him, and they soon start to form a friendship – although rumours suggest something more.
It is not, however, simply the cost of a slave that <i>The Winner’s Curse</i> refers to. The Herrani are planning an attack on the Valorian Empire, and Kestrel being a General’s daughter could unknowingly reveal vital information. The emergence of a second Herran war is imminent, but Kestrel and Arin’s relationship complicate things further.
Whilst similar to other novels with lovers belonging to opposing families, it is more original regarding the circumstances, secrets and lies, which makes, not just the characters, but the reader question what their true feelings and intentions are.
It is an excellent, fast paced read, and definitely recommended.
<i>The Winner’s Curse</i> is the first book in the <i>Winner’s Trilogy</i> by American author Marie Rutkoski. It is a novel that mixes together rumours, lies, love and warfare to create an incredible new story for young adults.
It is set in a similar society to that of the 18th century or earlier (in Europe at least) except that for women there are only two lifestyles. By the age of twenty they must decide whether to marry or join the military. By women, that means Valorian women. Ever since the defeat of the Herrani during the Herran war many years ago, the Valorian have made them slaves and looked down on them, whilst seizing their lavish properties and enforcing Valorian customs.
The title, <i>The Winner’s Curse</i>, is a concept that relates to the winner of an auction. Whilst they have won the item they have also lost by paying out more money than other bidders felt it was worth. This is what happens to seventeen-year-old Lady Kestrel, a Valorian, when, with an unexplainable impulse, she hires Arin, a Herrani slave, for an extortionate amount of money. Put to work as a blacksmith, Arin becomes intrigued with Kestrel, and she with him, and they soon start to form a friendship – although rumours suggest something more.
It is not, however, simply the cost of a slave that <i>The Winner’s Curse</i> refers to. The Herrani are planning an attack on the Valorian Empire, and Kestrel being a General’s daughter could unknowingly reveal vital information. The emergence of a second Herran war is imminent, but Kestrel and Arin’s relationship complicate things further.
Whilst similar to other novels with lovers belonging to opposing families, it is more original regarding the circumstances, secrets and lies, which makes, not just the characters, but the reader question what their true feelings and intentions are.
It is an excellent, fast paced read, and definitely recommended.
"That's impossible! How will the Emperor maintain control without the bureaucracy?"
"The Regional governors now have direct control over their territories. Fear will keep the local systems in line. Fear of this battle station."
That exchange, from the original Star Wars film, pretty much sums up what would become known as the Tarkin Doctrine: that of rule by fear.
While there have been other Star Wars novels based on the other 'bad guys' (Vader, Boba Fett, etc), this is also the first - to the best of my knowledge - based on Grand Moff Wilhuff Tarkin, as portrayed by Peter Cushing in the films, and the first Grand Moff of the Galactic Empire.
"Evacuate? In our moment of triumph? I think you overestimate their chances ..."
While it may not be apparent in the film - particulary when he utters that line seconds before the Death Star is blown up - this also makes him out ot be a strategic mastermind - it is he who oversaw the construction of the Death Star, and he who (in this) works out the identites of those who have stolen his starship that is now cayying out strikes agaisnt Imperial installations, the pursuit of which is the main driving force of the plot behind this novel.
This also goes to show how Vader came to work with Tarkin on board the Death Star, and the defining events of Tarkins earlier life that would go to shape the character he would become.
With all that said, however, the writing style did - at times - put me off, with the novel never really getting me hooked into just what would ahppen next - we all know, for example, that he would survive and not only survive, but prosper by the end of it! It's also not the worst Star Wars book, nor even the worst of the 'New Canon' such books I've read, but nor was it the best - a solid middle-of-the-road entry for me.
"The Regional governors now have direct control over their territories. Fear will keep the local systems in line. Fear of this battle station."
That exchange, from the original Star Wars film, pretty much sums up what would become known as the Tarkin Doctrine: that of rule by fear.
While there have been other Star Wars novels based on the other 'bad guys' (Vader, Boba Fett, etc), this is also the first - to the best of my knowledge - based on Grand Moff Wilhuff Tarkin, as portrayed by Peter Cushing in the films, and the first Grand Moff of the Galactic Empire.
"Evacuate? In our moment of triumph? I think you overestimate their chances ..."
While it may not be apparent in the film - particulary when he utters that line seconds before the Death Star is blown up - this also makes him out ot be a strategic mastermind - it is he who oversaw the construction of the Death Star, and he who (in this) works out the identites of those who have stolen his starship that is now cayying out strikes agaisnt Imperial installations, the pursuit of which is the main driving force of the plot behind this novel.
This also goes to show how Vader came to work with Tarkin on board the Death Star, and the defining events of Tarkins earlier life that would go to shape the character he would become.
With all that said, however, the writing style did - at times - put me off, with the novel never really getting me hooked into just what would ahppen next - we all know, for example, that he would survive and not only survive, but prosper by the end of it! It's also not the worst Star Wars book, nor even the worst of the 'New Canon' such books I've read, but nor was it the best - a solid middle-of-the-road entry for me.
I understand that this is the fourth offering for 'The Austen Project' where well known authors (although I had not heard of Curtis Sittenfeld and thought she was a man, but hey.....) rewrite Austen's novels 'for a modern audience'. This does rather beg the question of if a modern reading audience does need 'dumbing down' to, as that's pretty much the implication. Trollope's Sense & Sensibility & McCall Smith's Emma have met with somewhat mixed feelings but I did think that Val McDermid worked magic with a modern retelling of Northanger Abbey. So far this is the only one to have altered the title from the original - perhaps the pressure of Pride & Prejudice was too much for anyone?
If there is a single book which as has more sequels, prequels, re-imaginings and modernisations than good old P&P then I have yet to meet it. Personally, I like to think Austen would be amused and possibly slightly bemused by it all. I'm guilty of heaving read my fair share of these, which quite often categorise as the good, the bad and the ugly! For me, this one wasn't bad, or indeed ugly, but it wasn't brilliant. It also felt that it was quite a bit longer than it needed to be. I know Kitty & Lydia are rather vulgar and embarrassing in the original but their behaviour here is really beyond the pale - who on earth would want to date Lydia if she behaves as she does here?
Some of the ideas are good, some things seem a bit contrived and over the top. I also found it quite American and slangy in places with some slang words or expressions leaving me somewhat in the dark but then I am a woman who can't bear Text Speak!
Overall, while it wasn't a bad read, it wasn't that great and I can't see myself reading it again.
If there is a single book which as has more sequels, prequels, re-imaginings and modernisations than good old P&P then I have yet to meet it. Personally, I like to think Austen would be amused and possibly slightly bemused by it all. I'm guilty of heaving read my fair share of these, which quite often categorise as the good, the bad and the ugly! For me, this one wasn't bad, or indeed ugly, but it wasn't brilliant. It also felt that it was quite a bit longer than it needed to be. I know Kitty & Lydia are rather vulgar and embarrassing in the original but their behaviour here is really beyond the pale - who on earth would want to date Lydia if she behaves as she does here?
Some of the ideas are good, some things seem a bit contrived and over the top. I also found it quite American and slangy in places with some slang words or expressions leaving me somewhat in the dark but then I am a woman who can't bear Text Speak!
Overall, while it wasn't a bad read, it wasn't that great and I can't see myself reading it again.
Deborah (162 KP) rated The King's Concubine in Books
Dec 21, 2018
This is the second novel by Anne O'Brien that I have read recently, and I have enjoyed them both. Although both novels were written in the first person, a narrative technique that I usually don't like as it is difficult for authors to pull off, I have found O'Brien's writing convincing and applaud her for this.
The protagonist of this particular novel is Alice Perrers, best known as mistress to Edward III. Not an awful lot, it seems, is really known about Alice, at least before her time at court. O'Brien has used known facts and woven her story about these, filling in the gaps with imagination and probability. Historically, Alice Perrers has never come across as a particularly nice person, seeming to be greedy, grasping and manipulative. O'Brien doesn't do a total whitewash job on her, but she does give a more sympathetic portrayal. Her Alice is still keen to acquire land holdings, but seen as a woman who has come from practically nothing and can see what her future might be without royal patronage, it is difficult to really blame her. History has always tended to be written by the victors and by men, and in medieval times they would not have liked a woman stepping out of her 'place' so it is quite understandable that Alice Perrers should have been so vilified.
Overall, I thought this was a good read. I read Vannora Bennett's The People's Queen a while back, which is also about Alice Perrers (she seems to be enjoying something of a renaissance!) but I preferred O'Brien's book. The cover gives O'Brien a plaudit of being 'better than Philippa Gregory'. Well, I can't argue with that as I haven't cared much for either of the books by Gregory that I have read, so I will wholeheartedly agree that O'Brien is much more worth reading! I look forward to her book on Eleanor of Aquitaine.
The protagonist of this particular novel is Alice Perrers, best known as mistress to Edward III. Not an awful lot, it seems, is really known about Alice, at least before her time at court. O'Brien has used known facts and woven her story about these, filling in the gaps with imagination and probability. Historically, Alice Perrers has never come across as a particularly nice person, seeming to be greedy, grasping and manipulative. O'Brien doesn't do a total whitewash job on her, but she does give a more sympathetic portrayal. Her Alice is still keen to acquire land holdings, but seen as a woman who has come from practically nothing and can see what her future might be without royal patronage, it is difficult to really blame her. History has always tended to be written by the victors and by men, and in medieval times they would not have liked a woman stepping out of her 'place' so it is quite understandable that Alice Perrers should have been so vilified.
Overall, I thought this was a good read. I read Vannora Bennett's The People's Queen a while back, which is also about Alice Perrers (she seems to be enjoying something of a renaissance!) but I preferred O'Brien's book. The cover gives O'Brien a plaudit of being 'better than Philippa Gregory'. Well, I can't argue with that as I haven't cared much for either of the books by Gregory that I have read, so I will wholeheartedly agree that O'Brien is much more worth reading! I look forward to her book on Eleanor of Aquitaine.
Deborah (162 KP) rated The Scandalous Duchess in Books
Dec 21, 2018
I have to admit that I do enjoy Anne O'Brien as a writer of historical fiction. Maybe it's not great literature, but it's still an enjoyable ready and she actually makes a first person narrative come off, whereas with some other authors it sounds unnatural or is handled clumsily.
O'Brien's latest offering gives us the tale of Katherine de Swynford (nee de Roet), famous (or perhaps infamous!) as the mistress and later wife of John of Gaunt, Duke of Lancaster (and if you didn't know that he marries her, I think the title might give it away, so I don't think it's a spoiler!). There actually isn't all that much known about Katherine herself, which may seem surprising. I'm sure there may be other novels about her, but by far the best known is Anya Seton's 'Katherine' which might well give another author pause when looking to cover the same ground. The fact that so little is really known about her life does give an author a fair bit of freedom. It must be fairly obvious that there is a love story in there - she was his mistress for many years and then he chose to marry her, which I doubt anyone would have expected.
The novel's subtitle give it as 'the forbidden affair that started the Tudors' - who of course were descended from the legitimated Beaufort line.... but then again Joan was also the maternal grandmother of Edward IV and Richard III! The benefit of hindsight can show us clearly how a seemingly small decision, such as Katherine's decision to acquiesce in becoming John of Gaunt's mistress, can have such a huge impact - namely being a large factor in the Wars of the Roses!
I found this a well written and entertaining novel and I do enjoy my historical fiction! If you've read O'Brien before, I think you'll like this and if not I would recommend giving her a try. I find her writing far superior to the much touted Philippa Gregory.
O'Brien's latest offering gives us the tale of Katherine de Swynford (nee de Roet), famous (or perhaps infamous!) as the mistress and later wife of John of Gaunt, Duke of Lancaster (and if you didn't know that he marries her, I think the title might give it away, so I don't think it's a spoiler!). There actually isn't all that much known about Katherine herself, which may seem surprising. I'm sure there may be other novels about her, but by far the best known is Anya Seton's 'Katherine' which might well give another author pause when looking to cover the same ground. The fact that so little is really known about her life does give an author a fair bit of freedom. It must be fairly obvious that there is a love story in there - she was his mistress for many years and then he chose to marry her, which I doubt anyone would have expected.
The novel's subtitle give it as 'the forbidden affair that started the Tudors' - who of course were descended from the legitimated Beaufort line.... but then again Joan was also the maternal grandmother of Edward IV and Richard III! The benefit of hindsight can show us clearly how a seemingly small decision, such as Katherine's decision to acquiesce in becoming John of Gaunt's mistress, can have such a huge impact - namely being a large factor in the Wars of the Roses!
I found this a well written and entertaining novel and I do enjoy my historical fiction! If you've read O'Brien before, I think you'll like this and if not I would recommend giving her a try. I find her writing far superior to the much touted Philippa Gregory.
Phil Leader (619 KP) rated Before The Devil Knows You're Dead in Books
Nov 8, 2019
It is a snowy Hogmanay in Glasgow. Obstetric Surgeon Gavin Law has made an accusation of malpractice against a colleague, Wallace Maitland, only for an accusation to be made against him. Wallace Maitland doesn't remember Hogmanay but did end up covered in blood. Sean Rafferty is now the head of gangster family having taken over from his violent father Jimmy and is having a party to try to appear respectable.
When Law disappears on that fateful Hogmanay, private detective Charlie Cameron takes on the case to find him. But with no leads he also agrees to look at an apparent suicide for his policeman friend DS Geddes, something will put him on a collision course with Rafferty, a man who has tried to kill Cameron in the past.
This, roughly, is the setting for the third of the Charlie Cameron crime thrillers. Detective novels require their plot and characterisation to be convincing and Mullen delivers both. Cameron is always convincing, and an entertaining narrator of the events as he witnesses them. The usual supporting cast of Pat Logue and Geddes are in fine form and Rafferty seems even more of a threat when in the role of a respectable businessman. The various others involved in the cases all ring true as well. Mullen has a knack for not only making his characters believable but very human and realistic as well.
The plotting did not disappoint either with the Law case especially baffling as all avenues of investigation peter out to nothing, and Cameron's frustration at this is clear. The final reveal caught me by surprise but fits everything together perfectly. It certainly kept me guessing, although to be honest I was enjoying simply following Cameron around and seeing his world too much to spend much time worrying about who did it.
This was a book that I enjoyed reading enormously. Mullen is a terrific writer and Cameron and the world he inhabits is a living breathing thing in his hands. Very very highly recommended.
When Law disappears on that fateful Hogmanay, private detective Charlie Cameron takes on the case to find him. But with no leads he also agrees to look at an apparent suicide for his policeman friend DS Geddes, something will put him on a collision course with Rafferty, a man who has tried to kill Cameron in the past.
This, roughly, is the setting for the third of the Charlie Cameron crime thrillers. Detective novels require their plot and characterisation to be convincing and Mullen delivers both. Cameron is always convincing, and an entertaining narrator of the events as he witnesses them. The usual supporting cast of Pat Logue and Geddes are in fine form and Rafferty seems even more of a threat when in the role of a respectable businessman. The various others involved in the cases all ring true as well. Mullen has a knack for not only making his characters believable but very human and realistic as well.
The plotting did not disappoint either with the Law case especially baffling as all avenues of investigation peter out to nothing, and Cameron's frustration at this is clear. The final reveal caught me by surprise but fits everything together perfectly. It certainly kept me guessing, although to be honest I was enjoying simply following Cameron around and seeing his world too much to spend much time worrying about who did it.
This was a book that I enjoyed reading enormously. Mullen is a terrific writer and Cameron and the world he inhabits is a living breathing thing in his hands. Very very highly recommended.
Phil Leader (619 KP) rated The Long Earth in Books
Nov 20, 2019
Step Day. A day that changed the world. A day when the designs for a strange device went viral. Relatively simple to make with a few electronic components and a potato, this small device allowed most people to move sideways into a parallel dimension... and from there they could keep going exploring multiple copies of Earth, each different and all of them untouched and available for colonisation by the population of the overcrowded, overdeveloped and worn out original.
Joshua Valiente is an orphan who discovers that he doesn't actually need a box to move dimensions - to Step - he is a natural, like a few others before him that have already discovered what becomes known as the Long Earth and have kept it to themselves. Big business isn't slow to take advantage, particularly the huge, powerful and shadowy Black Corporation, whose distributed super computer Lobsang claims to be the reincarnation of a Tibetan mechanic. Together Joshua and Lobsang will discover a few of the secrets of the Long Earth, as well as witnessing the worst it brings out in humanity.
With this central idea, Pratchett and Baxter tell the tales of various people affected by the events of Step Day in very different ways. As with the rest of humanity, the narrative is restless, keen to both rush out and see how far along the Long Earth it can travel and to watch how it turns the Earth we all know on its head. This is a book of wonders, a little like Gulliver's Travels in finding interesting variations to explore.
Those expecting the usual slew of jokes, gags, footnotes and humorous characters that typify his Discworld novels will be disappointed. There are light touches to the situations and characters that betray his hand but this is straight science fiction by two great authors who between them manage to convey the huge scale of thousands - millions - of Earths while still being able to tell the story from a human perspective.
Joshua Valiente is an orphan who discovers that he doesn't actually need a box to move dimensions - to Step - he is a natural, like a few others before him that have already discovered what becomes known as the Long Earth and have kept it to themselves. Big business isn't slow to take advantage, particularly the huge, powerful and shadowy Black Corporation, whose distributed super computer Lobsang claims to be the reincarnation of a Tibetan mechanic. Together Joshua and Lobsang will discover a few of the secrets of the Long Earth, as well as witnessing the worst it brings out in humanity.
With this central idea, Pratchett and Baxter tell the tales of various people affected by the events of Step Day in very different ways. As with the rest of humanity, the narrative is restless, keen to both rush out and see how far along the Long Earth it can travel and to watch how it turns the Earth we all know on its head. This is a book of wonders, a little like Gulliver's Travels in finding interesting variations to explore.
Those expecting the usual slew of jokes, gags, footnotes and humorous characters that typify his Discworld novels will be disappointed. There are light touches to the situations and characters that betray his hand but this is straight science fiction by two great authors who between them manage to convey the huge scale of thousands - millions - of Earths while still being able to tell the story from a human perspective.