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Kristy H (1252 KP) rated The Same Sky in Books
Feb 13, 2018
Amanda Eyre Ward's latest novel is just a beautiful book. Ward's writing is simply lovely and magical. When I finished the book, I was left feeling a bit disappointed - not by the plot or the writing, but that it was over. It's one of those novels that I'll be recommending to everyone.
The Same Sky tells the story of two unique individuals. The first is Alice, a forty-year-old living in Texas, with her husband. Together, they run a successful BBQ restaurant and appear incredibly happy. But they've been through a long and sad string of infertility, and Alice is left empty by the latest episode - a birth-mother taking back a baby promised to her, after Alice spent the night with the baby she thought was going to be hers.
Alice's chapters alternate with those of Carla, a young girl in Honduras. Carla's mother leaves for America early in the story, leaving Carla with her grandmother and one of her younger twin brothers. Carla's voice is just amazing. Ward captures this young teenager perfectly. I'm not sure how you can read this book and not fall completely for Carla. There are times when I didn't completely love Alice, or when I wanted to shake her, but Carla - I just wanted to hug her and take her home.
As you read the novel, Alice and Carla's stories are completely separate, which is fascinating. They provide an intriguing commentary on our society and the American Dream -- Alice seems to have it all in America, but she feels empty due to her childless state. And Carla wants nothing more than to come to America with her mother.
I simply loved the book - I won't give away any more of the plot, but it was well-written and beautiful. I don't think you could be disappointed in reading The Same Sky - I give it 4.5 out of 5 stars.
(Note: I received an advanced copy from Netgalley in return for an unbiased review.)
The Same Sky tells the story of two unique individuals. The first is Alice, a forty-year-old living in Texas, with her husband. Together, they run a successful BBQ restaurant and appear incredibly happy. But they've been through a long and sad string of infertility, and Alice is left empty by the latest episode - a birth-mother taking back a baby promised to her, after Alice spent the night with the baby she thought was going to be hers.
Alice's chapters alternate with those of Carla, a young girl in Honduras. Carla's mother leaves for America early in the story, leaving Carla with her grandmother and one of her younger twin brothers. Carla's voice is just amazing. Ward captures this young teenager perfectly. I'm not sure how you can read this book and not fall completely for Carla. There are times when I didn't completely love Alice, or when I wanted to shake her, but Carla - I just wanted to hug her and take her home.
As you read the novel, Alice and Carla's stories are completely separate, which is fascinating. They provide an intriguing commentary on our society and the American Dream -- Alice seems to have it all in America, but she feels empty due to her childless state. And Carla wants nothing more than to come to America with her mother.
I simply loved the book - I won't give away any more of the plot, but it was well-written and beautiful. I don't think you could be disappointed in reading The Same Sky - I give it 4.5 out of 5 stars.
(Note: I received an advanced copy from Netgalley in return for an unbiased review.)
Kristy H (1252 KP) rated Gray Mountain in Books
Feb 13, 2018
It's a little unfair to John Grisham, but I probably would have rated this book 4 stars if he didn't write it. It was a pretty good book, but I kept waiting for the typical Grisham-flair to pop up - a huge courtroom battle, an epic good versus evil duel, etc.
Instead, the battle and storyline I would have really wanted to read about goes on in the background as a secondary storyline. The main plot follows Samantha Kofer, a young law associate at a powerful firm in New York City. However, when the recession hits in '08, Samantha finds herself furloughed and in order to keep her health insurance, and to potentially get her old job back, must intern at a rural legal aid clinic in Brady, Virginia.
There Samantha meets a cast of characters, including Mattie, who runs the clinic; her nephew, Donovan, also a lawyer; Donovan's shady brother, Jeff; and a host of other rural townsfolk. She also gets her first taste of real law. We, the reader, learn about the atrocities of Big Coal and strip mining, including Black Lung Disease, which the book goes into in great detail (and which personally, makes me want to become a lawyer or social worker, as it's all awful).
It's interesting to have Grisham write in the voice of a young female. It takes me back to Darby Shaw (of "The Pelican Brief" - one of my all-time favorite Grisham novels), though Samantha is *no* Darby Shaw, by any stretch of the imagination. She's a bit spineless, though, really, she's not given much story to work with. The first 3/4 of the book I mostly enjoyed and then the last 1/4 just sort of tapers off. It almost seems as if a sequel is in order, but who knows.
Again, I think I might have liked Samantha and her story a bit more if it wasn't Grisham, as I might have expected a bit less. It's a good read, but leaves you wanting more.
Instead, the battle and storyline I would have really wanted to read about goes on in the background as a secondary storyline. The main plot follows Samantha Kofer, a young law associate at a powerful firm in New York City. However, when the recession hits in '08, Samantha finds herself furloughed and in order to keep her health insurance, and to potentially get her old job back, must intern at a rural legal aid clinic in Brady, Virginia.
There Samantha meets a cast of characters, including Mattie, who runs the clinic; her nephew, Donovan, also a lawyer; Donovan's shady brother, Jeff; and a host of other rural townsfolk. She also gets her first taste of real law. We, the reader, learn about the atrocities of Big Coal and strip mining, including Black Lung Disease, which the book goes into in great detail (and which personally, makes me want to become a lawyer or social worker, as it's all awful).
It's interesting to have Grisham write in the voice of a young female. It takes me back to Darby Shaw (of "The Pelican Brief" - one of my all-time favorite Grisham novels), though Samantha is *no* Darby Shaw, by any stretch of the imagination. She's a bit spineless, though, really, she's not given much story to work with. The first 3/4 of the book I mostly enjoyed and then the last 1/4 just sort of tapers off. It almost seems as if a sequel is in order, but who knows.
Again, I think I might have liked Samantha and her story a bit more if it wasn't Grisham, as I might have expected a bit less. It's a good read, but leaves you wanting more.
Sean Farrell (9 KP) rated The Bone Clocks in Books
Mar 15, 2018
David Mitchell is one of the best authors working today, and his latest novel only serves to solidify that opinion. Much like his previous work, "Cloud Atlas", "The Bone Clocks" is structured as a series of unique, but interconnected novellas. Unlike "Cloud Atlas" however, this book functions much more as a logical, complete story. In the first section we meet British teenager Holly Sykes, who runs away from home after a fight with her mother and a bad breakup with her first boyfriend. Each section after that is from a different person's perspective, and is written in their unique voices, with Holly appearing in each to varying degrees of importance. As things move along, it also becomes gradually more and more apparent that something fantastical in nature is occurring and that all the characters so far are somehow involved, before the 5th section, when the book goes into all out fantasy mode. Some don't like the very bleak, sci-fi 6th section that wraps things up, but I personally loved it, and felt it provided just the right amount of closure without being cloyingly sweet. The characters in this novel are all wonderful, and there are bits of brilliant dialogue scattered heavily throughout. The overarching plot is engaging and wraps up very nicely. So many little things that happen in the beginning come back to matter at the end, it is mind-boggling just how much effort Mr. Mitchell must have to put into plotting his novels out. And the very, very end is so satisfying, it qualifies as one of the best individual "moments" in literature this year, possibly this decade. Everything that came before adds together to one perfectly planned out moment, when the ultimate message becomes clear: That everything we do matters, and all of our lives have a purpose. Honestly, I would love to know what happens next.
Zuky the BookBum (15 KP) rated Nutshell in Books
Mar 15, 2018
I’ve never read any of Ian McEwan’s work before, but it seems like I started on a good one, because almost everyone is saying this is his best yet!
This has such an intriguing and unique plot, it would be hard to pass it up if you saw it in store. Are there actually <i>any</i> other novels out there told from the PoV of a foetus?
Considering no one actually knows what it’s like to be a foetus, that is to say, we’ve all been one, but we don’t remember back that far, I feel like McEwan really <i>got</i> what it’s like to be in the womb through the third trimester.. I wasn’t sure how anyone could write as an unborn child but it was done so well in this! The child was a very likable character, he was witty, intelligent and interesting - certainly not things I would think to associate with an unborn child.
The overall plot was certainly different and intriguing, but it wasn’t exactly what I thought it was going to be. I didn’t expect this unborn child to be able to solve a murder or stop a crime etc, but I did think it was going to be more of a thriller mystery than it was. That’s not to the say that the plot made the story any less fun to read, I just had to alter my mindset into accepting this as a different sort of book.
Unfortunately for me, this didn’t move me as much as it has done other readers because this is a <i>Hamlet</i> retelling, but I’ve never read <i>Hamlet.</i> (I have pretty much no time for the “classics”, they tend to just bore me, there’s no way around that, I’m just not that kind of girl). So maybe some of the beauty of this was a bit lost on me?
Anyway, this was a very enjoyable read. A solid piece of fiction that has and will appeal to thousands.
This has such an intriguing and unique plot, it would be hard to pass it up if you saw it in store. Are there actually <i>any</i> other novels out there told from the PoV of a foetus?
Considering no one actually knows what it’s like to be a foetus, that is to say, we’ve all been one, but we don’t remember back that far, I feel like McEwan really <i>got</i> what it’s like to be in the womb through the third trimester.. I wasn’t sure how anyone could write as an unborn child but it was done so well in this! The child was a very likable character, he was witty, intelligent and interesting - certainly not things I would think to associate with an unborn child.
The overall plot was certainly different and intriguing, but it wasn’t exactly what I thought it was going to be. I didn’t expect this unborn child to be able to solve a murder or stop a crime etc, but I did think it was going to be more of a thriller mystery than it was. That’s not to the say that the plot made the story any less fun to read, I just had to alter my mindset into accepting this as a different sort of book.
Unfortunately for me, this didn’t move me as much as it has done other readers because this is a <i>Hamlet</i> retelling, but I’ve never read <i>Hamlet.</i> (I have pretty much no time for the “classics”, they tend to just bore me, there’s no way around that, I’m just not that kind of girl). So maybe some of the beauty of this was a bit lost on me?
Anyway, this was a very enjoyable read. A solid piece of fiction that has and will appeal to thousands.
Zuky the BookBum (15 KP) rated The Adversary: A True Story of Monstrous Deception in Books
Mar 15, 2018
Im obsessed with true crime novels. There, I said it. I just find them so fascinating, especially when you find a book about a crime / criminal youve never heard of before
Introducing Jean-Claude Romand. A narcissistic liar and cheater who swindled his family out of all their money, lied to them about who he really was for 18 years and then murdered them. This sounds like something out of a fictional novel, but ladies & gents, this is all 100% real.
Maybe my 5 star rating is a little bias because I love true crime so much, but this book ticked all the boxes for me. Firstly, it was about such a bizarre and extraordinary crime, I was enthralled by every part of it, and secondly Carrère writes in such a simple and beautiful way that you forget youre reading fact.
What astounds me so much about this novel is its subject. Jean-Claude Romand lived 18 years of his life (thats only 2 years younger than I am right now) living a lie. How does a person get away with lying about everything for 18 years without getting caught? I cant go into much detail in this review, otherwise Im just going to spoil the whole thing, and once I get talking about it, Ill never stop. But I mean really, how his friends & family trusted this man so much as to believe everything he said amazes me. However, its also made me very aware that you dont question the people you trust, Im sure people could get away with so much before anyone noticed!
This book is incredible, shocking and mind-boggling. It reads like poetry but it packs a very real punch. I loved it! If youre a true crime fan, like myself, pick this one up quick!
<i>Thank you to Penguin Random House UK & Vintage for sending me an arc copy for review.</i>
Maybe my 5 star rating is a little bias because I love true crime so much, but this book ticked all the boxes for me. Firstly, it was about such a bizarre and extraordinary crime, I was enthralled by every part of it, and secondly Carrère writes in such a simple and beautiful way that you forget youre reading fact.
What astounds me so much about this novel is its subject. Jean-Claude Romand lived 18 years of his life (thats only 2 years younger than I am right now) living a lie. How does a person get away with lying about everything for 18 years without getting caught? I cant go into much detail in this review, otherwise Im just going to spoil the whole thing, and once I get talking about it, Ill never stop. But I mean really, how his friends & family trusted this man so much as to believe everything he said amazes me. However, its also made me very aware that you dont question the people you trust, Im sure people could get away with so much before anyone noticed!
This book is incredible, shocking and mind-boggling. It reads like poetry but it packs a very real punch. I loved it! If youre a true crime fan, like myself, pick this one up quick!
<i>Thank you to Penguin Random House UK & Vintage for sending me an arc copy for review.</i>
Zuky the BookBum (15 KP) rated The Sixteen Trees of the Somme in Books
Mar 15, 2018
Im going to start this review off with an apology at the quality of it. Ive tried and tried to think of some things to say about this book but my mind is drawing a blank. I read this novel during a bit of a slump and I feel as though I just drifted through it.
I know I enjoyed it, not as much as Id hoped, but enough to not dislike it. And I know that it got very emotional and I had a bit of a cry fest at the end. But from there, Im a bit stuck How do I do this review thing again?
Characters in this one are different. You feel like you really get to know them throughout the story, but when youve finished the book you realise you didnt really know them at all. They were well developed and were talked about enough, but it was as though they were behind a screen. The characters themselves talked about how another character was hiding behind a mask, but you come to realise that all the characters were wearing masks, not just from each other, but from the reader too.
The story is a bit of a strange one and I felt it losing me in some points. It was a story about love, loss, grief and mystery. But very different to the kinds of mystery youre used to seeing on my page. This one is certainly unique, but is definitely a slow mover, so anyone looking for something fast-paced, pass this one up.
I cant work out what more to say. If you like emotional, slow moving novels in moody settings with distant characters, this book is definitely something for you. Im glad I stepped a little out of my comfort zone with this one because I did enjoy it, but its not the type of book I could read a lot.
I know I enjoyed it, not as much as Id hoped, but enough to not dislike it. And I know that it got very emotional and I had a bit of a cry fest at the end. But from there, Im a bit stuck How do I do this review thing again?
Characters in this one are different. You feel like you really get to know them throughout the story, but when youve finished the book you realise you didnt really know them at all. They were well developed and were talked about enough, but it was as though they were behind a screen. The characters themselves talked about how another character was hiding behind a mask, but you come to realise that all the characters were wearing masks, not just from each other, but from the reader too.
The story is a bit of a strange one and I felt it losing me in some points. It was a story about love, loss, grief and mystery. But very different to the kinds of mystery youre used to seeing on my page. This one is certainly unique, but is definitely a slow mover, so anyone looking for something fast-paced, pass this one up.
I cant work out what more to say. If you like emotional, slow moving novels in moody settings with distant characters, this book is definitely something for you. Im glad I stepped a little out of my comfort zone with this one because I did enjoy it, but its not the type of book I could read a lot.
Kelly (279 KP) rated London Falling: The Shadow Police book one in Books
Dec 10, 2018
Compelling characters (1 more)
Good storyline
An urban fantasy that is a page turner
I originally picked this book up through recommendation, and have to confess that I was hooked from start to finish (and throughout the two books that followed in the series).
The main characters, 3 police inspectors, and an intelligence analyst who stubble upon a darker magical side of London lead us through finding out the cause of the death of Rob Toshack, a drug lord who died in police custody. The group set up a team to hunt down the killer, quickly finding that they need to develop a whole new set of skills in order to defeat their opposition.
I am a huge fan of Ben Aaronovitch, and found that Cornell’s style of writing is very similar, with a touch more darkness and cynicism. Cornell’s characters are more serious in their absorption into the magical underground, however there are still moments of lightheartedness. However it is worth noting that the general undertone of the novel is much darker than a lot of other urban fantasy novel, which made the novel more successful for me. Cornell is not afraid to touch on more serious issues in his writing, such as depression and police budget cuts.
I found all of the main characters enjoyable, all seemingly having a turbulent past, which links into the story. Cornell enables us to clearly picture the characters as we are reading and selves into their complex histories. The ‘villain’ in this story is more sinister than I was expecting when I initially started reading, with an interesting twist by connecting the plot line and murderous motive to West Ham football team.
For me this was a page turner, and will certainly be re-read many times. Although I have previously read some urban fantasy novels, it has been Cornell’s series starting with London Falling, which has truest got me hooked.
The main characters, 3 police inspectors, and an intelligence analyst who stubble upon a darker magical side of London lead us through finding out the cause of the death of Rob Toshack, a drug lord who died in police custody. The group set up a team to hunt down the killer, quickly finding that they need to develop a whole new set of skills in order to defeat their opposition.
I am a huge fan of Ben Aaronovitch, and found that Cornell’s style of writing is very similar, with a touch more darkness and cynicism. Cornell’s characters are more serious in their absorption into the magical underground, however there are still moments of lightheartedness. However it is worth noting that the general undertone of the novel is much darker than a lot of other urban fantasy novel, which made the novel more successful for me. Cornell is not afraid to touch on more serious issues in his writing, such as depression and police budget cuts.
I found all of the main characters enjoyable, all seemingly having a turbulent past, which links into the story. Cornell enables us to clearly picture the characters as we are reading and selves into their complex histories. The ‘villain’ in this story is more sinister than I was expecting when I initially started reading, with an interesting twist by connecting the plot line and murderous motive to West Ham football team.
For me this was a page turner, and will certainly be re-read many times. Although I have previously read some urban fantasy novels, it has been Cornell’s series starting with London Falling, which has truest got me hooked.
Hazel (1853 KP) rated The Winner's Curse (The Winner's Trilogy, #1) in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Winner’s Curse</i> is the first book in the <i>Winner’s Trilogy</i> by American author Marie Rutkoski. It is a novel that mixes together rumours, lies, love and warfare to create an incredible new story for young adults.
It is set in a similar society to that of the 18th century or earlier (in Europe at least) except that for women there are only two lifestyles. By the age of twenty they must decide whether to marry or join the military. By women, that means Valorian women. Ever since the defeat of the Herrani during the Herran war many years ago, the Valorian have made them slaves and looked down on them, whilst seizing their lavish properties and enforcing Valorian customs.
The title, <i>The Winner’s Curse</i>, is a concept that relates to the winner of an auction. Whilst they have won the item they have also lost by paying out more money than other bidders felt it was worth. This is what happens to seventeen-year-old Lady Kestrel, a Valorian, when, with an unexplainable impulse, she hires Arin, a Herrani slave, for an extortionate amount of money. Put to work as a blacksmith, Arin becomes intrigued with Kestrel, and she with him, and they soon start to form a friendship – although rumours suggest something more.
It is not, however, simply the cost of a slave that <i>The Winner’s Curse</i> refers to. The Herrani are planning an attack on the Valorian Empire, and Kestrel being a General’s daughter could unknowingly reveal vital information. The emergence of a second Herran war is imminent, but Kestrel and Arin’s relationship complicate things further.
Whilst similar to other novels with lovers belonging to opposing families, it is more original regarding the circumstances, secrets and lies, which makes, not just the characters, but the reader question what their true feelings and intentions are.
It is an excellent, fast paced read, and definitely recommended.
<i>The Winner’s Curse</i> is the first book in the <i>Winner’s Trilogy</i> by American author Marie Rutkoski. It is a novel that mixes together rumours, lies, love and warfare to create an incredible new story for young adults.
It is set in a similar society to that of the 18th century or earlier (in Europe at least) except that for women there are only two lifestyles. By the age of twenty they must decide whether to marry or join the military. By women, that means Valorian women. Ever since the defeat of the Herrani during the Herran war many years ago, the Valorian have made them slaves and looked down on them, whilst seizing their lavish properties and enforcing Valorian customs.
The title, <i>The Winner’s Curse</i>, is a concept that relates to the winner of an auction. Whilst they have won the item they have also lost by paying out more money than other bidders felt it was worth. This is what happens to seventeen-year-old Lady Kestrel, a Valorian, when, with an unexplainable impulse, she hires Arin, a Herrani slave, for an extortionate amount of money. Put to work as a blacksmith, Arin becomes intrigued with Kestrel, and she with him, and they soon start to form a friendship – although rumours suggest something more.
It is not, however, simply the cost of a slave that <i>The Winner’s Curse</i> refers to. The Herrani are planning an attack on the Valorian Empire, and Kestrel being a General’s daughter could unknowingly reveal vital information. The emergence of a second Herran war is imminent, but Kestrel and Arin’s relationship complicate things further.
Whilst similar to other novels with lovers belonging to opposing families, it is more original regarding the circumstances, secrets and lies, which makes, not just the characters, but the reader question what their true feelings and intentions are.
It is an excellent, fast paced read, and definitely recommended.
"That's impossible! How will the Emperor maintain control without the bureaucracy?"
"The Regional governors now have direct control over their territories. Fear will keep the local systems in line. Fear of this battle station."
That exchange, from the original Star Wars film, pretty much sums up what would become known as the Tarkin Doctrine: that of rule by fear.
While there have been other Star Wars novels based on the other 'bad guys' (Vader, Boba Fett, etc), this is also the first - to the best of my knowledge - based on Grand Moff Wilhuff Tarkin, as portrayed by Peter Cushing in the films, and the first Grand Moff of the Galactic Empire.
"Evacuate? In our moment of triumph? I think you overestimate their chances ..."
While it may not be apparent in the film - particulary when he utters that line seconds before the Death Star is blown up - this also makes him out ot be a strategic mastermind - it is he who oversaw the construction of the Death Star, and he who (in this) works out the identites of those who have stolen his starship that is now cayying out strikes agaisnt Imperial installations, the pursuit of which is the main driving force of the plot behind this novel.
This also goes to show how Vader came to work with Tarkin on board the Death Star, and the defining events of Tarkins earlier life that would go to shape the character he would become.
With all that said, however, the writing style did - at times - put me off, with the novel never really getting me hooked into just what would ahppen next - we all know, for example, that he would survive and not only survive, but prosper by the end of it! It's also not the worst Star Wars book, nor even the worst of the 'New Canon' such books I've read, but nor was it the best - a solid middle-of-the-road entry for me.
"The Regional governors now have direct control over their territories. Fear will keep the local systems in line. Fear of this battle station."
That exchange, from the original Star Wars film, pretty much sums up what would become known as the Tarkin Doctrine: that of rule by fear.
While there have been other Star Wars novels based on the other 'bad guys' (Vader, Boba Fett, etc), this is also the first - to the best of my knowledge - based on Grand Moff Wilhuff Tarkin, as portrayed by Peter Cushing in the films, and the first Grand Moff of the Galactic Empire.
"Evacuate? In our moment of triumph? I think you overestimate their chances ..."
While it may not be apparent in the film - particulary when he utters that line seconds before the Death Star is blown up - this also makes him out ot be a strategic mastermind - it is he who oversaw the construction of the Death Star, and he who (in this) works out the identites of those who have stolen his starship that is now cayying out strikes agaisnt Imperial installations, the pursuit of which is the main driving force of the plot behind this novel.
This also goes to show how Vader came to work with Tarkin on board the Death Star, and the defining events of Tarkins earlier life that would go to shape the character he would become.
With all that said, however, the writing style did - at times - put me off, with the novel never really getting me hooked into just what would ahppen next - we all know, for example, that he would survive and not only survive, but prosper by the end of it! It's also not the worst Star Wars book, nor even the worst of the 'New Canon' such books I've read, but nor was it the best - a solid middle-of-the-road entry for me.
I understand that this is the fourth offering for 'The Austen Project' where well known authors (although I had not heard of Curtis Sittenfeld and thought she was a man, but hey.....) rewrite Austen's novels 'for a modern audience'. This does rather beg the question of if a modern reading audience does need 'dumbing down' to, as that's pretty much the implication. Trollope's Sense & Sensibility & McCall Smith's Emma have met with somewhat mixed feelings but I did think that Val McDermid worked magic with a modern retelling of Northanger Abbey. So far this is the only one to have altered the title from the original - perhaps the pressure of Pride & Prejudice was too much for anyone?
If there is a single book which as has more sequels, prequels, re-imaginings and modernisations than good old P&P then I have yet to meet it. Personally, I like to think Austen would be amused and possibly slightly bemused by it all. I'm guilty of heaving read my fair share of these, which quite often categorise as the good, the bad and the ugly! For me, this one wasn't bad, or indeed ugly, but it wasn't brilliant. It also felt that it was quite a bit longer than it needed to be. I know Kitty & Lydia are rather vulgar and embarrassing in the original but their behaviour here is really beyond the pale - who on earth would want to date Lydia if she behaves as she does here?
Some of the ideas are good, some things seem a bit contrived and over the top. I also found it quite American and slangy in places with some slang words or expressions leaving me somewhat in the dark but then I am a woman who can't bear Text Speak!
Overall, while it wasn't a bad read, it wasn't that great and I can't see myself reading it again.
If there is a single book which as has more sequels, prequels, re-imaginings and modernisations than good old P&P then I have yet to meet it. Personally, I like to think Austen would be amused and possibly slightly bemused by it all. I'm guilty of heaving read my fair share of these, which quite often categorise as the good, the bad and the ugly! For me, this one wasn't bad, or indeed ugly, but it wasn't brilliant. It also felt that it was quite a bit longer than it needed to be. I know Kitty & Lydia are rather vulgar and embarrassing in the original but their behaviour here is really beyond the pale - who on earth would want to date Lydia if she behaves as she does here?
Some of the ideas are good, some things seem a bit contrived and over the top. I also found it quite American and slangy in places with some slang words or expressions leaving me somewhat in the dark but then I am a woman who can't bear Text Speak!
Overall, while it wasn't a bad read, it wasn't that great and I can't see myself reading it again.