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Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing <i>Emma</i> into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, <i>Emma</i> is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of <i>Emma</i> has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as <i>Mary Poppins</i> or <i>Nurse Matilda</i>.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing <i>Emma</i> into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, <i>Emma</i> is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of <i>Emma</i> has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as <i>Mary Poppins</i> or <i>Nurse Matilda</i>.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Phillip McSween (751 KP) rated Rear Window (1954) in Movies
Dec 24, 2018
Great Mystery
A photojournalist is wheelchair-ridden, watching people in his apartment complex from his window for hours. He’s thrown for a loop when he witnesses what he thinks is a murder. He wants to get to the bottom of it or die trying.
Acting: 10
Beginning: 10
Characters: 10
I’ll start with Stella (Thelma Ritter) who is easily my favorite character in the entire movie. She is an in-home nurse who is taking care of main character L.B. Jeffries (James Stewart). Out of all the characters in the story, she has the brightest sense of humor. I also loved that she takes zero guff from L.B., sometimes even making it seem like he works for her. She was stern and went beyond the parameters of her job doing everything from offering love advice to helping L.B. dive into the murder.
Of course I appreciated a number of the other characters as well, including the creepy Lars Thorwald (Raymond Burr). He is the object of L.B.’s accusation. Lars does a great job of making you think L.B. could be right. At other times, Lars seems like just a normal guy going about his daily routine. He takes strange to new heights. Each of the characters, the important ones anyway, help to frame the story and keep you intrigued.
Cinematography/Visuals: 10
Conflict: 8
Genre: 5
Memorability: 10
Pace: 9
Plot: 10
Rear Window succeeds with a script that’s extremely crisp and engaging. Mystery and tension abound as you try and figure out what’s going to happen next. The story is simple, yet is peeled back in layers. Very well done.
Resolution: 10
I won’t dive in too much here but I will say that the ending is perfect to the point that it answers all the right questions. It doesn’t overdo things and try and unnecessarily put a bow on things. We find out what we need to know and that’s that.
Overall: 92
Alfred Hitchcock puts together stories like a boxer puts together a fight. He hits you with little jabs that wake you up. Eventually he goes in for the kill with harder punches that you’re not ready for. He is definitely one of the greats and Rear Window is yet another one of his classics to show for it.
Acting: 10
Beginning: 10
Characters: 10
I’ll start with Stella (Thelma Ritter) who is easily my favorite character in the entire movie. She is an in-home nurse who is taking care of main character L.B. Jeffries (James Stewart). Out of all the characters in the story, she has the brightest sense of humor. I also loved that she takes zero guff from L.B., sometimes even making it seem like he works for her. She was stern and went beyond the parameters of her job doing everything from offering love advice to helping L.B. dive into the murder.
Of course I appreciated a number of the other characters as well, including the creepy Lars Thorwald (Raymond Burr). He is the object of L.B.’s accusation. Lars does a great job of making you think L.B. could be right. At other times, Lars seems like just a normal guy going about his daily routine. He takes strange to new heights. Each of the characters, the important ones anyway, help to frame the story and keep you intrigued.
Cinematography/Visuals: 10
Conflict: 8
Genre: 5
Memorability: 10
Pace: 9
Plot: 10
Rear Window succeeds with a script that’s extremely crisp and engaging. Mystery and tension abound as you try and figure out what’s going to happen next. The story is simple, yet is peeled back in layers. Very well done.
Resolution: 10
I won’t dive in too much here but I will say that the ending is perfect to the point that it answers all the right questions. It doesn’t overdo things and try and unnecessarily put a bow on things. We find out what we need to know and that’s that.
Overall: 92
Alfred Hitchcock puts together stories like a boxer puts together a fight. He hits you with little jabs that wake you up. Eventually he goes in for the kill with harder punches that you’re not ready for. He is definitely one of the greats and Rear Window is yet another one of his classics to show for it.
Phil Leader (619 KP) rated Out of the Silence in Books
Nov 21, 2019
This book tackles a difficult subject without compromise but still manages to be a gripping and powerful read. In rural Pakistan a woman is found badly injured after a horrific attack. Sure she is about to die she tells the nurse tending her the story of her life.
She is called Afra and was courted by a boy called Jameel in her village. But her family only see profit in Afra and sell her to a rich businessman from a distant city to be his wife. Jameel leaves the village in shame. Their lives take very different paths from there.
Ralph Buchanan used to be the toast of the journalistic world, exposing corruption and scandal, his work earning him awards and fame. However too many corners cut and too many regrets have left him washed up in Lahore, a has-been drinking his life away. He is told the story of Afra and realises he could make a difference, but before that he needs to drag himself up from rock bottom.
The first part of the book, telling the story of Afra and Jameel is relatively slow paced. It is also a pretty grim read as Mullen describes the reality of life for many women who are still treated as property in Pakistan. There is much that is hard to read, but sometimes the truth can be very ugly. This is nothing like anything Mullen has written before. But he is a writer of considerable talent and weaves the tale expertly. Naturally there is a murder mystery woven into the story, so it is not a complete departure from his normal subject matter.
Once Buchanen enters, the pace picks up and something of the style of his other books returns, with Ralph being very much in the mould of a 'noir journalist'. The story from this point forward is not only his ongoing investigation into Afra's story and the murderer, but also his own personal journey. Mullen has a fabulously light touch with both characters and language that mean the reader is drawn into the events, even more so for having read the shocking story that kicks this book into life.
Owen Mullen has tried something different here, and has sought to expose a deep injustice in the world. He has succeeded on both counts. An author that deserves a wider audience
She is called Afra and was courted by a boy called Jameel in her village. But her family only see profit in Afra and sell her to a rich businessman from a distant city to be his wife. Jameel leaves the village in shame. Their lives take very different paths from there.
Ralph Buchanan used to be the toast of the journalistic world, exposing corruption and scandal, his work earning him awards and fame. However too many corners cut and too many regrets have left him washed up in Lahore, a has-been drinking his life away. He is told the story of Afra and realises he could make a difference, but before that he needs to drag himself up from rock bottom.
The first part of the book, telling the story of Afra and Jameel is relatively slow paced. It is also a pretty grim read as Mullen describes the reality of life for many women who are still treated as property in Pakistan. There is much that is hard to read, but sometimes the truth can be very ugly. This is nothing like anything Mullen has written before. But he is a writer of considerable talent and weaves the tale expertly. Naturally there is a murder mystery woven into the story, so it is not a complete departure from his normal subject matter.
Once Buchanen enters, the pace picks up and something of the style of his other books returns, with Ralph being very much in the mould of a 'noir journalist'. The story from this point forward is not only his ongoing investigation into Afra's story and the murderer, but also his own personal journey. Mullen has a fabulously light touch with both characters and language that mean the reader is drawn into the events, even more so for having read the shocking story that kicks this book into life.
Owen Mullen has tried something different here, and has sought to expose a deep injustice in the world. He has succeeded on both counts. An author that deserves a wider audience
Pets in a Pickle
Book
Foreword by Jim Wight, son of James Herriot and author of The Real James Herriot James Herriot...
Emma @ The Movies (1786 KP) rated 12 Hour Shift (2020) in Movies
Mar 28, 2021
As the night shift starts at the hospital, a drug-addicted nurse finds herself in hot water. A simple black market organ exchange goes awry and she finds herself having to attempt to acquire new organs to save her cousin from the traffickers' wrath.
Almost immediately I was concerned with the pace of the film, it seemed to drag, which didn't really fit with what I'd envisioned from the synopsis and the trailer. I needn't have worried though as everything picked up quite quickly. The hospital makes for a great centrepiece once the action settles there, the cutting between rooms and characters kept it all moving and leaves the viewer with little time to lose interest in what's happening.
Angela Betis was a fun lead. Overworked and underpaid, Mandy is dealing with her problems the only way she knows how. Her attitude about things is all over the place and she sways wildly between what is right and wrong. Bettis manages to make Mandy relatable, particularly that look that says "people are idiots", I felt her pain. It's a great portrayal and she plays off well against all the other characters.
Mandy's ditzy cousin Regine (who inspires a lot of those aforementioned looks) is such a funny addition, she adds something light-hearted to the proceedings and I'm honestly not sure how she ever got a job trafficking organs. Having her in the film did make me think that there could have been some more humour in the mix, but the balance as it was did suit the film.
The rest of that cast were good but it might have been nice to see more of some of them. David Arquette felt underused considering the promo shots I kept seeing for it had him front and centre, and one of the original blurbs even had him as part of the main plot when that absolutely isn't the case.
12 Hour Shift is an entertaining romp and I love the way it's brought full circle. As it is it's a great thriller with some comedy thrown in. It definitely could have taken a lot more obvious humour on-board but that probably would have turned it into a very different film, and whilst almost certainly entertaining I think I would have missed not seeing this version.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/03/12-hour-shift-movie-review.html
Almost immediately I was concerned with the pace of the film, it seemed to drag, which didn't really fit with what I'd envisioned from the synopsis and the trailer. I needn't have worried though as everything picked up quite quickly. The hospital makes for a great centrepiece once the action settles there, the cutting between rooms and characters kept it all moving and leaves the viewer with little time to lose interest in what's happening.
Angela Betis was a fun lead. Overworked and underpaid, Mandy is dealing with her problems the only way she knows how. Her attitude about things is all over the place and she sways wildly between what is right and wrong. Bettis manages to make Mandy relatable, particularly that look that says "people are idiots", I felt her pain. It's a great portrayal and she plays off well against all the other characters.
Mandy's ditzy cousin Regine (who inspires a lot of those aforementioned looks) is such a funny addition, she adds something light-hearted to the proceedings and I'm honestly not sure how she ever got a job trafficking organs. Having her in the film did make me think that there could have been some more humour in the mix, but the balance as it was did suit the film.
The rest of that cast were good but it might have been nice to see more of some of them. David Arquette felt underused considering the promo shots I kept seeing for it had him front and centre, and one of the original blurbs even had him as part of the main plot when that absolutely isn't the case.
12 Hour Shift is an entertaining romp and I love the way it's brought full circle. As it is it's a great thriller with some comedy thrown in. It definitely could have taken a lot more obvious humour on-board but that probably would have turned it into a very different film, and whilst almost certainly entertaining I think I would have missed not seeing this version.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/03/12-hour-shift-movie-review.html
BookInspector (124 KP) rated Zenka in Books
Sep 24, 2020
More reviews can be found at https://bbookinspector.wordpress.com
Even though the name of this book is Zenka, she is not the main character in this book. The main character in this novel was Nicholas, a very good-hearted nurse, who works with old people and is a coward. He is scared of any conflict and does everything to please people. Jack is a mob boss with principles, and when he finds out that he has a son, Zenka and him, decide to make Nicholas a “real man”, and that is where all the fun begins. I really liked, that A. Brodie chose to tell this story through Nicholas’s and Trevor’s (Jack’s Lawyer) perspectives, it has a fresh and different approach to the characters and I really enjoyed how the story was told. I really liked, that there was a wide variety of characters and that the mob gang was not very cruel, they had class in what they did. My favourite of all was Nicholas, first of all, I love his name, secondly, I really enjoyed his journey to “manhood” in this novel.
The beginning went a little bit slow for me, but when I was about halfway through, I could not put it down. The turns and twists in this novel left me very surprised and pleasantly baffled. I really enjoyed A. Brodie’s sense of humour, and I was laughing out loud while reading this novel.
The writing style of this book was very creative, I liked that Zenka’s thoughts were written through the letters to her friend Olga, using a different accent. That accent, as well as the slang used, made this book more lively and believable. I am grateful, that author gave a slang explanation page at the beginning, for me it was really helpful. The chapters were a decent length and it did not drag to me. I really really enjoyed the ending, it rounded up the whole story very nicely and at the same time gave a tight slap of surprise. Great way to finish the story! So to conclude, it is a very funny comedy with a dash of romance, crime and Christmas spirit, filled with very statuesque, charming and charismatic characters, which won’t leave u bored. I do strongly recommend to read this book, and like always, don’t forget to Enjoy!
Even though the name of this book is Zenka, she is not the main character in this book. The main character in this novel was Nicholas, a very good-hearted nurse, who works with old people and is a coward. He is scared of any conflict and does everything to please people. Jack is a mob boss with principles, and when he finds out that he has a son, Zenka and him, decide to make Nicholas a “real man”, and that is where all the fun begins. I really liked, that A. Brodie chose to tell this story through Nicholas’s and Trevor’s (Jack’s Lawyer) perspectives, it has a fresh and different approach to the characters and I really enjoyed how the story was told. I really liked, that there was a wide variety of characters and that the mob gang was not very cruel, they had class in what they did. My favourite of all was Nicholas, first of all, I love his name, secondly, I really enjoyed his journey to “manhood” in this novel.
The beginning went a little bit slow for me, but when I was about halfway through, I could not put it down. The turns and twists in this novel left me very surprised and pleasantly baffled. I really enjoyed A. Brodie’s sense of humour, and I was laughing out loud while reading this novel.
The writing style of this book was very creative, I liked that Zenka’s thoughts were written through the letters to her friend Olga, using a different accent. That accent, as well as the slang used, made this book more lively and believable. I am grateful, that author gave a slang explanation page at the beginning, for me it was really helpful. The chapters were a decent length and it did not drag to me. I really really enjoyed the ending, it rounded up the whole story very nicely and at the same time gave a tight slap of surprise. Great way to finish the story! So to conclude, it is a very funny comedy with a dash of romance, crime and Christmas spirit, filled with very statuesque, charming and charismatic characters, which won’t leave u bored. I do strongly recommend to read this book, and like always, don’t forget to Enjoy!
BookInspector (124 KP) rated The Flatshare in Books
Sep 24, 2020
The protagonists of this story are Tiffy and Leon. Tiffy works in publishing is an absolute extrovert who needs people in her life even to help with simple decisions, and she is coming to terms that her ex-boyfriend was an emotional abuser. Leon is a night nurse in the hospice, an absolute introvert, who needs money to help his wrongly imprisoned brother. So, yes, this book seems to be a cute rom-com, but it carries way deeper issues within itself. The book is told from a dual perspective, and I loved to find out more about each and every character. I really loved all the characters in this book, they are unique, very realistic and truly charming. Author picked the protagonists very well as well, everyone can relate either to Tiffy or Leon, and I am definitely a house Leon, I really liked his personality and his determination.
The plot of this novel is very unique and original. The whole flat-sharing thing is very intriguing, and I was dying to know when and how are the characters going to meet. There are a lot of things going on in this novel, it has rich but at the same time an easy-going story to tell. I was simply glued to this book because I needed to know how the story will end. The topics discussed in this book were property crisis, failed justice system, emotional abuse in the relationships, friendships, personal development, Love and many more.
The writing style of this book is very masterful, the author took serious topics, and covered it in funny, enjoyable, and easy to digest coating. The language used was easy to read and understandable. The chapters are short and sweet, and I didn’t even notice how the pages flew by. The ending rounded up this book perfectly and left me very satisfied with the outcome.
So, to conclude, this book deserves all the praise it gets, it is witty, enjoyable but at the same time has a punch to it. I loved the diverse and well-developed characters and the unique narrative, and I strongly recommend it to everyone. Please do give this book a go, and I hope you will like it as much as I did. Can’t wait for more books from this author.
The plot of this novel is very unique and original. The whole flat-sharing thing is very intriguing, and I was dying to know when and how are the characters going to meet. There are a lot of things going on in this novel, it has rich but at the same time an easy-going story to tell. I was simply glued to this book because I needed to know how the story will end. The topics discussed in this book were property crisis, failed justice system, emotional abuse in the relationships, friendships, personal development, Love and many more.
The writing style of this book is very masterful, the author took serious topics, and covered it in funny, enjoyable, and easy to digest coating. The language used was easy to read and understandable. The chapters are short and sweet, and I didn’t even notice how the pages flew by. The ending rounded up this book perfectly and left me very satisfied with the outcome.
So, to conclude, this book deserves all the praise it gets, it is witty, enjoyable but at the same time has a punch to it. I loved the diverse and well-developed characters and the unique narrative, and I strongly recommend it to everyone. Please do give this book a go, and I hope you will like it as much as I did. Can’t wait for more books from this author.
BookInspector (124 KP) rated My Sister, the Serial Killer in Books
Sep 24, 2020
This novel is not very long, but every short chapter carries a lot of important information. The protagonist in this novel is Korede, a nurse in a hospital in Lagos, Nigeria. Korede likes everything neat, tidy and according to the rules. Her younger sister Ayoola, on the other hand, is an absolute brat, who has no cares in her life. She is addicted to male attention, good life, and I could not stand her. Ayoola is a horrible person, and I don’t see a justification for any of her actions. :/ I really liked Korede in this book, I think she is kind and strong at the same time, but even her decisions left me confused sometimes.
The narrative is told from a single (Korede’s) perspective, even though it was enough to grasp the storyline, I would’ve loved to read Ayoola’s thoughts as well. The plot is very compressed in this novel, I liked the way Korede talks not only about the present events, but brings the reader back to the past, to show what events shaped her to be the way she is today. This book analyses such topics as beauty and it’s influence, strong sisterly bond, abusive father, etc. This novel takes you on a journey, there is not many twists or turns, but it is a very enjoyable read.
Kudos to the author for her original writing style, I see it as minimalistic, It has the information I needed to fully understand the story, and spared me the details of unimportant things. I really liked the setting of this novel, I have never been to Lagos, so the atmosphere and the language used was very exotic for me. I loved the short chapters, and it was a really quick read for me. I liked the ending of this book, I think it is quite challenging and allows the reader to think of what would they have done in Korede’s situation.
To conclude, it is a very original book about an incredibly strong sisterly bond, which can withstand even murders. It is filled with very believable and interesting characters and a very creatively written plot. I truly enjoyed it, and I do strongly recommend to give this book a try if you looking for something different and fresh. I hope you will like it as much as I did. 🙂
The narrative is told from a single (Korede’s) perspective, even though it was enough to grasp the storyline, I would’ve loved to read Ayoola’s thoughts as well. The plot is very compressed in this novel, I liked the way Korede talks not only about the present events, but brings the reader back to the past, to show what events shaped her to be the way she is today. This book analyses such topics as beauty and it’s influence, strong sisterly bond, abusive father, etc. This novel takes you on a journey, there is not many twists or turns, but it is a very enjoyable read.
Kudos to the author for her original writing style, I see it as minimalistic, It has the information I needed to fully understand the story, and spared me the details of unimportant things. I really liked the setting of this novel, I have never been to Lagos, so the atmosphere and the language used was very exotic for me. I loved the short chapters, and it was a really quick read for me. I liked the ending of this book, I think it is quite challenging and allows the reader to think of what would they have done in Korede’s situation.
To conclude, it is a very original book about an incredibly strong sisterly bond, which can withstand even murders. It is filled with very believable and interesting characters and a very creatively written plot. I truly enjoyed it, and I do strongly recommend to give this book a try if you looking for something different and fresh. I hope you will like it as much as I did. 🙂
Lee (2222 KP) rated Saint Maud (2020) in Movies
Oct 6, 2020
Saint Maud is a psychological horror about a young nurse (Morfydd Clark) who, following ‘an incident’ while working for the NHS, something horrific that is alluded to in the opening scene, now finds herself working in palliative care.
Maud is a lonely, isolated, and very religious young woman, and as she sits in her sparse little bedsit, she prays to God in the hopes that he will guide her as she begins her new role. That new role sees her taking over as carer for Amanda (Jennifer Ehle), an ex-dancer whose body is now succumbing to terminal cancer. As Maud feeds, bathes and generally does everything for Amanda, her obsession with her faith and religion begins to send her into a downward spiral, becoming increasingly convinced that her personal mission from God is to save Amanda's soul. Amanda’s lifestyle choices and love-life are often at odds with Maud’s beliefs, eventually resulting in tensions between them.
'In my head, she's very much this person who has felt really alienated her entire life and has always found it really difficult to connect with other people,' explains British director Rose Glass about the lead character of her feature-length debut. Morfydd Clark fills that role brilliantly, with her calm and innocent voice narrating much of the film through her prayers, and we experience her failed attempts at connecting with others while on a rather heavy and eventful night out on the town. An ominous score also helps to set the tone, along with a rather gloomy colour palette, and there is a general feeling of dread throughout.
Aside from that, it’s fair to say that Saint Maud really didn’t work for me at all. I was fully invested in the character of Maud, how faith was shaping her, and how her relationship with Amanda was affected. But two thirds into this slow-burn character study of a young woman essentially going through a breakdown, I was bored and desperate for something to happen. Considering the runtime is only 84 minutes long, that’s not good.
A last-minute burst of chaos and horror provided a glimmer of hope but was very short-lived. And an attempt to deliver powerfully, memorable imagery only resulted in laughs from my cinema audience the likes of which I haven’t experienced since the ending of Hereditary.
Maud is a lonely, isolated, and very religious young woman, and as she sits in her sparse little bedsit, she prays to God in the hopes that he will guide her as she begins her new role. That new role sees her taking over as carer for Amanda (Jennifer Ehle), an ex-dancer whose body is now succumbing to terminal cancer. As Maud feeds, bathes and generally does everything for Amanda, her obsession with her faith and religion begins to send her into a downward spiral, becoming increasingly convinced that her personal mission from God is to save Amanda's soul. Amanda’s lifestyle choices and love-life are often at odds with Maud’s beliefs, eventually resulting in tensions between them.
'In my head, she's very much this person who has felt really alienated her entire life and has always found it really difficult to connect with other people,' explains British director Rose Glass about the lead character of her feature-length debut. Morfydd Clark fills that role brilliantly, with her calm and innocent voice narrating much of the film through her prayers, and we experience her failed attempts at connecting with others while on a rather heavy and eventful night out on the town. An ominous score also helps to set the tone, along with a rather gloomy colour palette, and there is a general feeling of dread throughout.
Aside from that, it’s fair to say that Saint Maud really didn’t work for me at all. I was fully invested in the character of Maud, how faith was shaping her, and how her relationship with Amanda was affected. But two thirds into this slow-burn character study of a young woman essentially going through a breakdown, I was bored and desperate for something to happen. Considering the runtime is only 84 minutes long, that’s not good.
A last-minute burst of chaos and horror provided a glimmer of hope but was very short-lived. And an attempt to deliver powerfully, memorable imagery only resulted in laughs from my cinema audience the likes of which I haven’t experienced since the ending of Hereditary.
Emma @ The Movies (1786 KP) rated Everything, Everything (2017) in Movies
Sep 25, 2019
Eighteen-year-old Maddy's world is small. It's the size of a house.
Maddy has a rare form of SCID, an immuno-deficiency disease that means she can't leave the house because a chance encounter could kill her. The only people she sees are her mother, her nurse Carla, Carla's daughter Rosa and members of an online support group.
When as family move in next door, Maddy is bewitched by the son. He's friendly, he's funny, and he's handsome. Communicating through their bedroom windows, they exchange numbers and start texting. Carla notices the difference in Maddy, and is persuaded to let Olly in the house, but only under her condition that they stay on opposite sides of the room.
Maddy wants to see the ocean more than anything else in the world. She has to see what's out there to truly know she's alive, even if it kills her. But when she buys two plane tickets to Hawaii for herself and Olly, she doesn't realise how much it will change her life.
This one is based on the YA novel Everything, Everything by Nicola Yoon... you guessed it, haven't read this one either. I didn't know anything about it when I went to see it, mainly picked this one up because of the fact it was book related.
This was a beautiful film. (Yes, of course I cried) There's friendship, love, heartache. One of the problems was that there were really only two ways this film was going, and writers/movie makers aren't quite a cynical about things as I am when it comes to endings, so there wasn't really much chance that she was going to die for love.
Amandla Stenberg in the lead also wasn't quite my cup of tea. She played the naive side of the character well, but at the beginning when she was narrating... I just didn't find her a very good orator.
The subject matter was very different, and I really think the diversity in YA books has taken a massive step in that respect. It's touching on topics that very rarely see mainstream attention and that's a great thing. It also does one of my favourite things, which is enticing people to pick up books, so this one is a winner all round for me.
Maddy has a rare form of SCID, an immuno-deficiency disease that means she can't leave the house because a chance encounter could kill her. The only people she sees are her mother, her nurse Carla, Carla's daughter Rosa and members of an online support group.
When as family move in next door, Maddy is bewitched by the son. He's friendly, he's funny, and he's handsome. Communicating through their bedroom windows, they exchange numbers and start texting. Carla notices the difference in Maddy, and is persuaded to let Olly in the house, but only under her condition that they stay on opposite sides of the room.
Maddy wants to see the ocean more than anything else in the world. She has to see what's out there to truly know she's alive, even if it kills her. But when she buys two plane tickets to Hawaii for herself and Olly, she doesn't realise how much it will change her life.
This one is based on the YA novel Everything, Everything by Nicola Yoon... you guessed it, haven't read this one either. I didn't know anything about it when I went to see it, mainly picked this one up because of the fact it was book related.
This was a beautiful film. (Yes, of course I cried) There's friendship, love, heartache. One of the problems was that there were really only two ways this film was going, and writers/movie makers aren't quite a cynical about things as I am when it comes to endings, so there wasn't really much chance that she was going to die for love.
Amandla Stenberg in the lead also wasn't quite my cup of tea. She played the naive side of the character well, but at the beginning when she was narrating... I just didn't find her a very good orator.
The subject matter was very different, and I really think the diversity in YA books has taken a massive step in that respect. It's touching on topics that very rarely see mainstream attention and that's a great thing. It also does one of my favourite things, which is enticing people to pick up books, so this one is a winner all round for me.