"The most piercing, most beautiful sea tale I’ve read. Told almost entirely through dialogue—through Caribbean dialect, no less, where “Captain” becomes “Copm”—with the sparest possible narration, as precise as haiku, and pictographs, inkblots, great tracts of white space on the page. Nine working men set sail on an old schooner out of Grand Cayman, hunting green turtles. They talk to fill the ocean silence, their speech unattributed, and the drama circles and tightens. “Green turtle very mysterious, mon.” The characters sharpen into high suspense and tragedy. Matthiessen’s touch, his ear, his eye, his taut presence just outside the story’s frame—all miraculous, mon."

"This is one of my favorite science fiction films ever. It feels like everything in Solaris is transcendent and so deep. It’s hypnotic. It has so many sequences that are unique and unforgettable, like the part where the characters float in the library or when the wife comes back to life and then breaks apart as if she were made of glass. And there’s the idea of this spaceship floating on top of a strange ocean that seems to have some form of consciousness. All of those ideas are so strange and beautiful. It’s remarkable that Tarkovsky was able to make a film this spiritual in the Communist era. I don’t know how he did it."

"When I was a boy I dreamed of sailing and exploring the the open seas. I know my inspiration arose from watching episodes of The Undersea World of Jacques Cousteau. This almanac was the first gift I received from my then girlfriend, now wife, and why I still love her. She saw my passion for the ocean and presented me with a book by my hero. Cousteau gives many examples of how we have been destroying our shared environment for thousands of years. But more importantly, he always leads us to solutions we can implement to save and restore our planet. “We have one planet. We have to take care of it.”"