
graveyardgremlin (7194 KP) rated The Other Countess (The Lacey Chronicles, #1) in Books
Feb 15, 2019
The story itself isn't exactly original and doesn't go into any unfamiliar territory, but it's ably told and fairly inoffensive, making it suitable for older teens (there are numerous allusions to sexual situations but that's as far as it goes). The dialogue and sensibilities are more modern in nature and don't always ring true to the era, but some liberties are always taken in young adult fiction, therefore making it something I can forgive. Very light on historical content, this is more for the romantics out there who like a historical backdrop to a love story. For the first half, I wasn't very involved into either the characters or their story, and it didn't help that it moved at a slow pace, though at the halfway point it picked up and started charming me. However, the hero and heroine were a little too perfect, more so in Ellie's case, as she didn't seem to really have any negative attributes other than she has a bit of a temper. Maybe if they had a few more rough edges I would have rooted for them to have their happy ending, as it is, I wasn't that invested. I do think that the secondary character, Lady Jane Perceval, has promise on that front since her narrative had a more realistic feel to it, so I may just pick up her story when it comes out ([b:The Queen's Lady|8805112|The Queen's Lady (The Lacey Chronicles, #2)|Eve Edwards|http://photo.goodreads.com/books/1327950501s/8805112.jpg|13679272]). The resolution to Will and Ellie's story came far too easily and some more conflict would have made it much better. Still, as I said, it's a sweet story, even if nothing sets it apart from other books. An easy read that should appeal to teenage girls.

Sam (74 KP) rated Handle with Care in Books
Mar 27, 2019
It was definitely a beefy book, with major questions on morality. Throughout the book I couldn’t work out whether I was on Charlotte’s side or not, as to sue for wrongful birth, she is basically saying she wishes Willow had never been born, and I found it really hard to understand how a parent could say that.
I did struggle reading this book. It took me two weeks to read 2/3 of it, and everyone who regularly reads this blog knows that’s not like me at all. I ended up skimming the last 1/3 to just get it finished because I was too far in to DNF in but felt that the plot was starting to become a little drawn out and a bit repetitive.
It’s very similar to Picoult’s Small Great Things, and I think that’s why I liked it so much to begin with. It covers the issues in childbirth and raising a child.
I felt so much empathy for Amelia, Willow’s half-sister. Throughout the novel she feels forgotten about because all of the focus is on Willow and to see her fighting her own battles with nobody to help was hard. Her mental health took a battering on behalf of her sister, but she still didn’t say anything. She suffered in silence for too long and were one of the few things that made me start to shift over to Charlotte’s side of the argument over Willow’s birth.
This novel is definitely not lighthearted, so if you like reading books that aren’t dealing with serious subjects, this probably isn’t for you. It was a tough read for me, which is why I only gave it 3/5. However, if you like Jodi Picoult’s other books, I definitely think you’ll like this one.

Kyera (8 KP) rated The Prisoner of Cell 25 (Michael Vey, #1) in Books
Feb 1, 2018
The overall idea of this story was very intriguing, although I found the writing to be lacking at times. One of the biggest elements that drew me out of the story was the author's inability to choose a word other than <i>said</i> to describe when a person was speaking. It became frustrating to listen to the characters talk when the entire page just repeated, "he said... she said... then they said... he said again." By that point, I was pretty over the word said. It definitely detracted from the story, which I found enjoyable overall.
It was definitely very trope-y, but that's not necessarily a bad thing - it completely depends upon your reading preference. I personally enjoy some tropes but when they're overused you tend to connect with the characters less because they're no longer unique. The biggest one for me in this book was the characterization of our three leads and how one dimensional it made them. I don't want to spoil the story, but once you read the book you will understand my issues with the characterization. I would love to see more character development over the next few novels.
As there are six other books in the series, I expect that the character development and world building will be improved upon. It wasn't until the end of the book that I started to feel more of a connection to the characters and curiosity about the world. The author definitely writes for a younger audience; the writing style was not as developed or mature as I would expect for a young adult reader.
I would recommend it to middle-grade readers, as well as young adult/teen readers who enjoy their fantasy books in a familiar setting. Don't expect flowery writing or deep characterization, just let the story take you on a fun, easy journey.

Ross (3284 KP) rated Priest of Bones in Books
Oct 3, 2018
The main character of this book believes in having "the right person doing the right job". In that case, my job will be reading this book, because I absolutely adored every single word of it.
Tomas Piety is returning to his hometown of Ellinburg (the city sometimes referred to as Old Reekie due to its tanneries - a nice little parallel to Edinburgh's "Auld Reekie") having been conscripted to fight for his country at war. Piety was previously the proud owner of a number of brothels, taverns and gambling/drugs dens and the purveyor of the finest protection racket in town. He returns with his regiment of fellow conscripts ("war is over, sling your hook") promising jobs and wealth for good honest work, only to find that his empire is not what it once was. Therein lies the plot of the book - Tomas and The Pious Men battling to take back control of the streets and properties he once oversaw.
The action is grim and nasty, and as well described as any book I can think of.
The dialogue is funny and gritty, and rivals Joe Abercrombie.
The main character has had a troubled past and has buried his own secrets.
The scope of the book is fairly small and benefits from that, not getting away from itself. There is more than enough going on to keep the action coming and the intrigue simmering along.
There is a lot of nasty, not niceness throughout this book, a feature of a lot of modern fantasy. However here the tale is told by Tomas himself, so we are treated to some of his inner monologue and get an insight into why he thinks these things need to be done. How he justifies some horrific actions and decisions defines his character well.
Frankly, this is one of the most immersive books I have read for a long time. The narration meant that for once I could truly visualise the city, the mess, the smells, the nastiness, the honour amongst gangsters. Not since the early Discworld books have I felt this so strongly.
To put it simply: I really really loved this book and cannot wait (though wait I must) for the next instalment.

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Lottie disney bookworm (1056 KP) rated Six Tudor Queens: Katharine Parr, The Sixth Wife in Books
Mar 23, 2021
To Netgalley and Headline, thank you, thank you, thank you!
It is my opinion that Katharine Parr is often the most overlooked of Henry VIII's wives: indeed most novels focus only on her life after becoming Queen. That is why this novel from Alison Weir was simply brilliant.
Weir introduces us to Katharine Parr as a girl, constantly surrounded by family and, after losing her father at a young age, being brought up by her uncle, aunt and her mother who was an attendant to Queen Katharine of Aragon.
The reader instantly falls in love with Katharine, an intelligent, caring child who is acutely aware of her eventual duty to her family but desperately wishes to remain in her carefree days with her siblings.
As we know, Tudor girls married young and Weir explores each of Katharine's four marriages in great detail: combining historical fact and storytelling in the way that only she can.
It struck me that, in three of Katharine's four marriages, she was used as a pawn, marrying for rank, power and connections as was the norm at the time.
However, in every one of these marriages Katharine was able to find love; even when marrying an old overweight Henry, already famous for disposing of numerous wives.
The writing during each of these marriages is rarely emotional: Katharine is a very rational and practical character, only showing real passion for religion. She is even super calm when she believes she is being investigated as a heretic!
It isn't until Katharine's fourth and final marriage that she marries for herself and for love. The passionate relationship between Katharine and Tom Seymour seeps into the writing at this point: introducing jealousy and anger where there has previously been merely a stoic resolve.
The fact that this novel spans the lifespan of Henry's marriages is fitting and really allows Weir to paint a picture of Tudor society throughout the religious reforms and upheavals associated with its monarch.
No one who has read Alison Weir's books before will be surprised that this is yet another success. Together with Philippa Gregory, Weir is a Queen of historical fiction and this novel is only the latest jewel in her crown.