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Moses Boyd recommended Chariot of Fire by NERD in Music (curated)

 
Chariot of Fire by NERD
Chariot of Fire by NERD
(0 Ratings)
Album Favorite

"I think to this day that whole album, Fly Or Die is one of my top buys for so many reasons - every time I go back to it there's other things I hear in it. Even bigger than that, it was Pharrell and what he did with N/E*/R/D. It was the first thing that I identified with. I used to skateboard, and I always felt like what I was doing was ‘other’. And then I saw that and I was like ‘Oh. Sick.’ Someone gets it. There’s another black guy, skateboarding and they were into rap and hip hop and making beats and he plays drums. It was like there's room to do what I do, you know what I mean? This has never sounded old, like some records do. Some records of that era you listen back and they don’t age well. But I feel like that particular one, it's still very raw, still very honest. That was one of the first CDs I got in secondary school. My brother went to America and brought it back. And I was like ‘What dyou get for me?’ and he was like ‘Uhhhh... here.’ I’m glad I asked that question."

Source
  
Triple Threat (2019)
Triple Threat (2019)
2019 | Action, Thriller
Triple Threat, from prolific action specialist Jesse V. Johnson and currently streaming on Netflix, is exactly as promised – 95 minutes of complete ass-kicking from a ridiculous cast of ass-kickers who defy gravitational and physical logic with their supreme martial arts and combat skills. Unpretentious, unrelenting, and wildly entertaining, this is a throwback to old-school, non-CGI, action-programmers where the body count is absurdly high, the squibs are going off like crazy, and dynamic second unit work pumps up the aesthetic thrills – it’s the best pure-action film of the year and the best of its type that I’ve seen since The Night Comes For Us (also on Netflix streaming).

Starring an action fan’s dream team of Iko Uwais, Scott Adkins, Michael Jai White, Tony Jaa, and Tiger Chen. The various beat-downs that these guys dish out look beyond lethal. I loved the real-deal explosions and Jonathan Hall’s slick and steady cinematography which highlighted the insane choreography. Matthew Lorentz’s crisp editing wastes not a moment of the basic but hard-charging script by Joey O’Bryan, Fangjin Song, and Paul Staheli. But let’s be honest, we’re not here to experience Shakespearean-level swaths of dialogue. Triple Threat exists as an outlet for extreme thrills and near-constant mayhem.