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Leanne Crabtree (480 KP) rated Rejected (Shadow Beast Shifters, #1) in Books

Jan 7, 2021

I grabbed this one from Kindle Unlimited after taking advantage of their 6 months at a reduced cost offer because, you know, have you seen that cover?!

So this starts with Mera and her best friend heading to school while discussing the fact that they can't wait to have their first shift into their wolves so they can leave their pack after the abuse Mera has received off them after her father tried to kill the alpha when she was younger. Mera runs from the pack before her shift, knowing that death is likely to be her outcome either way - either from the shift itself or from the pack - but she's tracked down before then and brought back. Before long she shifts and finds her mate amongst her pack, only to be rejected by him and the intense pain both she and her wolf are in has her calling out to the Shadow Beast - the god of shifters - and he comes and takes her away.

I don't quite know how I feel about this book. It's like one extreme to another for all the males in Mera's life. Torin; doesn't like her and taunts her continuously but doesn't want her harmed by his father. Jaxson; one of her old best friends - torments her/attacks her almost daily but also seems to have feelings for her. Shadow; can't seem to stand her but won't let anyone else have her or touch her. I was so confused and conflicted by it. I wasn't cheering for anyone in particular. I even briefly wondered if it was going to turn into some reverse harem kind of thing...but nope. Or at least not in this one.

I honestly have no idea if I'm going to continue the series. It was the cover that pulled me into reading this one as it is...so maybe if the cover is as good...? I honestly don't know. I was expecting some romance and it was filled with an angry female and stupid alpha males, though there was a hot scene or two.

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Sarah (7800 KP) rated A Beautiful Day in the Neighborhood (2019) in Movies

Nov 7, 2020

Nice enough

A Beautiful Day in the Neighbourhood follows the story of a friendship between a journalist (Matthew Rhys) and tv presenter/personality Fred Rogers (Tom Hanks). And I’ll start off by saying that going into this film, I didn’t have a clue who Mr Rogers was, so this was all rather unknown for me. The only reason I decided to watch it was because of Tom Hanks, although overall I did find this to be a nice film.

Tom Hanks as Fred Rogers is rather disturbing, but in a good way as he puts in a stellar performance. Matthew Rhys’ Lloyd Vogel starts off with a huge amount of cynicism and wariness of Rogers, and that’s exactly how this film made me feel at the beginning. Hanks as Rogers is rather creepy and comes across as very strange. However throughout the course of the film as Lloyd discovers more about Rogers, so did I and it really helped me enjoy this film more. And whilst I don’t know who Fred Rogers is, Hanks’ performance was spot on as an old school kids tv presenter. Matthew Rhys as well puts in a great turn as the hardened journalist who does have a heart after all, and I think he’s such an underrated actor.

The styling of this film too is very good. The use of the toys and miniature cities and buildings is a genius move, and brings such a fun and magical feel to the entire film. To begin with I worried it would be out of place, but there’s enough whimsical and childlike aspects in this so that it all fits together perfectly.

However, despite the rather fun side and the great performances, for me I found the story a little lacking. It’s almost too cutesy and sweet at times, even considering the serious parts of the family drama. I also found it dragged as well in parts and I got a little bored with the Rogers based show scenes. This is still a good film, I just think I’m not particularly sold on the whole Fred Rogers thing especially as this has only told me a limited amount about who he really is!

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Gaspar Noe recommended Salò, or the 120 Days of Sodom (1975) in Movies (curated)

"Then I got into film school at the age of 17. Because I was young, the day I turned 18 my mother wanted me to see [Pier Paolo] Pasolini’s Salò. She said now you are old enough to see a precise portrayal of human cruelty. Maybe because my parents escaped Argentina during the dictatorship to avoid ending up in a torture camp like their friends ended up, she had a particular concern about the portrayal of human cruelty and torture. So she said, “You want to know how bad life can turn? Come with me and see this film.” And I saw it. And I know that movie stuck to my mind for, like, 12 years in a very precise, shocking way. And I never felt, for 12 years, the need to re-watch it. I said it was great to see it, but I was not ready to admit the perception of how bad people can be. It’s those very hot and cold — how do you say the people who study insects? -– entomologists. Sometimes you feel almost like an entomologist describing the life of ants. But the vision is sharp. The lesson is sharp. And also what I like about the movie is that, although the movie is about masters and victims, Pasolini — he’s not on the side of any. He’s just — like a dark situation, sharing the pain of one, or the dark joy, or the dirty joy, I don’t know. It’s almost like they’re above the character that they’re describing and they don’t identify with any particular one. You can also have that in The Battle of Algiers. But in any case, at 18, that’s a very major movie. I think nowadays that’s one of the very major movies in the future of cinema. It’s something strong that has not been copied in any way since. And that’s why, in my movie, I wanted to put Pasolini’s Salò poster above the bed, just to remind me that whatever I will do, my movie cannot shock, because of some people before us who made these extremely daring movies that really shocked their time. When people tell me I’m provocative I know that I’m not at all, compared to these masters of cinema."

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