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Emma @ The Movies (1786 KP) rated Becky (2020) in Movies
Jan 1, 2021
Mindless violence and Kevin James in a dramatic role? Colour me intrigued.
Becky's life hasn't been the smoothest ride, but when her dad brings her up to their cabin things start to look up... briefly. The excitement is short-lived when his girlfriend turns up with her son and they reveal they have some wonderful news to share. Unfortunately that's not the worst thing that's going to happen this trip.
I don't want to say that Becky deserved everything that happened to her in the film... but I wasn't mad when it did happen. It was an interesting film, I felt little to nothing for her as a character and I had a real desire for the bad guys to win (to some degree).
This desire built quite quickly in the beginning, I was having serious misgivings about choosing to buy it. The whole lead up was a challenge, Becky was obnoxious and nothing seemed to be happening. But thankfully it did pick up.
Becky has a relatively small cast and they're well selected. Kevin James is a pleasant surprise in this dramatic role. I love seeing people take on something out of character, and I thought his performance as Dominick was impressive. There may have been a couple of points that seemed a little out of place, but on the whole the part was well scripted and James' depiction was very convincing. There was a slightly odd dynamic between Dominick and his minions, I liked the variety of personalities though, and Robert Maillet was definitely my favourite as Apex.
Lulu Wilson as Becky kept causing me problems. As I mentioned above, I didn't really like her as a character... I'm not sure quite where I fell out with her along the way. The beginning felt insanely unrealistic with regards to her behaviour, and while I found her to be less frustrating when the action started there was still something missing. I wonder if that might be to do with age. She's a 13-year-old girl, just a nudge into the higher teens might have made it more engaging.
I had to tap some expert knowledge when it came to the cinematography (thank you, Clare), after some investigation I'm going to say that there are a lot of transitions that lay somewhere between a match cut and an invisible cut. At the beginning of the film it's used to show the comparison of Becky at school and the convicts in prison, and that worked, I liked it. But it happens more, and that novelty value wore off quickly and I was expecting more of it, which became distracting.
There's a lot of gore on-screen throughout, with the accompaniment of some slightly dubious effects on occasions. On the whole the gratuitous violence amused me for its sheer outrageousness. One scene will get you a bit (well, it did me), you'll know it when you see it. Was all this violence needed? Probably not. Was it entertaining in the action of it all? Yes... probably.
Even with my conflicted feelings at the beginning of the film, I did come out enjoying myself. There are hints of a spicy Home Alone at work, somewhere just shy of Better Watch Out.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/01/becky-movie-review.html
Becky's life hasn't been the smoothest ride, but when her dad brings her up to their cabin things start to look up... briefly. The excitement is short-lived when his girlfriend turns up with her son and they reveal they have some wonderful news to share. Unfortunately that's not the worst thing that's going to happen this trip.
I don't want to say that Becky deserved everything that happened to her in the film... but I wasn't mad when it did happen. It was an interesting film, I felt little to nothing for her as a character and I had a real desire for the bad guys to win (to some degree).
This desire built quite quickly in the beginning, I was having serious misgivings about choosing to buy it. The whole lead up was a challenge, Becky was obnoxious and nothing seemed to be happening. But thankfully it did pick up.
Becky has a relatively small cast and they're well selected. Kevin James is a pleasant surprise in this dramatic role. I love seeing people take on something out of character, and I thought his performance as Dominick was impressive. There may have been a couple of points that seemed a little out of place, but on the whole the part was well scripted and James' depiction was very convincing. There was a slightly odd dynamic between Dominick and his minions, I liked the variety of personalities though, and Robert Maillet was definitely my favourite as Apex.
Lulu Wilson as Becky kept causing me problems. As I mentioned above, I didn't really like her as a character... I'm not sure quite where I fell out with her along the way. The beginning felt insanely unrealistic with regards to her behaviour, and while I found her to be less frustrating when the action started there was still something missing. I wonder if that might be to do with age. She's a 13-year-old girl, just a nudge into the higher teens might have made it more engaging.
I had to tap some expert knowledge when it came to the cinematography (thank you, Clare), after some investigation I'm going to say that there are a lot of transitions that lay somewhere between a match cut and an invisible cut. At the beginning of the film it's used to show the comparison of Becky at school and the convicts in prison, and that worked, I liked it. But it happens more, and that novelty value wore off quickly and I was expecting more of it, which became distracting.
There's a lot of gore on-screen throughout, with the accompaniment of some slightly dubious effects on occasions. On the whole the gratuitous violence amused me for its sheer outrageousness. One scene will get you a bit (well, it did me), you'll know it when you see it. Was all this violence needed? Probably not. Was it entertaining in the action of it all? Yes... probably.
Even with my conflicted feelings at the beginning of the film, I did come out enjoying myself. There are hints of a spicy Home Alone at work, somewhere just shy of Better Watch Out.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/01/becky-movie-review.html
Sarah (7799 KP) rated Monty Python's Life of Brian (1979) in Movies
Mar 15, 2021
A classic
Film #16 on the 100 Movies Bucket List: Monty Python’s Life of Brian
Life of Brian (1979] is an old school comedy classic, and alongside Python’s take on the Holy Grail, were fairly revered comedies when I was growing up and I doubt there’s many people over a certain age that haven’t seen these films. Films like this are my favourite type of comedy, and I just wish they still made films similar today.
Life of Brian follows Brian (Graham Chapman), who was born on the same night one stable down from Jesus, yet has lived an entirely different life. Fed up of the Romans, Brian joins the People’s Front of Judea led by Reggie (John a Cleese), whose aim is to get the Romans out of Judea. After being caught infiltrating the palace and put in front of Pontius Pilate (Michael Palin), Brian escapes capture and in his bid to hide from the Romans, winds up relaying some of the teachings he learnt from Jesus. This spurs a crowd into thinking he is the next Messiah, leaving Brian to try and evade his followers as well as the Romans, with rather dire consequences.
This is the Pythons second proper feature film, following on from the hugely successful Holy Grail and their tv series, Flying Circus. Directed by Terry Jones, the purpose of Life of Brian was to lampoon and satirise the New Testament, and more specifically, to make fun of followers of mistaken religious figures. To be quite honest, I don’t think they could make comedy films like this anymore. This lampoon, satire style was fairly rife even up until the 90s (with the likes of Hot Shots and The Naked Gun sequels), but I think they’d struggle to make anything like this nowadays which is a great shame. The humour in this isn’t offensive at all, it’s intelligent and adult and whipsmart and wonderfully done. Admittedly there are a few scenes that may cause some offence purely because it was made when times were different over 40 years ago, but there’s also a lot in here that is surprisingly relevant even in today’s society – one scene where the People’s Front of Judea discuss women’s rights and a request from Stan to be known as Loretta is unexpectedly well done and respectful, albeit with a Python comedy edge. There are some genius works of comedy in this film too that have become cult favourites, from Palin’s depiction of Pontius Pilate with a speech impediment (“Stwike him centuwion, vewy wuffly!”) to Terry Jones’ mother crying out to Brian’s followers that “he’s not the Messiah, he’s a very naughty boy!”. Personally, Palin’s take on Pilate and all of his scenes are my favourite of the entire film.
This isn’t to say that Life of Brian is perfect. There are some scenes and acting that are maybe a little too pantomime-esque (even for a parody) and there are some jokes and scenes that don’t quite land - the alien scene (yes I did say “alien”) is one that jumps to mind. Because of this some scenes can seem rather drawn out if you don’t get the gag. Humour like this isn’t for everyone, although for me it’s my favourite kind. This is British comedy at its best and a shining example that humour doesn’t be crude to be funny. I mean who else other than the Monty Python troupe could pull off crucified men singing “Always Look on the Bright Side of Life”?
Life of Brian (1979] is an old school comedy classic, and alongside Python’s take on the Holy Grail, were fairly revered comedies when I was growing up and I doubt there’s many people over a certain age that haven’t seen these films. Films like this are my favourite type of comedy, and I just wish they still made films similar today.
Life of Brian follows Brian (Graham Chapman), who was born on the same night one stable down from Jesus, yet has lived an entirely different life. Fed up of the Romans, Brian joins the People’s Front of Judea led by Reggie (John a Cleese), whose aim is to get the Romans out of Judea. After being caught infiltrating the palace and put in front of Pontius Pilate (Michael Palin), Brian escapes capture and in his bid to hide from the Romans, winds up relaying some of the teachings he learnt from Jesus. This spurs a crowd into thinking he is the next Messiah, leaving Brian to try and evade his followers as well as the Romans, with rather dire consequences.
This is the Pythons second proper feature film, following on from the hugely successful Holy Grail and their tv series, Flying Circus. Directed by Terry Jones, the purpose of Life of Brian was to lampoon and satirise the New Testament, and more specifically, to make fun of followers of mistaken religious figures. To be quite honest, I don’t think they could make comedy films like this anymore. This lampoon, satire style was fairly rife even up until the 90s (with the likes of Hot Shots and The Naked Gun sequels), but I think they’d struggle to make anything like this nowadays which is a great shame. The humour in this isn’t offensive at all, it’s intelligent and adult and whipsmart and wonderfully done. Admittedly there are a few scenes that may cause some offence purely because it was made when times were different over 40 years ago, but there’s also a lot in here that is surprisingly relevant even in today’s society – one scene where the People’s Front of Judea discuss women’s rights and a request from Stan to be known as Loretta is unexpectedly well done and respectful, albeit with a Python comedy edge. There are some genius works of comedy in this film too that have become cult favourites, from Palin’s depiction of Pontius Pilate with a speech impediment (“Stwike him centuwion, vewy wuffly!”) to Terry Jones’ mother crying out to Brian’s followers that “he’s not the Messiah, he’s a very naughty boy!”. Personally, Palin’s take on Pilate and all of his scenes are my favourite of the entire film.
This isn’t to say that Life of Brian is perfect. There are some scenes and acting that are maybe a little too pantomime-esque (even for a parody) and there are some jokes and scenes that don’t quite land - the alien scene (yes I did say “alien”) is one that jumps to mind. Because of this some scenes can seem rather drawn out if you don’t get the gag. Humour like this isn’t for everyone, although for me it’s my favourite kind. This is British comedy at its best and a shining example that humour doesn’t be crude to be funny. I mean who else other than the Monty Python troupe could pull off crucified men singing “Always Look on the Bright Side of Life”?
Sarah (7799 KP) rated Little Miss Sunshine (2006) in Movies
Mar 24, 2021
Adorably heartwarming
Film #17 on the 100 Movies Bucket List: Little Miss Sunshine
Little Miss Sunshine is a quirky gem of an indie film from 2006 that whilst a favourite of mine and Oscar nominated, has likely flown below the radar for many mainstream viewers. Which is a huge shame as this is such a fun, heartwarming and enjoyable film
Directed by husband and wife team Jonathan Dayton and Valerie Faris, Little Miss Sunshine follows the life of the dysfunctional Hoover family from New Mexico. The Hoovers are a family of unfortunates, misfits and losers, and probably one of the most realistic family depictions you’ll ever seen on screen outside of reality TV. There’s Sheryl (Toni Collette), the harassed mum who keeps her family fed on fast food. Dad Richard (Greg Kinnear) who’s trying to peddle a failing business that focuses on teaching others the secrets to success. Grandpa Edwin (Alan Arkin), an ageing hippie with a drug habit that has been kicked out of his retirement home. Sheryl’s brother Frank (Steve Carell), a gay man currently recovering from a suicide attempt after his partner left him. Son Duane (Paul Dano) who’s goal to get into flight school has led him to take a vow of silence. And finally there’s young daughter Olive (Abigail Breslin), who’s obsession with beauty pageants leads the family to take a cross country trip in an ageing VW van to help her compete in the Little Miss Sunshine pageant. Along the way, the family encounter a variety of mishaps and events that can potentially change their lives.
The Hoover family for the most part are ridiculously lovable and this is entirely down to their flaws that they are so likeable. Aside from Dad Richard who has a number of questionable ethics and morals that demean others, the family and their unique quirky personalities are the main reason why this film is so enjoyable. And the fact that the entire family are all brought together by young Olive across the span of the film makes this incredibly heartwarming. Olive is an underdog and being realistic, not the type of girl who you’d see in your typical American beauty pageant, but you still find yourself rooting for her all the same.
The cast are fantastic and while you can always rely on Toni Collette, Alan Arkin and Greg Kinnear, it’s Steve Carell and Abigail Breslin that shine brightest. Until this, I didn’t think Steve Carell could do serious and especially not a role that like. But he excels, bringing a sad, intelligent air to Frank and personally I think this is his best role to date. And then there’s Abigail Breslin, a 9 year old who steals the show and pulls the entire cast and film together. Together with a clever, well written script, the cast pull together a heartwarming and surprisingly funny film where emotions and family are key to an eventful road trip.
What I enjoyed the most about Little Miss Sunshine is that while the journey the family take is obviously most important, we do at least get the joy of seeing Olive enter the beauty pageant and this is such a fitting end to the story. There may be some slightly unbelievable or predictable events that occur across the journey (the police traffic stop being one), but ultimately you come out of this feeling incredibly satisfied and rather warm and fuzzy inside. One of the most enjoyable family road trip movies I’ve ever seen.
Little Miss Sunshine is a quirky gem of an indie film from 2006 that whilst a favourite of mine and Oscar nominated, has likely flown below the radar for many mainstream viewers. Which is a huge shame as this is such a fun, heartwarming and enjoyable film
Directed by husband and wife team Jonathan Dayton and Valerie Faris, Little Miss Sunshine follows the life of the dysfunctional Hoover family from New Mexico. The Hoovers are a family of unfortunates, misfits and losers, and probably one of the most realistic family depictions you’ll ever seen on screen outside of reality TV. There’s Sheryl (Toni Collette), the harassed mum who keeps her family fed on fast food. Dad Richard (Greg Kinnear) who’s trying to peddle a failing business that focuses on teaching others the secrets to success. Grandpa Edwin (Alan Arkin), an ageing hippie with a drug habit that has been kicked out of his retirement home. Sheryl’s brother Frank (Steve Carell), a gay man currently recovering from a suicide attempt after his partner left him. Son Duane (Paul Dano) who’s goal to get into flight school has led him to take a vow of silence. And finally there’s young daughter Olive (Abigail Breslin), who’s obsession with beauty pageants leads the family to take a cross country trip in an ageing VW van to help her compete in the Little Miss Sunshine pageant. Along the way, the family encounter a variety of mishaps and events that can potentially change their lives.
The Hoover family for the most part are ridiculously lovable and this is entirely down to their flaws that they are so likeable. Aside from Dad Richard who has a number of questionable ethics and morals that demean others, the family and their unique quirky personalities are the main reason why this film is so enjoyable. And the fact that the entire family are all brought together by young Olive across the span of the film makes this incredibly heartwarming. Olive is an underdog and being realistic, not the type of girl who you’d see in your typical American beauty pageant, but you still find yourself rooting for her all the same.
The cast are fantastic and while you can always rely on Toni Collette, Alan Arkin and Greg Kinnear, it’s Steve Carell and Abigail Breslin that shine brightest. Until this, I didn’t think Steve Carell could do serious and especially not a role that like. But he excels, bringing a sad, intelligent air to Frank and personally I think this is his best role to date. And then there’s Abigail Breslin, a 9 year old who steals the show and pulls the entire cast and film together. Together with a clever, well written script, the cast pull together a heartwarming and surprisingly funny film where emotions and family are key to an eventful road trip.
What I enjoyed the most about Little Miss Sunshine is that while the journey the family take is obviously most important, we do at least get the joy of seeing Olive enter the beauty pageant and this is such a fitting end to the story. There may be some slightly unbelievable or predictable events that occur across the journey (the police traffic stop being one), but ultimately you come out of this feeling incredibly satisfied and rather warm and fuzzy inside. One of the most enjoyable family road trip movies I’ve ever seen.
Sarah (7799 KP) rated The Rocky Horror Picture Show (1975) in Movies
Nov 25, 2020
Gloriously kitsch
Film #4 on the 100 Movies Bucket List: The Rocky Horror Picture Show
The Rocky Horror Picture Show is a bonafide cult classic and I doubt there is anyone who would disagree with this. It flopped on first release at the cinema but soon after gained a massive cult following and became a hugely interactive musical experience. For me, I became part of this cult following at university and have attended a fair few parties and shows over the years (in fancy dress of course). However it’s been quite some time since I watched this and seeing it again now makes for a rather interesting watch.
The Rocky Horror Picture Show is a 1975 musical directed by Jim Sharman, spanning a multitude of genres. It follows newly engaged (and rather wholesome) couple Brad (Barry Bostwick) and Janet (Susan Sarandon) as a flat tyre leaves them stranded and they’re left to seek shelter in a nearby castle owned by Dr Frank-N-Furter (Tim Curry).
This film is undoubtedly bats**t crazy. The plot is absolutely bonkers – a group of aliens from the planet Transexual led by a mad scientist in his quest to make the perfect man. It spans so many genres from comic horror to glam-rock musical and everything in between. It’s aim to spoof old school science fiction films is spot on, and there isn’t many films that can pull off cannibalism, murder and erotic sexual experimentation in the same 2 hour run time.
Admittedly there are some aspects of the plot that haven’t quite stood the test of time. 45 years ago the freedom exhibited around gender and sexuality was unlike anything anyone had ever seen and is still a rather wonderful thing to watch. However, there are other sides to this (such as lack of consent) which have become more apparent as society evolves and maybe aren’t quite acceptable now as they were back then. Fortunately this doesn’t spoil the overall feel of the film and it’s still as camp and cheesy and kitsch as it ever was.
One of the reasons for this films success is Richard O Brien’s script and music, and his performance as Riff Raff is pretty creepy and fun too. It’s clever and smart, and the music is top notch. The songs are some of the most catchy I’ve ever heard and they make you forget how crazy the plot is as soon as the music starts. From the legendary Time Warp to the wonderful Meat Loaf cameo on Hot Patootie, to the incredibly moving and inspirational Don’t Dream It, Be It, the songs are hugely memorable.
And then you have Tim Curry as Frank-N-Furter, in an absolute standout performance. He is perfect in Frank (I’ve yet to see anyone do it better) and it’s probably the best role he’s ever had. He looks like he’s having so much fun and steals every scene, you can’t take your eyes off him and that’s not just because he’s in stockings and suspenders. He makes you feel fascinated by Frank, disgusted and then ultimately sorry for him and this is no mean feat. No disrespect to the rest of the cast, but when Curry isn’t on screen the film does suffer ever so slightly.
The Rocky Horror Picture Show is a wacky, campy riot of a musical with a message that is heartwarming and inclusive. It may have aged a little over the years and certain topics don’t scrub up quite as well, but it’s still a hugely entertaining and unique musical experience.
The Rocky Horror Picture Show is a bonafide cult classic and I doubt there is anyone who would disagree with this. It flopped on first release at the cinema but soon after gained a massive cult following and became a hugely interactive musical experience. For me, I became part of this cult following at university and have attended a fair few parties and shows over the years (in fancy dress of course). However it’s been quite some time since I watched this and seeing it again now makes for a rather interesting watch.
The Rocky Horror Picture Show is a 1975 musical directed by Jim Sharman, spanning a multitude of genres. It follows newly engaged (and rather wholesome) couple Brad (Barry Bostwick) and Janet (Susan Sarandon) as a flat tyre leaves them stranded and they’re left to seek shelter in a nearby castle owned by Dr Frank-N-Furter (Tim Curry).
This film is undoubtedly bats**t crazy. The plot is absolutely bonkers – a group of aliens from the planet Transexual led by a mad scientist in his quest to make the perfect man. It spans so many genres from comic horror to glam-rock musical and everything in between. It’s aim to spoof old school science fiction films is spot on, and there isn’t many films that can pull off cannibalism, murder and erotic sexual experimentation in the same 2 hour run time.
Admittedly there are some aspects of the plot that haven’t quite stood the test of time. 45 years ago the freedom exhibited around gender and sexuality was unlike anything anyone had ever seen and is still a rather wonderful thing to watch. However, there are other sides to this (such as lack of consent) which have become more apparent as society evolves and maybe aren’t quite acceptable now as they were back then. Fortunately this doesn’t spoil the overall feel of the film and it’s still as camp and cheesy and kitsch as it ever was.
One of the reasons for this films success is Richard O Brien’s script and music, and his performance as Riff Raff is pretty creepy and fun too. It’s clever and smart, and the music is top notch. The songs are some of the most catchy I’ve ever heard and they make you forget how crazy the plot is as soon as the music starts. From the legendary Time Warp to the wonderful Meat Loaf cameo on Hot Patootie, to the incredibly moving and inspirational Don’t Dream It, Be It, the songs are hugely memorable.
And then you have Tim Curry as Frank-N-Furter, in an absolute standout performance. He is perfect in Frank (I’ve yet to see anyone do it better) and it’s probably the best role he’s ever had. He looks like he’s having so much fun and steals every scene, you can’t take your eyes off him and that’s not just because he’s in stockings and suspenders. He makes you feel fascinated by Frank, disgusted and then ultimately sorry for him and this is no mean feat. No disrespect to the rest of the cast, but when Curry isn’t on screen the film does suffer ever so slightly.
The Rocky Horror Picture Show is a wacky, campy riot of a musical with a message that is heartwarming and inclusive. It may have aged a little over the years and certain topics don’t scrub up quite as well, but it’s still a hugely entertaining and unique musical experience.
