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Foodfight! (2012)
Foodfight! (2012)
2012 | Action, Animation, Comedy
"๐˜ˆ๐˜จ๐˜ฐ๐˜ฏ๐˜บ, ๐˜ด๐˜ฉ๐˜ฆ ๐˜ช๐˜ด ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ฎ๐˜บ ๐˜ญ๐˜ฐ๐˜บ๐˜ข๐˜ญ ๐˜ฃ๐˜ฆ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ๐˜ฅ... ๐˜ข๐˜ญ๐˜ญ๐˜ฐ๐˜ธ ๐˜ฎ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ช๐˜ฏ๐˜ต๐˜ณ๐˜ฐ๐˜ฅ๐˜ถ๐˜ค๐˜ฆ ๐˜บ๐˜ฐ๐˜ถ."

Anti-cinema. Furry propaganda that bastardizes random corporate logos into hideous background characters for a crude mixture of ripoff film noir, shit-looking ๐˜›๐˜ฐ๐˜บ ๐˜š๐˜ต๐˜ฐ๐˜ณ๐˜บ and... the Nazi Party? Sort of genius. But also the most compact measurable example of going through the Kรผbler-Ross five stages of grief. The best thing you can do with butt-ugly, endlessly questionable, ultra-filtered garbaggio like this is not to futilely attempt to reject its offerings into the minds of twisted, twisted individuals - but to fully embrace and accept it as a tonic, to make you feel better about yourself. One big hilariously bad sexual thrust of a children's film that isn't - in any capacity - suitable for children; at one point there's an extended 'steamy' dance routine where Dex Dogtective and Lady X strongly attempt to both fuck *and* kill each other at the same time. Horrible, half-finished food puns like "Let's strawberry jam outta here" and "Frankly my dear, I don't give a Spam" spin back into some kind of stupid subversion. Cold, lifeless, perturbing eyes staring back at you with an ominous silence that makes one want to crawl out of their own skin (pretty sure this triggered my fight-or-flight response multiple times over). Also the last 30 minutes is a sustained barrage of disgustingly rendered CGI puss. A closer experience to ๐˜ž๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜‹๐˜ฆ๐˜ข๐˜ฅ ๐˜Ž๐˜ฐ ๐˜ต๐˜ฐ ๐˜‹๐˜ช๐˜ฆ than it thinks.
  
Pet Sematary (2019)
Pet Sematary (2019)
2019 | Horror
A Boston doctor moves his family to what is believed to be a quiet town in Maine. He soon discovers that the town has a secret past and supernatural powers. A good horror movie requires an atmosphere and a good movie based on the book makes you want to read the book to see what was left out. Neither requirement is met in this version of "Pet Sematary." The setting of the atmosphere I may have missed due to longer credits attached to "Shazam" that my gig required me to view. When I entered the theater, the family was already in their Maine house. In the short time I was not there, two things were established, the gas trucks that constantly careen through the town, a ominous sign of accidents to come and the family move to Maine to get away from the hustle of the city. The shadow of death could not have come until I was already in the theater. This aspect of the family dynamic was firmly established later when Ellie sees an animal dead on the road. The titular pet cemetary was also introduced while I was in attendance. The directors did not set up any foreboding specters for the cemetary or the family past, a sign of people in need of paying attention to their own creation. Throughout the film, there should be moments that terrify you from Church to the zombie child to Judd's mysteriously dead wife. None of these approach master level suspense.
  
Waxwork (1988)
Waxwork (1988)
1988 | Comedy, Horror, Sci-Fi
Several teenagers encounter an ominous looking building housing a curious wax museum in their neighborhood one fine day. The proprietor is an evil Willy Wonka of sorts who invites them in for a look see. Once inside they discover the curious life-like looking exhibits which peak their individual curiosities. They soon discover the chilling truth. Once the velvet rope guarding each individual chamber pulls itself aside, an unsuspecting young person is transported to the specific realm depicted from the outside. These could include the mummy, the Phantom of the Opera and even the Marquis de Sade.Not only must they try and escape and not get caught by the evil creatures within, but they have to discover the overall diabolical plan for their destruction.

I had forgotten about this 80s cheesy horror flick until a recent stroll though Amazon Prime. The main reason for watching is the practical effects, They were cool by 80s standards; albeit a bit cheesy now. Having said so, I would still much rather have practical effects rather than bad CGI which completely takes you out of the scene. At least with practical effects, they are being executed on set so the actors can interact with them rather than staring at a blank wall.

There was some decent gore and semi funny moments as well. Parts of it reminded me of a Evil Dead type camp where they were not trying t take themselves too seriously, but I do not know if that as their intention.

  
The Last House Guest
The Last House Guest
Megan Miranda | 2019 | Mystery, Thriller
7
7.0 (3 Ratings)
Book Rating
Typically the locals and the summer visitors don't mix much in the resort town of Littleport, Maine. But when summer resident Sadie Loman and local Avery Greer meet, they form a fast, intense friendship that lasts nearly a decade. It ends the night of the Plus-One party--the one night where locals and summer guests come together at the summer's end. It's also the night Sadie dies; her body is found on Breaker Breach, where she has drowned after falling off a cliff. The police believe Sadie has committed suicide, but Avery isn't so sure. A year later, she begins digging more into Sadie's death. What she finds leaves her more convinced that ever that Sadie's death wasn't at her own hand--and the more she discovers, the more she wonders if she's in danger, too.

So, I read this book in about 24 hours. It's a fast, quick read. A lot of the plot seems familiar--it was the second book of the last three, I'd read, for instance, where someone died suspiciously after falling off a cliff. The plot definitely has the tried-and-true feel of "friend obsessed with richer/prettier/etc. friend's death yet won't leave it to police even though it makes no sense to investigate on their own." You know where I'm coming from, right? You've been there before.

In this case, Avery is, of course, the local, with no money, who has been taken in by Sadie's family. They've funded her coursework, given her a place to live, and a job--she oversees all of the Loman's rental properties in Littleport. They even bought her grandmother's house. So Sadie--and her family--mean a lot to Avery.


"Sadie was my anchor, my coconspirator, the force that had grounded my life for so many years. If I imagined her jumping, then everything tilted precariously, just as it had that night."


The book is told entirely from Avery's point of view, but it goes back and forth in time. We get the night of the party, when Sadie died, and then the present, a year later. A memorial is coming up for Sadie, dredging up memories for Avery and causing her to question what happened that night. It's an effective formula--Miranda is good at playing with time.

The book has an ominous, creepy feel to it. Weird things start happening at the rental properties for instance, and you can't help but feel that something bad is going to happen. The setting is a good one--a beachy, resort town--and it's easy to visualize the scene. I did enjoy how much this one kept me guessing. Maybe I should have figured things out earlier, but I didn't. I was intrigued about what happened to Sadie, and I kept reading because of that. That being said, I didn't really care about any of the characters in the book. Most of the characters, including the Lomans, seem rich and spoiled, and somehow, I just couldn't find a ton of affection for Avery. I was reading more out of curiosity versus an investment in their storyline.

Overall, this thriller is a quick read that kept me guessing. The characters aren't particularly likeable but the mystery is interesting and the setting somehow both ominous and picturesque. 3.5 stars.