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The Mercy (2018)
The Mercy (2018)
2018 | Biography, Drama
A little depressing
I think the problem with this film is that it's a little too depressing. It's a true story that hasn't been hollywood-ised, and it comes across as very bleak and sad.

Performance wise, Colin Firth and Rachel Weisz do well and they come across as endearing and likeable characters. The issue is that the story feels like it's missing something. It hurries along at a rather speedy pace and although it doesn't at least linger too long, I feel like there's more to Donald Crowhurst's story and life than they tell us. The score at times seems a little misplaced, seeming ominous in what should be a fairly light hearted scene. The scenes towards the end of the film that really highlight the loneliness and madness are done well and some are actually quite harrowing to watch. This is definitely not a feel good film.
  
Saint Maud (2020)
Saint Maud (2020)
2020 | Drama, Horror
9
7.4 (7 Ratings)
Movie Rating
Outstanding British psycho-horror movie; if you want to experience an approximation of what it's like to be in the head of someone in the process of going utterly nuts, this is the movie for you. A devout nurse with a troubled past starts a job caring for an abrasive, dying ex-dancer; she believes God has sent her to this place, but when events suggest otherwise, she finds it impossible to accept...

Initially seems like another of those post-horror movies we keep hearing about: lots of ominous atmosphere and creepy intensity, but not much that's explicitly scary to start with (this changes). Powered along by an extraordinary performance from Morfydd Clark, who plays one of the most unsettling movie loons in recent years, but extremely well scripted and directed too. Genuinely gripping and unsettling, with an ending that hits like a hammer. This is one hell of a movie.
  
Invisible Girl
Invisible Girl
Lisa Jewell | 2020 | Mystery, Thriller
8
8.0 (1 Ratings)
Book Rating
A dark, creepy read full of surprises
Owen Pick, a teacher in his thirties, has never had a relationship with a women. He's barely even had a successful date. He's teased by the young female students at the college where he works. He lives in a flat owned by his elderly aunt and recently has found solace on incel forums. Across the street from Owen lives the Fours family. They, frankly, find Owen creepy, especially mom Cate and her teenage daughter. Dad, Roan, a child psychologist, is too busy with work to care that much, while their teenage son is basically the only one Cate doesn't need to worry about. And then there's Saffyre Maddox. Now seventeen, Saffyre, was once a patient of Roan's. She misses their connection and seeks to maintain it by following him. Then, one night, Saffyre disappears, and it seems like Owen was the last person to see her. What truly happened to Saffyre?

After a bit of a slump with thrillers, I'm on a roll (though what's with ambiguous endings lately?). This was a creepy and ominous read! There is a lot going on here--Saffyre and her childhood issues; Owen and his many problems with women; and the complete dysfunction of the Fours family--but Jewell does a good job weaving them all together. The result is a tense and dark novel that keeps you guessing the entire time.

"I have a dark past, and I have dark thoughts." ~Saffyre

This is an engaging read, with Saffyre, Cate, and Owen turning into dynamic and unique voices. It's also ominous, with the overriding sense that something bad is going to happen. Secrets are the name of the game here, and Jewell turns the sexual predator theme on its head a bit. There's also plenty of revenge and strong women, which is great.

I wasn't a fan of the ending, which leaves things up in the end, but this is still a twisty ride with interesting characters and a different plot. 4 stars.