Search
Search results
Merissa (11950 KP) rated Knights of Stone: Calum in Books
Sep 27, 2017
Knights of Stone: Calum (Highland Gargoyles #5) by Lisa Carlisle
Calum is the youngest of the Gargoyle brothers, and along with Gavin, has vowed never to be tied down like his brothers. However, he has been restless of late, and feels the need to fly more often. It is on one of these flights that he encounters a Pegasus and Dragon - neither of which he thought were real. His protective instincts kick in, and he fights the dragon, helping the Pegasus to escape. Once they are both on land, they speak, and Calum finds out that this Pegasus is called Arielle, and she is from a different realm. Now, apart from Bryce, all the brothers have inter-species relationships, but I never thought of an inter-realm one. And poor Calum and Arielle don't think that a long distance relationship like that (where you will never see the other one again) will work. Calum is torn because he wants to help Arielle, but he doesn't want her to leave him.
With good guys, and bad guys, and overprotective mothers, Lisa Carlisle has managed to weave another great story in this series. There is only Gavin left, and I can't wait to read his story, being as no one can see him settling down! With no editing or grammatical errors, there was nothing about this book that caught my attention in a bad way. It was a lovely story, with a smooth pace, and some angst in it for those that don't like a smooth road. All-in-all, a great read and definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
With good guys, and bad guys, and overprotective mothers, Lisa Carlisle has managed to weave another great story in this series. There is only Gavin left, and I can't wait to read his story, being as no one can see him settling down! With no editing or grammatical errors, there was nothing about this book that caught my attention in a bad way. It was a lovely story, with a smooth pace, and some angst in it for those that don't like a smooth road. All-in-all, a great read and definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jerry Cantrell recommended Back in Black by AC/DC in Music (curated)
Sassy Brit (97 KP) rated Carpenter Road in Books
Jun 5, 2019
I first met Leighton Jones in Carpenter Road, N.M. Brown’s second book featuring this character. I have not read the previous story, The Girl on the Bus, but believe me you don’t need to for this one to make sense, as this easily reads as a standalone and is still a very good read.
When by chance Leighton comes across a prostitute kicking up a fuss about her stolen coat that had some money in, and discovers the girl who was seen last seen wearing it has now gone missing, Jones a traffic cop, decides to take it upon himself to investigate if the two are connected.
So what did I think? Detective Jones is such a caring, lovable character, I instantly found myself drawn to him.
Rochelle, the prostitute, is an unlikely sidekick who gets roped into Leighton’s investigations, and she’s also a fantastic character. I was so invested in her part of the story and the danger she’d been inadvertently thrown into. I too, hoped she’d eventually get out of the prostitution racket to achieve her goals and turn her life around, just how she had wished for.
N.M. Brown’s writing really grabbed my attention from the first page, and kept me up all night reading. I especially liked hearing from the serial killer’s point of view. He was so creepy, it really added a new dimension to the story and kept me hooked throughout.
The ending was a bit of a shock. I honestly, didn’t expect to feel a little choked up by a Bloodhound crime book! But there, I said it, N.M. Brown really took me by surprise with that twist!
This is an unputdownable, well-written crime novel that’s distinctive, compelling and memorable!
When by chance Leighton comes across a prostitute kicking up a fuss about her stolen coat that had some money in, and discovers the girl who was seen last seen wearing it has now gone missing, Jones a traffic cop, decides to take it upon himself to investigate if the two are connected.
So what did I think? Detective Jones is such a caring, lovable character, I instantly found myself drawn to him.
Rochelle, the prostitute, is an unlikely sidekick who gets roped into Leighton’s investigations, and she’s also a fantastic character. I was so invested in her part of the story and the danger she’d been inadvertently thrown into. I too, hoped she’d eventually get out of the prostitution racket to achieve her goals and turn her life around, just how she had wished for.
N.M. Brown’s writing really grabbed my attention from the first page, and kept me up all night reading. I especially liked hearing from the serial killer’s point of view. He was so creepy, it really added a new dimension to the story and kept me hooked throughout.
The ending was a bit of a shock. I honestly, didn’t expect to feel a little choked up by a Bloodhound crime book! But there, I said it, N.M. Brown really took me by surprise with that twist!
This is an unputdownable, well-written crime novel that’s distinctive, compelling and memorable!
Jade Clarke-Mackintosh (7 KP) rated Come Sundown in Books
Jan 22, 2018
Brilliant but a harrowing read!
I am a big fan of Nora Roberts, and this book undoubtedly shows just why she has become such a top seller. Romantic suspense or crime thrillers aren't usually my thing but this author has a way of dragging me, and I know whatever I read will be worth it.
This book was very hard to read in places and extremely dark, some of the subject matters were hard hitting and I had to put the book down and walk away for a for a while. I am surprised it didn't come with a bit more of a warning to readers.
The story centres around the Bodine family who have a ranch resort in Montana. Like all her books it is based on family values and the healing powers of friendships formed. The story centres around Bodine Longbow manager of the resort side, which her family have had for generations. Due to circumstances out of her control she is in need of a horseman, and it just so happens here brothers best friend is back in town after a stint in Hollywood with his show horse Sundown. She has had a crush on him since they were at school and it is very sweet to watch the romance blossom between the two.
Alongside of this in true Nora style, there is another darker, more sinister story developing. One member of the Bodine family Alice, has be gone for years, expected of being a run away and giving up on the family as she was always strong willed and somewhat of a free spirit, was actually kidnapped whilst making her way home and has been in confinement in a room for years, being brutally beaten and raped repeatedly by a religious nut, who believes women are for bearing children and doing as their husbands tell them. Most of these scenes reduced me to tears.
<i>“He told her she was his property now. Though she’d clearly been a whore before he’d saved her on the side of the road, she was his responsibility now. And his to do with as he pleased.
He suggested she read the Bible, as it was written a woman was to be under a man’s dominance, how God had created woman from Adam’s rib to serve as his helpmate and to bear his children.”</i>
These scenes and many like them, within the book are very graphic, and there are a lot of triggers. As mentioned earlier in my review I had to put the book down and go do other things to get my mind off what was happening. Time and time again Nora shows how the love of family and friends can mend almost anything.
There are lots of parallel story lines running throughout the book, which all come together towards the end, making the darker parts more bearable. Another brilliant book by the author, the only reason I didn't give it five stars is because of how much I struggled with parts of the brutality and abuse.
This book was very hard to read in places and extremely dark, some of the subject matters were hard hitting and I had to put the book down and walk away for a for a while. I am surprised it didn't come with a bit more of a warning to readers.
The story centres around the Bodine family who have a ranch resort in Montana. Like all her books it is based on family values and the healing powers of friendships formed. The story centres around Bodine Longbow manager of the resort side, which her family have had for generations. Due to circumstances out of her control she is in need of a horseman, and it just so happens here brothers best friend is back in town after a stint in Hollywood with his show horse Sundown. She has had a crush on him since they were at school and it is very sweet to watch the romance blossom between the two.
Alongside of this in true Nora style, there is another darker, more sinister story developing. One member of the Bodine family Alice, has be gone for years, expected of being a run away and giving up on the family as she was always strong willed and somewhat of a free spirit, was actually kidnapped whilst making her way home and has been in confinement in a room for years, being brutally beaten and raped repeatedly by a religious nut, who believes women are for bearing children and doing as their husbands tell them. Most of these scenes reduced me to tears.
<i>“He told her she was his property now. Though she’d clearly been a whore before he’d saved her on the side of the road, she was his responsibility now. And his to do with as he pleased.
He suggested she read the Bible, as it was written a woman was to be under a man’s dominance, how God had created woman from Adam’s rib to serve as his helpmate and to bear his children.”</i>
These scenes and many like them, within the book are very graphic, and there are a lot of triggers. As mentioned earlier in my review I had to put the book down and go do other things to get my mind off what was happening. Time and time again Nora shows how the love of family and friends can mend almost anything.
There are lots of parallel story lines running throughout the book, which all come together towards the end, making the darker parts more bearable. Another brilliant book by the author, the only reason I didn't give it five stars is because of how much I struggled with parts of the brutality and abuse.
p3anut (62 KP) rated Pet Sematary (2019) in Movies
Apr 11, 2019
Contains spoilers, click to show
I'm 33 and I saw the original pet semetary when I was about 10 on some cable channel like nbc or abc. Back in the 90's, tv was heavily edited. Even then it scared the shit out of me!
The 2019 just didn't give me that same vibe. Yes, I'm older and don't scare as easy. But I also get creeped out pretty easily when a movie does something right. And this movie didn't do to much right to chill me to my core.
Now that's not to say this movie was bad or awful in anyway. The pacing was very good. The twist that they showed us in the trailers was great and added to the later plot device. And even having Gage running towards the road as the truck came barreling towards Ellie made me think they were about to lose two kids. Hell even Lithgow was pretty stellar in his role. But this movie just tried too hard to top the original.
The wife's back story about Zelda should have stopped after she told what had happened to Zelda. They drug it out by giving her some PTSD bullshit that I didn't feel really fit into the story.
The guy that gets hit by a car (victor) and warns Louis about the dangers that are about to unfold was rushed and not as fleshed out as the character in the 90's film. And I don't mean to compare this to that film because it is it's own thing, but they could have tried to humanize him a little more that just a device plot.
Ellie being self aware that she had died and turning evil because of it was fucking creepy. And Everytime this girl had screen time you felt like she was back from the dead and completely changed. The scene where Ellie terrorizes Jud was pretty close to the original but with some twists and I thought that made it more enjoyable. especially since these characters seemed to think situations out better than typical horror movies.
The last twist was fantastic and I'm not going to spoil it. I didn't care for the ending. I thought it was very bleak and bland. And really didn't lead to what was going to happen now as a whole, not just Gage potentially dying.
Overall I really enjoyed the movie for what it was, a fun popcorn horror flick.
Have you seen it? What did you think of the movie?
The 2019 just didn't give me that same vibe. Yes, I'm older and don't scare as easy. But I also get creeped out pretty easily when a movie does something right. And this movie didn't do to much right to chill me to my core.
Now that's not to say this movie was bad or awful in anyway. The pacing was very good. The twist that they showed us in the trailers was great and added to the later plot device. And even having Gage running towards the road as the truck came barreling towards Ellie made me think they were about to lose two kids. Hell even Lithgow was pretty stellar in his role. But this movie just tried too hard to top the original.
The wife's back story about Zelda should have stopped after she told what had happened to Zelda. They drug it out by giving her some PTSD bullshit that I didn't feel really fit into the story.
The guy that gets hit by a car (victor) and warns Louis about the dangers that are about to unfold was rushed and not as fleshed out as the character in the 90's film. And I don't mean to compare this to that film because it is it's own thing, but they could have tried to humanize him a little more that just a device plot.
Ellie being self aware that she had died and turning evil because of it was fucking creepy. And Everytime this girl had screen time you felt like she was back from the dead and completely changed. The scene where Ellie terrorizes Jud was pretty close to the original but with some twists and I thought that made it more enjoyable. especially since these characters seemed to think situations out better than typical horror movies.
The last twist was fantastic and I'm not going to spoil it. I didn't care for the ending. I thought it was very bleak and bland. And really didn't lead to what was going to happen now as a whole, not just Gage potentially dying.
Overall I really enjoyed the movie for what it was, a fun popcorn horror flick.
Have you seen it? What did you think of the movie?
Gareth von Kallenbach (977 KP) rated Cars 3 (2017) in Movies
Jul 11, 2019
The new Disney / Pixar movie, Cars 3 is rated G. Cars 3 is directed by Brian Fee and brings back the familiar characters of Lightening McQueen (Owen Wilson), Tow Mater (Larry the Cable Guy), Sally (Bonnie Hunt), and introduces some new characters: Jackson Storm (Arnie Hammer), and Cruz Ramirez (Cristela Alonzo).
McQueen is back, and at the top of his game…. Until he isn’t. Thrown off his winning streak by newcomer Jackson Storm, McQueen struggles with the realization that he may not have what it takes to win consistently anymore.
Hoping to train his way back to the top before the big racing season starts in Florida, McQueen heads to the brand-new Rust-Eze Racing training center built by his sponsors Dusty and Rusty. There, Lightening meets with the new owner of the Rust-Eze brand, big-wig business man Sterling (Nathan Fillion) and meets his new trainer, Cruz.
Cruz encourages McQueen to limber up and take it easy… go slow because he’s “old”. Lightening feels like Cruz is stifling him and slowing him down. Lightening feels he needs to “get his tires dirty” and go back to training the “old fashioned way”, so he heads out on the road, planning to train on the way to the big race in Florida.
As he treks across country with Cruz, he learns that there was more to his old mentor Doc Hudson than he realized, and that everyone has dreams, and that if you can help someone reach their dreams, sometimes it makes your own dreams attainable too.
The scenery / backgrounds were extremely lifelike in the 3-D version that we saw, and the movie had enough action to keep my 9 year old entranced the whole way through, even though the movie clocks a run-time of an hour and 45 minutes.
This third installment of the Cars series was SO MUCH better than the 2nd movie, and I would almost dare to say better than the first!
It has lessons of humility, acceptance, friendship, respect, hard work, all mixed together with loving what you do and mentoring others that love the same things you do; helping them overcome their fears and become stronger and more confident in themselves.
My 9-year-old son says it was a great movie, and he loved it so much that he wants to see it again “right now”. His favorite part was the Demolition Derby. He also says that Cars 3 is so good that he hopes that they make another sequel, starring the new characters, and following McQueen as he gets older.
McQueen is back, and at the top of his game…. Until he isn’t. Thrown off his winning streak by newcomer Jackson Storm, McQueen struggles with the realization that he may not have what it takes to win consistently anymore.
Hoping to train his way back to the top before the big racing season starts in Florida, McQueen heads to the brand-new Rust-Eze Racing training center built by his sponsors Dusty and Rusty. There, Lightening meets with the new owner of the Rust-Eze brand, big-wig business man Sterling (Nathan Fillion) and meets his new trainer, Cruz.
Cruz encourages McQueen to limber up and take it easy… go slow because he’s “old”. Lightening feels like Cruz is stifling him and slowing him down. Lightening feels he needs to “get his tires dirty” and go back to training the “old fashioned way”, so he heads out on the road, planning to train on the way to the big race in Florida.
As he treks across country with Cruz, he learns that there was more to his old mentor Doc Hudson than he realized, and that everyone has dreams, and that if you can help someone reach their dreams, sometimes it makes your own dreams attainable too.
The scenery / backgrounds were extremely lifelike in the 3-D version that we saw, and the movie had enough action to keep my 9 year old entranced the whole way through, even though the movie clocks a run-time of an hour and 45 minutes.
This third installment of the Cars series was SO MUCH better than the 2nd movie, and I would almost dare to say better than the first!
It has lessons of humility, acceptance, friendship, respect, hard work, all mixed together with loving what you do and mentoring others that love the same things you do; helping them overcome their fears and become stronger and more confident in themselves.
My 9-year-old son says it was a great movie, and he loved it so much that he wants to see it again “right now”. His favorite part was the Demolition Derby. He also says that Cars 3 is so good that he hopes that they make another sequel, starring the new characters, and following McQueen as he gets older.
Lee Ronaldo recommended Blind Joe Death by John Fahey in Music (curated)
Hazel (2934 KP) rated A Window Breaks in Books
Mar 1, 2020
Dripping with tension and atmosphere
Well, that certainly was a page-turner with non-stop action from the sound of breaking glass to the sickening crack of metal against bone.
Tom, his wife, Rachel, and their daughter, Holly, have been through it. First their teenage son, Michael, and his girlfriend, Fiona, die in a road traffic collision when Michael was driving and if that wasn't bad enough, Holly is viciously attacked by a mugger. What's needed is for them to getaway and take Tom's boss up on his offer of time away at his secluded and secure lodge in Scotland ... what could possibly go wrong?
Written mainly from Tom's perspective, we are taken on a thrilling journey of survival; we are lulled into a false sense of security when Tom and his family arrive at the lodge but are quickly plunged into a nightmare when they are awoken by the sound of someone walking on broken glass. When Tom goes to investigate, what he sees makes his heart drop to his toes and so it begins 😰
Tom's voice is a breath of fresh air because he is not your usual macho Bear Grylls hero, he is a "normal" husband and father ... vulnerable, fearful and afraid but determined to protect his family despite not being particularly brave, strong or fit ... this made him more real somehow and because of this, you are never quite sure how this was going to end.
With an easy to read, flowing style, this book is dripping with tension and atmosphere with many hold-your-breath moments that had me gripped and eagerly flipping my Kindle® ... I couldn't read fast enough.
Recommended reading for action/thriller/suspense lovers.
Many thanks to Pan Macmillan and NetGalley for my advance copy in return for an honest review.
Tom, his wife, Rachel, and their daughter, Holly, have been through it. First their teenage son, Michael, and his girlfriend, Fiona, die in a road traffic collision when Michael was driving and if that wasn't bad enough, Holly is viciously attacked by a mugger. What's needed is for them to getaway and take Tom's boss up on his offer of time away at his secluded and secure lodge in Scotland ... what could possibly go wrong?
Written mainly from Tom's perspective, we are taken on a thrilling journey of survival; we are lulled into a false sense of security when Tom and his family arrive at the lodge but are quickly plunged into a nightmare when they are awoken by the sound of someone walking on broken glass. When Tom goes to investigate, what he sees makes his heart drop to his toes and so it begins 😰
Tom's voice is a breath of fresh air because he is not your usual macho Bear Grylls hero, he is a "normal" husband and father ... vulnerable, fearful and afraid but determined to protect his family despite not being particularly brave, strong or fit ... this made him more real somehow and because of this, you are never quite sure how this was going to end.
With an easy to read, flowing style, this book is dripping with tension and atmosphere with many hold-your-breath moments that had me gripped and eagerly flipping my Kindle® ... I couldn't read fast enough.
Recommended reading for action/thriller/suspense lovers.
Many thanks to Pan Macmillan and NetGalley for my advance copy in return for an honest review.
RəX Regent (349 KP) rated Saving Private Ryan (1998) in Movies
Feb 25, 2019 (Updated Feb 25, 2019)
Groundbreaker mired in slop
Contains spoilers, click to show
Regarded as one of the best war films ever made, it certainly qualifies. The opening twenty minutes are still as breathtaking, shocking and disturbing realistic as they were back in 1998. It is hard to imagine that it has now been over twelve years since Saving Private Ryan broke the mold of World War II film making.
Winner of five Academy Awards, including Best Director for Spielberg, Best Cinematography, and Sound, which was astonishing, even by today's standards, it failed to win Best Picture, losing out to Shakespeare In Love. Shakespeare In Love! Don't get me wrong, it's a good film, but easily forgettable compared to Ryan, only proving yet again that if you touch upon the British monarchy you get Oscars.
The film is a fictional account of four brothers, all serving in the U.S. Army, three of which were killed in action on or around the D-Day landings. The fourth, James Ryan played by Matt Damon is somewhere in Europe, and Tom Hanks with his platoon are sent to bring him home, to spare his mother anymore heartache.
Tom Hanks, who was also snubbed at the 1998 Oscars for his perfect performance as Captain Miller, the everyman who was losing himself in the horrors of war, underplayed his role perfectly. He is believable on every level, emotionally, physically and has a sense of subtly with makes him of Hollywood's greats.
The action is visceral, gritty and horrifying. But never played for crass effect. Scenes of soldiers intestines spilling out, limbs flying a sunder and brutal killing left, right and centre are recreated for one purpose. To truly demonstrate the horrors of war, and to change our perceptions of the global conflict which had almost become a joke, a setting for gung- ho action films, where the Yanks reign supreme and single-handedly win the war.
This shows troops crying, hurting and making decisions which should not be made under any moral circumstances, but you understand why, whether you agree or not. There is no doubt that Spielberg is not innocent of making an American film, but it is about as even-handed as you might expect, with the exception of Tora! Tora! Tora! or The Longest Day.
So, the action is first-rate, graphic and perfectly toned to recreate to horror of the last century's greatest and most of destructive conflicts. But that's only half the story.
The other half is the talking, reminiscing and the almost sepia tone is more than a little cloying. The U.S. General's monologues, which seem to consist almost entirely of Lincoln quotations are overly sentimental, erring on the side of sloppy patriotism rather than Jingoism, which is hardly a bad thing but it isn't good either.
The civilian scenes, such as Mrs Ryan, washing a plate as she sees the car drive down to road to inform her of her sons deaths are so sentimental that they jar against the realism of the war scenes. It's not so much contrast as it is as extreme as black and white.
The action is obviously interspersed, as all war films are, with rest stops and moments of talking, pondering etc., but the scenes drag on too long and disrupt the tone of the film. On the other hand, the direction is brilliant when explaining the situations during and around the action, but Spielberg seemed to think that we needed these sloppy and often boring moments, such as The Church, and the outside the cafe in Ramelle, to express the emotional torment of the characters, but I think that these scenes are so boring and pointless that I' can hardly remember them, as my attention drifts off during them! But I do have an understanding of the soldiers, and this was achieved, quite adorably without these scenes.
Overall, this is a film of two halves if ever there was one. The battle scenes and the journey through war-torn France are brilliant, gritty and educational, but the scenes of American sentimentality are in danger of derailing the whole film. Many feel that is the best war film of all time. I do not agree, favouring Black Hawk Down over this, but I would be remiss if I didn't acknowledge that Blank Hawk Down owes a debt to Saving Private Ryan, by opening the door to the gritty war dramas of the naughties and to the style itself.
This film is on of the most important contributions to cinema ever, and has done so much to finally show to true nature of WWII and war in general. But even though I would rate this 10/10 if it was just for the war scenes, the slop just gets in the way and devalues what should have been perfection.
Winner of five Academy Awards, including Best Director for Spielberg, Best Cinematography, and Sound, which was astonishing, even by today's standards, it failed to win Best Picture, losing out to Shakespeare In Love. Shakespeare In Love! Don't get me wrong, it's a good film, but easily forgettable compared to Ryan, only proving yet again that if you touch upon the British monarchy you get Oscars.
The film is a fictional account of four brothers, all serving in the U.S. Army, three of which were killed in action on or around the D-Day landings. The fourth, James Ryan played by Matt Damon is somewhere in Europe, and Tom Hanks with his platoon are sent to bring him home, to spare his mother anymore heartache.
Tom Hanks, who was also snubbed at the 1998 Oscars for his perfect performance as Captain Miller, the everyman who was losing himself in the horrors of war, underplayed his role perfectly. He is believable on every level, emotionally, physically and has a sense of subtly with makes him of Hollywood's greats.
The action is visceral, gritty and horrifying. But never played for crass effect. Scenes of soldiers intestines spilling out, limbs flying a sunder and brutal killing left, right and centre are recreated for one purpose. To truly demonstrate the horrors of war, and to change our perceptions of the global conflict which had almost become a joke, a setting for gung- ho action films, where the Yanks reign supreme and single-handedly win the war.
This shows troops crying, hurting and making decisions which should not be made under any moral circumstances, but you understand why, whether you agree or not. There is no doubt that Spielberg is not innocent of making an American film, but it is about as even-handed as you might expect, with the exception of Tora! Tora! Tora! or The Longest Day.
So, the action is first-rate, graphic and perfectly toned to recreate to horror of the last century's greatest and most of destructive conflicts. But that's only half the story.
The other half is the talking, reminiscing and the almost sepia tone is more than a little cloying. The U.S. General's monologues, which seem to consist almost entirely of Lincoln quotations are overly sentimental, erring on the side of sloppy patriotism rather than Jingoism, which is hardly a bad thing but it isn't good either.
The civilian scenes, such as Mrs Ryan, washing a plate as she sees the car drive down to road to inform her of her sons deaths are so sentimental that they jar against the realism of the war scenes. It's not so much contrast as it is as extreme as black and white.
The action is obviously interspersed, as all war films are, with rest stops and moments of talking, pondering etc., but the scenes drag on too long and disrupt the tone of the film. On the other hand, the direction is brilliant when explaining the situations during and around the action, but Spielberg seemed to think that we needed these sloppy and often boring moments, such as The Church, and the outside the cafe in Ramelle, to express the emotional torment of the characters, but I think that these scenes are so boring and pointless that I' can hardly remember them, as my attention drifts off during them! But I do have an understanding of the soldiers, and this was achieved, quite adorably without these scenes.
Overall, this is a film of two halves if ever there was one. The battle scenes and the journey through war-torn France are brilliant, gritty and educational, but the scenes of American sentimentality are in danger of derailing the whole film. Many feel that is the best war film of all time. I do not agree, favouring Black Hawk Down over this, but I would be remiss if I didn't acknowledge that Blank Hawk Down owes a debt to Saving Private Ryan, by opening the door to the gritty war dramas of the naughties and to the style itself.
This film is on of the most important contributions to cinema ever, and has done so much to finally show to true nature of WWII and war in general. But even though I would rate this 10/10 if it was just for the war scenes, the slop just gets in the way and devalues what should have been perfection.
Haley Mathiot (9 KP) rated A Jolly Good Fellow in Books
Apr 27, 2018
A Jolly Good Fellow by Stephen V. Masse
Genre: Fiction, Comedy, sort of Crime Fiction but not really
Rating: 3.75/5
Summary: Duncan is driving to the kids house. He has a plan—he’s going to kidnap him. But then he sees the kid hitchhiking in the snow. What better way to kidnap someone that to pick him up off the road and offer him a ride? Duncan dresses up as Santa Clause and sits on the street ringing a bell all day. The funds go to the needy—needy as in him. Duncan wants revenge, and he wants the ransom money. But Duncan isn’t exactly the sharpest knife in the drawer… he has no idea how to do a proper kidnapping.
Thoughts: A JOLLY GOOD FELLOW was really cute. It made me laugh, it made me smile, it had its nerve-wracking moments. It’s right in between a 3/5 and a 4 on the scale for me. The reason why is this—the plot was awesome, very unique, original, and very cute, the characters were hilarious and enchanting, but it was a little slow through the first three quarters of the book. Not that it dragged, just that it felt like the last section was fast paced, and the rest was slower and more relaxed, and those two things didn’t go well together and didn’t transition well.
I laughed a lot while I read A JOLLY GOOD FELLOW. If I had to pick a category, I’d choose comedy. It was cute and funny and a little silly, but silly in a good fun-to-read way.
The characters’ dialogue was written so that you could hear their voices in your head when they spoke. I loved hearing their accents while I read, it gave a lot of life to them. Duncan and Gabriel were very animated. Gabriel (the kid) was so full of life and energy. He was also very real. He acted the way a normal kid his age would act, he wasn’t a “perfect” child, an unrealistic character.
Content: There were a few bad words scattered throughout the book, but not much. Duncan went to the triple-X rated movie one night, but nothing was described. All in all, this was a very clean book.
Recommendation: Ages 14+ to anyone who wants a good holiday laugh. I stayed up pretty late reading this one because I couldn’t put it down. I can’t wait for more from Stephen Masse.
*This book won the INDEPENDEND PUBLISHING BOOK AWARD*
**Thanks to Pump Up Your Book for my review copy!**
Genre: Fiction, Comedy, sort of Crime Fiction but not really
Rating: 3.75/5
Summary: Duncan is driving to the kids house. He has a plan—he’s going to kidnap him. But then he sees the kid hitchhiking in the snow. What better way to kidnap someone that to pick him up off the road and offer him a ride? Duncan dresses up as Santa Clause and sits on the street ringing a bell all day. The funds go to the needy—needy as in him. Duncan wants revenge, and he wants the ransom money. But Duncan isn’t exactly the sharpest knife in the drawer… he has no idea how to do a proper kidnapping.
Thoughts: A JOLLY GOOD FELLOW was really cute. It made me laugh, it made me smile, it had its nerve-wracking moments. It’s right in between a 3/5 and a 4 on the scale for me. The reason why is this—the plot was awesome, very unique, original, and very cute, the characters were hilarious and enchanting, but it was a little slow through the first three quarters of the book. Not that it dragged, just that it felt like the last section was fast paced, and the rest was slower and more relaxed, and those two things didn’t go well together and didn’t transition well.
I laughed a lot while I read A JOLLY GOOD FELLOW. If I had to pick a category, I’d choose comedy. It was cute and funny and a little silly, but silly in a good fun-to-read way.
The characters’ dialogue was written so that you could hear their voices in your head when they spoke. I loved hearing their accents while I read, it gave a lot of life to them. Duncan and Gabriel were very animated. Gabriel (the kid) was so full of life and energy. He was also very real. He acted the way a normal kid his age would act, he wasn’t a “perfect” child, an unrealistic character.
Content: There were a few bad words scattered throughout the book, but not much. Duncan went to the triple-X rated movie one night, but nothing was described. All in all, this was a very clean book.
Recommendation: Ages 14+ to anyone who wants a good holiday laugh. I stayed up pretty late reading this one because I couldn’t put it down. I can’t wait for more from Stephen Masse.
*This book won the INDEPENDEND PUBLISHING BOOK AWARD*
**Thanks to Pump Up Your Book for my review copy!**