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Entropy (Tessa Avery #3)

Lucy Roy

9.0 (1 Ratings) Rate It

Book

Just how much pain can someone experience before they break? How much more loss can they suffer when...

Among the Stars

8.0 (3 Ratings) Rate It

Tabletop Game

Among the Stars takes place in a war-ravaged galaxy where the warring alien races have declared...

Red Otter (340 KP) rated Azul in Tabletop Games

Jun 12, 2019

Azul

2017 | Abstract Strategy

8.7

(21 Ratings)

Tabletop Game Rating

If I had to pick an abstract to start someone off, I'd pick Azul almost every time. It may appear as a simple tile laying game, but with time you learn how to predict what an opponent needs and how you can change their best laid plans. The game is simple. Every round a selection of tiles ( with five different colors) based on player size is placed on factory tiles in the centre. Players take turn grabbing all of one color of tiles from either a factory tile or the factory floor, with any ungrabbed tiles being placed into the floor. These tiles are then placed into variously sized rows with a catch, only one color can be placed into a row at a time, no mixing and matching allowed! You can partially fill these rows and hope you can grab enough later to fill it up. Any unplaced tiles go into the garbage, forcing you to lose points. The round ends when all tiles have been grabbed. It's possible to make opponents grab tiles that they can't use, forcing them to lose points.

Next is scoring. At the end of every round, every player checks to see if any of their rows are filled, if so, they can empty their row and place one of the tiles on its matching space/row on a 5x5 scoring grid.
Scoring is all about placing contingious tiles, with more points for how many tiles are next to the tile when it's placed. The game ends when someone fills up an entire row, with additional points for having five tiles of a color, a filled row, and filled coloumns.

Azul is very somple and easy to each, but has depth when trying to predict what tiles will be coming out next and what your opponents will be going for. The component quality is excellent, with the tiles providing a great tactile feel to picking them up. I love this game and am never sad when it hits the table

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The Marinated Meeple (1853 KP) Jun 13, 2019

Love it, kep the reviews coming, got kudos for boardgamers....

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Darts: King of Champions

Games

(0 Ratings) Rate It

App

- World's Greatest 1-on-1 Multiplayer Darts Game now on iOS - Ready to have FUN? Download the best...

Johnny Marr recommended track Philadelphia by Magazine in The Correct Use Of Soap by Magazine in Music (curated)

The Correct Use Of Soap by Magazine

1980 | Alternative, Punk, Rock

8.0

(3 Ratings)

Album Favorite

Details

Philadelphia by Magazine

(0 Ratings)

Track

"The reason I picked ‘Philadelphia’ is because of the relatively unsung brilliance of John McGeoch on the guitar during that period, the album The Correct Use of Soap is my favourite of anything that Martin Hannett produced and again, that it came from Manchester was a huge bonus. It’s a really subjective one, for myself and my girlfriend at the time Angie, who’s now my wife, it made a soundtrack to our spring when it came out in 1980, when I was working in a clothes shop. “Every song on the record is great and no one really puts a song across in the same way as Howard Devoto, one or two people have tried, but most people wouldn’t even bother, because it’s so idiosyncratic and impossible to pull off without sounding ridiculous. I can hear Alice Cooper in there and his effect on that generation in the delivery of the vocals. There’s also the literary influences in the concepts of the songs, which are really brilliant. Whether it’s Sartre, Dostoevsky, The Situationists or feminism, whatever kind of perversity is going on there, there was a really great, mysterious manifesto in the lyrics. “It was art school that managed to rock without the need for laptops, sequencers or extra musicians onstage. They could really play but they were delivering art rock music and that’s why they’ve inspired me, especially in my solo career, on the first two records The Messenger and Playland Magazine were a really big inspiration for me and the band. “John McGeoch is someone I’m more than happy to pay tribute to and it’s only really in later years that I’ve realised what a big influence he was. The fact that he joined Public Image Ltd made total sense to me, because the other guitar player of his generation who was as inventive as him was Keith Levene. He obviously had a bit of wanderlust in him as a guitar player too, and I can relate to that!"

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