Search

Search only in certain items:

    Here

    Here

    Richard McGuire

    (0 Ratings) Rate It

    Book

    Here is Richard McGuire's unique graphic novel based on the legendary 1989 comic strip of the same...

Hats Off To Del Shannon by Del Shannon
Hats Off To Del Shannon by Del Shannon
(0 Ratings)
Album Favorite

"I’ve always loved Del. He was my first hero when I was young. When 'Runaway’ came out I was only 13 or 14. I had to have my own rock star. Well, they weren’t called ‘rock stars’ then – they were all pop stars. But my sisters had had Elvis – and I loved Elvis of course – but you had to have your own hero, you know? So Del Shannon was my one. But there’s a great story about Del and ‘Runaway’. He’d made the record and he was on the road and someone had sent him a copy of the record and he put it on his record player, played it and went, ""what the fuck?!"" It was semitone faster than it should have been! And he phones up his manager and he says, ""what the hell have you done to my record?"" And the manager said, ""oh, we sped it up because we thought it was too slow."" And that’s how it is to this day. It’s in B flat minor instead of A minor. Which is amazing and it sounds better when it’s sped up. I’ve slowed it back down to see what it sounded like when it was originally done and it doesn’t sound as good as the sped-up version. You can tell that his vibrato is really fast and you can tell it’s sped up."

Source
  
40x40

Yannis Philippakis recommended West Coast by Studio in Music (curated)

 
West Coast by Studio
West Coast by Studio
2006 | Hip-hop
(0 Ratings)
Album Favorite

"That's a record that Jack [Bevan] from Foals had discovered when we were living in Oxford writing Total Life Forever and there were eight of us in one house: other musicians, no TV, just a record player in the fireplace. The house was falling apart and that record was the soundtrack to that whole period, 2009 to 2011. It was the record I felt envious of not having made. They did something that I felt I was close to being able to make but also superior, and it wasn't what I'd made! I thought: ""Shit, they got there first!"" It's a strange record from a strange group because they seem underappreciated and under-exposed and never really play live. We ended up going to record in Gothenburg and we met Dan Lissvik on this industrial estate in the winter. He talked about how life is a pendulum and he sits above it; he was chain smoking and was a good guy. The record itself though is somebody's idea of West Coast hip-hop filtered through a suburban Swedish kid's imagination. It is at odds with what Gothenburg is like in the winter. The production on it is amazing, with elements of interlocking guitars, but it's freer and maybe it helped us loosen some of the strictness that was in the band at the beginning sonically."

Source