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Kris Karcher (10 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jan 5, 2018
Better then it looks.
Contains spoilers, click to show
It’s been years since I’ve seen the original 1995 Jumanji, but from what I can remember as a 5-10 year old (not sure when I got around to owning the VHS) I enjoyed it. Robin Williams was on fire in the 90’s and turned in another comparable performance in this fun action adventure film. This new incarnation of the Jumanji tale changes direction a bit. For one it swaps the outdated board game that contains an entire jungle world inside it, for a more cultural relevant video game console that contains an entire jungle world inside it. I’m actually surprised they didn't use an iPad. 2017’s Jumanji also adds in a body swapping element. The teens that enter the game suddenly become adult video game characters. Complete with skills and weakness of varying degrees of usefulness.
Semantics aside, Jumanji: Welcome to the Jungle is also a serviceable blockbuster flick. It’s a fun film that moves at a decent pace and avoids a lot of the typical dull spots most popcorn flicks fall victim to. The adult cast is a fun mixture of comedic talent and have some great chemistry together. The teenage cast less so but they have a more limited role in the film. I enjoyed watching the adult cast attempt to convey the teenagers “inside” them. Dwayne Johnson does this particularly well, playing a timid nerdy teenager trapped in the body of a jacked, smoldering, elite fighting machine. The film purposefully miscast each role. Kevin Hart play’s the avatar of a 6ft football star, Jack black stands in for a Mean Chick-esc selfie obsessed teenage girl, and the bad ass Karen Gillan plays the avatar of an insecure self-conscious teenage girl. The dichotomy of the characters real-life personalities always being at odds with their avatars new physical and mental attributes provides much of the comedy. Not all of it lands, but enough does and they don’t overdo it.
Once we enter the world of Jumanji the characters attempt to figure out how the “game” works. This leads to some humorous video game style exposition. I found this method of exposition to be unique and interesting. Incorporating NPC’s (Non-playable characters) whose sole purpose is to help players figure out what is going on and how to play the game was a fun and meta way to advance the story. It sort of reminds me of some of the things I enjoyed about 2012’s Wreck-It Ralph.
Then the gang runs into the other player in the game and another star of the film, Nick Jonas. Jonas plays Jefferson "Seaplane" McDonough who is the avatar of Zack a teenage boy sucked into the game in 1997 (Jonas uses 1997 lingo frequently. Radical.) and has lived in the jungle for what he claims to be “a few months”. This leads to the biggest missed opportunity of the film. Time apparently moves differently in Jumanji. A few months in Jumanji translates to 20 years in real life. When Zack is told he has been missing 20 years this should have been a major B plot. They do try and add some weight to the situation by showing how deeply affected Zack is by this news, but I feel they could have explored this dynamic a bit further. Especially when it comes to the ending. Which is a bit anticlimactic. Once they all end up working together to escape Jumanji they all are all transported back to their respective timelines and it would appear as though no time has passed. So it sort of ditches the whole being stuck in the game for 20 years angle and instead chooses to allow Zack to live a full and complete life starting from 1997. Also, the main cast seems to be unaffected timeline wise. All of this film took place while they were down in the basement serving their detentions. It would have made for a much more interesting ending if they return to their bodies and find out that in the real world they were gone for a longer period of time. Even just a week or so would have added an interesting dynamic to the pretty flat and standard ending. They do end up meeting up with grown-up Zack (Played by Colin Hanks) and there is a nice little payoff to the quasi-romance Nick Jonas and Jack Black had throughout the film. (Yes you read that correctly.) Alex named his daughter after Bethany who saved his life in the jungle.
The four teenagers all learn valuable life lessons inside the jungle. Fridge leans to appreciate his friend Spencer. Spencer learns to man up and take risks. Bethany learns to care about something other than herself and her popularity, and Martha learns to come out of her shell a bit and open up. While I often find these types of stories to be heavy-handed and snooze-worthy Jumanji manages to keep the gushy feel good stuff to a minimum. It’s there, and it’s obvious but it’s not in your face enough to bring down the movie.
Ultimately I will go ahead and recommend Jumanji: Welcome to the Jungle if your into Action comedy that doesn't ever take itself too seriously. I repeat this is not a serious movie. But it is a mildly funny, family-friendly romp that I fully expect anyone who paid for a ticket to at least get their monies worth. Provided they came in with the right expectations.
Semantics aside, Jumanji: Welcome to the Jungle is also a serviceable blockbuster flick. It’s a fun film that moves at a decent pace and avoids a lot of the typical dull spots most popcorn flicks fall victim to. The adult cast is a fun mixture of comedic talent and have some great chemistry together. The teenage cast less so but they have a more limited role in the film. I enjoyed watching the adult cast attempt to convey the teenagers “inside” them. Dwayne Johnson does this particularly well, playing a timid nerdy teenager trapped in the body of a jacked, smoldering, elite fighting machine. The film purposefully miscast each role. Kevin Hart play’s the avatar of a 6ft football star, Jack black stands in for a Mean Chick-esc selfie obsessed teenage girl, and the bad ass Karen Gillan plays the avatar of an insecure self-conscious teenage girl. The dichotomy of the characters real-life personalities always being at odds with their avatars new physical and mental attributes provides much of the comedy. Not all of it lands, but enough does and they don’t overdo it.
Once we enter the world of Jumanji the characters attempt to figure out how the “game” works. This leads to some humorous video game style exposition. I found this method of exposition to be unique and interesting. Incorporating NPC’s (Non-playable characters) whose sole purpose is to help players figure out what is going on and how to play the game was a fun and meta way to advance the story. It sort of reminds me of some of the things I enjoyed about 2012’s Wreck-It Ralph.
Then the gang runs into the other player in the game and another star of the film, Nick Jonas. Jonas plays Jefferson "Seaplane" McDonough who is the avatar of Zack a teenage boy sucked into the game in 1997 (Jonas uses 1997 lingo frequently. Radical.) and has lived in the jungle for what he claims to be “a few months”. This leads to the biggest missed opportunity of the film. Time apparently moves differently in Jumanji. A few months in Jumanji translates to 20 years in real life. When Zack is told he has been missing 20 years this should have been a major B plot. They do try and add some weight to the situation by showing how deeply affected Zack is by this news, but I feel they could have explored this dynamic a bit further. Especially when it comes to the ending. Which is a bit anticlimactic. Once they all end up working together to escape Jumanji they all are all transported back to their respective timelines and it would appear as though no time has passed. So it sort of ditches the whole being stuck in the game for 20 years angle and instead chooses to allow Zack to live a full and complete life starting from 1997. Also, the main cast seems to be unaffected timeline wise. All of this film took place while they were down in the basement serving their detentions. It would have made for a much more interesting ending if they return to their bodies and find out that in the real world they were gone for a longer period of time. Even just a week or so would have added an interesting dynamic to the pretty flat and standard ending. They do end up meeting up with grown-up Zack (Played by Colin Hanks) and there is a nice little payoff to the quasi-romance Nick Jonas and Jack Black had throughout the film. (Yes you read that correctly.) Alex named his daughter after Bethany who saved his life in the jungle.
The four teenagers all learn valuable life lessons inside the jungle. Fridge leans to appreciate his friend Spencer. Spencer learns to man up and take risks. Bethany learns to care about something other than herself and her popularity, and Martha learns to come out of her shell a bit and open up. While I often find these types of stories to be heavy-handed and snooze-worthy Jumanji manages to keep the gushy feel good stuff to a minimum. It’s there, and it’s obvious but it’s not in your face enough to bring down the movie.
Ultimately I will go ahead and recommend Jumanji: Welcome to the Jungle if your into Action comedy that doesn't ever take itself too seriously. I repeat this is not a serious movie. But it is a mildly funny, family-friendly romp that I fully expect anyone who paid for a ticket to at least get their monies worth. Provided they came in with the right expectations.
Author's new direction
This ARC was provided by the publisher via NetGalley in exchange for an honest review
Cecelia Ahern is the well-known Irish author of contemporary women’s fiction, particularly P.S. I Love You. However, Ahern has decided to branch out and has penned her first dystopian, young adult novel, Flawed. It is dubious when an author, who is loved for her work, changes their style, but it appears she has pulled it off.
Seventeen-year-old Celestine is a logical girl who is soon to learn she lives in an illogical world. In an attempt to create a perfect society, citizens must avoid making moral or ethical mistakes; otherwise they will be branded as Flawed. And branded means literal branding with a hot iron, there is no hiding the fact that they have flaws. Celestine, like everyone else, has been brainwashed into believing that Flawed people should be avoided and do not deserve the same privileges as the “perfect” people. However, after seeing an elderly Flawed man choking on a bus, her logical brain kicks in and goes to help him. Big mistake.
After finding herself accused of being Flawed, Celestine reaslises how corrupt society is, yet there is nothing she can do about it without enduring further punishment. Despite her bleak outlook on her future, her hopes begin to rise when she discovers that there are people on her side – people that want rid of the government that disciplines people when they should not be punished in the first place.
As a reader of Ahern’s previous works and a fan of dystopian fiction, I honestly did not expect Flawed to be any good. Ahern has proved she has the talent to write women’s fiction, but this book was a complete contrast. The first few chapters of the novel were admittedly a bit shaky. It did not look promising. Yet eventually Ahern found her flow and produced a pretty good young adult novel.
When I saw the title, Flawed, I immediately assumed it would be a book about physical appearance and was hesitant about reading it. Therefore I was pleasantly surprised when this was not the case at all. The concept is fresh and original and does not become apocalyptical like many other dystopian fictions.
How the majority will receive this book is difficult to say. Fans of Cecelia Ahern may be disappointed by her change in genre. Fans of dystopia may be put off by the author’s previous novels. I urge readers to approach this story with an open mind; you may be pleasantly surprised. Flawed will not look out of place amongst other books of similar themes, and for those who do enjoy it, there will be a sequel, Perfect, next year.
Cecelia Ahern is the well-known Irish author of contemporary women’s fiction, particularly P.S. I Love You. However, Ahern has decided to branch out and has penned her first dystopian, young adult novel, Flawed. It is dubious when an author, who is loved for her work, changes their style, but it appears she has pulled it off.
Seventeen-year-old Celestine is a logical girl who is soon to learn she lives in an illogical world. In an attempt to create a perfect society, citizens must avoid making moral or ethical mistakes; otherwise they will be branded as Flawed. And branded means literal branding with a hot iron, there is no hiding the fact that they have flaws. Celestine, like everyone else, has been brainwashed into believing that Flawed people should be avoided and do not deserve the same privileges as the “perfect” people. However, after seeing an elderly Flawed man choking on a bus, her logical brain kicks in and goes to help him. Big mistake.
After finding herself accused of being Flawed, Celestine reaslises how corrupt society is, yet there is nothing she can do about it without enduring further punishment. Despite her bleak outlook on her future, her hopes begin to rise when she discovers that there are people on her side – people that want rid of the government that disciplines people when they should not be punished in the first place.
As a reader of Ahern’s previous works and a fan of dystopian fiction, I honestly did not expect Flawed to be any good. Ahern has proved she has the talent to write women’s fiction, but this book was a complete contrast. The first few chapters of the novel were admittedly a bit shaky. It did not look promising. Yet eventually Ahern found her flow and produced a pretty good young adult novel.
When I saw the title, Flawed, I immediately assumed it would be a book about physical appearance and was hesitant about reading it. Therefore I was pleasantly surprised when this was not the case at all. The concept is fresh and original and does not become apocalyptical like many other dystopian fictions.
How the majority will receive this book is difficult to say. Fans of Cecelia Ahern may be disappointed by her change in genre. Fans of dystopia may be put off by the author’s previous novels. I urge readers to approach this story with an open mind; you may be pleasantly surprised. Flawed will not look out of place amongst other books of similar themes, and for those who do enjoy it, there will be a sequel, Perfect, next year.
Haley Mathiot (9 KP) rated Replication: The Jason Experiment in Books
Apr 27, 2018
Replication: the Jason Experiment has many different components that make it an excellent book.
The plot is intricately woven, exciting, fast-paced, and realistic. Yes it's about clones, but Williamson does an excellent job of keeping it from feeling ridiculous and impossible. She builds her world realistically and believably. The story starts off compelling, keeps you interested the whole time, and ends with potential. I like the ending because it doesn't feel like happyland syndrome (even though it's a happy ending) because it's an open ending: Williamson doesn't write everything down, but you pretty much know what happens, and it makes you feel so happy.
The characters are very complex. Abby is a Christian, but she's not perfect by any stretch. The youth pastor is a good guy, but he's not perfect either. Abby's relationship with God is realistic, her relationship with her father (who isn't saved) is hard to watch, but she tries to stay above reproach in the way she deals with his misunderstandings of her. I would have liked to know more about how Abby came to know Christ, but not knowing didn't take away from her story or her character. And maybe that's a story for another time.
Even though all the Jason's are clones, they are all very different. There are similar things about them, like their expressions (and probably their likes and dislikes) but they all have very unique characters. This story tackles the concept that yes we are born with DNA that determines a lot about us, but the way we grow up and the lifestyle we have and the influences around us also seriously impact our thoughts and choices. It's a balancing act; Williamson exposes it.
This book is a Christian novel, but it doesn't feel preachy (I call this Fictional Preaching), nor does it feel like a girl with a perfect almost sappy relationship with God. It's realistic. Abby fails, Abby sins, but she keeps going the right direction and she doesn't give up.
Lastly, the romance between the characters starts off subtle enough that you don't think anything of it, and stays real. It's not about the physical—so many teen romances start off that way. In fact, this novel says a lot about love: it's about them as people seeing examples of the love of Christ in each other! and because they love Christ, they love each other. And that's the way love is supposed to be: We love because He first loved us. It's a beautiful picture, and an excellent execution.
This novel was exciting, fast-paced, realistic, encouraging, and inspiring. On top of it all, it was totally clean. I recommend this one to anyone. Seriously. Read it. You won't regret it.
Check out the interview with Jill Williamson and the giveaway for a copy of the novel!
The plot is intricately woven, exciting, fast-paced, and realistic. Yes it's about clones, but Williamson does an excellent job of keeping it from feeling ridiculous and impossible. She builds her world realistically and believably. The story starts off compelling, keeps you interested the whole time, and ends with potential. I like the ending because it doesn't feel like happyland syndrome (even though it's a happy ending) because it's an open ending: Williamson doesn't write everything down, but you pretty much know what happens, and it makes you feel so happy.
The characters are very complex. Abby is a Christian, but she's not perfect by any stretch. The youth pastor is a good guy, but he's not perfect either. Abby's relationship with God is realistic, her relationship with her father (who isn't saved) is hard to watch, but she tries to stay above reproach in the way she deals with his misunderstandings of her. I would have liked to know more about how Abby came to know Christ, but not knowing didn't take away from her story or her character. And maybe that's a story for another time.
Even though all the Jason's are clones, they are all very different. There are similar things about them, like their expressions (and probably their likes and dislikes) but they all have very unique characters. This story tackles the concept that yes we are born with DNA that determines a lot about us, but the way we grow up and the lifestyle we have and the influences around us also seriously impact our thoughts and choices. It's a balancing act; Williamson exposes it.
This book is a Christian novel, but it doesn't feel preachy (I call this Fictional Preaching), nor does it feel like a girl with a perfect almost sappy relationship with God. It's realistic. Abby fails, Abby sins, but she keeps going the right direction and she doesn't give up.
Lastly, the romance between the characters starts off subtle enough that you don't think anything of it, and stays real. It's not about the physical—so many teen romances start off that way. In fact, this novel says a lot about love: it's about them as people seeing examples of the love of Christ in each other! and because they love Christ, they love each other. And that's the way love is supposed to be: We love because He first loved us. It's a beautiful picture, and an excellent execution.
This novel was exciting, fast-paced, realistic, encouraging, and inspiring. On top of it all, it was totally clean. I recommend this one to anyone. Seriously. Read it. You won't regret it.
Check out the interview with Jill Williamson and the giveaway for a copy of the novel!
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Cecelia Ahern is the well-known Irish author of contemporary women’s fiction, particularly <i>P.S. I Love You.</i> However, Ahern has decided to branch out and has penned her first dystopian, young adult novel, <i>Flawed</i>. It is dubious when an author, who is loved for her work, changes their style, but it appears she has pulled it off.
Seventeen-year-old Celestine is a logical girl who is soon to learn she lives in an illogical world. In an attempt to create a perfect society, citizens must avoid making moral or ethical mistakes; otherwise they will be branded as Flawed. And branded means literal branding with a hot iron, there is no hiding the fact that they have flaws. Celestine, like everyone else, has been brainwashed into believing that Flawed people should be avoided and do not deserve the same privileges as the “perfect” people. However, after seeing an elderly Flawed man choking on a bus, her logical brain kicks in and goes to help him. Big mistake.
After finding herself accused of being Flawed, Celestine reaslises how corrupt society is, yet there is nothing she can do about it without enduring further punishment. Despite her bleak outlook on her future, her hopes begin to rise when she discovers that there are people on her side – people that want rid of the government that disciplines people when they should not be punished in the first place.
As a reader of Ahern’s previous works and a fan of dystopian fiction, I honestly did not expect <i>Flawed</i> to be any good. Ahern has proved she has the talent to write women’s fiction, but this book was a complete contrast. The first few chapters of the novel were admittedly a bit shaky. It did not look promising. Yet eventually Ahern found her flow and produced a pretty good young adult novel.
When I saw the title, <i>Flawed</i>, I immediately assumed it would be a book about physical appearance and was hesitant about reading it. Therefore I was pleasantly surprised when this was not the case at all. The concept is fresh and original and does not become apocalyptical like many other dystopian fictions.
How the majority will receive this book is difficult to say. Fans of Cecelia Ahern may be disappointed by her change in genre. Fans of dystopia may be put off by the author’s previous novels. I urge readers to approach this story with an open mind; you may be pleasantly surprised. <i>Flawed</i> will not look out of place amongst other books of similar themes, and for those who do enjoy it, there will be a sequel, <i>Perfect</i>, next year.
Cecelia Ahern is the well-known Irish author of contemporary women’s fiction, particularly <i>P.S. I Love You.</i> However, Ahern has decided to branch out and has penned her first dystopian, young adult novel, <i>Flawed</i>. It is dubious when an author, who is loved for her work, changes their style, but it appears she has pulled it off.
Seventeen-year-old Celestine is a logical girl who is soon to learn she lives in an illogical world. In an attempt to create a perfect society, citizens must avoid making moral or ethical mistakes; otherwise they will be branded as Flawed. And branded means literal branding with a hot iron, there is no hiding the fact that they have flaws. Celestine, like everyone else, has been brainwashed into believing that Flawed people should be avoided and do not deserve the same privileges as the “perfect” people. However, after seeing an elderly Flawed man choking on a bus, her logical brain kicks in and goes to help him. Big mistake.
After finding herself accused of being Flawed, Celestine reaslises how corrupt society is, yet there is nothing she can do about it without enduring further punishment. Despite her bleak outlook on her future, her hopes begin to rise when she discovers that there are people on her side – people that want rid of the government that disciplines people when they should not be punished in the first place.
As a reader of Ahern’s previous works and a fan of dystopian fiction, I honestly did not expect <i>Flawed</i> to be any good. Ahern has proved she has the talent to write women’s fiction, but this book was a complete contrast. The first few chapters of the novel were admittedly a bit shaky. It did not look promising. Yet eventually Ahern found her flow and produced a pretty good young adult novel.
When I saw the title, <i>Flawed</i>, I immediately assumed it would be a book about physical appearance and was hesitant about reading it. Therefore I was pleasantly surprised when this was not the case at all. The concept is fresh and original and does not become apocalyptical like many other dystopian fictions.
How the majority will receive this book is difficult to say. Fans of Cecelia Ahern may be disappointed by her change in genre. Fans of dystopia may be put off by the author’s previous novels. I urge readers to approach this story with an open mind; you may be pleasantly surprised. <i>Flawed</i> will not look out of place amongst other books of similar themes, and for those who do enjoy it, there will be a sequel, <i>Perfect</i>, next year.
Hazel (1853 KP) rated Hyacinth Girls in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Hyacinth Girls</i> is the beautifully written debut novel by Lauren Frankel. Rebecca is the guardian of thirteen-year-old Callie who, despite phone calls from school, believes Callie can do no wrong. When Callie is accused of bullying another student, Rebecca easily turns the story around to make Callie the victim.
The story begins with a prologue in which a billboard is being erected featuring Callie’s face and the words “Do you know your children?” This implies that something tragic happens to Callie, but as we read, we question exactly what this is. Was Callie involved with the bullying at school, or was she the one being bullied? Callie has not exactly had an easy life with both her parents dying when she was five, and therefore Rebecca often glosses over the true meanings of Callie’s behaviour, insisting that Callie is acting out of grief.
As well as the question of what happens to Callie, the readers are plagued with many other questions as the story goes on. For example: How did Callie’s mother, Joyce, die? How did her father die? Who is her father? Who is sending Rebecca letters from prison? These queries get answered toward the end of the book thus encouraging readers to continue in order to sate their curiosity.
It is interesting to see how an adult interprets children’s behaviour based upon their own lives and experiences as well as jumping to conclusion about the way the child is feeling. <i>Hyacinth Girls</i> provides both the adult and the child the opportunity to express their point of view. Rebecca begins by trying to understand what Callie is going through, and getting it wrong, as well as introducing the reader to the past and present situation. Callie, on the other hand, reveals the truth.
Although not essentially a young adult novel, Callie’s narrative makes it suitable for teenagers as well as adults. The theme of bullying is something many young people may be familiar with from either being a victim, the cause or a bystander. Parents, on the other hand, will easily relate to Rebecca as she tries to understand her best friends daughter.
Overall <i>Hyacinth Girls</i> is a great book with a very intense theme. It is so realistic that it creates a sense of shock as we realize that there are school children around the world experiencing all the things mentioned within the story. Hopefully this novel will open readers’ eyes and make them more aware of the things they do and how they affect other people.
Hyacinth Girls</i> is the beautifully written debut novel by Lauren Frankel. Rebecca is the guardian of thirteen-year-old Callie who, despite phone calls from school, believes Callie can do no wrong. When Callie is accused of bullying another student, Rebecca easily turns the story around to make Callie the victim.
The story begins with a prologue in which a billboard is being erected featuring Callie’s face and the words “Do you know your children?” This implies that something tragic happens to Callie, but as we read, we question exactly what this is. Was Callie involved with the bullying at school, or was she the one being bullied? Callie has not exactly had an easy life with both her parents dying when she was five, and therefore Rebecca often glosses over the true meanings of Callie’s behaviour, insisting that Callie is acting out of grief.
As well as the question of what happens to Callie, the readers are plagued with many other questions as the story goes on. For example: How did Callie’s mother, Joyce, die? How did her father die? Who is her father? Who is sending Rebecca letters from prison? These queries get answered toward the end of the book thus encouraging readers to continue in order to sate their curiosity.
It is interesting to see how an adult interprets children’s behaviour based upon their own lives and experiences as well as jumping to conclusion about the way the child is feeling. <i>Hyacinth Girls</i> provides both the adult and the child the opportunity to express their point of view. Rebecca begins by trying to understand what Callie is going through, and getting it wrong, as well as introducing the reader to the past and present situation. Callie, on the other hand, reveals the truth.
Although not essentially a young adult novel, Callie’s narrative makes it suitable for teenagers as well as adults. The theme of bullying is something many young people may be familiar with from either being a victim, the cause or a bystander. Parents, on the other hand, will easily relate to Rebecca as she tries to understand her best friends daughter.
Overall <i>Hyacinth Girls</i> is a great book with a very intense theme. It is so realistic that it creates a sense of shock as we realize that there are school children around the world experiencing all the things mentioned within the story. Hopefully this novel will open readers’ eyes and make them more aware of the things they do and how they affect other people.