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TravelersWife4Life (31 KP) rated Stork Bite in Books
Feb 24, 2021
Stork Bite by L.K. Simonds was one of the most deeply layered books I have ever had the privilege of reading before, and it emphasized how the small choices we make in life can have huge ripple effects that last generations.
This book is divided into two separate, yet connected stories. In the first “book” L.K. Simonds immediately immerses you into deep south life Louisiana. With vivid descriptions of local wildlife, scenery, and murder (really vivid). It was a great hook, and I could not put it down to see what happened next. L.K. Simonds did a great job making me feel like I was right there with David exploring all the options available to me. The people David meets on his journey were interesting and showed a real glimpse of life at that time, and the hardships that many people went through. I LOVED how David emphasized the need for education as being a founding block for a better life, and his selfless actions were remarkable. This “book” was my favorite as it really engaged me, and I enjoyed the ebb and flow of the author’s voice.
The second “book” introduces a completely new cast of characters, and as you will find out when you read the book, all the characters are interconnected in a remarkable way that is not obvious upon first reading the second “book”. While David seems to disappear from the story altogether, we meet Cargie and Mae two women from very different walks of life and who make very different life choices. I was fascinated by L.K. Simonds look into the 1920-1930s era of mobs, bootlegging, and the choices of people. It made for an interesting storyline. What really helped make this story interesting for me was not just the story itself, but the way L.K. Simonds rounded out the seemingly not connected stories into one overarching story.
Overall, I think that L.K. Simonds did a great job layering her characters, giving a good mystery that left you scratching your head for a while, and showing how one man’s choice can affect a multitude of people. One thing I wish was done differently, would have been the first book characters remaining as background characters in the second “book” so that I was not completely at a loss on how the two stories fit together until the last 50 or so pages. But Stork Bite did have a good conclusion that wrapped everything up nicely and gave me the pieces I needed to feel like David’s story ended. I give it 4 out of 5 stars for the accurate historical details, the stretched-out mystery, and for being able to layer so many characters and have the story come out richer because of it.
*I will advise that this story does include some mild swearing
**I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
This book is divided into two separate, yet connected stories. In the first “book” L.K. Simonds immediately immerses you into deep south life Louisiana. With vivid descriptions of local wildlife, scenery, and murder (really vivid). It was a great hook, and I could not put it down to see what happened next. L.K. Simonds did a great job making me feel like I was right there with David exploring all the options available to me. The people David meets on his journey were interesting and showed a real glimpse of life at that time, and the hardships that many people went through. I LOVED how David emphasized the need for education as being a founding block for a better life, and his selfless actions were remarkable. This “book” was my favorite as it really engaged me, and I enjoyed the ebb and flow of the author’s voice.
The second “book” introduces a completely new cast of characters, and as you will find out when you read the book, all the characters are interconnected in a remarkable way that is not obvious upon first reading the second “book”. While David seems to disappear from the story altogether, we meet Cargie and Mae two women from very different walks of life and who make very different life choices. I was fascinated by L.K. Simonds look into the 1920-1930s era of mobs, bootlegging, and the choices of people. It made for an interesting storyline. What really helped make this story interesting for me was not just the story itself, but the way L.K. Simonds rounded out the seemingly not connected stories into one overarching story.
Overall, I think that L.K. Simonds did a great job layering her characters, giving a good mystery that left you scratching your head for a while, and showing how one man’s choice can affect a multitude of people. One thing I wish was done differently, would have been the first book characters remaining as background characters in the second “book” so that I was not completely at a loss on how the two stories fit together until the last 50 or so pages. But Stork Bite did have a good conclusion that wrapped everything up nicely and gave me the pieces I needed to feel like David’s story ended. I give it 4 out of 5 stars for the accurate historical details, the stretched-out mystery, and for being able to layer so many characters and have the story come out richer because of it.
*I will advise that this story does include some mild swearing
**I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Joe Goodhart (27 KP) rated X-Force, Volume 3: Not Forgotten in Books
Nov 30, 2020
After a brief hiatus, I resumed reading the X-FORCE TPBs, jumping with the third volume of Craig Kyle & Christopher Yost's dark run of X-FORCE.
This trade made up the "Not Forgotten" story arc, which sees the return of Kimura, bringing with her a whole boatload of hateful hurtin' for Laura (X-23). It is also saw some well-deserved (!) hostility on Wolverine's part toward Cry-clops for the casualties suffered in the team's hunt for Hope Summers as well as Laura being kidnapped. And, like the little b he has been all his life (sorry, not a fan of Scott Summers, but it's totally cool if you are), he just says "I know" when Wolverine tells him that it will death for him if either of the two students die. Wow!
Varied opinions on the art (again). I have always been fond of Clayton Crain's art style, especially his attention to facial details, so his art on the first two issues of the trade was outstanding! He brought a darkness mixed with creepiness to the way he drew the Leper Queen. WIN!
And that brings us to the art for the remaining three issues in the trade. I also like Mike Choi's facial details on the characters he draws. However, his attention to women's breasts and his intent to make all the women under his pencils to be well-endowed is a bit uncomfortable, especially in regard to Laura (who is supposed to be age 16, as stated by Domino in Issue 20. No need for it to be as such, to be honest.
Even more offensive was the way Rahne Sinclair, in wolf-form, was rendered like an extra in a hip-hop video (!). Come on, Rahne has always had a tiny form, never rendered like this EVER! Tho' I am sure a more than fair amount of 'shippers (I assume Rahne has 'shippers) feel differently about that. Jus' sayin'..
<a href="https://ibb.co/csQdiy"><img src="https://thumb.ibb.co/csQdiy/Xforce18_rahnegotback.jpg"; alt="Xforce18 rahnegotback" border="0" /></a>
So, art quibbling aside, the story, still continuing to be written by Yost and Kyle since it's return in 2008, was all aces! There was more than enough adrenaline-fueled excitement contained within, providing a white-knuckled ride, leading directly into the next volume of X-Force, NECROSHA!
I will advise this one, like the previous two volumes, is dark AF! There is very little, if any, humor. There is a higher violence output in this one as well, but it is warranted for sure, when you considered the odds they're up against! That said, if you can handle all that, then I encourage you to pick this one up!
Also, if you are fan of Laura Kinney/X-23, then I also encourage you, as it will give more backstory to her character.
This trade made up the "Not Forgotten" story arc, which sees the return of Kimura, bringing with her a whole boatload of hateful hurtin' for Laura (X-23). It is also saw some well-deserved (!) hostility on Wolverine's part toward Cry-clops for the casualties suffered in the team's hunt for Hope Summers as well as Laura being kidnapped. And, like the little b he has been all his life (sorry, not a fan of Scott Summers, but it's totally cool if you are), he just says "I know" when Wolverine tells him that it will death for him if either of the two students die. Wow!
Varied opinions on the art (again). I have always been fond of Clayton Crain's art style, especially his attention to facial details, so his art on the first two issues of the trade was outstanding! He brought a darkness mixed with creepiness to the way he drew the Leper Queen. WIN!
And that brings us to the art for the remaining three issues in the trade. I also like Mike Choi's facial details on the characters he draws. However, his attention to women's breasts and his intent to make all the women under his pencils to be well-endowed is a bit uncomfortable, especially in regard to Laura (who is supposed to be age 16, as stated by Domino in Issue 20. No need for it to be as such, to be honest.
Even more offensive was the way Rahne Sinclair, in wolf-form, was rendered like an extra in a hip-hop video (!). Come on, Rahne has always had a tiny form, never rendered like this EVER! Tho' I am sure a more than fair amount of 'shippers (I assume Rahne has 'shippers) feel differently about that. Jus' sayin'..
<a href="https://ibb.co/csQdiy"><img src="https://thumb.ibb.co/csQdiy/Xforce18_rahnegotback.jpg"; alt="Xforce18 rahnegotback" border="0" /></a>
So, art quibbling aside, the story, still continuing to be written by Yost and Kyle since it's return in 2008, was all aces! There was more than enough adrenaline-fueled excitement contained within, providing a white-knuckled ride, leading directly into the next volume of X-Force, NECROSHA!
I will advise this one, like the previous two volumes, is dark AF! There is very little, if any, humor. There is a higher violence output in this one as well, but it is warranted for sure, when you considered the odds they're up against! That said, if you can handle all that, then I encourage you to pick this one up!
Also, if you are fan of Laura Kinney/X-23, then I also encourage you, as it will give more backstory to her character.
Hazel (1853 KP) rated The Diamond Courier in Books
Dec 10, 2020
Twenty years have passed since the end of Hannah Byron's World War One novel In Picardy's Fields. It is now 1939 and the Second World War is just beginning, but all seems peaceful in Kent, England where the narrator, Lili Hamilton, lives with her parents. War is the last thing on Lili's mind as she contemplates how to get out of an arranged marriage and pursue a career in journalism.
The surname Hamilton may be familiar to those who have read the previous book but Lady Madeleine has left her war achievements far behind in The Diamond Courier where she plays the role of a prim and proper lady of the house. Her daughter, Liliane, feels trapped by her sensible parents' expectations who thwart her plans to be a political journalist. Yet Lili, encouraged by the handsome leader of the British Communist Party Leo Oppenheim, perseveres, thus estranging herself from her family.
Lili soon learns living in London with Leo is not the life she desired, but feels it is too late to back out, especially after witnessing the treatment of Jews on the continent. The Jewish community need someone to bring their precious diamonds to safety before the Germans get their hands on them, and they believe Lili is the best person for the job. Unless, of course, she gets caught.
The Diamond Courier is much darker than Byron's previous book. Naturally, war is not a happy topic, but the sense of hope felt in In Picardy's Fields is missing in this novel. The story divides into two sections, "Leo" and "After Leo". The former is lengthier, drawn-out, and not always pleasant to read. The latter, on the other hand, is packed with danger, excitement and adventure.
For Lili, Communism is something new and exciting, which she desires to pursue. The party has clear views about the war, with which all members must agree. Yet, when faced with the horrors of war, Lili realises she must cast aside her political opinions. Whether Communist, Jew, sympathiser or resistance member, no one deserves the terrible treatment delivered by the Nazis.
Although this is a work of fiction, Byron remains faithful to the true nature of the Second World War. She does not gloss over any of the atrocities and, whilst the reader keeps their fingers and toes crossed that Lili will get her "happily ever after" ending, this cannot be possible for everyone in the novel.
Aiming to show the strength of women living in a "man's world", Byron has created female characters of whom to be proud and respect. Whilst the storyline may not always be pleasant, it is a gripping narrative that immerses the reader into Lili's life and experiences. Hannah Byron has a way with words that keeps the reader engaged throughout. She is an author to keep an eye on.
The surname Hamilton may be familiar to those who have read the previous book but Lady Madeleine has left her war achievements far behind in The Diamond Courier where she plays the role of a prim and proper lady of the house. Her daughter, Liliane, feels trapped by her sensible parents' expectations who thwart her plans to be a political journalist. Yet Lili, encouraged by the handsome leader of the British Communist Party Leo Oppenheim, perseveres, thus estranging herself from her family.
Lili soon learns living in London with Leo is not the life she desired, but feels it is too late to back out, especially after witnessing the treatment of Jews on the continent. The Jewish community need someone to bring their precious diamonds to safety before the Germans get their hands on them, and they believe Lili is the best person for the job. Unless, of course, she gets caught.
The Diamond Courier is much darker than Byron's previous book. Naturally, war is not a happy topic, but the sense of hope felt in In Picardy's Fields is missing in this novel. The story divides into two sections, "Leo" and "After Leo". The former is lengthier, drawn-out, and not always pleasant to read. The latter, on the other hand, is packed with danger, excitement and adventure.
For Lili, Communism is something new and exciting, which she desires to pursue. The party has clear views about the war, with which all members must agree. Yet, when faced with the horrors of war, Lili realises she must cast aside her political opinions. Whether Communist, Jew, sympathiser or resistance member, no one deserves the terrible treatment delivered by the Nazis.
Although this is a work of fiction, Byron remains faithful to the true nature of the Second World War. She does not gloss over any of the atrocities and, whilst the reader keeps their fingers and toes crossed that Lili will get her "happily ever after" ending, this cannot be possible for everyone in the novel.
Aiming to show the strength of women living in a "man's world", Byron has created female characters of whom to be proud and respect. Whilst the storyline may not always be pleasant, it is a gripping narrative that immerses the reader into Lili's life and experiences. Hannah Byron has a way with words that keeps the reader engaged throughout. She is an author to keep an eye on.
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Amy Norman (1042 KP) rated Ready Player Two in Books
Jul 23, 2022
I didn't want the reviews to be true but unfortunately I feel they were correct. I went into this with an open mind and ready to form my own opinions but alas this time I side with the majority.
***No direct spoilers as such but you may infer some details from what I have said***
I didn't struggle with the referencing and overexplaining that some people felt occurred in the first book but this was something completely different in the sequel.
In the first book, there was passion and a sense of urgency, and it drew you along to a satisfying conclusion. There were specific parts to the book that stood out, and it felt like a fully realised story that could almost happen.
I was really invested in the first book but this time round it was missing something.
Although the stakes were set higher it never felt like there was any real danger. There are some truly dramatic scenes but at no point did I feel like Cline had the heart to go all Game of Thrones on us.
I think Cline overstretched himself with trying to cram in 7 fantastical quests, world's, and puzzles to solve, that all the magic of the first book was completely lost.
He could have made this work well but the sped up timeline forced him into a corner there was no escaping from.
Rushed in places, where fans of the first book would have adored more detail and reveled in it, and then hyper focused and drawn out details of some really odd choices, means this book just falls flat.
There was so much potential here, but it felt like Cline was trying too hard to pay lip service to his peers and people he admires in a Halliday-esqe way, this can be felt if you actually read the acknowledgements. The comparison to Cline and some of the characters becomes quite apparent there, and are almost beyond cliche.
There is still ongoing talk of a movie adaptation for this sequel, and I feel like Cline really leaned into the idea of this (after the success of the first one). As this book would probably work better as a screenplay. I feel like this may be one of those extremely rare occurrences where the movie has the potential to be better than the book.
I often try to leave balanced reviews and can find a positive to end on but I was mostly disappointed by the end of reading, so I am struggling to end on a positive!
How about this?
There is no mention of a part three in the future but I feel like Cline has given himself the opportunity to have a fresh start, if there were to be a Ready Player Three, there are so many avenues he could explore, and bring the magic back! So I am hopeful for the futute.
***No direct spoilers as such but you may infer some details from what I have said***
I didn't struggle with the referencing and overexplaining that some people felt occurred in the first book but this was something completely different in the sequel.
In the first book, there was passion and a sense of urgency, and it drew you along to a satisfying conclusion. There were specific parts to the book that stood out, and it felt like a fully realised story that could almost happen.
I was really invested in the first book but this time round it was missing something.
Although the stakes were set higher it never felt like there was any real danger. There are some truly dramatic scenes but at no point did I feel like Cline had the heart to go all Game of Thrones on us.
I think Cline overstretched himself with trying to cram in 7 fantastical quests, world's, and puzzles to solve, that all the magic of the first book was completely lost.
He could have made this work well but the sped up timeline forced him into a corner there was no escaping from.
Rushed in places, where fans of the first book would have adored more detail and reveled in it, and then hyper focused and drawn out details of some really odd choices, means this book just falls flat.
There was so much potential here, but it felt like Cline was trying too hard to pay lip service to his peers and people he admires in a Halliday-esqe way, this can be felt if you actually read the acknowledgements. The comparison to Cline and some of the characters becomes quite apparent there, and are almost beyond cliche.
There is still ongoing talk of a movie adaptation for this sequel, and I feel like Cline really leaned into the idea of this (after the success of the first one). As this book would probably work better as a screenplay. I feel like this may be one of those extremely rare occurrences where the movie has the potential to be better than the book.
I often try to leave balanced reviews and can find a positive to end on but I was mostly disappointed by the end of reading, so I am struggling to end on a positive!
How about this?
There is no mention of a part three in the future but I feel like Cline has given himself the opportunity to have a fresh start, if there were to be a Ready Player Three, there are so many avenues he could explore, and bring the magic back! So I am hopeful for the futute.
Janeeny (200 KP) rated The Pisces in Books
May 9, 2019 (Updated Jun 10, 2019)
Lucy is a student who doesn’t really know what she wants in life, and after an acrimonious break up from her boyfriend. Her sister throws her a lifeline, giving Lucy a break from her desert life in Phoenix, her sister asks Lucy to housesit for her whilst also attending a local therapy group. So Lucy heads to Los Angeles and it’s here that she has an awakening and a lurid affair with a merman.
I read this as this months book club book. The lady that suggested it did mention that there are a fair amount of sex scenes and sexual references so I was prepared. However I must say that, for me, none of the sex scenes were gratuitous, they formed part of the story. If you took out the sex scenes the book really wouldn’t make a lot of sense or would at least be a bit weaker for it. The language she uses isn’t cliche or cringey either (there’s no heaving breasts or throbbing body parts) it’s very ‘real’.
This book is a bit like the ones you’re given to read in English literature classes in school, that are rife with meaning and symbolism that you have no idea about until your teacher points it out. I feel there is a strong feminist message in there somewhere, as most of the women in the book are trying to fight a sexual reliance on men. It’s also heavily underlined by the fact that literally all the male characters are weak in one way or another.
To that point I really did not like Theo, the main love interest. He seemed a bit too weak, not as a character but as a person. This is a book with a strong feminist message, so it wouldn’t do to have your heroine overshadowed by a man so that is understandable. (A little side note, a member of my book group bought up the interesting idea that the ‘weakness’ is just an act and he’s psychologically preying on Lucy’s vulnerability)
There are a lot of references to Sappho, which again I feel hints at a feminist message. I’m sorry to say that even though I am aware of Sappho I have barely any knowledge about her. I have now acquired a couple of books from the library to remedy this.
There were some quite strong opinions on this in book group. Whilst I liked the book for it’s style of writing, one of the other ladies liked it for its controversy, but most of the group really didn’t like it at all. The strong feeling against it came, mostly, from the explicit language that was used, whilst one member was so bewildered by the events within the book she was convinced the main character was just on a big drug trip and hallucinating the whole thing.
A couple of us did take something away from the book, I took away a strong interest in the works of Sappho, and one of the other members took away a deeper understanding of a past friend whose behaviour she recognised in some of the characters in the book.
I think we’re going for something a little less controversial next month
I read this as this months book club book. The lady that suggested it did mention that there are a fair amount of sex scenes and sexual references so I was prepared. However I must say that, for me, none of the sex scenes were gratuitous, they formed part of the story. If you took out the sex scenes the book really wouldn’t make a lot of sense or would at least be a bit weaker for it. The language she uses isn’t cliche or cringey either (there’s no heaving breasts or throbbing body parts) it’s very ‘real’.
This book is a bit like the ones you’re given to read in English literature classes in school, that are rife with meaning and symbolism that you have no idea about until your teacher points it out. I feel there is a strong feminist message in there somewhere, as most of the women in the book are trying to fight a sexual reliance on men. It’s also heavily underlined by the fact that literally all the male characters are weak in one way or another.
To that point I really did not like Theo, the main love interest. He seemed a bit too weak, not as a character but as a person. This is a book with a strong feminist message, so it wouldn’t do to have your heroine overshadowed by a man so that is understandable. (A little side note, a member of my book group bought up the interesting idea that the ‘weakness’ is just an act and he’s psychologically preying on Lucy’s vulnerability)
There are a lot of references to Sappho, which again I feel hints at a feminist message. I’m sorry to say that even though I am aware of Sappho I have barely any knowledge about her. I have now acquired a couple of books from the library to remedy this.
There were some quite strong opinions on this in book group. Whilst I liked the book for it’s style of writing, one of the other ladies liked it for its controversy, but most of the group really didn’t like it at all. The strong feeling against it came, mostly, from the explicit language that was used, whilst one member was so bewildered by the events within the book she was convinced the main character was just on a big drug trip and hallucinating the whole thing.
A couple of us did take something away from the book, I took away a strong interest in the works of Sappho, and one of the other members took away a deeper understanding of a past friend whose behaviour she recognised in some of the characters in the book.
I think we’re going for something a little less controversial next month
TheBookMother (105 KP) rated Unravelling Oliver in Books
May 17, 2019
It's as if Richard Hillman came back from the dead, you will not put it down.
I picked this little gem up on a supermarket fundraising bookshelf.
I was abit a dubious to begin with as it was quite short for a standard crime novel that I am normally used too at just 230 pages. I did worry it would be a rushed cliche but boy, was I wrong.
I have grown up on Midsummer Murders and Agatha Christie and it felt like a fresh voice on a classic crime thriller rather than the standard norm from Liz Nugent.
To everyone they seemed a happy and successful couple until one night Oliver beats his loving wife into a coma.
We are then thrown into a sad and neglected past, tragic events and secrets that have now suddenly caught up with Oliver.
The pace of the book is exquisite. Right from the first page you are thrown in to quite a dark act being commited leaving you with only one question.
Why did he do it?
The story is told from numerous character voices and POV each sharing their experiences and opinions of Oliver including Oliver himself each recounting past events right up until after the attack on Alice.
Each account over laps and we are taken back to summer in the 1970s on a French vineyard, growing up during that time in Ireland and the views of the time.
I enjoyed the that the themes of having a baby out of wedlock, grief, race, mental health, expectations, promiscuity and homosexuality were all present which really added to you imagining what the views were at the varying time periods covered throughout the book.
Hauntingly, the only person we do not hear from is Alice which adds to the tension as the outcome of the attack isn't mentioned until quite a way through the book.
Aside from the fact that you are introduced to Oliver committing a heinous act and brutally admitting that he expected more of a reaction for the first time he beat his wife he is not a likable character. You are waiting for it all to come crashing down around him and his 'privileged life' even after you find out about his past and as the it is unravelled, so is he. Think Richard Hillman from Coronation Street villain, someone you cannot help but resent.
Clever, dark and unexpected I couldn't put this down and consumed the lot in a day or so. The pace and easy readability of the book left me wanting to keep reading to a point of keeping the kids busy with a snack and Netflix while I could consume multiple chapters in the corner of the room!
It's just want I want in a crime novel; a good villain, a clever plot and a few twists along the way and an even more surprising ending which leaves you thinking perhaps there was a little bit of good in there after all?!
I was abit a dubious to begin with as it was quite short for a standard crime novel that I am normally used too at just 230 pages. I did worry it would be a rushed cliche but boy, was I wrong.
I have grown up on Midsummer Murders and Agatha Christie and it felt like a fresh voice on a classic crime thriller rather than the standard norm from Liz Nugent.
To everyone they seemed a happy and successful couple until one night Oliver beats his loving wife into a coma.
We are then thrown into a sad and neglected past, tragic events and secrets that have now suddenly caught up with Oliver.
The pace of the book is exquisite. Right from the first page you are thrown in to quite a dark act being commited leaving you with only one question.
Why did he do it?
The story is told from numerous character voices and POV each sharing their experiences and opinions of Oliver including Oliver himself each recounting past events right up until after the attack on Alice.
Each account over laps and we are taken back to summer in the 1970s on a French vineyard, growing up during that time in Ireland and the views of the time.
I enjoyed the that the themes of having a baby out of wedlock, grief, race, mental health, expectations, promiscuity and homosexuality were all present which really added to you imagining what the views were at the varying time periods covered throughout the book.
Hauntingly, the only person we do not hear from is Alice which adds to the tension as the outcome of the attack isn't mentioned until quite a way through the book.
Aside from the fact that you are introduced to Oliver committing a heinous act and brutally admitting that he expected more of a reaction for the first time he beat his wife he is not a likable character. You are waiting for it all to come crashing down around him and his 'privileged life' even after you find out about his past and as the it is unravelled, so is he. Think Richard Hillman from Coronation Street villain, someone you cannot help but resent.
Clever, dark and unexpected I couldn't put this down and consumed the lot in a day or so. The pace and easy readability of the book left me wanting to keep reading to a point of keeping the kids busy with a snack and Netflix while I could consume multiple chapters in the corner of the room!
It's just want I want in a crime novel; a good villain, a clever plot and a few twists along the way and an even more surprising ending which leaves you thinking perhaps there was a little bit of good in there after all?!
Movie Metropolis (309 KP) rated The Brothers Grimsby (2016) in Movies
Jun 11, 2019
It's grim in England (apparently)
It’s probably accurate to say that Sacha Baron Cohen’s sense of humour is a little like marmite, it’s a love or hate kind of affair. Offering up characters like Borat and Bruno to the unsuspecting public has proved beneficial to him over the years; with the outlandish antics of those personalities drawing in massive audiences.
His latest offering, English football hooligan Nobby Butcher, promises to be one of his most controversial roles to date, but does the corresponding film, simply titled Grimsby, push the boundaries a little too far?
Cohen’s beer-drinking, benefit-swindling character stars alongside his long-lost brother Sebastian, played by an incredibly wasted Mark Strong. It just so happens that Seb is a secret agent, on the run after an incident at a global health event. What ensues is a formulaic Cohen comedy that utilises every orifice known to the human body – this is definitely low-brow humour.
After getting over the truly horrific portrayal of life up north, and the appalling representation of a town that is no-where near as bad as is reflected, Grimsby is actually a reasonably funny spy caper – not in the league of last year’s Spy – but certainly better than say Johnny English: Reborn or to some extent, Get Smart.
A talented cast bolsters Cohen and Strong with Nobby’s girlfriend Dawn, played by Rebel Wilson, providing some of the film’s funniest moments, despite her lack of screen time.
Elsewhere, Penelope Cruz’s role is a wasted opportunity and she suffers the same fate here as she did in Zoolander 2. Isla Fisher, Ricky Tomlinson and Johnny Vegas are unfortunately all underused as Clash of the Titans director Louis Leterrier focuses on the main pair.
Leterrier’s work on big blockbusters also helps move Grimsby through its ridiculously swift run time. At less than 90 minutes, the story is stretched to the brink, though there are some clever scenes, including a brilliantly choreographed chase through tight urban streets at the beginning.
Unfortunately, the gags miss their targets more than they hit. Your individual views on toilet humour will ultimately decide whether or not Grimsby is funny and some of the comedic elements intermittently cross the line, an ill-timed HIV joke being one of them.
It’s fair to say you’ll be cringing one minute, and roaring with embarrassed laughter the next.
Nevertheless, Cohen has promised time and time again that he has no time for personal opinions on his films and with each new character; he continues to deliver on that promise. Whether or not his target audience is getting tired is another story completely.
Overall, Grimsby is a movie that is unapologetic with what it is trying to achieve. From homophobic comments, casual racism and a grim depiction of life in Northern England, it’s everything we should despise in modern film-making. However, there’s just something about Cohen’s brazen attitude that keeps us coming back for more.
If you’re reading this Sacha, don’t visit Grimsby for a while, there’s a bounty on your head.
https://moviemetropolis.net/2016/02/27/its-grim-in-england-apparently-grimsby-review/
His latest offering, English football hooligan Nobby Butcher, promises to be one of his most controversial roles to date, but does the corresponding film, simply titled Grimsby, push the boundaries a little too far?
Cohen’s beer-drinking, benefit-swindling character stars alongside his long-lost brother Sebastian, played by an incredibly wasted Mark Strong. It just so happens that Seb is a secret agent, on the run after an incident at a global health event. What ensues is a formulaic Cohen comedy that utilises every orifice known to the human body – this is definitely low-brow humour.
After getting over the truly horrific portrayal of life up north, and the appalling representation of a town that is no-where near as bad as is reflected, Grimsby is actually a reasonably funny spy caper – not in the league of last year’s Spy – but certainly better than say Johnny English: Reborn or to some extent, Get Smart.
A talented cast bolsters Cohen and Strong with Nobby’s girlfriend Dawn, played by Rebel Wilson, providing some of the film’s funniest moments, despite her lack of screen time.
Elsewhere, Penelope Cruz’s role is a wasted opportunity and she suffers the same fate here as she did in Zoolander 2. Isla Fisher, Ricky Tomlinson and Johnny Vegas are unfortunately all underused as Clash of the Titans director Louis Leterrier focuses on the main pair.
Leterrier’s work on big blockbusters also helps move Grimsby through its ridiculously swift run time. At less than 90 minutes, the story is stretched to the brink, though there are some clever scenes, including a brilliantly choreographed chase through tight urban streets at the beginning.
Unfortunately, the gags miss their targets more than they hit. Your individual views on toilet humour will ultimately decide whether or not Grimsby is funny and some of the comedic elements intermittently cross the line, an ill-timed HIV joke being one of them.
It’s fair to say you’ll be cringing one minute, and roaring with embarrassed laughter the next.
Nevertheless, Cohen has promised time and time again that he has no time for personal opinions on his films and with each new character; he continues to deliver on that promise. Whether or not his target audience is getting tired is another story completely.
Overall, Grimsby is a movie that is unapologetic with what it is trying to achieve. From homophobic comments, casual racism and a grim depiction of life in Northern England, it’s everything we should despise in modern film-making. However, there’s just something about Cohen’s brazen attitude that keeps us coming back for more.
If you’re reading this Sacha, don’t visit Grimsby for a while, there’s a bounty on your head.
https://moviemetropolis.net/2016/02/27/its-grim-in-england-apparently-grimsby-review/
Louise (64 KP) rated The Wonder in Books
Jul 2, 2018
This is Emma Donoghue’s latest book on the market, prior to picking it up I had heard some mixed reviews but the synopsis is what really pulled me in and regardless of what other readers thought I was going to read it and form my own opinion.
Now I picked up ‘Room’ a few years back and read about half and put it down for some unknown reason. This book is not like ‘Room’ so try not go into it thinking it’s going to be.
This is a historical fiction novel set in rural Ireland just after the Crimean war. Our protagonist is an English nurse who served under Miss Nightingale and goes by the name of Lib Wright. Lib is sent over to Ireland to observe an 11-year-old girl, Anna, who has claimed to have not eaten anything over the last 2-3 months. Lib and a Catholic nun take it turns to watch over Anna, 24hrs a day to see if she really is a miracle as proclaimed by the locals.
I liked this book, I was enthralled by the mystery of a small girl claiming to not have eaten. I was hooked line and sinker wanting to find out what was really happening. How could a child not eat? Was it all just a ploy for fame and money?
This book has a lot with religion involved as all the community and the rest of Ireland are Catholics. I am not a religious person, so a lot of the verses and prayers that were being said went over my head. Religion is the essence of this book, it proves how devout and bordering fanatic people can become.
The Wonder is a very atmospheric book and has a lot of descriptive writing and you really get a feel for the village and the people.
I liked Lib our protagonist, she was determined to find out the truth, she was sceptical from the start and was convinced she would not be there for long. She got frustrated a lot of the time for multiple reasons. 1, The family were not very forthcoming and didn’t like having a stranger in their house (understandable). 2, Anna was very timid and would not open up to Lib. 3, The nun, wouldn’t confer with her as to what happened on her shifts as they were supposed to be forming their own opinions. 4, The doctor looked down on Lib as just ‘help’ and when she voiced her concerns about Anna, she was cut off and told to just do her job.
The couple of things that let the book down for me was the pace of the book. This is an incredibly slow paced book and may not be for everyone. I usually don’t mind slow paced books but it felt like there was a lot of repetition and at points I was thinking to myself that surely this couldn’t on like this for the next 200 odd pages but it did. I think this is for readers who like more atmosphere to their books.
I rated this 3 out of 5 stars
Now I picked up ‘Room’ a few years back and read about half and put it down for some unknown reason. This book is not like ‘Room’ so try not go into it thinking it’s going to be.
This is a historical fiction novel set in rural Ireland just after the Crimean war. Our protagonist is an English nurse who served under Miss Nightingale and goes by the name of Lib Wright. Lib is sent over to Ireland to observe an 11-year-old girl, Anna, who has claimed to have not eaten anything over the last 2-3 months. Lib and a Catholic nun take it turns to watch over Anna, 24hrs a day to see if she really is a miracle as proclaimed by the locals.
I liked this book, I was enthralled by the mystery of a small girl claiming to not have eaten. I was hooked line and sinker wanting to find out what was really happening. How could a child not eat? Was it all just a ploy for fame and money?
This book has a lot with religion involved as all the community and the rest of Ireland are Catholics. I am not a religious person, so a lot of the verses and prayers that were being said went over my head. Religion is the essence of this book, it proves how devout and bordering fanatic people can become.
The Wonder is a very atmospheric book and has a lot of descriptive writing and you really get a feel for the village and the people.
I liked Lib our protagonist, she was determined to find out the truth, she was sceptical from the start and was convinced she would not be there for long. She got frustrated a lot of the time for multiple reasons. 1, The family were not very forthcoming and didn’t like having a stranger in their house (understandable). 2, Anna was very timid and would not open up to Lib. 3, The nun, wouldn’t confer with her as to what happened on her shifts as they were supposed to be forming their own opinions. 4, The doctor looked down on Lib as just ‘help’ and when she voiced her concerns about Anna, she was cut off and told to just do her job.
The couple of things that let the book down for me was the pace of the book. This is an incredibly slow paced book and may not be for everyone. I usually don’t mind slow paced books but it felt like there was a lot of repetition and at points I was thinking to myself that surely this couldn’t on like this for the next 200 odd pages but it did. I think this is for readers who like more atmosphere to their books.
I rated this 3 out of 5 stars
Ivana A. | Diary of Difference (1171 KP) rated My Name Is Anna in Books
Nov 9, 2018
Two women – desperate to unlock the truth.
How far will they go to lay the past to rest?
My name is Anna is one of those books that captures your attention from the moment you look at its cover. Then, it drags you into a story, makes you bite your nails throughout, lifts you up in the air with the amazing writing and than smashes you back into the ground with the incredible twist at the end. Exactly what you want and need from a thriller.
The story is being told by two girls:
Anna, a girl raised with a religious mother, where everything is forbidden and everything is a sin. And when on her 18th Birthday, Anna decides to disobey her mum and go to a theme park, she feels like she has been here before. And then random events lead to her realising that she was taken away when she was a little girl. And her real name is not Anna at all…
Rosie, a girl whose big sister has been missing for fifteen years. And when the media is ready to let the story go after the fifteen years anniversary, Rosie is determined to do whatever it takes to discover the truth of what actually happened on that day at the theme park.
The first thing I noticed in this book, that makes it different than all the stories about the kidnapping is – that the plot is being revealed in the first chapters. I was not expecting to immediately know that Anna and Rosie are sisters and Anna was kidnapped as a girl, but this was stated in the first chapters in the book. I personally thought that this would be the big twist, but the twist came to be so much better than that.
I loved how you could relate to both girls, for different reasons, and how even though they were sisters, how one little moment changed their lives completely. How Anna was raised with different beliefs than Rosie, and how they grew up to be so different, but the same…
This was a great story that give you thoughts about ‘’what could’ve been…’’ and it makes you wonder – if certain things didn’t happen, would our lives be the same?
The end for me, was particularly meaningful. The last moments, the realisation, the conclusion, the story that ended, or the one that never begun, all the things we could’ve been, but are not, and all the things that we wish we could have changed, but we can’t.
If you, like me, are into kidnapping stories, amazing twists and thriller stories that take your breath away, this will definitely be the perfect book for you. This will be a hit at the beginning of 2019, and it will hit the top shelves. I know it hits my favourite shelf – for sure!
A huge thanks to Penguin Random House UK, for providing me with a hardback copy, in exchange for an honest review of this book. The opinions in this review are entirely my own, and completely unbiased.
How far will they go to lay the past to rest?
My name is Anna is one of those books that captures your attention from the moment you look at its cover. Then, it drags you into a story, makes you bite your nails throughout, lifts you up in the air with the amazing writing and than smashes you back into the ground with the incredible twist at the end. Exactly what you want and need from a thriller.
The story is being told by two girls:
Anna, a girl raised with a religious mother, where everything is forbidden and everything is a sin. And when on her 18th Birthday, Anna decides to disobey her mum and go to a theme park, she feels like she has been here before. And then random events lead to her realising that she was taken away when she was a little girl. And her real name is not Anna at all…
Rosie, a girl whose big sister has been missing for fifteen years. And when the media is ready to let the story go after the fifteen years anniversary, Rosie is determined to do whatever it takes to discover the truth of what actually happened on that day at the theme park.
The first thing I noticed in this book, that makes it different than all the stories about the kidnapping is – that the plot is being revealed in the first chapters. I was not expecting to immediately know that Anna and Rosie are sisters and Anna was kidnapped as a girl, but this was stated in the first chapters in the book. I personally thought that this would be the big twist, but the twist came to be so much better than that.
I loved how you could relate to both girls, for different reasons, and how even though they were sisters, how one little moment changed their lives completely. How Anna was raised with different beliefs than Rosie, and how they grew up to be so different, but the same…
This was a great story that give you thoughts about ‘’what could’ve been…’’ and it makes you wonder – if certain things didn’t happen, would our lives be the same?
The end for me, was particularly meaningful. The last moments, the realisation, the conclusion, the story that ended, or the one that never begun, all the things we could’ve been, but are not, and all the things that we wish we could have changed, but we can’t.
If you, like me, are into kidnapping stories, amazing twists and thriller stories that take your breath away, this will definitely be the perfect book for you. This will be a hit at the beginning of 2019, and it will hit the top shelves. I know it hits my favourite shelf – for sure!
A huge thanks to Penguin Random House UK, for providing me with a hardback copy, in exchange for an honest review of this book. The opinions in this review are entirely my own, and completely unbiased.