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Kirk Bage (1775 KP) rated Making A Murderer - Season 1 in TV
Mar 3, 2020
The phenomenon of “true crime” as entertainment is disturbing. What we are saying when we subscribe to watch these compellingly morbid shows is that, of course, we don’t “enjoy” or condone the crimes themselves. But, we do increasingly expect that without the grotesque detail of primary crime scene evidence, documented visually, we can switch over to another show that will give us our macabre kick. So, it is a dangerous precedent to say that without that factor we won’t engage.
What does make us want to know, and solve, and understand the worst criminal minds of the last century? Do we place ourselves as amateur sleuths and psychologists, so we can have our own opinions on a difficult subject, or do we just want to see the very worst of humanity to satisfy a need to be shocked? One thing for sure is that there is no end to this kind of docu-drama available, especially on Netflix, if we choose to stomach it.
I watched three recently in quick succession, and do feel like I have something to say about it…
First, was the extension of the Making A Murderer case of Steven Avery, which can be credited for re-imagining the scope of this kind of “reality” show on Netflix in late 2015. Without a doubt, the draw of the first series was in showing how corrupt, ambiguous and vague the American criminal system can be. We know this from circus shows such as the OJ Simpson case, that capture a curiosity in the public that must be explored and documented. There is no point in saying, no don’t do it, because eventually we have to know, and current forensic science and film techniques allow us to approach it. Carefully. Oh, so carefully!
In this case, the much criticised production extracts further detail from an undeniably fascinating case of criminal negligence and injustice, without ever providing a new revelation enough to definitively say we now know enough to put it to bed. It focuses largely on the power of Kathleen Zellner as a lawyer of impeccable motives and results to prove the innocence of convicted men.
What we then get is 10 episodes of contrivance that increasingly try to convince us further that this is a miscarriage of justice that must be addressed. The continual message is that there is a conspiracy here, which makes for good TV. Someone doesn’t want this show to have an influence. Who is covering up what? And why is the justice system adamant in disallowing the revelations this show throws up so regularly? In the end it becomes less about the victim and the crime, as an indictment of a process that does not want to be examined. The power of this show has always been that something is rotten in Denmark. But what exactly?
There is no doubt at all that once involved you have to keep watching. It is exceptionally presented, and therefore successful as an entertainment because of that. The complexity of the argument comes not in the real recordings of conversations and evidence, but in the form of presentation as a TV show. A question, I am certain, the film-makers themselves constantly ask. It is about finding “truth” for the families of the victims; a crusade that may or may not include individuals wrongly accused of a crime.
What does make us want to know, and solve, and understand the worst criminal minds of the last century? Do we place ourselves as amateur sleuths and psychologists, so we can have our own opinions on a difficult subject, or do we just want to see the very worst of humanity to satisfy a need to be shocked? One thing for sure is that there is no end to this kind of docu-drama available, especially on Netflix, if we choose to stomach it.
I watched three recently in quick succession, and do feel like I have something to say about it…
First, was the extension of the Making A Murderer case of Steven Avery, which can be credited for re-imagining the scope of this kind of “reality” show on Netflix in late 2015. Without a doubt, the draw of the first series was in showing how corrupt, ambiguous and vague the American criminal system can be. We know this from circus shows such as the OJ Simpson case, that capture a curiosity in the public that must be explored and documented. There is no point in saying, no don’t do it, because eventually we have to know, and current forensic science and film techniques allow us to approach it. Carefully. Oh, so carefully!
In this case, the much criticised production extracts further detail from an undeniably fascinating case of criminal negligence and injustice, without ever providing a new revelation enough to definitively say we now know enough to put it to bed. It focuses largely on the power of Kathleen Zellner as a lawyer of impeccable motives and results to prove the innocence of convicted men.
What we then get is 10 episodes of contrivance that increasingly try to convince us further that this is a miscarriage of justice that must be addressed. The continual message is that there is a conspiracy here, which makes for good TV. Someone doesn’t want this show to have an influence. Who is covering up what? And why is the justice system adamant in disallowing the revelations this show throws up so regularly? In the end it becomes less about the victim and the crime, as an indictment of a process that does not want to be examined. The power of this show has always been that something is rotten in Denmark. But what exactly?
There is no doubt at all that once involved you have to keep watching. It is exceptionally presented, and therefore successful as an entertainment because of that. The complexity of the argument comes not in the real recordings of conversations and evidence, but in the form of presentation as a TV show. A question, I am certain, the film-makers themselves constantly ask. It is about finding “truth” for the families of the victims; a crusade that may or may not include individuals wrongly accused of a crime.
Gareth von Kallenbach (971 KP) rated The Man Who Knew Infinity (2016) in Movies
Aug 6, 2019
In 1914, Srinivasa Ramanujan (Dev Patel) traveled from his poverty-stricken existence in Madras, India to Trinity College, Cambridge in the hope that he would have his theories published and be recognized for the mathematical genius he was. While there, despite facing racism, hostility and severe illness, he formed an important relationship with G.H. Hardy (Jeremy Irons) that would lead to breakthroughs in mathematics that are still relevant today.
It would be easy to prattle on about the tremendous talent onscreen in The Man Who Knew Infinity and with a supporting cast that features some of Britain’s best; we get exactly what we’d expect from the likes of Jeremy Irons, Toby Jones and Kevin McNally. All at the top of their game, they serve the story well with nuanced and well-rounded performances, and I’m certainly not going to take anything away from the exceptional jobs they’ve all done here. All the praise this film deserves however, needs to be directed at Dev Patel. In his role as Ramanujan, he’s completely stepped out of the shadow of his big-screen debut in Slumdog Millionaire and has proved his worth as a leading man capable of carrying the weight of an entire feature. Distancing himself also from the lovable, bumbling hotel owner in The Best Exotic Marigold movies, with Ramanujan he is allowed the room to display an incredible range, from quiet intensity to outspoken, unbridled passion and determination. Kudos also to the writers for not going The Big Short route (e.g. talking down to the uninitiated with ridiculous cutaways), but by using simple logic and examples to help convey complex information relevant to the plot.
For the performances alone, this is a solid entry in the biopic genre, but structurally speaking, it’s the editing that lets the film down. This very easily could have emerged as the next A Beautiful Mind, but between a bloated first act, a middling and wandering second act and a truncated final third, The Man Who Knew Infinity falls just short of greatness. Not only is no attention paid to Ramanujan’s achievements as a child, but too much time is given to details and subplots that are arguably inconsequential to the main narrative. This is especially evident in the inclusion of Bertrand Russell (who lived such a rich and fascinating life himself, it would take several films to do that story justice) and his being here feels like just a hollow excuse to include a cameo from another figure of historical importance. The biggest disservice though comes with the ending where we are denied a much needed catharsis and are left to suffer through a slap-dash, halfhearted montage. A restructuring from a more seasoned hand would have undoubtedly led to stronger word-of-mouth and perhaps a wider release. I also wouldn’t be surprised to learn that this is a case of “too many cooks” as the film has a staggering 43 credited producers. I get that independent features can be forced to source their funding from many places, but you can’t tell me that with all those opinions flying about that some of the original intent didn’t get lost in the noise.
As an aside, what Stephen Fry is doing here is beyond me. He’s given two scenes with perhaps a half a dozen lines, leaving his incomparable persona entirely wasted on a completely throwaway character. It’s a pity he wasn’t given a meatier role as one of Ramanujan’s antagonists.
It would be easy to prattle on about the tremendous talent onscreen in The Man Who Knew Infinity and with a supporting cast that features some of Britain’s best; we get exactly what we’d expect from the likes of Jeremy Irons, Toby Jones and Kevin McNally. All at the top of their game, they serve the story well with nuanced and well-rounded performances, and I’m certainly not going to take anything away from the exceptional jobs they’ve all done here. All the praise this film deserves however, needs to be directed at Dev Patel. In his role as Ramanujan, he’s completely stepped out of the shadow of his big-screen debut in Slumdog Millionaire and has proved his worth as a leading man capable of carrying the weight of an entire feature. Distancing himself also from the lovable, bumbling hotel owner in The Best Exotic Marigold movies, with Ramanujan he is allowed the room to display an incredible range, from quiet intensity to outspoken, unbridled passion and determination. Kudos also to the writers for not going The Big Short route (e.g. talking down to the uninitiated with ridiculous cutaways), but by using simple logic and examples to help convey complex information relevant to the plot.
For the performances alone, this is a solid entry in the biopic genre, but structurally speaking, it’s the editing that lets the film down. This very easily could have emerged as the next A Beautiful Mind, but between a bloated first act, a middling and wandering second act and a truncated final third, The Man Who Knew Infinity falls just short of greatness. Not only is no attention paid to Ramanujan’s achievements as a child, but too much time is given to details and subplots that are arguably inconsequential to the main narrative. This is especially evident in the inclusion of Bertrand Russell (who lived such a rich and fascinating life himself, it would take several films to do that story justice) and his being here feels like just a hollow excuse to include a cameo from another figure of historical importance. The biggest disservice though comes with the ending where we are denied a much needed catharsis and are left to suffer through a slap-dash, halfhearted montage. A restructuring from a more seasoned hand would have undoubtedly led to stronger word-of-mouth and perhaps a wider release. I also wouldn’t be surprised to learn that this is a case of “too many cooks” as the film has a staggering 43 credited producers. I get that independent features can be forced to source their funding from many places, but you can’t tell me that with all those opinions flying about that some of the original intent didn’t get lost in the noise.
As an aside, what Stephen Fry is doing here is beyond me. He’s given two scenes with perhaps a half a dozen lines, leaving his incomparable persona entirely wasted on a completely throwaway character. It’s a pity he wasn’t given a meatier role as one of Ramanujan’s antagonists.
Gareth von Kallenbach (971 KP) rated Trainwreck (2015) in Movies
Aug 6, 2019
Admittedly, I did not have a lot of exposure to Amy Schumer going into this film. I was also a little tepid about seeing the film when I found that this is the first film she has ever written, also the first for her to play the leading role. And to keep the firsts going, this is also the first film that Judd Apatow has directed, but not written. There is a lot that could go wrong here. But it didn’t. At the recommendation of several friends, I went into this film optimistic. Boy were they right.
Trainwreck is the story of Amy Townsend (Amy Schumer). A career non-monogamist who kind-of/sort-of has a steady boyfriend, but she also happens to have her fun on the side. Having taken life lessons from her philandering father (Colin Quinn), Amy is all about having fun. She really is what the title of the movie suggests. But what most people don’t understand is that her commitment phobia really stems from her thinking she could never have the type of life and relationship that others, like her sister, have. She is rude, crude and never going to fall in love. Until she meets Aaron Connors (Bill Hader). Amy works for S’Nuff, a men’s magazine that is all about the outrageous stories, such as “How to Masturbate in the Workplace”. Another staffer pitches a piece about Aaron, a sports doctor who has recently developed a new surgery technique that would reduce downtime from knee surgery by half. Amy, being a non-sports fan and having just split with her kind-of/sort-of boyfriend, gets assigned the piece and ends up falling into bed with him and the sparks begin to fly. What could go wrong when a pot-smoking commitment-phobe meets her match and begins to fall in love?
Chock full of cameos, this movie is magic from start to finish. Bringing Schumer’s special brand of comedy to the big screen is no easy task, but it works. Schumer and Hader have such a great chemistry, it makes their relationship seem plausible – the responsible doctor and the slacker magazine writer. From start to finish, the film has great timing in both the comedic moments, and the sadder moments. The supporting cast was tremendous as joining Firth are Tilda Swinton as Amy Schumer’s eccentric boss, Brie Larson as her sister, Mike Birbiglia as her brother-in-law, not to mention Ezra Miller, Lebron James, and various other athletes and stars, including 6 current and past Saturday Night Live cast members. Quick note: I am not a Lebron James fan at all. I have personal opinions about the moves he has made, more the way he has made them, but he was superb in this film. He really can act well enough for the part at hand, and I wouldn’t be surprised if you see him in more roles in the future. You know, after his NBA career ends.
All-in-all, if you are a fan of Amy Schumer. Go see this movie. If you are looking for a great date-night movie. Go see this movie. If you are looking to laugh and some good, and at times inappropriate, humor… go see this movie. I can’t stress it enough. You will not regret it.
Trainwreck is the story of Amy Townsend (Amy Schumer). A career non-monogamist who kind-of/sort-of has a steady boyfriend, but she also happens to have her fun on the side. Having taken life lessons from her philandering father (Colin Quinn), Amy is all about having fun. She really is what the title of the movie suggests. But what most people don’t understand is that her commitment phobia really stems from her thinking she could never have the type of life and relationship that others, like her sister, have. She is rude, crude and never going to fall in love. Until she meets Aaron Connors (Bill Hader). Amy works for S’Nuff, a men’s magazine that is all about the outrageous stories, such as “How to Masturbate in the Workplace”. Another staffer pitches a piece about Aaron, a sports doctor who has recently developed a new surgery technique that would reduce downtime from knee surgery by half. Amy, being a non-sports fan and having just split with her kind-of/sort-of boyfriend, gets assigned the piece and ends up falling into bed with him and the sparks begin to fly. What could go wrong when a pot-smoking commitment-phobe meets her match and begins to fall in love?
Chock full of cameos, this movie is magic from start to finish. Bringing Schumer’s special brand of comedy to the big screen is no easy task, but it works. Schumer and Hader have such a great chemistry, it makes their relationship seem plausible – the responsible doctor and the slacker magazine writer. From start to finish, the film has great timing in both the comedic moments, and the sadder moments. The supporting cast was tremendous as joining Firth are Tilda Swinton as Amy Schumer’s eccentric boss, Brie Larson as her sister, Mike Birbiglia as her brother-in-law, not to mention Ezra Miller, Lebron James, and various other athletes and stars, including 6 current and past Saturday Night Live cast members. Quick note: I am not a Lebron James fan at all. I have personal opinions about the moves he has made, more the way he has made them, but he was superb in this film. He really can act well enough for the part at hand, and I wouldn’t be surprised if you see him in more roles in the future. You know, after his NBA career ends.
All-in-all, if you are a fan of Amy Schumer. Go see this movie. If you are looking for a great date-night movie. Go see this movie. If you are looking to laugh and some good, and at times inappropriate, humor… go see this movie. I can’t stress it enough. You will not regret it.
TravelersWife4Life (31 KP) rated Dust (Heirs of Neverland, #1) in Books
Feb 24, 2021
<a href="https://travelingwife4life.wordpress.com/2020/08/05/the-dust-celebrate-lit/">Travelers Wife 4 Life</a>
Wholly Guacamole was this a captivating book! Take it from someone who was pretty indifferent to the tale of Peter Pan and his adventures before this book, that you will be immersed in a world full of life, dreams, and the pursuit of finding a family. This is Kara Swanson’s first book in her Heirs of Neverland series, and I already can not wait to get my hands on the second book! Dust was AMAZING!
<b>“Play it safe, you mean. I’ve never wanted to be safe Lily. I want to stop hook and save Neverland- even if that means a bit of danger. A smirk tugs at my lips. “Especially if it means danger.”- Peter Pan</b>
The characters in this story were unlike any I have encountered before. They were very real and raw, talking about issues outside of the realm of make-believe and “Magic”, and dealing with them in very lifelike ways. The characters do not fit the mold for Peter Pan and his gang, which I thoroughly loved. Peter had such growth through the story that it was almost tangible. Claire was dreamlike and I enjoyed seeing her unique perspective of Peter and Tiger Lily. I believe Claire is a very relatable character and I am so excited to see where Kara Swanson leads her in the next book. Plus, I loved the hint of romance between Claire and Peter; I am a sucker for a sweet coming of age romance. Both main characters show tremendous growth by the end of the story, Peter maybe a new favorite of mine in terms of character growth and self-reflection.
<b>“His whole face lights up with delight, like a child inviting a grown-up to see a new creation they’ve made. He’s inviting me into his world.” – Claire</b>
The setting for this book is partially the US and then moves to London, which is to be expected; I mean how can you tell the story of Peter Pan without Big Ben? It flows beautifully with Kara Swanson’s edgier tale of Peter and the Lost Boys. From dancing fairies to the feeling of gliding through the air Kara Swanson describes the actions and emotions of the characters in vivid detail making me feel like I was gliding alongside Peter ready for any adventure to come our way. I truly enjoyed this tale and cannot express my anticipation for the next book in the series to release!
I give this book 5 out of 5 stars for the amazing characters, the great twist on a classic tale, and for making me like the story of Peter Pan and the adventures of Lost Boys. I will definitely be reading my kids this story someday, much better than even the original!
<b>“You were created for more than to bear the weight of your shadows- but you have to choose to no longer let them define you. You have to choose to let the light shine through the shattered pieces.” – Tiger Lilly</b>
I could go on forever quoting this book…so you can check out my <a href="https://www.instagram.com/travelerswife4life/">IG</a>; or <a href="https://twitter.com/TravelersWife4L">Twittert</a>; for some more amazing quotes!
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Wholly Guacamole was this a captivating book! Take it from someone who was pretty indifferent to the tale of Peter Pan and his adventures before this book, that you will be immersed in a world full of life, dreams, and the pursuit of finding a family. This is Kara Swanson’s first book in her Heirs of Neverland series, and I already can not wait to get my hands on the second book! Dust was AMAZING!
<b>“Play it safe, you mean. I’ve never wanted to be safe Lily. I want to stop hook and save Neverland- even if that means a bit of danger. A smirk tugs at my lips. “Especially if it means danger.”- Peter Pan</b>
The characters in this story were unlike any I have encountered before. They were very real and raw, talking about issues outside of the realm of make-believe and “Magic”, and dealing with them in very lifelike ways. The characters do not fit the mold for Peter Pan and his gang, which I thoroughly loved. Peter had such growth through the story that it was almost tangible. Claire was dreamlike and I enjoyed seeing her unique perspective of Peter and Tiger Lily. I believe Claire is a very relatable character and I am so excited to see where Kara Swanson leads her in the next book. Plus, I loved the hint of romance between Claire and Peter; I am a sucker for a sweet coming of age romance. Both main characters show tremendous growth by the end of the story, Peter maybe a new favorite of mine in terms of character growth and self-reflection.
<b>“His whole face lights up with delight, like a child inviting a grown-up to see a new creation they’ve made. He’s inviting me into his world.” – Claire</b>
The setting for this book is partially the US and then moves to London, which is to be expected; I mean how can you tell the story of Peter Pan without Big Ben? It flows beautifully with Kara Swanson’s edgier tale of Peter and the Lost Boys. From dancing fairies to the feeling of gliding through the air Kara Swanson describes the actions and emotions of the characters in vivid detail making me feel like I was gliding alongside Peter ready for any adventure to come our way. I truly enjoyed this tale and cannot express my anticipation for the next book in the series to release!
I give this book 5 out of 5 stars for the amazing characters, the great twist on a classic tale, and for making me like the story of Peter Pan and the adventures of Lost Boys. I will definitely be reading my kids this story someday, much better than even the original!
<b>“You were created for more than to bear the weight of your shadows- but you have to choose to no longer let them define you. You have to choose to let the light shine through the shattered pieces.” – Tiger Lilly</b>
I could go on forever quoting this book…so you can check out my <a href="https://www.instagram.com/travelerswife4life/">IG</a>; or <a href="https://twitter.com/TravelersWife4L">Twittert</a>; for some more amazing quotes!
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Lottie disney bookworm (1056 KP) rated The Once and Future Witches in Books
Sep 20, 2020
Thank you to Netgalley for luring me in with this recommendation and the gorgeous cover art. Thank you to Alix E Harrow for providing such an amazing story for this ARC review. All the opinions expressed below are my own.
"Witches and women's rights. Suffrage and spells. They're both...a kind of power...the kind we're not allowed to have."
I'm not often drawn to books involving witches to be honest. I love an annual viewing of Hocus Pocus (who doesn't?!) but that is usually where the affinity ends.
If anything can change my nonchalance, I suspect it may be Alix E. Harrow. This is the first piece of work I have read by the Hugo award winning writer and I don’t need any tarot cards to predict it will not be the last. From the outset of The Once and Future Witches I was hooked: the worldbuilding alone is amazing; you can immediately picture the mills, avenues, squares and slums of New Salem as well as the mysterious tower that pulls our three main characters together.
The three Eastwood sisters themselves are another work of art. Juniper, Agnes and Bella are fierce, formidable women in wildly different ways. They are also flawed, stubborn and quite frankly, inspirational: by linking women’s rights and witchcraft this fantasy novel suddenly becomes more real and relatable to the modern female reader, despite being set in 1893. We empathise, sympathise and rage right alongside the Eastwood sisters on their quest for equality in a male-controlled world.
However, not even witches can act alone and the Eastwood sisters have an amazing cast of supporting characters surrounding them. Impressively, not a single one of these characters can be accused of being two-dimensional: the character development that Harrow has invested into this novel is incredible and must have taken so much work! From the Suffragette’s secretary to the skin-crawling villain to the women and men fighting (and witching) side by side; every single character is substantial and memorable. The sarcasm within Juniper for example is hilarious and even the traditional figures of the Maiden, the Mother and the Crone refuse to conform to stereotypes: I LOVED it!
The format of this novel is very clever and practically forbids you from becoming too comfortable by peppering the main story with “witch-tales”. These complement rather than distract from the storyline and also provide small changes that make you smile – such as the tales of the Sisters Grimm.
Do not be fooled though: the use of witch-tales does not prevent The Once and Future Witches from being an incredibly modern piece of writing. Topics covered include sexuality, gender identity, feminism, race as well as smashing the patriarchy: all interspersed with magic, betrayal and a hell of a lot of emotion.
I would however argue that some topics are slightly too mature for the novel to be considered YA, the description of torture and suggestions of sexual abuse probably push this book firmly into general/adult fantasy fiction novels.
The Once and Future Witches is a future bestseller in my opinion. This unique, powerful novel provides characters that you can’t help but empathise with; slow-burning, intense relationships; the trials and tribulations that come with sisterhood and plot twists at every turn.
This book will swallow you heart and soul, make you laugh, make you cry and leave you bereft at the end.
It is a must read!
"Witches and women's rights. Suffrage and spells. They're both...a kind of power...the kind we're not allowed to have."
I'm not often drawn to books involving witches to be honest. I love an annual viewing of Hocus Pocus (who doesn't?!) but that is usually where the affinity ends.
If anything can change my nonchalance, I suspect it may be Alix E. Harrow. This is the first piece of work I have read by the Hugo award winning writer and I don’t need any tarot cards to predict it will not be the last. From the outset of The Once and Future Witches I was hooked: the worldbuilding alone is amazing; you can immediately picture the mills, avenues, squares and slums of New Salem as well as the mysterious tower that pulls our three main characters together.
The three Eastwood sisters themselves are another work of art. Juniper, Agnes and Bella are fierce, formidable women in wildly different ways. They are also flawed, stubborn and quite frankly, inspirational: by linking women’s rights and witchcraft this fantasy novel suddenly becomes more real and relatable to the modern female reader, despite being set in 1893. We empathise, sympathise and rage right alongside the Eastwood sisters on their quest for equality in a male-controlled world.
However, not even witches can act alone and the Eastwood sisters have an amazing cast of supporting characters surrounding them. Impressively, not a single one of these characters can be accused of being two-dimensional: the character development that Harrow has invested into this novel is incredible and must have taken so much work! From the Suffragette’s secretary to the skin-crawling villain to the women and men fighting (and witching) side by side; every single character is substantial and memorable. The sarcasm within Juniper for example is hilarious and even the traditional figures of the Maiden, the Mother and the Crone refuse to conform to stereotypes: I LOVED it!
The format of this novel is very clever and practically forbids you from becoming too comfortable by peppering the main story with “witch-tales”. These complement rather than distract from the storyline and also provide small changes that make you smile – such as the tales of the Sisters Grimm.
Do not be fooled though: the use of witch-tales does not prevent The Once and Future Witches from being an incredibly modern piece of writing. Topics covered include sexuality, gender identity, feminism, race as well as smashing the patriarchy: all interspersed with magic, betrayal and a hell of a lot of emotion.
I would however argue that some topics are slightly too mature for the novel to be considered YA, the description of torture and suggestions of sexual abuse probably push this book firmly into general/adult fantasy fiction novels.
The Once and Future Witches is a future bestseller in my opinion. This unique, powerful novel provides characters that you can’t help but empathise with; slow-burning, intense relationships; the trials and tribulations that come with sisterhood and plot twists at every turn.
This book will swallow you heart and soul, make you laugh, make you cry and leave you bereft at the end.
It is a must read!
Ivana A. | Diary of Difference (1171 KP) rated The Hopes and Triumphs of the Amir Sisters in Books
Oct 5, 2020
The Hopes and Triumphs of the Amir Sisters by Nadiya Hussain was on my TBR, but I didn’t have the paperback version of the book yet. When I noticed there is an audiobook available from my library, I decided to go ahead and listen to it while I was solving my jigsaw puzzle.
The Hopes and Triumphs of the Amir Sister is the third book in a series that features the Amir sisters. In this book the spotlight is on Mae, the youngest sister of them all. I haven’t read the other two books, but I hope they are better than this one.
Mae was a very annoying character.
And the fact that she was the main character in this book was probably the main reason I didn’t enjoy listening to this book. She has grown up watching her sisters be in the spotlight, living their lives, getting married, having children. She has always been there to help them with everything they might need, because that is her responsibility as their sister.
When Mae heads to university, she fails to fit into any group and make friends. Whenever she goes home and tries to talk about her university life, her stories are lost to the more important stories of her sisters and their babies. Mae feels angry and upset, which leads to her making some decisions that are perhaps unlike her, and also hide some important news from the whole family.
I think the whole family had many issues as a whole, and each individual member had problems on their own.
It is possible that I have never read about a more dysfunctional family that doesn’t work together, but pretends it does. I have seen families that just accept the fact that something is wrong. But this family just keeps going in this weird direction, and it made me uncomfortable throughout the whole journey.
The book in itself handles a lot of sensitive topics, such as sexual advances, public shaming on social media when women put makeup on the train, racism, sexuality, religion, cultural beliefs etc. I felt that this was the only bright spot in the book, to make the readers aware of what is happening, and how some characters respond to it.
Mae was the character I couldn’t relate to the most. Her thoughts and opinions, her way of seeing life was just something I did not agree with. I can understand that she might have been living in a bubble her whole life before moving to university. However, to be so unaware of the outside world and the people around it was just beyond me. I couldn’t agree with how she accepted defeat as something that comes to her by default, and how she was so uninterested to do anything that can make her happier. Refusing to improve in any way is a big character flaw, and I cannot agree with it.
Honestly, I did not enjoy The Hopes and Triumphs of the Amir Sisters.
I am not sure why, but there was so much unnecessary drama, without any real reasoning behind it. Perhaps the fact that I consumed this book as an audiobook has something to do with it as well. The narrator’s voice was really annoying and high-pitched.
The ending was average and very predictable. I didn’t feel as if the characters actually learnt anything in particular about themselves or each other. In conclusion, this book was not for me and I didn’t enjoy it.
The Hopes and Triumphs of the Amir Sister is the third book in a series that features the Amir sisters. In this book the spotlight is on Mae, the youngest sister of them all. I haven’t read the other two books, but I hope they are better than this one.
Mae was a very annoying character.
And the fact that she was the main character in this book was probably the main reason I didn’t enjoy listening to this book. She has grown up watching her sisters be in the spotlight, living their lives, getting married, having children. She has always been there to help them with everything they might need, because that is her responsibility as their sister.
When Mae heads to university, she fails to fit into any group and make friends. Whenever she goes home and tries to talk about her university life, her stories are lost to the more important stories of her sisters and their babies. Mae feels angry and upset, which leads to her making some decisions that are perhaps unlike her, and also hide some important news from the whole family.
I think the whole family had many issues as a whole, and each individual member had problems on their own.
It is possible that I have never read about a more dysfunctional family that doesn’t work together, but pretends it does. I have seen families that just accept the fact that something is wrong. But this family just keeps going in this weird direction, and it made me uncomfortable throughout the whole journey.
The book in itself handles a lot of sensitive topics, such as sexual advances, public shaming on social media when women put makeup on the train, racism, sexuality, religion, cultural beliefs etc. I felt that this was the only bright spot in the book, to make the readers aware of what is happening, and how some characters respond to it.
Mae was the character I couldn’t relate to the most. Her thoughts and opinions, her way of seeing life was just something I did not agree with. I can understand that she might have been living in a bubble her whole life before moving to university. However, to be so unaware of the outside world and the people around it was just beyond me. I couldn’t agree with how she accepted defeat as something that comes to her by default, and how she was so uninterested to do anything that can make her happier. Refusing to improve in any way is a big character flaw, and I cannot agree with it.
Honestly, I did not enjoy The Hopes and Triumphs of the Amir Sisters.
I am not sure why, but there was so much unnecessary drama, without any real reasoning behind it. Perhaps the fact that I consumed this book as an audiobook has something to do with it as well. The narrator’s voice was really annoying and high-pitched.
The ending was average and very predictable. I didn’t feel as if the characters actually learnt anything in particular about themselves or each other. In conclusion, this book was not for me and I didn’t enjoy it.
Lenard (726 KP) rated One Night in Miami (2020) in Movies
Jan 9, 2021
One Night in Miami is from start to finish a frank examination on responsibility and acceptance. On February 25, 1964, four friends who happened to highly visible black men, Malcolm X, Cassius Clay, Sam Cooke, and Jim Brown, met in a hotel room after Cassius surprised the world in winning the heavyweight championship. But, before we get to that night, we are introduced to each man at a crossroads. Malcolm X is breaking away from the Nation of Islam after witnessing the corruption of its leadership. His actions would lead some members to view him as a direct threat. Cassius Clay is a great boxer, but his focus is waning. His brash style is alienating the audience and he has opinions about the way his brothers are being treated in the country. Sam Cooke is recognized as a great voice, but still not respected in the "white" world where success is gauged. He is looking for a way to crossover without betraying his roots. Jim Brown is the greatest football player, but even in his hometown he is still seen as inferior socially. In this dramatized version of the events of that night, each man must come to terms with the path he has chosen and the path forward.
Like another recent film, the path is a choice between making changes within the system, like Sam Cooke and Jim Brown have attempted, or to change the system from the outside, like Malcolm and Clay. Both paths have their advantages, and both are also deadly. Within a year, both Malcolm and Cooke would be dead. The movie based on a play finds ways from each character to learn from the others by pairing them off in various combinations (Malcolm-Cooke, Brown-Clay, Cooke-Clay, Malcolm-Brown, Malcolm-Clay, Cooke-Brown). The main antagonism takes place between Cooke and Malcolm. Cooke sees Malcolm as a militant who is creating sowing seeds of fear in the eyes of "America" and Malcolm sees Cooke as a Stepin Fetchit with a huge amount of talent wasted playing by the rules. Cooke shows Malcolm that he is quietly taking control while Malcolm gives Cooke the spark to sing for civil rights for the less fortunate members of black society. Malcolm also begins to see how his actions have hurt his brothers by grouping all members of one race together similar to the way whites do not distinguish between black individuals. The movie never shies away from shading each hero with flaws.
Malcolm may be paranoid as evidenced by a couple scenes where he sees people on his trail who may or may not be real. Under a lot of pressure to break from his organization, Malcolm sees his staff betraying him to the feds who have been investigating him since he first started speaking. The whole subplot humanizes a man who many view as dangerous to the world. Jim Brown is also seen as a hero to most. He broke records and is about to conquer the film industry. Maybe they are using him, but he is using them to shine a light on the inequality of the races.
Lastly, one scene in the movie is a highlight. It is not in Miami, but in Boston. It shows how one man can turn a riot into a celebration of joy. With the main road blocked, a man of great talent can turn adversity into victory using his wits and his voice.
Like another recent film, the path is a choice between making changes within the system, like Sam Cooke and Jim Brown have attempted, or to change the system from the outside, like Malcolm and Clay. Both paths have their advantages, and both are also deadly. Within a year, both Malcolm and Cooke would be dead. The movie based on a play finds ways from each character to learn from the others by pairing them off in various combinations (Malcolm-Cooke, Brown-Clay, Cooke-Clay, Malcolm-Brown, Malcolm-Clay, Cooke-Brown). The main antagonism takes place between Cooke and Malcolm. Cooke sees Malcolm as a militant who is creating sowing seeds of fear in the eyes of "America" and Malcolm sees Cooke as a Stepin Fetchit with a huge amount of talent wasted playing by the rules. Cooke shows Malcolm that he is quietly taking control while Malcolm gives Cooke the spark to sing for civil rights for the less fortunate members of black society. Malcolm also begins to see how his actions have hurt his brothers by grouping all members of one race together similar to the way whites do not distinguish between black individuals. The movie never shies away from shading each hero with flaws.
Malcolm may be paranoid as evidenced by a couple scenes where he sees people on his trail who may or may not be real. Under a lot of pressure to break from his organization, Malcolm sees his staff betraying him to the feds who have been investigating him since he first started speaking. The whole subplot humanizes a man who many view as dangerous to the world. Jim Brown is also seen as a hero to most. He broke records and is about to conquer the film industry. Maybe they are using him, but he is using them to shine a light on the inequality of the races.
Lastly, one scene in the movie is a highlight. It is not in Miami, but in Boston. It shows how one man can turn a riot into a celebration of joy. With the main road blocked, a man of great talent can turn adversity into victory using his wits and his voice.
Ivana A. | Diary of Difference (1171 KP) rated Music From Another World in Books
Aug 3, 2020
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Music From Another World is a powerful and emotional read, about fighting for freedom and acceptance and the amazing feeling when you finally find a crowd where you can really fit in!
<b><i>Synopsis:</i></b>
It’s summer 1977 and closeted lesbian Tammy Larson can’t be herself anywhere. Not at her strict Christian high school. Not at her conservative Orange County church. And certainly not at home, where her ultra religious aunt relentlessly organizes anti gay political campaigns. Tammy’s only outlet is writing secret letters in her diary to gay civil rights activist Harvey Milk… until she has a real-life pen pal who changes everything.
Sharon Hawkins will bond with Tammy over punk music and carefully shared secrets, and soon their letters become the one place she can be honest. The rest of her life in San Francisco is full of lies. The kind she tells for others - like helping her gay brother hide the truth from their mom. But as anti gay fervor in America reaches a frightening new pitch, Sharon and Tammy must rely on their long-distance friendship to discover their deeply personal truths. What they’ll stand for…and who they’ll rise against.
<b><i>My Thoughts: </i></b>
From the very first moment I read the synopsis, I knew I needed to read this book. It seemed filled with 1970's spirit, the movement to be brave and honest. The discussions in this book are through the form of letters or diary entries, which I really enjoyed. This writing style helped me get through the book extremely quickly.
We get to meet the two girls, Tammy and Sharon, both very different, but both struggling with the same issues of being contained in a world where they cannot be themselves. And even though this particular book is about the LGBTQ+ community, I believe this issue also applies to anything else in life, where people feel like they cannot be who they really are. Sometimes it is religion, other times it is political opinions, it could even be different hobbies where the person feels needs to contain in themselves because of the fear they might be frowned upon or laughed at.
<b><i>It is amazing to see how the world has progressed over the years, where people start feeling like they can finally express who they really are. It is not yet ideal, but I have a good feeling we are getting there. There is also the very powerful force of the internet, the advantage people didn't have before, to find people across the globe that share the same beliefs and interests. </i></b>
Music From Another World really moved me, and it brought up various emotions. It talks about the struggles and the reprimands, but it also talks about real happiness and laughter. The amazing feeling when you finally find a crowd that accepts you and where you truly belong. I believe this is the first book with a plot that made me feel so happy, so sad and so angry at the same time.
Thank you to NetGalley and the HQ Team, for sending me an ARC copy of this book in exchange for an honest review!
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<img src="https://diaryofdifference.com/wp-content/uploads/2020/05/Book-Review-Banner-53.png"/>;
Music From Another World is a powerful and emotional read, about fighting for freedom and acceptance and the amazing feeling when you finally find a crowd where you can really fit in!
<b><i>Synopsis:</i></b>
It’s summer 1977 and closeted lesbian Tammy Larson can’t be herself anywhere. Not at her strict Christian high school. Not at her conservative Orange County church. And certainly not at home, where her ultra religious aunt relentlessly organizes anti gay political campaigns. Tammy’s only outlet is writing secret letters in her diary to gay civil rights activist Harvey Milk… until she has a real-life pen pal who changes everything.
Sharon Hawkins will bond with Tammy over punk music and carefully shared secrets, and soon their letters become the one place she can be honest. The rest of her life in San Francisco is full of lies. The kind she tells for others - like helping her gay brother hide the truth from their mom. But as anti gay fervor in America reaches a frightening new pitch, Sharon and Tammy must rely on their long-distance friendship to discover their deeply personal truths. What they’ll stand for…and who they’ll rise against.
<b><i>My Thoughts: </i></b>
From the very first moment I read the synopsis, I knew I needed to read this book. It seemed filled with 1970's spirit, the movement to be brave and honest. The discussions in this book are through the form of letters or diary entries, which I really enjoyed. This writing style helped me get through the book extremely quickly.
We get to meet the two girls, Tammy and Sharon, both very different, but both struggling with the same issues of being contained in a world where they cannot be themselves. And even though this particular book is about the LGBTQ+ community, I believe this issue also applies to anything else in life, where people feel like they cannot be who they really are. Sometimes it is religion, other times it is political opinions, it could even be different hobbies where the person feels needs to contain in themselves because of the fear they might be frowned upon or laughed at.
<b><i>It is amazing to see how the world has progressed over the years, where people start feeling like they can finally express who they really are. It is not yet ideal, but I have a good feeling we are getting there. There is also the very powerful force of the internet, the advantage people didn't have before, to find people across the globe that share the same beliefs and interests. </i></b>
Music From Another World really moved me, and it brought up various emotions. It talks about the struggles and the reprimands, but it also talks about real happiness and laughter. The amazing feeling when you finally find a crowd that accepts you and where you truly belong. I believe this is the first book with a plot that made me feel so happy, so sad and so angry at the same time.
Thank you to NetGalley and the HQ Team, for sending me an ARC copy of this book in exchange for an honest review!
Purple Phoenix Games (2266 KP) rated Happy Salmon in Tabletop Games
Jun 12, 2019
Brain burners. We have all played them. They typically aren’t my cup of tea because usually when I get to play games it is later in the evening. By that time I have had a full day’s work, taken care of a toddler (or more depending on when you read this), and thus my brainpower tank is already close to empty. Throw a game or two on top and I’m all mushy upstairs. ENTER: HAPPY SALMON.
Disclaimer (if needed): We are only reviewing the green version of this game. We know you can buy the blue version and add the cards for more players, but we haven’t done that yet. So we are just sticking with green for now. -T
In the activity Happy Salmon (let’s be honest, this isn’t necessarily a “game” so much as an “activity”) each player has a color-coded personal deck of cards that must be shuffled and held face-down. The players then stand in a circle. Setup is complete. The object of the game is to be the first player to deplete your deck of cards. You do so by turning over the top card of your deck and hopefully matching its face with another player who has turned over their copy of that card. Sounds easy right?
The “activity” portion and/or meat of this game happens when you find your match – you must both DO the action listed on your card. It could be as easy as high-fiving each other. Or pounding knuckles. Or simply switching places in the circle (see photo below). But then you have the ol’ Happy Salmon card which requires each player to do this absurd salmon handshake action that could be entertainment enough for the group if you have players with less-than-stellar bodily coordination.
So this doesn’t really sound all that appealing, I know. And I also wouldn’t have given it another thought, except I heard the guys from Dukes of Dice podcast raving about how rejuvenated they felt after having played this in the middle of an intense game sesh. I trust the opinions of Sean and Alex, and the price was right for me, so I picked it up. Boy am I glad I did! Now, this isn’t a game that I will bring out to every game session, nor with every play group, but I WILL pull this out if anyone is getting a little sleepy, or if we just want to shake out our bodies and our brains to hit up another long game.
The components are easy to discuss. It’s a fish made out of mousepad material that zips open and holds all the cards. The fish is great, but I really don’t care for “boxes” that aren’t… well, boxes. It’s great quality though. The cards, on the other hand, are really flimsy and make your hand sweaty. I don’t think I will sleeve these cards ever, as a replacement set is VERY affordable, and I do not really have any other suggestions to alleviate this “problem,” but the cards are just okay-quality. I suppose you are just flipping them over and then chucking them on the floor anyway, but for an extra $5 on the price of the game I would have preferred more rugged cards.
What this game lacks in hardcore thinkyness, prestige, and strategy, it makes up for in fun, hilarious moments, and plays that become raucously entertaining bits of your life you may never forget. It will never be on my Top 10 list, but it’s currently on my Top 100 and I will never get rid of my copy. For those reasons Purple Phoenix Games gives Happy Salmon a very appreciative 12 / 18 (Laura claims to have never played it).
https://purplephoenixgames.wordpress.com/2019/03/08/happy-salmon-review/
Disclaimer (if needed): We are only reviewing the green version of this game. We know you can buy the blue version and add the cards for more players, but we haven’t done that yet. So we are just sticking with green for now. -T
In the activity Happy Salmon (let’s be honest, this isn’t necessarily a “game” so much as an “activity”) each player has a color-coded personal deck of cards that must be shuffled and held face-down. The players then stand in a circle. Setup is complete. The object of the game is to be the first player to deplete your deck of cards. You do so by turning over the top card of your deck and hopefully matching its face with another player who has turned over their copy of that card. Sounds easy right?
The “activity” portion and/or meat of this game happens when you find your match – you must both DO the action listed on your card. It could be as easy as high-fiving each other. Or pounding knuckles. Or simply switching places in the circle (see photo below). But then you have the ol’ Happy Salmon card which requires each player to do this absurd salmon handshake action that could be entertainment enough for the group if you have players with less-than-stellar bodily coordination.
So this doesn’t really sound all that appealing, I know. And I also wouldn’t have given it another thought, except I heard the guys from Dukes of Dice podcast raving about how rejuvenated they felt after having played this in the middle of an intense game sesh. I trust the opinions of Sean and Alex, and the price was right for me, so I picked it up. Boy am I glad I did! Now, this isn’t a game that I will bring out to every game session, nor with every play group, but I WILL pull this out if anyone is getting a little sleepy, or if we just want to shake out our bodies and our brains to hit up another long game.
The components are easy to discuss. It’s a fish made out of mousepad material that zips open and holds all the cards. The fish is great, but I really don’t care for “boxes” that aren’t… well, boxes. It’s great quality though. The cards, on the other hand, are really flimsy and make your hand sweaty. I don’t think I will sleeve these cards ever, as a replacement set is VERY affordable, and I do not really have any other suggestions to alleviate this “problem,” but the cards are just okay-quality. I suppose you are just flipping them over and then chucking them on the floor anyway, but for an extra $5 on the price of the game I would have preferred more rugged cards.
What this game lacks in hardcore thinkyness, prestige, and strategy, it makes up for in fun, hilarious moments, and plays that become raucously entertaining bits of your life you may never forget. It will never be on my Top 10 list, but it’s currently on my Top 100 and I will never get rid of my copy. For those reasons Purple Phoenix Games gives Happy Salmon a very appreciative 12 / 18 (Laura claims to have never played it).
https://purplephoenixgames.wordpress.com/2019/03/08/happy-salmon-review/
Hazel (1853 KP) rated This Secret We're Keeping in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.
A pupil and a teacher. Is it ever right to break the rules?</i> This is the dilemma which debut author Rebecca Done basis her novel on. <i>This Secret We’re Keeping</i> is set seventeen years after a maths teacher began an inappropriate relationship with a schoolgirl; but did he really deserve what happened to him, after all he loved her and she loved him?
Jess has never got over her love for the teacher she ran away with when she was fifteen. Although she has got her life together: living in Norfolk, freelance catering business, a rich boyfriend; she cannot help but think back to way Mr. Landley, Matthew, made her feel. Suddenly, after a chance encounter, Matthew is back in her life with a new name, Will, and a girlfriend and daughter. Delighted to see each other again, it is not long before they fall back into their illicit affair, however the potential consequences are almost as bad as the previous time.
<i>This Secret We’re Keeping</i> causes the reader to question strong personal beliefs, primarily whether a teacher-student relationship is as wrong as it sounds. If certain events in this novel were to be made public through the media, the majority would instantly hate Matthew, deem him a paedophile, and be satisfied with his punishment. However on reading the situation from his point of view, initial opinions begin to crumble. It appears he genuinely loved Jess, and she him; there were no abusive occurrences, and it was Jess that instigated the relationship in the first place. Did Matthew truly deserve to go to prison for something that would have been legal in a year’s time?
Matthew/Will’s narrative helps to show that it is virtually impossible to pinpoint a single moment that changes a life forever. At which point did he know that he had stepped over the line from right to wrong? In hindsight it is fairly obvious, but at the time the warning signs are not so clear.
Due to the challenging of preset judgments, <i>This Secret We’re Keeping</i> can often be difficult to read. Whilst on the one hand logic will be screaming, “This is wrong!” Done plays with her readers’ sentimentalities to consider the other side of the argument. As the novel progresses it becomes easier to fall in line with Jess and Matthew/Will’s viewpoints, however a brief interaction towards the end forces readers to temporarily reconsider their forgone conclusion. After all, how much can a first person narrative really be trusted?
Having read the blurb I admit I was a bit wary about reading this book. For one, it falls under the genre of Chick Lit, which I am not all that fond of, but secondly the book’s theme appeared rather controversial. On the whole, <i>This Secret We’re Keeping</i> was much better than I was anticipating, however I began to lose interest towards the end as nothing much had changed throughout the present day chapters, and it was already obvious how the past narrative would pan out. The ending is also frustratingly ambiguous, as we never find out whether either of the key characters gets a “happy ever after.”
If you are someone who enjoys Chick Lit, do not let the themes of the book put you off. <i>This Secret We’re Keeping</i> is essentially a romance story, one that is written remarkably well for a first time author. Rebecca Done will be a name to look out for in the world of contemporary literature.
A pupil and a teacher. Is it ever right to break the rules?</i> This is the dilemma which debut author Rebecca Done basis her novel on. <i>This Secret We’re Keeping</i> is set seventeen years after a maths teacher began an inappropriate relationship with a schoolgirl; but did he really deserve what happened to him, after all he loved her and she loved him?
Jess has never got over her love for the teacher she ran away with when she was fifteen. Although she has got her life together: living in Norfolk, freelance catering business, a rich boyfriend; she cannot help but think back to way Mr. Landley, Matthew, made her feel. Suddenly, after a chance encounter, Matthew is back in her life with a new name, Will, and a girlfriend and daughter. Delighted to see each other again, it is not long before they fall back into their illicit affair, however the potential consequences are almost as bad as the previous time.
<i>This Secret We’re Keeping</i> causes the reader to question strong personal beliefs, primarily whether a teacher-student relationship is as wrong as it sounds. If certain events in this novel were to be made public through the media, the majority would instantly hate Matthew, deem him a paedophile, and be satisfied with his punishment. However on reading the situation from his point of view, initial opinions begin to crumble. It appears he genuinely loved Jess, and she him; there were no abusive occurrences, and it was Jess that instigated the relationship in the first place. Did Matthew truly deserve to go to prison for something that would have been legal in a year’s time?
Matthew/Will’s narrative helps to show that it is virtually impossible to pinpoint a single moment that changes a life forever. At which point did he know that he had stepped over the line from right to wrong? In hindsight it is fairly obvious, but at the time the warning signs are not so clear.
Due to the challenging of preset judgments, <i>This Secret We’re Keeping</i> can often be difficult to read. Whilst on the one hand logic will be screaming, “This is wrong!” Done plays with her readers’ sentimentalities to consider the other side of the argument. As the novel progresses it becomes easier to fall in line with Jess and Matthew/Will’s viewpoints, however a brief interaction towards the end forces readers to temporarily reconsider their forgone conclusion. After all, how much can a first person narrative really be trusted?
Having read the blurb I admit I was a bit wary about reading this book. For one, it falls under the genre of Chick Lit, which I am not all that fond of, but secondly the book’s theme appeared rather controversial. On the whole, <i>This Secret We’re Keeping</i> was much better than I was anticipating, however I began to lose interest towards the end as nothing much had changed throughout the present day chapters, and it was already obvious how the past narrative would pan out. The ending is also frustratingly ambiguous, as we never find out whether either of the key characters gets a “happy ever after.”
If you are someone who enjoys Chick Lit, do not let the themes of the book put you off. <i>This Secret We’re Keeping</i> is essentially a romance story, one that is written remarkably well for a first time author. Rebecca Done will be a name to look out for in the world of contemporary literature.