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Gareth von Kallenbach (980 KP) rated Pain & Gain (2013) in Movies
Aug 7, 2019
Michael Bay’s latest film Pain and Gain suffers from a bit of performance anxiety. It starts hot and flashy, becomes humorous and then starts to drag as it realizes it needs to actually deliver. This is unfortunate because if Bay focused on delivering an entertaining movie from start to finish he may have succeeded. Instead we are constantly reminded by expository text on screen and one of the five unnecessary voiceovers that “sometimes the facts are stranger than fiction.” And the facts are that we get a film here that starts out as a comedy, evolves into a kidnapping/extortion story with a few more jokes only to end with minimal action and no redeeming opportunities for our protagonists. Plus the final jokes or shock opportunities are lost in the fact that our main characters become less and less likeable as the story evolves.
Mark Wahlberg plays body-builder and trainer Daniel Lugo, a self-described “doer” who is tired of working hard only to never reach the level of success that many of his rich clients have achieved. Fed up with his everyday life of being broke, Logo decides it is time to take what he thinks should be his. Together with the help of his roided-out, impotent employee Adrian (Anthony Mackie) and ex-con who found Jesus Paul (Dwayne Johnson), the trio decide to kidnap and extort the jerk off wealthy client Victor (Tony Shalhoub) for everything thing he has. The hilarity ensues while it’s obvious that these muscle heads do not have to smarts to pull off this elaborate plan other than what they have seen in the movies.
It should be noted here that Wahlberg is once again great as a character that does not possess a lot of smarts. Mackie delivers another solid character performance to add to his resume but it is Johnson who steals the show. In a movie where at first glance his physique fits right in, it is his softer more emotional side that shows some range that we have never seen from him before. He plays an ex-con who is determined to change his life only to be slowly sucked back into the lifestyle that put him in jail in the first place. Johnson’s emotional range has him delivering perhaps his best performance ever.
Eventually these three break Victor and take everything he has and they start to live out their dreams. But like all things that take no skill or real effort to earn, the three squander their new found wealth and go looking for another target. All while Victor hires a private detective (Ed Harris) to help bust the trio as the local cops do not believe that some muscle heads could pull off the elaborate heist.
And here is where the film starts to fall apart. The three main characters start to change from fun loving hard working characters to bad guys. The things they do to gain their wealth are repulsive and it stops being funny. Victor is a terrible character that is hard to like in the first place, so you do not really feel bad for him when he loses everything. It is just that you do not really feel happy for our anti-heroes either. And when the story enters its third act after dragging through the second, it feels rushed to close out the film as the gang decides to make a run at another wealthy target.
Furthermore, every character get his/hers own voice over. Seriously, what is the point? It is one thing for Wahlberg to have his own narration as he is the main character, however even Harris gets his own character development through dialogue. It makes the story disjointed and made me feel unsure about who or what I should be rooting for.
In the end I walked out of the theater feeling like we watched two different movies. A rags-to-riches comedy in the beginning that morphs into an unfunny crime drama by the end that has to remind you again and again that you are watching something that is based on a true story. It is a shame because I enjoyed the beginning of this film. I wish that Bay would have taken even additional liberties to make a more consistent film from start to finish on what was already a loosely based true story in the first place.
Mark Wahlberg plays body-builder and trainer Daniel Lugo, a self-described “doer” who is tired of working hard only to never reach the level of success that many of his rich clients have achieved. Fed up with his everyday life of being broke, Logo decides it is time to take what he thinks should be his. Together with the help of his roided-out, impotent employee Adrian (Anthony Mackie) and ex-con who found Jesus Paul (Dwayne Johnson), the trio decide to kidnap and extort the jerk off wealthy client Victor (Tony Shalhoub) for everything thing he has. The hilarity ensues while it’s obvious that these muscle heads do not have to smarts to pull off this elaborate plan other than what they have seen in the movies.
It should be noted here that Wahlberg is once again great as a character that does not possess a lot of smarts. Mackie delivers another solid character performance to add to his resume but it is Johnson who steals the show. In a movie where at first glance his physique fits right in, it is his softer more emotional side that shows some range that we have never seen from him before. He plays an ex-con who is determined to change his life only to be slowly sucked back into the lifestyle that put him in jail in the first place. Johnson’s emotional range has him delivering perhaps his best performance ever.
Eventually these three break Victor and take everything he has and they start to live out their dreams. But like all things that take no skill or real effort to earn, the three squander their new found wealth and go looking for another target. All while Victor hires a private detective (Ed Harris) to help bust the trio as the local cops do not believe that some muscle heads could pull off the elaborate heist.
And here is where the film starts to fall apart. The three main characters start to change from fun loving hard working characters to bad guys. The things they do to gain their wealth are repulsive and it stops being funny. Victor is a terrible character that is hard to like in the first place, so you do not really feel bad for him when he loses everything. It is just that you do not really feel happy for our anti-heroes either. And when the story enters its third act after dragging through the second, it feels rushed to close out the film as the gang decides to make a run at another wealthy target.
Furthermore, every character get his/hers own voice over. Seriously, what is the point? It is one thing for Wahlberg to have his own narration as he is the main character, however even Harris gets his own character development through dialogue. It makes the story disjointed and made me feel unsure about who or what I should be rooting for.
In the end I walked out of the theater feeling like we watched two different movies. A rags-to-riches comedy in the beginning that morphs into an unfunny crime drama by the end that has to remind you again and again that you are watching something that is based on a true story. It is a shame because I enjoyed the beginning of this film. I wish that Bay would have taken even additional liberties to make a more consistent film from start to finish on what was already a loosely based true story in the first place.
Goddess in the Stacks (553 KP) rated The Poppy War (The Poppy War #1) in Books
Oct 9, 2018
Have you ever read a book that is so good you don't know what to say about it? It's taken me almost two weeks to even attempt this review because I just don't know what to write. The Poppy War is your typical story of downtrodden, disadvantaged girl testing into the highest school in the land and gaining the opportunities and privileges that come with that, but then the book takes a sharp twist into war. Rin doesn't exactly get the most typical of educations, even before war breaks out. And when war breaks out, the school is disbanded, the students getting flung all over the land to where the government thinks they will help the most. For Rin, that's joining The Cike. The Bizarre Children. The division of people who can do....things. Things the rest of the military isn't comfortable with. The Cike can call on the powers of gods, and doing so makes them not-quite-untouchables. Rin, who was never short on resentment before this, grows ever more resentful.
Rin is an interesting character; she's been hard done by, yes, but she makes decisions that only make things harder on herself. So I feel for her a little, but at the same time, girl. Check yourself. What's been done to you doesn't justify what you plan to do to others. I am hoping she comes to see that in the next book, because her rage and need for vengeance definitely gets the best of her in this one.
The Poppy War is an excellently written blend of military fantasy, epic fantasy, and coming-of-age novel. Unlike some books, where the military aspect far overshadows the characters, leaving them flat, Poppy War doesn't ignore the characters to focus on the bigger picture. It's a very good mix of both close-up focus on characters, fights, battles, and zoomed-out strategy and war. It's probably the best military fantasy I've read, and the Asian aspect of it makes it even better. So much military fantasy is western European, or Steampunk, or both. I've been finding more and more Asian and African fantasy, and I am SO HERE FOR IT. I need to try to find more South American fantasy. I know it's out there.
I will definitely be watching for the next book in this series, because it's awesome.
You can find all my reviews at http://goddessinthestacks.com
Rin is an interesting character; she's been hard done by, yes, but she makes decisions that only make things harder on herself. So I feel for her a little, but at the same time, girl. Check yourself. What's been done to you doesn't justify what you plan to do to others. I am hoping she comes to see that in the next book, because her rage and need for vengeance definitely gets the best of her in this one.
The Poppy War is an excellently written blend of military fantasy, epic fantasy, and coming-of-age novel. Unlike some books, where the military aspect far overshadows the characters, leaving them flat, Poppy War doesn't ignore the characters to focus on the bigger picture. It's a very good mix of both close-up focus on characters, fights, battles, and zoomed-out strategy and war. It's probably the best military fantasy I've read, and the Asian aspect of it makes it even better. So much military fantasy is western European, or Steampunk, or both. I've been finding more and more Asian and African fantasy, and I am SO HERE FOR IT. I need to try to find more South American fantasy. I know it's out there.
I will definitely be watching for the next book in this series, because it's awesome.
You can find all my reviews at http://goddessinthestacks.com
ClareR (6256 KP) rated The Girl with the Louding Voice in Books
Mar 10, 2020
The story of a courageous girl.
The Girl with the Louding Voice is about the courage of a Nigerian girl. I finished reading this on International Women’s Day, and this book tells a story of WHY we need such a day!
All Adunni wants is an education and a way out of the poverty that she was born in to. This dream however, seems to be brought to an abrupt end with the death of her mother. Adunni’s father has relied on his wife’s wages (he doesn’t seem to work) and has managed to rack up debts that he can’t pay off. So he sells 14 year old Adunni in to marriage with a man who is far older than her, who already has two wives. Adunni is supposed to swap her ambitions from education and a career, to bearing male children to a man she can’t bring herself to look at (and I don’t blame her). She has a horrible life, made marginally better by her friendship with the heavily pregnant second wife. However, Adunni tries to help the second wife see a midwife because of pregnancy complications and something goes very wrong. Adunni runs away, knowing that if she is caught, it could mean her death.
She then finds herself working at a house in the city as a house girl: she’s basically a slave, working from 5am to midnight, for no wages. Big Madam, her ‘employer’ beats her for the slightest things. Reading these scenes was upsetting - that a child should be treated in such a way, that she should be raped by a man who should never have married her (it IS illegal in Nigeria), and then be beaten to unconsciousness by her ‘owner’ (because without wages, surely that’s what Big Madam is?). And then there are Adunni’s saviours: the chef who lives and works in the house, and a neighbour who is a doctors wife, Tia.
This book will probably break your heart, but you’ll also marvel at the strength, perseverance and bravery of Adunni. She never gives up. She knows what she wants, and she grabs her opportunities where she can. This is a book that everyone should read - it’s really that good.
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
All Adunni wants is an education and a way out of the poverty that she was born in to. This dream however, seems to be brought to an abrupt end with the death of her mother. Adunni’s father has relied on his wife’s wages (he doesn’t seem to work) and has managed to rack up debts that he can’t pay off. So he sells 14 year old Adunni in to marriage with a man who is far older than her, who already has two wives. Adunni is supposed to swap her ambitions from education and a career, to bearing male children to a man she can’t bring herself to look at (and I don’t blame her). She has a horrible life, made marginally better by her friendship with the heavily pregnant second wife. However, Adunni tries to help the second wife see a midwife because of pregnancy complications and something goes very wrong. Adunni runs away, knowing that if she is caught, it could mean her death.
She then finds herself working at a house in the city as a house girl: she’s basically a slave, working from 5am to midnight, for no wages. Big Madam, her ‘employer’ beats her for the slightest things. Reading these scenes was upsetting - that a child should be treated in such a way, that she should be raped by a man who should never have married her (it IS illegal in Nigeria), and then be beaten to unconsciousness by her ‘owner’ (because without wages, surely that’s what Big Madam is?). And then there are Adunni’s saviours: the chef who lives and works in the house, and a neighbour who is a doctors wife, Tia.
This book will probably break your heart, but you’ll also marvel at the strength, perseverance and bravery of Adunni. She never gives up. She knows what she wants, and she grabs her opportunities where she can. This is a book that everyone should read - it’s really that good.
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
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