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King Solomon's Mines tells of a search of an unexplored region of Africa by a group of adventurers...
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This book provides a 'no-nonsense' guide to project management which will enable library and...
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'A magnificent story, brilliantly told. Read it!' Anthony HorowitzSix gentlemen, one goal - the...
Jesters_folly (230 KP) rated Guardians (2017) in Movies
Aug 31, 2020
During the cold war a secret Russian organisation called Patriot performed a number of illegal experiments, with both machines and humans. Patriot was shut down due the actions of a rouge scientist who was trying to create module 1 a device that can control any vehicle remotely. Now, a number of experimental tanks have been stolen so Patriot is reopened and a number of the human experiments are found to combat their old creator.
4 hero's are found; Ler, who can control rocks and use them as weapons and armour, Khan, a super speed ninja, Kseniya, who can turn invisible (when wet) and doesn't feel temperature and Arsus, a were-bear with a Gatling gun.
Like many other hero's the hero's of Guardians have their own problems and their reasons for not wanting to be found but these are only touched upon as the film concentrates on bringing the team together and then fighting the enemy whilst showing off their powers and, lets face it, that's what most of us want from a super hero movie.
The plot is simple, the evil Avgust Kuratov wants to take over all the machines of the world and the Guardians are formed to stop him. The effects and CGI aren't bad and we even get a couple transformation scenes with the were-bear. There are funny moments and tragic back stories and action, really most things you would want in a super hero film.
There is a hint of a sequel, both at the end of the film and a scene during the credits which also promises more hero's but, unfortunately,I don't think it's been made.
Carrefour Ooshop - Courses
Food & Drink and Shopping
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Avec l’application Ooshop vous pouvez commander vos courses en ligne avec une livraison à...
Young Queens: Three Renaissance Women and the Price of Power
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Sixteenth-century Europe: Renaissance masters paint the ceilings of Florentine churches, kings...
Non-fiction France Spain Scotland England 16th Century Europe
Sarah (7798 KP) rated Ava (2020) in Movies
Jan 5, 2021
From the outset, Ava appears to be like your typical female assassin style film – a loud, stylish electro/techno soundtrack overlaying an assassination featuring wigs, stylish clothes and cars and every other spy cliché you’d come to expect from a film like this. The only truly original and enjoyable thing in this opening scene is Ioan Gruffudd’s shady businessman, who looks like he’s having a whale of a time relishing playing a bad guy for a change. However what you don’t see coming with Ava after this initial scene is that instead of being a full on action film, it turns into a family melodrama with a few fight scenes thrown in almost as an afterthought.
Ava is a characterless film full of clichés, and lacking in any personality whatsoever. The spy and action elements, when we eventually see them that is, are entirely unoriginal and have been done so much better in any other spy film you could think of. The fight scenes are surprisingly dull and the camera work only results in highlighting how staged and choreographed the scenes are, they just don’t look real. It isn’t helped by all of the family drama either, with a large number of conversational dialogue scenes taking over the majority of the short but feels so long run time. It wouldn’t be too bad if these were scripted well but I’m afraid like everything else in this film, the script is lacklustre and clichéd.
Character development is poor and banal too, with the majority of the spy related characters lacking in any form of personality or likability. Ava herself is the worst, she reminded me of a personality-less robot who has no depth or emotions, no matter how much the opening credits scene or family interactions try to tell us otherwise. This film has really done it’s stellar cast a huge injustice and gives them absolutely nothing to work with.
Even the plot suffers from a complete absence of originality and seems to have been kept as vague as possible, whether on purpose or because the writers just couldn’t be bothered I’m not sure. The shadowy organisation that Ava, Duke and Simon all work for is never identified or discussed in any real detail. All we learn about them is that they employ assassins to make hits on possibly shady people, with no further elaboration on why or what these people have done wrong, which Ava herself seems fascinated about as we see her questioning her victims as they’re about to die. I’m all for creating a mysterious atmosphere giving away just enough to keep us intrigued, but I’m afraid this doesn’t work for Ava as it just comes across as lazy and complacent with sloppy writing.
I couldn’t help but compare Ava to Atomic Blonde, another female led assassin film that is worlds apart from this. Ava is lacking in everything that made Atomic Blonde - a fun watch, with style, substance and some brutal (but well executed) fight scenes - and I really wish Ava had followed the same formula as at least this would have made it watchable. As it is, it’s a completely dull and clichéd spy film lacking in pretty much everything.