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Spectre (2015)
Spectre (2015)
2015 | Action
In the latest cinematic outing for James Bond (Daniel Craig), Director Sam Mendes has crafted a thrilling and deep film which deftly combines the threads of the three previous Craig outings and sets the stage very well for future outings for the series.

In “Spectre” Bond finds himself operating alone when the 007 division is in danger of being shut down due to his latest unsanctioned actions and a change in the political landscape back home.
With the powers that be convinced that surveillance is the way of the future not agents with a license to kill, Bond is racing against time to get the truth behind a mysterious figure named Franz Oberhausen (Christoph Waltz), who is the head of a very mysterious, large, and deadly organization.
From locales ranging from Mexico City, London, Rome, Austria, and North Africa, Bond stalks his target in a deadly game of cat and mouse as his every move seems to have been anticipated by the deadly organization.

Further complicating matters is that Bond is not able to call upon his resources as M (Ralph Fiennes), is unable to do little more than watch due to the pending end of the division and his new superior.

In the trademark style that the series is known for, we have exotic locale, beautiful women, gadgets, fast cars, and thrilling and intense action sequences that combine for a winning formula.
I had been a bit disappointed with Craig’s earlier films as I found them to be a bit muddled and did not find his take on Bond to mesh with the suave agent I had grown up following. That being said, “Skyfall” helped turn things around and with the plot elements of “Spectre” in place; it clearly shows a connection between the earlier films and sets the stage very well for future outings in the series.
Waltz is fantastic as the lead villain as his less than imposing stature is highly deceptive to the danger the man empowers. Audience learn more about the backstory of Bond and how he became the man that his is and Dave Bautista makes a fantastic henchman echoing shades of Odd job and a train sequence from “From Russia With Love”.
In all, thanks to the intense action, great characters and compelling story, “Spectre” is the best of the Craig Bond films and I cannot wait to see what they do next.

http://sknr.net/2015/11/05/spectre/
  
The Man From U.N.C.L.E. (2015)
The Man From U.N.C.L.E. (2015)
2015 | Action, Comedy, Mystery
I have to admit, I knew nothing about The Man from U.N.C.L.E going into the movie, other than it was based on a TV show from the 60’s. It had flown under my radar for most of the year, overshadowed by highly-anticipated titles with colons, i.e., Avengers: Age of Ultron, Mad Max: Fury Road, Mission Impossible: Rogue Nation. When the screener was scheduled I was actually tempted to assign it to another reviewer. Then I watched the trailer and saw Henry Cavill (Superman) was one of the stars. At the risk of sounding shallow, that changed my mind.

As we waited for the movie to start, the Man from U.N.C.L.E soundtrack played through the theater’s sound system, transporting me to a Mad Men mindset, which helped as the movie backdrop is set in the early 1960’s period of the Cold War. We’re introduced first to Napoleon Solo, a CIA agent Cavill plays with amusing James Bond suave with an old-time movie accent. (Officially, I believe it’s called a Transatlantic accent.) He’s paired with Armie Hammer’s Illya Kuryakin, a KGB agent on a joint mission to stop a mysterious international criminal organization. To accomplish that, they need the cooperation of Gaby Teller (Alicia Vikander), the abandoned daughter of a German scientist, who is their key to infiltrating the criminal organization.

As you can guess, all the spy movie cliches can be found in Man from U.N.C.L.E. from the debonair womanizing agent, menacing foreigners, the femme fatale, the elaborate schemes that are executed smoothly, explanatory monologues, convenient gadgets, et al – just a vintage low tech, high glam version of spy movies you may have seen of late.

I’m actually glad I went in without any expectations. Guy Ritchie turned a pretty simple, straightforward plot into an intricate,, slightly off-kilter caper, with touches of his trademark storytelling from various perspectives. I enjoyed the subtle vying for supremacy the uneasy truce between Solo and Illya created, and while he’s not as dashing as Cavill, Hammer had great chemistry with Vikander.

This year has been quite the year for spy movies. U.N.C.L.E. is not the action thriller that Mission Impossible is, it’s also far from the campy shocker that Kingsmen was, nor is it as outrageously funny as Spy, but as spy movies go, U.N.C.L.E fits smoothly and oddly comfortably in that fold.
  
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