"Well, obviously, I would have to say my dad’s movie, Sweet Sweetback’s Baadasssss Song is one of them, for sure. You know, I was lucky in that case not only to see the film and see the first movie where an overtly empowered black power character goes up against the system and survives. That was the first of its kind. But also to see my father insist on working with a multiracial crew. He had women on it, he had hippies on it, Hispanics, Asians, you know, and really bring all these folks together. That was super inspiring, to see that you could take sort of a multiracial, sometimes ragtag crew and make the first overtly revolutionary film in America and win and change the game. Because after that, Shaft came. Shaft was written for a white detective by a guy named Ernest Tidyman, and when my dad’s film Sweetback made money, they rewrote it with a black guy, and they got a young guy to do the music from Stax Records named Isaac Hayes. My dad, when he did Sweetback, had used Earth, Wind & Fire. So that was a super influential movie on me.Easy Rider was one I remember that just seemed to be the Peace and Freedom Party movement, in a way, reflected on screen. [Editor’s note: the Peace and Freedom Party was an organization founded in California in 1967 with the goal of ending the Vietnam War.]"