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JT (287 KP) rated King of Devil's Island (2011) in Movies
Mar 10, 2020
Any story about rebelling against the system is generally going to get an audience, people love an underdog story and King of Devil’s Island is a chilling one, in almost the literal sense.
Erling (Helstad) is a troubled individual and when he makes the journey to the island of Bastoy his stay is not going to be a pleasant one, but one of hardship and manual labour. Under the watchful eye of Bestyreren (the ever brilliant Skarsgård) he has to follow the rules or face punishment in the worst form possible, and that’s after trying to battle the freezing Nordic winters.
Even when he is read the rules the only thing on his mind is escape, failed attempts only bring more pain and misery. Inside he manages to share a bond with some of the other boys, but those who have been there for longer know the rules and rarely step out of line.
Along the way he is forced to deal with the harsh reality of the situation, and when Bestyreren let’s the return of vicious guard Bråthen back into the borstal the revolt begins. The Norwegian surroundings are an unforgiving place especially in this environment as Erling finds out the hard way, in one punishment he is made to move massive rocks from one spot on the ground to the other.
There is a sense that Bestyreren’s motives are for the good of the boys he presides over, he is harsh but fair and if anything he has empathy for them although he doesn’t show it. Turning them from outcast delinquents into responsible men.
The acting is solid, Skarsgård is always a commendable actor and turns in a decent performance, Benjamin Helstad also does a great job for someone quite unknown in world cinema. But Holst captures the essence for the need to survive and break the so called chains, it’s a powerful film, but then most Norwegian films that I have seen lately have been like that.
Erling (Helstad) is a troubled individual and when he makes the journey to the island of Bastoy his stay is not going to be a pleasant one, but one of hardship and manual labour. Under the watchful eye of Bestyreren (the ever brilliant Skarsgård) he has to follow the rules or face punishment in the worst form possible, and that’s after trying to battle the freezing Nordic winters.
Even when he is read the rules the only thing on his mind is escape, failed attempts only bring more pain and misery. Inside he manages to share a bond with some of the other boys, but those who have been there for longer know the rules and rarely step out of line.
Along the way he is forced to deal with the harsh reality of the situation, and when Bestyreren let’s the return of vicious guard Bråthen back into the borstal the revolt begins. The Norwegian surroundings are an unforgiving place especially in this environment as Erling finds out the hard way, in one punishment he is made to move massive rocks from one spot on the ground to the other.
There is a sense that Bestyreren’s motives are for the good of the boys he presides over, he is harsh but fair and if anything he has empathy for them although he doesn’t show it. Turning them from outcast delinquents into responsible men.
The acting is solid, Skarsgård is always a commendable actor and turns in a decent performance, Benjamin Helstad also does a great job for someone quite unknown in world cinema. But Holst captures the essence for the need to survive and break the so called chains, it’s a powerful film, but then most Norwegian films that I have seen lately have been like that.
Gareth von Kallenbach (980 KP) rated Demolition (2016) in Movies
Aug 6, 2019
It is often said that when we lose a loved one, we often lose a part of ourselves. In mourning, we have to come to terms with the loss and where we are headed in the future. Who are we now that part of us is gone? Demolition starring Jake Gyllenhaal and Naomi Watts discusses the various aspects with healing and finding oneself. Davis Mitchell (Jake Gyllenhaal) returns to work after losing his wife in a horrific car accident.
While grieving, he writes a complaint letter to a vending machine company about a recent experience he had while waiting in the hospital. Through the letters he lets a stranger and the audience in on his mindset and the reality that he feels disconnected from the world, his wife, and himself. When the company’s customer service rep reads the letters, she feels compelled to contact Davis. She offers a sympathetic ear to his pain and numbness. As their friendship grows, he begins to rebuild his life. The task is large and requires him to follow the advice that his father-in-law passed down to him; In order to fix something, sometimes you need to take it all apart in order to see how it works. Davis begins to deconstruct various pieces of his life in order to find peace with his loss so he can move forward.
Demolition offers a unique and provocative look at loss, grief, and identity. This is a film that will have its audience asking questions about their own lives and if they feel fulfilled or satisfied. The plot stays with you. The performances of each of the characters carries the story and makes us truly connect with them. There isn’t a single moment when you cease to care about who they are or what their lives have in store. There is depth and authenticity throughout this film.
While grieving, he writes a complaint letter to a vending machine company about a recent experience he had while waiting in the hospital. Through the letters he lets a stranger and the audience in on his mindset and the reality that he feels disconnected from the world, his wife, and himself. When the company’s customer service rep reads the letters, she feels compelled to contact Davis. She offers a sympathetic ear to his pain and numbness. As their friendship grows, he begins to rebuild his life. The task is large and requires him to follow the advice that his father-in-law passed down to him; In order to fix something, sometimes you need to take it all apart in order to see how it works. Davis begins to deconstruct various pieces of his life in order to find peace with his loss so he can move forward.
Demolition offers a unique and provocative look at loss, grief, and identity. This is a film that will have its audience asking questions about their own lives and if they feel fulfilled or satisfied. The plot stays with you. The performances of each of the characters carries the story and makes us truly connect with them. There isn’t a single moment when you cease to care about who they are or what their lives have in store. There is depth and authenticity throughout this film.
Kristy H (1252 KP) rated Josh and Hazel's Guide to Not Dating in Books
Apr 23, 2020
I've read a variety of Christina Lauren novels by now, and this was one of my favorites. For a short minute, I thought Hazel was going to be too zany and over the top for me, and then I got to know her. I then fell in love with her, and I was immediately rooting for our caring, funny, and yes, sometimes, crazy heroine. The best part was that Josh was great in his own reliable, sweet way, too. There's nothing better than a romance where you care for both partners. They were an excellent couple, and I wanted nothing more than to see Josh and Hazel get together. The two had wonderful chemistry and the whole book just had me grinning goofily.
Josh and Hazel are both damaged and wary, but not in that annoying way that has you rolling your eyes and wishing they'd just get over it all. Josh's girlfriend has hurt him and Hazel is constantly passed over by guys who think she's too over the top. Neither deserve this pain, and you quickly want them to get together and be healed. Of course it isn't that easy. When they come up with the double date angle (but not dating each other), laughter ensues, as well as some heartbreak.
There aren't too many side characters in this one: the focus is on Hazel and Josh, but I really enjoyed Hazel's mom, as well as Josh's sister, Emily. And there's plenty of fun to be had with some of the folks we encounter on the blind dates. Josh and Hazel seem so real; our writing duo capture them quite well. Hazel's zest for life coupled with her vulnerability, for instance, shine brightly. And Josh, well, I just wanted to hug him sometimes.
In the end this a really fun, sweet book. It's humorous yet realistic and tender. I adored Hazel and Josh-they were one of my favorite couples in a while. 4+ stars.
Josh and Hazel are both damaged and wary, but not in that annoying way that has you rolling your eyes and wishing they'd just get over it all. Josh's girlfriend has hurt him and Hazel is constantly passed over by guys who think she's too over the top. Neither deserve this pain, and you quickly want them to get together and be healed. Of course it isn't that easy. When they come up with the double date angle (but not dating each other), laughter ensues, as well as some heartbreak.
There aren't too many side characters in this one: the focus is on Hazel and Josh, but I really enjoyed Hazel's mom, as well as Josh's sister, Emily. And there's plenty of fun to be had with some of the folks we encounter on the blind dates. Josh and Hazel seem so real; our writing duo capture them quite well. Hazel's zest for life coupled with her vulnerability, for instance, shine brightly. And Josh, well, I just wanted to hug him sometimes.
In the end this a really fun, sweet book. It's humorous yet realistic and tender. I adored Hazel and Josh-they were one of my favorite couples in a while. 4+ stars.
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