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Leanne Crabtree (480 KP) rated To Seduce a Witch's Heart (Love and Magic, #1) in Books
Jan 11, 2021
3.5 stars.
I've avoided paranormal romances for quite a while as I don't always want the romance to be the main part of my paranormal reads. This one, however, focused more on the romance between our witch, Merle, and our demon, Rhun. Note: I didn't realise this was a paranormal romance when I downloaded it.
It starts with Merle summoning Rhun from the Shadows - a land full of shadows, obviously - where he has been kept prisoner for the last twenty years. He comes back starving for the three things his demon needs - pleasure, pain and blood. He's very good at the charm and persuades Merle to give him two of three before finding out why she'd summoned him. Her sister, Maeve, has been taken by another demon of his kind and she is frantic to find her as she is the only remaining relative of hers.
I liked that the sexual tension between our characters happened from pretty much the first chapter. It was instant physical attraction but done well, in my opinion. He was just using her, initially, to get his powers back and she wasn't willing to let him go after anyone else when she'd been the one to summon him and feelings began to emerge the more they got to know each other/spent time together.
I did feel like the book was a tad overly long. They spent more time in bed together than they did searching for her sister - which made me get a little fed up at times, and also why it's taken me about a week to read this. Don't get me wrong, though. I did enjoy the interactions between our two characters. They had a lovely camaraderie once they got to know each other and I grew to really like them both.
Considering how I wasn't entirely invested in the story, I found myself getting a little emotional towards the end of this. I actually shed a tear when Rhun was forced back into the Shadows. It was so unfair. Of course, it would be a crappy ending to the book if they didn't get their HEA and of course they do (thank God!).
I've avoided paranormal romances for quite a while as I don't always want the romance to be the main part of my paranormal reads. This one, however, focused more on the romance between our witch, Merle, and our demon, Rhun. Note: I didn't realise this was a paranormal romance when I downloaded it.
It starts with Merle summoning Rhun from the Shadows - a land full of shadows, obviously - where he has been kept prisoner for the last twenty years. He comes back starving for the three things his demon needs - pleasure, pain and blood. He's very good at the charm and persuades Merle to give him two of three before finding out why she'd summoned him. Her sister, Maeve, has been taken by another demon of his kind and she is frantic to find her as she is the only remaining relative of hers.
I liked that the sexual tension between our characters happened from pretty much the first chapter. It was instant physical attraction but done well, in my opinion. He was just using her, initially, to get his powers back and she wasn't willing to let him go after anyone else when she'd been the one to summon him and feelings began to emerge the more they got to know each other/spent time together.
I did feel like the book was a tad overly long. They spent more time in bed together than they did searching for her sister - which made me get a little fed up at times, and also why it's taken me about a week to read this. Don't get me wrong, though. I did enjoy the interactions between our two characters. They had a lovely camaraderie once they got to know each other and I grew to really like them both.
Considering how I wasn't entirely invested in the story, I found myself getting a little emotional towards the end of this. I actually shed a tear when Rhun was forced back into the Shadows. It was so unfair. Of course, it would be a crappy ending to the book if they didn't get their HEA and of course they do (thank God!).
Eleanor Luhar (47 KP) rated Touching The Void in Books
Jun 24, 2019
At school a little while ago we looked at an extract from this book, and I decided I may as well read the rest of the book too.
If you don't already know, Joe Simpson suffered a serious leg injury while climbing a previously unreached summit in the Peruvian Andes, 1985. His partner, Simon Yates, had a life-changing decision to make that would determine who would live and who would not.
Joe tells his story in excruciating detail, with snippets from his partner's point of view, too. He uses a lot of technical language as would be expected, which can sometimes go straight over the reader's head. He describes his emotions, his physical pain after the injury, and the setting that he found himself in.
Things go well at first, but during the descent there is serious trouble. Joe and Simon work together to lower Joe with his disformed leg, and it works for some time. But eventually, Simon has to decide whether to cut the rope or not.
After his first injury, Joe manages to survive an unbelievably long fall. But now he's stuck in the crevasse, alone, with no hopes of returning to camp alive. Meanwhile, Simon is having to overcome his guilt and travel alone, with several frostbitten fingers and no food or water. The journey that both men must take is truly amazing and although you know the general outcome, you find yourself reading on and on to see what happens next.
Although it seems like a pretty short book, it took me slightly longer than expected to finish it. The technicalities meant nothing to me most of the time, making it slightly hard to visualise the scene in detail. But I was still able to appreciate the difficulties and obstacles that the climbers had to overcome, and I am amazed at how they did it.
The photos included throughout the book were really helpful for scene-setting, and show how stunning the views were over the mountain range.
I don't read biographies that often, so I knew it wouldn't be my favourite book. But it was good, and if you like this sort of thing then I would definitely recommend it. 3.5 stars I think.
If you don't already know, Joe Simpson suffered a serious leg injury while climbing a previously unreached summit in the Peruvian Andes, 1985. His partner, Simon Yates, had a life-changing decision to make that would determine who would live and who would not.
Joe tells his story in excruciating detail, with snippets from his partner's point of view, too. He uses a lot of technical language as would be expected, which can sometimes go straight over the reader's head. He describes his emotions, his physical pain after the injury, and the setting that he found himself in.
Things go well at first, but during the descent there is serious trouble. Joe and Simon work together to lower Joe with his disformed leg, and it works for some time. But eventually, Simon has to decide whether to cut the rope or not.
After his first injury, Joe manages to survive an unbelievably long fall. But now he's stuck in the crevasse, alone, with no hopes of returning to camp alive. Meanwhile, Simon is having to overcome his guilt and travel alone, with several frostbitten fingers and no food or water. The journey that both men must take is truly amazing and although you know the general outcome, you find yourself reading on and on to see what happens next.
Although it seems like a pretty short book, it took me slightly longer than expected to finish it. The technicalities meant nothing to me most of the time, making it slightly hard to visualise the scene in detail. But I was still able to appreciate the difficulties and obstacles that the climbers had to overcome, and I am amazed at how they did it.
The photos included throughout the book were really helpful for scene-setting, and show how stunning the views were over the mountain range.
I don't read biographies that often, so I knew it wouldn't be my favourite book. But it was good, and if you like this sort of thing then I would definitely recommend it. 3.5 stars I think.
Mayhawke (97 KP) rated Elevator Pitch in Books
Jun 28, 2019
A nice return to U.S. crime fiction
Crime fiction is my thing. It's what I read most of, most of the time.
Over a decade ago I stopped reading crime fiction from the U.S. because I found what seemed to be a an unpleasant dwelling on the suffering of victims; a voyeurism which I found uncomfortable, and highly unpleasant. It was as though American crime writers were incapable of exploring the darkness of humanity, or giving clarity to events without relishing the pain and terror that must have been experienced by those on the receiving end of them.
Of course this was never true of all U.S. crime fiction, but I couldn't be asked to keep searching for the other kind. It was easier to just stay away from it all.
So, this is the first American crime novel I have read in nearly fifteen years.
What a joy it was. Barclay sets out a gripping thriller, an excellently plotted story which will educate you just a bit more than is comfortable on the ease of hacking lift controls in the technical age, whilst carefully leading you up and down the garden path a couple of times. The reading style is comfortable, the exposition is well paced. Eventually you arrive at a satisfying, and prompt conclusion. Barclay avoids the temptation to draw out the end like a cheerleader pulling gum, something that only works in Golden Era crime, and I always feel is out of place in otherwise fast-paced books of a more recent age.
Against this the characters have a slightly superficial feel, as though they have only been given the complexity they need for the book, and the denouement was not a huge surprise, though it was batted back and forth between two potential subjects nicely. But these really are minor complaints I really enjoyed this book and I will definitely be going back and reading some more of Linwood's books on the basis of this one.
Over a decade ago I stopped reading crime fiction from the U.S. because I found what seemed to be a an unpleasant dwelling on the suffering of victims; a voyeurism which I found uncomfortable, and highly unpleasant. It was as though American crime writers were incapable of exploring the darkness of humanity, or giving clarity to events without relishing the pain and terror that must have been experienced by those on the receiving end of them.
Of course this was never true of all U.S. crime fiction, but I couldn't be asked to keep searching for the other kind. It was easier to just stay away from it all.
So, this is the first American crime novel I have read in nearly fifteen years.
What a joy it was. Barclay sets out a gripping thriller, an excellently plotted story which will educate you just a bit more than is comfortable on the ease of hacking lift controls in the technical age, whilst carefully leading you up and down the garden path a couple of times. The reading style is comfortable, the exposition is well paced. Eventually you arrive at a satisfying, and prompt conclusion. Barclay avoids the temptation to draw out the end like a cheerleader pulling gum, something that only works in Golden Era crime, and I always feel is out of place in otherwise fast-paced books of a more recent age.
Against this the characters have a slightly superficial feel, as though they have only been given the complexity they need for the book, and the denouement was not a huge surprise, though it was batted back and forth between two potential subjects nicely. But these really are minor complaints I really enjoyed this book and I will definitely be going back and reading some more of Linwood's books on the basis of this one.
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ClareR (5945 KP) rated The Island of Missing Trees in Books
Sep 28, 2021
How come this is only the first book I’ve read by Elif Shafak?! This is a book full of heart, feeling and imagination - it’s just beautiful. The Island of Missing Trees has taught me far more about what happened in Cyprus and the war/ dispute between Cypriots and the Turkish invasion.
There’s a feel of Romeo and Juliet about this: a Greek-Cypriot boy (Kostas), and a Turkish-Cypriot girl (Defne) fall in love - something forbidden in the climate they’re living in. They meet in secret in a tavern that has a fig tree growing through the centre of it. This is a significant tree - it’s one of the main narrators of this story. And what a story it has to tell. It talks about the natural world in which it lives, the humans that it comes into contact with, the conflict it lives through, the sorrow, the loss.
This book describes the fracturing of a country, people forced to leave the country they love. Kostas is one of these people. He moves to London to live with his uncle, but he never seems to feel as though he fits in in there. He does follow his passion though, and becomes an expert in Natural History: the trees and plants around him, around the world, and in his native Cyprus. Which is what brings him and Defne back together, and reunites them with the fig tree.
The three of them return to London together, all cast adrift from their homeland.
Later, Kostas and Defne’s daughter carries this feeling of not quite belonging as well, but her father doesn’t seem to be able to give her what she needs. She knows nothing of her roots: she has no contact with her Cypriot family - until the day her aunt arrives.
The way that Shafak writes about loss and the pain of loss is visceral, but there’s a great deal of hope and the promise of healing. This book just has it all. I was completely enveloped in this story, and I’ve been left with a pressing need to read everything else that Elif Shafak has written!
Many thanks to Jellybooks and Penguin for providing me with a copy of this book to read.
There’s a feel of Romeo and Juliet about this: a Greek-Cypriot boy (Kostas), and a Turkish-Cypriot girl (Defne) fall in love - something forbidden in the climate they’re living in. They meet in secret in a tavern that has a fig tree growing through the centre of it. This is a significant tree - it’s one of the main narrators of this story. And what a story it has to tell. It talks about the natural world in which it lives, the humans that it comes into contact with, the conflict it lives through, the sorrow, the loss.
This book describes the fracturing of a country, people forced to leave the country they love. Kostas is one of these people. He moves to London to live with his uncle, but he never seems to feel as though he fits in in there. He does follow his passion though, and becomes an expert in Natural History: the trees and plants around him, around the world, and in his native Cyprus. Which is what brings him and Defne back together, and reunites them with the fig tree.
The three of them return to London together, all cast adrift from their homeland.
Later, Kostas and Defne’s daughter carries this feeling of not quite belonging as well, but her father doesn’t seem to be able to give her what she needs. She knows nothing of her roots: she has no contact with her Cypriot family - until the day her aunt arrives.
The way that Shafak writes about loss and the pain of loss is visceral, but there’s a great deal of hope and the promise of healing. This book just has it all. I was completely enveloped in this story, and I’ve been left with a pressing need to read everything else that Elif Shafak has written!
Many thanks to Jellybooks and Penguin for providing me with a copy of this book to read.