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Ivana A. | Diary of Difference (1171 KP) rated The Yellow Wallpaper and Selected Writings in Books
Dec 29, 2018
The Yellow Wallpaper - Charlotte Perkins Gilman [BOOK REVIEW]
Read this review and more on www.diaryofdifference.com
I haven’t read much classic reads this year, and a few days before the end of 2018, I decided to go for a classic short story, and I chose The Yellow Wallpaper by Charlotte Perkins Gilman.
This classic has been written by a woman in the 19th century. A time when women weren’t treated the same way as today. A difficult time, where women couldn’t express their opinion as they wished, but they were suppressed by the male authority in the family.
When The Yellow Wallpaper came out, it was considered a Gothic Horror Tale. It is hard to believe for me, knowing the world we live in today, and how we, as women can express our opinions openly. But back in the days, this is how it was. It wasn’t easy for the woman, and I am glad we have a lot of brave women from that time, that gathered the courage to tell stories for the next generations.
This is a story about a woman, who seems to suffer of post-partum depression (a type of mood disorder associated with childbirth). She has been forced by her husband and doctor to stay in her room until she is ”mentally capable” again to take care of her baby. I am not a mother, but I can imagine the pain and suffering of not being allowed to see and hold your unborn child. And people thought this was okay?
The woman is constantly staring at the yellow wallpaper and the window, constantly reassuring herself that this is all happening for her own good, and that the husband and doctor know best, until a point where we are not actually sure if she is in her right mind anymore.
She starts to see a woman inside the wallpaper, and believes the woman is struggling to break free. I loved the metaphor used, as her subconscious knows she is trapped, and the end is so painful to read, but oh, so powerful.
Even though such a short read, The Yellow Wallpaper is an impressive view on cultural traditions, and the position of women in the family. A classic and a must-have for every woman!
I haven’t read much classic reads this year, and a few days before the end of 2018, I decided to go for a classic short story, and I chose The Yellow Wallpaper by Charlotte Perkins Gilman.
This classic has been written by a woman in the 19th century. A time when women weren’t treated the same way as today. A difficult time, where women couldn’t express their opinion as they wished, but they were suppressed by the male authority in the family.
When The Yellow Wallpaper came out, it was considered a Gothic Horror Tale. It is hard to believe for me, knowing the world we live in today, and how we, as women can express our opinions openly. But back in the days, this is how it was. It wasn’t easy for the woman, and I am glad we have a lot of brave women from that time, that gathered the courage to tell stories for the next generations.
This is a story about a woman, who seems to suffer of post-partum depression (a type of mood disorder associated with childbirth). She has been forced by her husband and doctor to stay in her room until she is ”mentally capable” again to take care of her baby. I am not a mother, but I can imagine the pain and suffering of not being allowed to see and hold your unborn child. And people thought this was okay?
The woman is constantly staring at the yellow wallpaper and the window, constantly reassuring herself that this is all happening for her own good, and that the husband and doctor know best, until a point where we are not actually sure if she is in her right mind anymore.
She starts to see a woman inside the wallpaper, and believes the woman is struggling to break free. I loved the metaphor used, as her subconscious knows she is trapped, and the end is so painful to read, but oh, so powerful.
Even though such a short read, The Yellow Wallpaper is an impressive view on cultural traditions, and the position of women in the family. A classic and a must-have for every woman!
Gareth von Kallenbach (980 KP) rated Sully (2016) in Movies
Jul 15, 2019
“The Miracle on the Hudson” is a story that many are acquainted with and many have forgotten in the seven years since the incredibly miraculous landing of US Airways flight 1549 on January 15, 2009. In Sully, Clint Eastwood brings the attention and focus back to this historic event in order to tell audiences about more than just a forced landing into the Hudson River.
Tom Hanks stars as Chester “Sully” Sullenberger reminding viewers how he can so easily represent a character on screen whether they are fictional or based off of real people. His portrayal of “Sully” demonstrates the varying issues surrounding the events the day of the landing and those that followed. When the events played themselves out in the public, it appeared very “cut and dry.” The film reveals the depth at which the pilots dealt with the stress of the publicity, the investigation, scrutiny, and the reality of facing one’s own mortality.
The story, although generally familiar, is engrossing in its presentation by Eastwood. The story is built in layers to where you get to feel the pain and fear that Sully experiences with this near death experience. We witness how he tries to cope with this situation and struggles with the realization that he accomplished the near impossible. The scenes are not over sensationalized. They are not trite. They allow for a true representation of what took place and all of the people affected by it. The film is an imaginative and thought provoking account of real events. Sully demonstrates to audiences the depth inherent with events, circumstances, and individuals.
“The Miracle on the Hudson” had reporters, investigators, and the general public consumed with numbers; 155 people on board, 208 seconds of total flight, altitude of 2818 ft, 2 engines lost to bird strike, a water temperature of 36 degrees, air temperature of 20 with a wind chill of -5, and 1 pilot who made the right decision that day. It is not the numbers that the film is concerned with, it is the people. Eastwood allows for their stories to be on display and demonstrate the reality that they all faced during the incident and the days that followed. The film is outstanding in displaying the humanity and chaos of the event.
Tom Hanks stars as Chester “Sully” Sullenberger reminding viewers how he can so easily represent a character on screen whether they are fictional or based off of real people. His portrayal of “Sully” demonstrates the varying issues surrounding the events the day of the landing and those that followed. When the events played themselves out in the public, it appeared very “cut and dry.” The film reveals the depth at which the pilots dealt with the stress of the publicity, the investigation, scrutiny, and the reality of facing one’s own mortality.
The story, although generally familiar, is engrossing in its presentation by Eastwood. The story is built in layers to where you get to feel the pain and fear that Sully experiences with this near death experience. We witness how he tries to cope with this situation and struggles with the realization that he accomplished the near impossible. The scenes are not over sensationalized. They are not trite. They allow for a true representation of what took place and all of the people affected by it. The film is an imaginative and thought provoking account of real events. Sully demonstrates to audiences the depth inherent with events, circumstances, and individuals.
“The Miracle on the Hudson” had reporters, investigators, and the general public consumed with numbers; 155 people on board, 208 seconds of total flight, altitude of 2818 ft, 2 engines lost to bird strike, a water temperature of 36 degrees, air temperature of 20 with a wind chill of -5, and 1 pilot who made the right decision that day. It is not the numbers that the film is concerned with, it is the people. Eastwood allows for their stories to be on display and demonstrate the reality that they all faced during the incident and the days that followed. The film is outstanding in displaying the humanity and chaos of the event.
MaryAnn (14 KP) rated Cross My Heart (A Legacy of Faith #2) in Books
Nov 4, 2019
Can two broken paths lead toward Gods redemption?
When Ashley Showalter and Ben Henning meet on Ashleys horse rescue farm, they quickly discover how much they have in common. Both were raised by single moms. Both want to help where they see a need. And both work with horses in the Boise valley. Ben needs Ashleys help and expertise after starting an equine therapy barn on his great-great-grandfathers farmand the more time they spend together, both Ashley and Ben have the feeling that there could be something more between them.
They also carry the burden of past experiences that may drive them apart if the truth is ever revealed. Ben is a recovering alcoholic with five years of sobriety behind him, while Ashleys brother is an opioid addict residing in court-ordered rehab. Holding fast to the belief that addicts can never be cured, Ashley has promised herself she will never walk knowingly into the chaos created by addiction. Ben knows that with God, all things are possiblebut will Ashley find it within herself to give love a chance? Or will her brothers mistakes and the pain of her past jeopardize her future with Ben?
Cross My Heart threads together a contemporary love story with the heartwarming tale of Bens great-great-grandfather, Andrew Henningreminding us that Gods Word is timeless and that His promises are new every morning.
My Thoughts: This is such a wonderful story. The readers will love the story of Ben's family history and the wonderful woman Sashley who is all about rescuing horses. This is a story of healing, it's also about rescuing or saving those who are in a bad situation whether they be human or equine. God loves us so much that He sent His son to die on the cross for us. We are to love as He loves us and I do believe that is shown in this story. The way Andrew Henning took in 3 children to love on them as his own. It's about Ben's recovery and the forgiveness of his friend.
This story will win the hearts of its readers, I truly enjoy horses and the equine therapy is a wonderful idea for those who are hurting in any sort of way.
I look forward to more from Robin Lee Hatcher.
When Ashley Showalter and Ben Henning meet on Ashleys horse rescue farm, they quickly discover how much they have in common. Both were raised by single moms. Both want to help where they see a need. And both work with horses in the Boise valley. Ben needs Ashleys help and expertise after starting an equine therapy barn on his great-great-grandfathers farmand the more time they spend together, both Ashley and Ben have the feeling that there could be something more between them.
They also carry the burden of past experiences that may drive them apart if the truth is ever revealed. Ben is a recovering alcoholic with five years of sobriety behind him, while Ashleys brother is an opioid addict residing in court-ordered rehab. Holding fast to the belief that addicts can never be cured, Ashley has promised herself she will never walk knowingly into the chaos created by addiction. Ben knows that with God, all things are possiblebut will Ashley find it within herself to give love a chance? Or will her brothers mistakes and the pain of her past jeopardize her future with Ben?
Cross My Heart threads together a contemporary love story with the heartwarming tale of Bens great-great-grandfather, Andrew Henningreminding us that Gods Word is timeless and that His promises are new every morning.
My Thoughts: This is such a wonderful story. The readers will love the story of Ben's family history and the wonderful woman Sashley who is all about rescuing horses. This is a story of healing, it's also about rescuing or saving those who are in a bad situation whether they be human or equine. God loves us so much that He sent His son to die on the cross for us. We are to love as He loves us and I do believe that is shown in this story. The way Andrew Henning took in 3 children to love on them as his own. It's about Ben's recovery and the forgiveness of his friend.
This story will win the hearts of its readers, I truly enjoy horses and the equine therapy is a wonderful idea for those who are hurting in any sort of way.
I look forward to more from Robin Lee Hatcher.
LeftSideCut (3776 KP) rated The Witcher - Season 1 in TV
Jan 9, 2020 (Updated Jan 22, 2020)
An exceptional start to the show
The Witcher is a show I've been excited about for some time.
I've never read the books, and to be honest, only slightly dabbled in the video games, but the idea of seeing the exploits of Geralt of Rivea on screen was a prospect I was ready for.
Henry Cavill is great as the titular Witcher, I've heard people complain that he's a bit too brooding, doesn't say a whole lot etc, but it's to my understanding that this is his character, and it works well when put alongside the other two leads.
Anya Chalotra as Yennefer is the star of this season for sure. Her story is one of pain, and triumph, and the constant longing for something more. It's frequently emotional, and at times difficult to watch, and the series pulls no punches when it comes to what it wants to show.
Her character transformation both physically and mentally is superb, and well realised.
And then we have Freya Allen playing Ciri, a princess on the run when her home and city is sacked and burned by the main villains Nilfgaard.
Her role is a little more straightforward, as she spends the season hiding and fleeing, all whilst looking for Geralt.
The three separate storylines work very well alongside each other, as they slowly start to come together over the course of the eight episode season.
The stories timeline seems all over the place at first, and for some may be quite jarring, but it does begin to make sense the further in it gets. If you've been put off by this aspect initially, then please stick with it!
The cinematography is frequently gorgeous, and the CGI is mostly passable (there are some dodgy moments here and there, but surely that's to be expected from a first season), and it's nice to see creatures bought to life that even I recognise from my short time spent with the games.
The music score is beautiful - Sonya Belousova and Giona Ostinelli have created a score that sticks with you after watching (a highlight is the music attached to Aretuza and the mages).
Overall, it's an exceptionally strong start to a new ambitious series. I can't wait to see where it goes from here!
I've never read the books, and to be honest, only slightly dabbled in the video games, but the idea of seeing the exploits of Geralt of Rivea on screen was a prospect I was ready for.
Henry Cavill is great as the titular Witcher, I've heard people complain that he's a bit too brooding, doesn't say a whole lot etc, but it's to my understanding that this is his character, and it works well when put alongside the other two leads.
Anya Chalotra as Yennefer is the star of this season for sure. Her story is one of pain, and triumph, and the constant longing for something more. It's frequently emotional, and at times difficult to watch, and the series pulls no punches when it comes to what it wants to show.
Her character transformation both physically and mentally is superb, and well realised.
And then we have Freya Allen playing Ciri, a princess on the run when her home and city is sacked and burned by the main villains Nilfgaard.
Her role is a little more straightforward, as she spends the season hiding and fleeing, all whilst looking for Geralt.
The three separate storylines work very well alongside each other, as they slowly start to come together over the course of the eight episode season.
The stories timeline seems all over the place at first, and for some may be quite jarring, but it does begin to make sense the further in it gets. If you've been put off by this aspect initially, then please stick with it!
The cinematography is frequently gorgeous, and the CGI is mostly passable (there are some dodgy moments here and there, but surely that's to be expected from a first season), and it's nice to see creatures bought to life that even I recognise from my short time spent with the games.
The music score is beautiful - Sonya Belousova and Giona Ostinelli have created a score that sticks with you after watching (a highlight is the music attached to Aretuza and the mages).
Overall, it's an exceptionally strong start to a new ambitious series. I can't wait to see where it goes from here!
KalJ95 (25 KP) rated God of War in Video Games
Jan 3, 2020
The most gripping and emotionally engaging narrative in years. (2 more)
Combat is brutal and satisfying.
The one take camera is an astonishing achievement.
Powerful Playstation Epic.
Back in 2015, gaming hit its peak, and the new generation really came into full effect. Bloodborne, MGS V: The Phantom Pain, Rise of the Tomb Raider, just some games to hit the same year, but what really made me question just how incredible video games could become, was The Witcher 3: Wild Hunt. Since then, I found games that reached similar levels, but never peaked as much as that. Until God of War.
God of War engaged with me so much because at the time I was trying with my other half to have a child, and persistent family issues meant I no longer spoke to my father. Following the story of Kratos and Atreus really hit home, and I've never felt so gripped and emotionally attached to fictional characters. Every beat of the narrative is put there to for purpose, and to carry weight along this epic journey with a father and son. It packs so much intensity at times it becomes enthralling, almost addictive to continue its 25 hour length. This, I suppose, you could say is it's one part of two contained within the game.
Of course, there are levels upon levels to examine within this masterpiece, but simplifying it within two aspects seems the most appropriate way. The second is the combat.
God of War is brutal, bloody, bold. The simplicity to master the move sets is so brilliant and often bonkers. Throwing your trusty Leviathan Axe, and calling it back never, ever gets boring, and pushes you to become more intelligent with its system. The more the game enters its next stage, a curveball hits you, and you have to learn what you know already, and add even more creativity. By the end, you should be an expert. That is until you meet the Queen Valkyrie. That's all I'll say.
God of War is a masterpiece. Sure, there could of been a little more meat on the bone when it came to the endgame, more side mission content. But the story is so perfect, so masterful, it deserves every bit of praise it gathers.
God of War engaged with me so much because at the time I was trying with my other half to have a child, and persistent family issues meant I no longer spoke to my father. Following the story of Kratos and Atreus really hit home, and I've never felt so gripped and emotionally attached to fictional characters. Every beat of the narrative is put there to for purpose, and to carry weight along this epic journey with a father and son. It packs so much intensity at times it becomes enthralling, almost addictive to continue its 25 hour length. This, I suppose, you could say is it's one part of two contained within the game.
Of course, there are levels upon levels to examine within this masterpiece, but simplifying it within two aspects seems the most appropriate way. The second is the combat.
God of War is brutal, bloody, bold. The simplicity to master the move sets is so brilliant and often bonkers. Throwing your trusty Leviathan Axe, and calling it back never, ever gets boring, and pushes you to become more intelligent with its system. The more the game enters its next stage, a curveball hits you, and you have to learn what you know already, and add even more creativity. By the end, you should be an expert. That is until you meet the Queen Valkyrie. That's all I'll say.
God of War is a masterpiece. Sure, there could of been a little more meat on the bone when it came to the endgame, more side mission content. But the story is so perfect, so masterful, it deserves every bit of praise it gathers.
Gareth von Kallenbach (980 KP) rated War Horse (2011) in Movies
Aug 7, 2019
“War Horse” is one of Steven Spielberg’s newest silver screen stories. His flair and panache are present, as ever. This gorgeous film pulls on the heart strings, and plays on several different emotional chords.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
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