BrainWave Tuner - Binaural beats & white noise
Health & Fitness and Medical
7.0
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App
***29 + preset brainwave patterns. Nominated as ‘Best Healthcare and Fitness App’ by Handango....
colin... (64 KP) rated Uncut Gems (2019) in Movies
Sep 30, 2020
First things first, I'd like to get my negatives out of the way really quickly. My issue with this film, and why I view it as lesser than Good Time is one simple reason, and that is heart. I felt every moment of Good Time pulsating through my bones and truly felt for the ride that Connie went through. I saw the pain and remorse and emotion in his eyes grow with every passing moment. In Uncut Gems, I don't get the same gravitas and power of the emotion that is provided in Good Time. I never truly saw any remorse in Howard, nor that he really cared about anything else but himself, so when the emotional beats come when we are supposed to feel bad for him, I have a rather hard time doing that. He's not necessarily an unlikable guy, he just doesn't have that anti-hero vibe that Connie supplied. That is the main facet that significantly detracted from my appreciation for this film.
That being said, everything else is stellar. The grittiness of the cinematography works so well with the world we are being immersed in, with even the long shots being very unsteady and dirty looking in the way that the characters are framed. As everyone else is saying, Sandler puts on a magnificent performance (although if he gets nominated and Robert Pattinson didn't for Good Time, I'll be pretty frustrated) that reminds the public of why he demands the level of respect her does. However, the standout here for me is Julia Fox, who makes this film funnier than it has any right to be. She really carries herself in a way that I felt like I had met her before, or at least someone exactly like her. Going off of that, the humor really really works, so much so that I could argue that this is a black comedy instead of the crime thriller it is listed as. Everything from the situational comedy to the witty lines of dialogue just hits you in the chest.
Overall, a wonderful film that I hope will push the Safdie's into the mainstream like Hereditary did to Aster.
Horror Stories: A Memoir by Liz Phair
5.0
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From the two-time Grammy-nominated singer-songwriter behind the groundbreaking album Exile in...
Chroma Crossing Chronicles: Blood Moon Part 2
4.0
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Blood Moon—part 2: Candy endeavors to understand the monochromatic ‘beige-world’ she landed...
The Awakener
Book
The Dawning of the New Age on Earth, the Seventh Universal Golden Age is upon us. A wonderful new...
THE KING OF FIGHTERS '97
Games and Entertainment
App
Become the new challenger in the all-time classic THE KING OF FIGHTERS '97 on iPhone and iPad! ...
Airport Scanner
Games and Travel
App
Try your skills as an Airport Baggage screener in Airport Scanner! Now featuring the ALL NEW R&D...
Heard (Breaking Free #3)
10.0
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An omega who can’t speak meets an alpha who won’t listen…. Karter Jenks is a first-year...
MPreg Omegaverse M_M Romance
Debbiereadsbook (1801 KP) rated In Good Spirits: An MMMM Christmas Daddy Romance in Books
Dec 23, 2024
Helen Juliet usually retells fairy tales, and a cracking job she has of those too! This is not a fairy tale, but a literary classic. And a cracking job she does of this too!
I have one minor niggle, and it really is just a personal preference.
First person
Present tense
AND
Multi point of view!
Now, if you follow my reviews you'll know I have dumped many MANY books that I discover are written this way. I will make no apologies for that, I know what I like and I will own it every time. I wasn't able to dump this one, as apart from this point I really enjoyed it!
Sai and Jude are married, and they have Tian as their third. It has been so for 3 years. But Tian looks at Evan and sees so much pain, he just wants to be such a good boy for him.
The established 3-way works best because of 2 rules: you always come home, and communication. I found the communication in this book between Tian, Jude and Sai was outstanding and it paved the way for all three men to find themselves attracted to Evan in ways they really didn't see coming.
I loved how things changed for them all over time. Sai found himself wanting to be looked after, even though he was the Daddy in the three way. Jude wanted to be a good boy for Daddy Evan, while he was a brat to Daddy Sai. And Tian? Well just was just gonna be the bestest little boy a Daddy could wish for. Evan changed too, settling his ghosts to rest, and letting someone else into his heart. Well, someones, plural.
It's incredibly well written, and well delivered. It pushes most of my buttons, (point already made!) and is Ms Juliet at her best. Sweet and so very smexy. But deeply emotional too. Mostly from Evan letting go of Beau.
I loved how I was able to slot this book along side the Dickens version, and even if he might be not be best pleased, I really loved it!
4 very VERY good stars
*same worded review will appear elsewhere
DaveySmithy (107 KP) rated The Dead Zone (1983) in Movies
Dec 3, 2024
The story follows Johnny Smith (Walken), an ordinary schoolteacher whose life is upended when a car accident leaves him in a coma for five years. When he awakens, he discovers he has gained the ability to see people’s pasts and futures through physical contact—a gift that feels more like a curse. What begins as an attempt to understand and use this newfound power for good spirals into a dark moral dilemma when Johnny foresees a catastrophic future involving a rising politician, Greg Stillson (Martin Sheen).
Christopher Walken is the emotional core of the film, delivering one of his most human and vulnerable performances. He masterfully conveys Johnny’s pain, loneliness, and reluctant heroism, making his character deeply sympathetic. Walken’s portrayal grounds the supernatural elements of the story, ensuring they never feel far-fetched. Martin Sheen is equally compelling as the menacing and unhinged Stillson, a character whose ambition and ruthlessness are frighteningly plausible.
Cronenberg, known for his visceral body horror, takes a restrained approach here, focusing on mood and atmosphere over gore. This subtlety works to the film’s advantage, allowing the tension to simmer until its gripping climax. The muted color palette and moody score by Michael Kamen add to the sense of dread, perfectly capturing the eerie small-town setting.
However, The Dead Zone isn’t without its flaws. The pacing occasionally drags, and some of the supporting characters feel underdeveloped. Additionally, the episodic structure—though true to the novel—can make the narrative feel uneven.
Despite these minor issues, The Dead Zone is an intelligent and emotionally resonant thriller that explores heavy themes with nuance. It may not be as flashy as other Stephen King adaptations, but its quiet power and moral complexity make it a standout. A solid 8/10.