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Kristy H (1252 KP) rated Not That I Could Tell in Books
Mar 25, 2018
Good women's fiction tale but nothing new or surprising here
In the quiet town of Yellow Springs, Ohio, the disappearance of one of its residents, Kristin, is a big deal. She vanishes after an evening with several of her neighbors, filled with wine and conversation around the fire pit. She also takes her young twins, Aaron and Abigail. Left behind is her soon-to-be-ex-husband, Paul, a well-known ob-gyn. A window in Kristin's house is broken and some of her belongings missing. But otherwise, there is no trace or idea about where she and the twins have gone. Paul accuses her of disappearing with money owed to him. Kristin's neighbors, especially her next-door neighbor, Clara, for whom Kristin's disappearance hits a bit close to home, and Izzy, a single woman who recently moved to the neighborhood to get away from her own issues, are baffled. They realize how little they knew about their friend--and that they have no idea where she's gone.
This was an interesting one. From the beginning, this book felt familiar to me--the "something happened" after a barbecue reminiscent of Truly Madly Guilty and others I'd read lately. I was sick while reading, so I had trouble keeping the women and their backstories separate for a while. Too much cold medicine and fatigue, probably.
The book is told from various viewpoints--mainly Clara and Izzy. I was always expecting there to be more: some unexpected surprise or twist, but there never really was. The ending threw in a bit of one, but it wasn't quite what I was expecting. Still, there is a tenseness to the novel, and it can certainly be creepy at times. The novel also does a good job of capturing kids and parenthood--the weariness of the day-to-day of parenting small children, for instance. I also liked how it captured how preschools can be a microcosm of life and small towns and such a cesspool of stress and gossip.
This one moved slowly for me. I liked the characters, but wasn't drawn to them. I had some sympathy for Izzy, but also questioned her motives a lot. I should have been more drawn to Clara, but wasn't. Perhaps because, while I have small children, I don't have the same sort of neighborhood tribe as these women? I'm not sure. Not even the token lesbian neighbors could do it, though I appreciated the effort.
Overall, the story was good, but never offered the big surprise I was waiting for. Characters are interesting but I was never fully pulled into their stories.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review; more at justacatandabookatherside.blogspot.com.
This was an interesting one. From the beginning, this book felt familiar to me--the "something happened" after a barbecue reminiscent of Truly Madly Guilty and others I'd read lately. I was sick while reading, so I had trouble keeping the women and their backstories separate for a while. Too much cold medicine and fatigue, probably.
The book is told from various viewpoints--mainly Clara and Izzy. I was always expecting there to be more: some unexpected surprise or twist, but there never really was. The ending threw in a bit of one, but it wasn't quite what I was expecting. Still, there is a tenseness to the novel, and it can certainly be creepy at times. The novel also does a good job of capturing kids and parenthood--the weariness of the day-to-day of parenting small children, for instance. I also liked how it captured how preschools can be a microcosm of life and small towns and such a cesspool of stress and gossip.
This one moved slowly for me. I liked the characters, but wasn't drawn to them. I had some sympathy for Izzy, but also questioned her motives a lot. I should have been more drawn to Clara, but wasn't. Perhaps because, while I have small children, I don't have the same sort of neighborhood tribe as these women? I'm not sure. Not even the token lesbian neighbors could do it, though I appreciated the effort.
Overall, the story was good, but never offered the big surprise I was waiting for. Characters are interesting but I was never fully pulled into their stories.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review; more at justacatandabookatherside.blogspot.com.
Bookapotamus (289 KP) rated How Hard Can It Be? in Books
May 29, 2018
It's all fun and games until someone posts a belfie.
Kate Reddy is back. And her daughters backSIDE is causing some trouble. We jump right into our favorite bad-a$$, anxiety-ridden, take-charge heroine Kate's life as she is approaching 50 and it seems the hilarity and struggles of parenting, working, wife-ing, friendship and everything else in Kate's life is just as amusing as ever.
Kate's daughter Emily has taken a pic of her butt and the crazy life of Kate's we all know and love, just cannot seem to get any more complicated - until it does. She's been out of the workforce, and looking to get back in, She's not having much of any sort of pleasant relations with husband Richard (yes, surprisingly, still married). She's having a mini mid-life crisis trying to accept she's almost 50, her parents are aging, and her kids are now teenagers and the struggles to communicate with these digital-age micro-adults is almost as difficult as communicating with Russian Investors.
As Kate tries to make her way back into the world of investing she once was so good at, she has some pretty cringeworthy experiences, and struggles to find a way in that world as an "aging" woman. We find several comparisons to the past, when just being a mother was the wall between her and success. She finds herself lying to herself and others, trying her best to tiptoe through a marriage in crisis and lack of communication with her children, and praying the looming milestone birthday isn't going to be the demise of any semblance of the woman that she knows she is, and desperately wants to find again. Oh, and did I mention Jack is BACK?!
The book is classic Allison Pearson: witty, entertaining and full of laughs. I didn't realize how much I missed Kate (I totally still picture SJP in every situation...) and I settled into a familiar routine of rooting for her to find her stride and finally be happy with who she is, who she's becoming, and where she might be headed next.
The story is nostalgic of I Don't Know How She Does It, but reads well as a standalone with snippets of backstory that are well-placed and don't interfere. Avoiding any spoilers, I'll just say that I'm pretty sure readers and fans of Kate Reddy will be pleased at how it all turns out. How Hard Can It Be? was refreshing but familiar and it felt like an old friend was back in my life.
Thanks to NetGalley and St. Martin's Press for the Advanced Copy and opportunity to review this book.
Kate Reddy is back. And her daughters backSIDE is causing some trouble. We jump right into our favorite bad-a$$, anxiety-ridden, take-charge heroine Kate's life as she is approaching 50 and it seems the hilarity and struggles of parenting, working, wife-ing, friendship and everything else in Kate's life is just as amusing as ever.
Kate's daughter Emily has taken a pic of her butt and the crazy life of Kate's we all know and love, just cannot seem to get any more complicated - until it does. She's been out of the workforce, and looking to get back in, She's not having much of any sort of pleasant relations with husband Richard (yes, surprisingly, still married). She's having a mini mid-life crisis trying to accept she's almost 50, her parents are aging, and her kids are now teenagers and the struggles to communicate with these digital-age micro-adults is almost as difficult as communicating with Russian Investors.
As Kate tries to make her way back into the world of investing she once was so good at, she has some pretty cringeworthy experiences, and struggles to find a way in that world as an "aging" woman. We find several comparisons to the past, when just being a mother was the wall between her and success. She finds herself lying to herself and others, trying her best to tiptoe through a marriage in crisis and lack of communication with her children, and praying the looming milestone birthday isn't going to be the demise of any semblance of the woman that she knows she is, and desperately wants to find again. Oh, and did I mention Jack is BACK?!
The book is classic Allison Pearson: witty, entertaining and full of laughs. I didn't realize how much I missed Kate (I totally still picture SJP in every situation...) and I settled into a familiar routine of rooting for her to find her stride and finally be happy with who she is, who she's becoming, and where she might be headed next.
The story is nostalgic of I Don't Know How She Does It, but reads well as a standalone with snippets of backstory that are well-placed and don't interfere. Avoiding any spoilers, I'll just say that I'm pretty sure readers and fans of Kate Reddy will be pleased at how it all turns out. How Hard Can It Be? was refreshing but familiar and it felt like an old friend was back in my life.
Thanks to NetGalley and St. Martin's Press for the Advanced Copy and opportunity to review this book.
JT (287 KP) rated Easy A (2010) in Movies
Mar 10, 2020
Flat, dull and lacking in any laughs. Harsh this verdict might be, but I’m afraid it is about the long and the short of it. As Indie films go this does little to highlight those credentials bestowed on other greats such as Clueless or Sixteen Candles. The lovely Emma Stone whose turn in Superbad put her on the road to stardom is short of her best, and at times is cringe worthily bad.
Olive (Stone) is a well liked pupil at high school, but when a little white lie about losing her virginity gets the rumour mill going she is singled out as, well, quite simply a slut.
Drawing on comparisons to The Scarlet Letter, which happens to be one of the books she is studying she takes it upon herself to brandish her attire with the letter A, for adulterer, as well as using her new found status to milk a little money from desperate males keen to move a level or two up the social ladder.
As Indie films go this does little to highlight those credentials bestowed on other greats such as Clueless or Sixteen Candles
Some have compared this to the best teen comedy since Clueless, well forget it, Director Will Gluck does little to inject this film with any laughs whatsoever, and any dramatic interludes seem bland. If anything the characters are somewhat annoying, ranging from Amanda Bynes’s devout Christian who is not really a good advert for all things religious to Olive’s best bud Rhiannon (Aly Michalka) by far and away one of the worst acting performances I have seen for some time.
Even the inclusion of Friends star (yes she’ll always have that tag) Lisa Kudrow as the school councillor or Thomas Haden Church as her teacher husband do little to offer the overall outcome of the plot. Perhaps one of the few shinning lights are Olive’s parents Dill and Rosemary (aptly named), Stanley Tucci and Patricia Clarkson respectively, whose care free guide to parenting should be noted for today’s modern age.
If Gluck thinks he can walk in the same footsteps of a John Hughes master class he is going to have to come up with something better than this. Hughes himself was the Godfather of the teenage comedy for the likes of The Breakfast Club and not forgetting for a second Ferris Bueller’s Day Off.
Easy A tries to hard to follow in the footsteps of the above and even Olive herself references them during the film, with an ending that hardly screams of originality, unless they are paying homage to 80s teen comedies.
Openly, its not good, confused and lost for long periods Stone does her utmost to pull anything back but it ain’t working for her or Gluck here.
Olive (Stone) is a well liked pupil at high school, but when a little white lie about losing her virginity gets the rumour mill going she is singled out as, well, quite simply a slut.
Drawing on comparisons to The Scarlet Letter, which happens to be one of the books she is studying she takes it upon herself to brandish her attire with the letter A, for adulterer, as well as using her new found status to milk a little money from desperate males keen to move a level or two up the social ladder.
As Indie films go this does little to highlight those credentials bestowed on other greats such as Clueless or Sixteen Candles
Some have compared this to the best teen comedy since Clueless, well forget it, Director Will Gluck does little to inject this film with any laughs whatsoever, and any dramatic interludes seem bland. If anything the characters are somewhat annoying, ranging from Amanda Bynes’s devout Christian who is not really a good advert for all things religious to Olive’s best bud Rhiannon (Aly Michalka) by far and away one of the worst acting performances I have seen for some time.
Even the inclusion of Friends star (yes she’ll always have that tag) Lisa Kudrow as the school councillor or Thomas Haden Church as her teacher husband do little to offer the overall outcome of the plot. Perhaps one of the few shinning lights are Olive’s parents Dill and Rosemary (aptly named), Stanley Tucci and Patricia Clarkson respectively, whose care free guide to parenting should be noted for today’s modern age.
If Gluck thinks he can walk in the same footsteps of a John Hughes master class he is going to have to come up with something better than this. Hughes himself was the Godfather of the teenage comedy for the likes of The Breakfast Club and not forgetting for a second Ferris Bueller’s Day Off.
Easy A tries to hard to follow in the footsteps of the above and even Olive herself references them during the film, with an ending that hardly screams of originality, unless they are paying homage to 80s teen comedies.
Openly, its not good, confused and lost for long periods Stone does her utmost to pull anything back but it ain’t working for her or Gluck here.
Kristy H (1252 KP) rated Such a Fun Age in Books
Apr 2, 2020
Emira Tucker is a somewhat aimless twenty-five-year-old. While all her other friends have steady jobs, she's still on her parents' health insurance. Her main gig is working as a babysitter for Alix Chamberlain and her two young daughters. When Alix asks Emira to take two-year-old Briar to the grocery store one night, a security guard confronts Emira, accusing the black woman of kidnapping the young toddler. A group of shoppers gathers, someone films the incident, and Emira is angry and embarrassed. Alix feels like she has to make the incident right. Through the video, someone from Alix's past turns up, propelling Alix and Emira on a crazy collision course that will make them question each other and everything they know.
This was a fascinating book that was completely easy-to-read. Reid is a great writer, and I flew through this novel. It's a little difficult to review, but it's an incredibly thought-provoking book that focuses on so much: relationships, racial dynamics, social class, parenting, and more.
Reid's characters come to life before your eyes. I fell quickly for Emira, who seems to be floundering in her life. Everyone claims to know what is best for Emira, but once we get to know her, I found her to be an interesting character, who actually knows much more than anyone gives her credit for. Her love for Briar comes across loud and clear, too. Reid also does such a good job capturing Briar, an unique kid, and it's easy to see why Emira loves her so much.
This book is deep, even if the story flies by quickly. There's so much to unpack, especially with Alix, who thinks she so progressive, yet, well, isn't. Her obsession with Emira is completely baffling and once the second character comes in, post grocery store incident, we are constantly thrown back between Alix and them. Who do we trust? Why are these two vying for Emira? What I loved about this novel is that usually, one character ultimately proves to be good and another evil. That may not necessarily be the case here. As mentioned, there's so much nuance in Reid's writing.
I flew through this book, and I found myself completely caught up in Emira, Alix, and even Briar's world. I may not have entirely grasped everything I should have, but I found it moving, timely, and beautifully written. Honestly, I would have loved to see more of Emira's life (and Briar's). This is a different sort of novel, but I found it worth a read. Reid is a wonderful writer, and I'm excited to see what she comes up with next. 4.5 stars
This was a fascinating book that was completely easy-to-read. Reid is a great writer, and I flew through this novel. It's a little difficult to review, but it's an incredibly thought-provoking book that focuses on so much: relationships, racial dynamics, social class, parenting, and more.
Reid's characters come to life before your eyes. I fell quickly for Emira, who seems to be floundering in her life. Everyone claims to know what is best for Emira, but once we get to know her, I found her to be an interesting character, who actually knows much more than anyone gives her credit for. Her love for Briar comes across loud and clear, too. Reid also does such a good job capturing Briar, an unique kid, and it's easy to see why Emira loves her so much.
This book is deep, even if the story flies by quickly. There's so much to unpack, especially with Alix, who thinks she so progressive, yet, well, isn't. Her obsession with Emira is completely baffling and once the second character comes in, post grocery store incident, we are constantly thrown back between Alix and them. Who do we trust? Why are these two vying for Emira? What I loved about this novel is that usually, one character ultimately proves to be good and another evil. That may not necessarily be the case here. As mentioned, there's so much nuance in Reid's writing.
I flew through this book, and I found myself completely caught up in Emira, Alix, and even Briar's world. I may not have entirely grasped everything I should have, but I found it moving, timely, and beautifully written. Honestly, I would have loved to see more of Emira's life (and Briar's). This is a different sort of novel, but I found it worth a read. Reid is a wonderful writer, and I'm excited to see what she comes up with next. 4.5 stars
My First Coach: Untold Stories of NFL Quarterbacks and Their Dads
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Tom Brady's father is an estate planner. Aaron Rodgers' father is a chiropractor. Cam Newton's...
Kristy H (1252 KP) rated The Guncle in Books
Jul 22, 2021
A beautiful, funny, and sweet story of finding hope after loss
Patrick and Sara were best friends in college. Then she married his brother, had two kids, and life went on. Until Sara dies, leaving Patrick's niece and nephew motherless. Patrick has always adored Maisie and Grant--for small time periods. But when his brother Greg asks Patrick, aka "Gay Uncle Patrick," or "GUP," to take the kids for a bit, he's faced with a dilemma. It's time to actually step up. So GUP and the kids head to Patrick's house in Palm Springs, where Patrick leads the life of a very single (and gay) slightly faded actor. Once there, he institutes the "Guncle Rules" and they set out trying to survive. But as Patrick bumbles his way through parenting and trying to help his little charges heal, he realizes they may be helping them more than he could have ever imagined.
"He promised when they'd met that he would never let her go. And then life intervened. She went north and married his brother. He went west and found fame on TV. And slowly, over time, he did. Let go."
Oh this book. I'm not sure a book has ever made me cry so many times, yet I loved it so much. It's often sad but also incredibly funny and heartwarming. Rowley does something special here, capturing Patrick, Maisie, and Grant so beautifully and authentically. This is a lovely story about family and coming together after loss.
There's not much I can say to do this wonderful book justice. The Guncle is made up of a million little moments--obviously Maisie and Grant are hurting, but you learn Patrick is as well. Who needs who more? Patrick is bitingly caustic, and he talks to the kids as if they are tiny adults. But the warmth and love that comes across in his humor--that he uses as his shield--is so clear. The book is a quiet and beautiful journey of all three characters learning to live again, and it's so well-done. It's such a tender and honest story. And the acceptance that comes across here--oh, it just warmed my heart. (A scene where Maisie didn't want to wear her bathing suit, and Patrick didn't force her, but let her wear a t-shirt instead, promising to buy her a rash guard--well it brought tears to my eyes.)
I promise if you give this sweet book a try, you will love it. I love Patrick, Maisie, and Grant. I adored the welcoming message of the book. It's a sad premise, but a hopeful book. 4.5+ stars.
"He promised when they'd met that he would never let her go. And then life intervened. She went north and married his brother. He went west and found fame on TV. And slowly, over time, he did. Let go."
Oh this book. I'm not sure a book has ever made me cry so many times, yet I loved it so much. It's often sad but also incredibly funny and heartwarming. Rowley does something special here, capturing Patrick, Maisie, and Grant so beautifully and authentically. This is a lovely story about family and coming together after loss.
There's not much I can say to do this wonderful book justice. The Guncle is made up of a million little moments--obviously Maisie and Grant are hurting, but you learn Patrick is as well. Who needs who more? Patrick is bitingly caustic, and he talks to the kids as if they are tiny adults. But the warmth and love that comes across in his humor--that he uses as his shield--is so clear. The book is a quiet and beautiful journey of all three characters learning to live again, and it's so well-done. It's such a tender and honest story. And the acceptance that comes across here--oh, it just warmed my heart. (A scene where Maisie didn't want to wear her bathing suit, and Patrick didn't force her, but let her wear a t-shirt instead, promising to buy her a rash guard--well it brought tears to my eyes.)
I promise if you give this sweet book a try, you will love it. I love Patrick, Maisie, and Grant. I adored the welcoming message of the book. It's a sad premise, but a hopeful book. 4.5+ stars.
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Kristy H (1252 KP) rated Remain Silent in Books
Jun 11, 2020
In the third book in Steiner's Manon Bradshaw series, we find Manon at work part-time in cold cases, leaving her "time" to raise her toddler, Teddy, and teenage son, Fly. She's adjusting to domestic living with Mark and all the bliss that comes with it: who will take out the garbage, pick up the kids, cook dinner, and more. Then Teddy and Manon take a walk to the park and discover a body: a Lithuanian immigrant named Lukas hanging from a tree, a note attached to his body. Manon's annoying and perhaps clueless boss assigns her to lead the case--with her faithful partner Davy Walker--and Manon is back, attempting to juggle work, motherhood, and what could be a very dangerous murder case.
I love Manon and this was yet another well-written mystery from Steiner. The introduction to this book features one of the most amazing, realistic, and yes, depressing, ruminations on marriage, life, and death that I may have ever read. In fact, Steiner so perfectly captures real life, especially juggling being a working mom. I love that she doesn't shy away from how hard Manon finds parenting, or gloss over the difficulties of marriage. Once or twice I might have found these tirades a bit tiresome (back to the case, I say!), but overall, it's refreshing to find a book that tells it like it is.
Speaking of, this is such a timely read, focusing on immigration, racism, and the overall hatred of "otherness" that seems to permeate the world right now. The central plot focuses on the infusion of immigrants, particularly Eastern Europeans, into England. The story told is a heartbreaking one of anger and loss. Steiner deftly weaves a tale from multiple points of view and time periods--we hear not only from Manon and Davy, but Lukas' friend Matis, who spearheads the pair's immigration from Lithuania, only for them to find themselves basically prisoners. They are indebted to the man who brought them over, trapped in a smelly workhouse, and forced to do menial labor to pay off their "debt." With Lukas dead, the story leading up to his death unfolds, and it's absolutely riveting and heartbreaking. Steiner handles the sensitive issues surrounding immigration and racism wonderfully, crafting a well-done mystery that still gives this topic its due.
"'Why do they hate us so much?'"
Overall, I cannot recommend this book (4.5 stars) or this series enough. I have followed Steiner on social media for years and was devastated to learn she was diagnosed with a brain tumor after submitting this book. My heart goes out to her and her recovery.
I love Manon and this was yet another well-written mystery from Steiner. The introduction to this book features one of the most amazing, realistic, and yes, depressing, ruminations on marriage, life, and death that I may have ever read. In fact, Steiner so perfectly captures real life, especially juggling being a working mom. I love that she doesn't shy away from how hard Manon finds parenting, or gloss over the difficulties of marriage. Once or twice I might have found these tirades a bit tiresome (back to the case, I say!), but overall, it's refreshing to find a book that tells it like it is.
Speaking of, this is such a timely read, focusing on immigration, racism, and the overall hatred of "otherness" that seems to permeate the world right now. The central plot focuses on the infusion of immigrants, particularly Eastern Europeans, into England. The story told is a heartbreaking one of anger and loss. Steiner deftly weaves a tale from multiple points of view and time periods--we hear not only from Manon and Davy, but Lukas' friend Matis, who spearheads the pair's immigration from Lithuania, only for them to find themselves basically prisoners. They are indebted to the man who brought them over, trapped in a smelly workhouse, and forced to do menial labor to pay off their "debt." With Lukas dead, the story leading up to his death unfolds, and it's absolutely riveting and heartbreaking. Steiner handles the sensitive issues surrounding immigration and racism wonderfully, crafting a well-done mystery that still gives this topic its due.
"'Why do they hate us so much?'"
Overall, I cannot recommend this book (4.5 stars) or this series enough. I have followed Steiner on social media for years and was devastated to learn she was diagnosed with a brain tumor after submitting this book. My heart goes out to her and her recovery.
Kristy H (1252 KP) rated The Perfect Mother in Books
May 10, 2018
Compelling and suspenseful novel that grabs you from the start
The May Mothers--a group of parents who all gave birth in May--meet regularly to discuss their parenting woes, joys, and everything in between. On the 4th of July, the group decides to go out in the evening--their first time out since their children were born. They meet at a bar, and most of the group is looking forward to an evening of drinking and dancing. But Winnie, a single mother, is reluctant to leave her son, Midas, with a babysitter for the first time. And, that evening, all goes wrong: while Winnie is out, Midas is taken from his own home while the babysitter sleeps: stolen from his crib without anyone leaving a trace. Suddenly Winnie's life is splashed across the media, who are also saying the police have done everything wrong with the investigation from the start. Three of the other mothers only want to help Winnie get Midas back--but will it come at the cost of their own privacy as well?
This is a compelling and suspenseful novel that grabs you from the beginning, when we are told that it is a year later and a woman from the Mother's group is in prison due to Midas' disappearance. From there, the story rewinds, as told from the point-of-view of several women in the group, including Francie, Colette, Nell, and Winnie. It slowly unfolds with snippets from each and turns out to be incredibly suspenseful. The characters are all entwined a bit, and there are some excellent twists and turns as plot pieces unfold.
Even better, the novel offers some excellent commentary on how women are treated wrapped up in the mystery plot. Woven into the plot twists, we see some of the harsh realities of motherhood (in the U.S., especially) related to working mothers, breastfeeding, sleeplessness, and the overall pressure placed on new moms. As Winnie is increasingly tried in the media, Molloy does a good job of weaving in TV news and commentary on how mothers are expected to behave. It's well-done and I enjoyed the dual aspect of a well-done thriller but also the social commentary aspect, too.
Overall, I really enjoyed this one. It was very exciting and very surprising. At times, there often seemed to be a frustrating character involved with something to hide and making bad decisions (secretly copying files, hacking into things, etc.), but I suppose that comes with the territory. And yes, I am a little tired of the multiple POV/surprise twist format, but it worked so well here that I'll forgive. In the end, this is a really enjoyable novel with a vast cast of characters, some excellent twists, and amazing insight into motherhood. I'm really excited that this will be turned into a movie with Kerry Washington.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).
This is a compelling and suspenseful novel that grabs you from the beginning, when we are told that it is a year later and a woman from the Mother's group is in prison due to Midas' disappearance. From there, the story rewinds, as told from the point-of-view of several women in the group, including Francie, Colette, Nell, and Winnie. It slowly unfolds with snippets from each and turns out to be incredibly suspenseful. The characters are all entwined a bit, and there are some excellent twists and turns as plot pieces unfold.
Even better, the novel offers some excellent commentary on how women are treated wrapped up in the mystery plot. Woven into the plot twists, we see some of the harsh realities of motherhood (in the U.S., especially) related to working mothers, breastfeeding, sleeplessness, and the overall pressure placed on new moms. As Winnie is increasingly tried in the media, Molloy does a good job of weaving in TV news and commentary on how mothers are expected to behave. It's well-done and I enjoyed the dual aspect of a well-done thriller but also the social commentary aspect, too.
Overall, I really enjoyed this one. It was very exciting and very surprising. At times, there often seemed to be a frustrating character involved with something to hide and making bad decisions (secretly copying files, hacking into things, etc.), but I suppose that comes with the territory. And yes, I am a little tired of the multiple POV/surprise twist format, but it worked so well here that I'll forgive. In the end, this is a really enjoyable novel with a vast cast of characters, some excellent twists, and amazing insight into motherhood. I'm really excited that this will be turned into a movie with Kerry Washington.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).